God didn`t want the `seed` of a man. That`s why Jesus in the New Testament was born of the Virgin Mary. When Er, in the book of Genesis from the Old Testament, said he didn`t want to impregnate his wife Tamar with his `seed`, because it would spoil her beauty, God killed him and, when his brother Onan said he didn`t want to impregnate Tamar for the same reason, God killed him too. Er and Onan were killed because they were `poisons`, that is, `boy sons`, who were alien parasitical viral life forms, and not `Adamic Man`.
In Revelation there are two female figures; the woman `clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer` and `Babylon the Great, Mystery, Mother of harlots, and of the Abominations of the Earth`, who represent valences of woman on the path to be born. In his poem The Second Coming W. B. Yeats attempts to discern her shape:
`And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born.`
She`s difficult to describe, because the `hidden` woman who has given birth to the `New Redeemer`, to protect her while she prepares to leave Earth and `sow` her `seed` in heaven, is `futanarian`, that is, she`s woman with a penis and so a species in her own right. In heaven she fights against the `seed` of the `serpent` of Eden grown to be the devouring `red dragon` that waited in vain to devour her `New Redeemer` at the birth. Victorious, she receives a new heaven and Earth from God, while the evil receive eternal unendurable pain as their punishment.
In Revelation there are two `beasts` that represent the valence of men, and `Babylon the Great, Mystery, Mother of harlots, and of the Abominations of the Earth` is a product of their valence, which is to use women to produce poisons. In Revelation the `red dragon` is a `blood plague`, that is, HIV/AIDS is a valence, which relates to the homosexual pederasty of ancient Greek society. Women`s wombs were enslaved to produce `boy sons` to spread their plague by means of war, that is, the abominations produced by the harlots of Greece are the `poisons` of the `Greek whores`, which is underlined in Greek history by the `Greek horse` that the Greeks used to hide inside and leave outside the city of Troy. When the Trojans took it into the city, the Greeks emerged, and enslaved the `host` wombs of the women to continue their `plague` of homosexual pederasty through war.
9/11 was similarly a `Greek horse` in which the `red dragon`, having been defeated by God at the `cities of the plains`, Sodom and Gomorrah (Gen: 18,19), survived to spread its wings at `the cities of the planes`, when terrorist hijackers crashed `civil` aircraft into the Twin Towers of New York`s World Trade Centre and Arlington`s Pentagon, which houses the US Defense Department.
In the Old Testament God commands, `thou shalt not suffer a witch to live`, where `witch` is often interpreted as `poisoner`, and is used as a justification for attacks on women who are `different`. Of course, `futanarian` women are indifferent to men because she`s woman`s species, and so `different` enough for men to maintain constant denial of her existence in an aborting of her birth that defines men as `witches` and `poisoners`.
`Babylon the Great` is great because she`s able to live with the evil alien parasitical viral life form that is men. They have made of her a `harlot` to produce the `boy sons` of homosexual pederasty, and war to spread their `plague aims`. The `poisons` of HIV/AIDS is a valence of men`s `biological warfare` against women`s wombs and an aspect of how the `plague games`. Babylon is described as `Mystery`, because women are a species with their own penis as futanarian, and so the mystery is solved. Men are not a species but an alien viral parasitical life form leeching upon the products of her womb in order to further its valence of war and plague. In computer parlance, a `Trojan` is a virus, but upstate New Yorkers in Troy `work like Trojans`, which is the definition most pleasing to God, who ordered Adam and Eve to live `by the sweat of their brow` after Eden, and so `Trojan virus` isn`t `politically correct`, but a way of not offending `Greek`, that is, a worldwide euphemism for `homosexual pederasty`, so that it`s `PC` to define workers as viruses.
Being `politically correct` or `PC` so that purportedly good intentions are productive of evil is what the Greeks termed enantiodromia, which is what the defining of workers as `viruses`, and homosexual pederasty`s valence of war as `work`, represents. Or, in other words, when `PC` defines good as evil, the `beast` is loose.
English PC`s are police constables, whose telephone number is 999, but `reversed` it`s 666, which is the `number of the beast` of Revelation, while 9/11 is 911, and the number of the police in the USA. If the police are defined as `bullies`, and that`s how they`re viewed by the majority of the public, the murderers of Rodney King (USA), and Blair Peach (UK), are defined as `politically correct`, which is why Revelation tells us `the number of the beast is the number of a man, and his number is six hundred three score and six`. When all men are police, they`re all bullies, and so they`re `beasts`, which is what the `plague aims` of 9/11 were.
Michel Nostradamus prophesied 9/11 in the 15th century, `From the sky will come a great King of Terror.` The event was supposed to occur in 1999, but that`s because of the strength of the biblical 999/666 prophecy. The `King of Terror` would be the result of 9/11, and Nostradamus says 9/11 was `to bring back the great King of the Mongols`, who is Genghis Khan, but after 9/11 `surveillance` would be `King` because that`s a valence of the `red dragon` of homosexual pederasty`s that wants to keep women as enslaved `host` wombs for men as a parasitical alien virus, and which the Bible prefigures in Genesis, when Eve is `tempted` by the `serpent`, and Adam and Eve perceive themselves as `naked` after eating the `fruit of the knowledge of good and evil`, because they sense that they are being watched.
The Bible is about what`s going to watch you. The `serpent` of Eden grown into the `red dragon` of Revelation waiting to devour the `New Redeemer`, and fight a losing war against the `seed` of the `hidden` futanarian woman, that is, woman as a species with her own penis, is watching in order to devour. Or, in simple terms, if the minds of those who are watching you are evil, then evil things will happen to you, which is why 666 and 9/11 are symbolic reversals of the meaning of the police.
In the 19th century `Luddites` broke machinery that put men out of work at the outset of the `industrial revolution` when factories were becoming automated. In the 20th century similar protests surrounded the introduction of robots at car manufacturing plants. The argument was that machines would replace workers, but there`d be leisure instead. Humans would be `saved` by `robots`, which would have a humane valence insofar as they`d respond in humanity. In Judaism the `Meshiah` is defined as inaugurating global peace, and may be construed as `machine`, whereas surveillance with CCTV camera technology is more likely to produce scenarios like that of the movie Sliver (1993) with Sharon Stone as the victim of a psychopathic killer.
The unwritten valence in Sliver is HIV/AIDS, because you can`t tell from someone`s `look` whether they`re a victimizer or not, and HIV/AIDS is the virus that declares itself as `friendly` in order to kill. The female psychopath isn`t new, for example, Jessica Walter as `Evelyn` in Clint Eastwood`s Play Misty For Me (1971), and Sliver followed upon Sharon Stone`s role as a psychopath in Basic Instinct (1992), which was effectively men`s `demonizing` of her, and their `typecasting` of 20th century women as HIV/AIDS. Men`s `angle` was that it wasn`t possible to gauge by women`s `looks` as to whether they were the `killer virus`, whereas Sharon`s role in Sliver as the woman stalked by the pitiless killer watching her on CCTV in her apartment block shifts the perspective away from the demonization of women`s eyes and looks.
In Sliver Sharon shifts the perspective onto the `red dragon` of homosexual pederasty`s enslavement of women`s `host` wombs, which are symbolized in Sliver by Sharon`s apartment rooms. Her space represents an unoccupied `host` womb, as does Jodie Foster`s `panic room` space when criminals invade her home in The Panic Room (2002). The demonization of women`s looks, however, in movies like Play Misty For Me and Basic Instinct has programmed the media viewer with the false sense that the psychopath is sanctioned to be a `woman killer` in movies like Nightmare On Elm Street (1984) and Scream (1996). Because men have shown that their valence towards women is terror through demonization in order to poison the images of women through their screen roles, it`s a poisoning that both Jodie, in The Accused (1988) where she`s raped, and Sharon have resisted fiercely:
`... if you have a vagina and a point of view, you're considered a threat.`
The valence of the `red dragon` of homosexual pederasty is alien parasitical viral enslavement of women as `host` wombs in order to spread their `plague` by means of war, and which is described in Revelation as a `blood plague` because HIV/AIDS is their valence`s use of `biological warfare` and terrorism against women. Surveillance by men as the alien parasitical viral life form would turn women`s homes, and indeed any space where women may be found, such as Baghdad, Kosovo, Dharfur or Afghanistan, into a form of `snuff box`, where women may be murdered by psychopathic killers, because that`s men`s valence.
If women are to survive as a species with her own penis, she must control the camera. Irrespective of whether robots are keeping her, or whether CCTV is monitoring her, she needs `Meshiah`, that is, the machine to save her from men. As an alien viral parasite enslaving her womb to `host` primetime CNN `plague aims` such as 9/11, for the sterile homosexual pederast watching from the couch with their `plague games` Sony Play Stations, `TV` is a `transvestite` where the `creature` that`s programmed to be murdered is wearing each others` clothes. Devised as a medium to encourage `snuff`, 9/11 was a diagram of what the `King of Terror` is proposing from its position as a valence of the `red dragon` of psychopathia. The Twin Towers were columnar boxes, and the aircraft were tubular boxes, while `the plague` gamely watched the `transvestite`, that is, the `TV`, on their television `snuff boxes`at home.
In Oops I Did It Again Britney Spears demonstrates what to do with the camera. When her spaceman comes to visit her on her red planet of Mars, in her red suit she places a hook in his backpack and hoists him so that he looks down upon herself in a white bikini dress. He has a camera beside his spacehelmet and can do nothing but film her. Britney`s perception is that he`s a camera because that`s what she wants to replace her enemy with. The `Meshiah` would be the `labour saving device` of the robot that would watch over her species and not harm her. In TV`s Terminator: The Sarah Connor Chronicles (2008-9) the robots are perfectly female and functional, which isn`t a problem for men as long as it`s understood that they`re the ones with the penis. Hollywood `mainstream` movies don`t depict the penis at all, because the revealing of a woman`s penis would reveal that the movies were just an excuse to replace the penis with the gun. Because that`s the `action` the `red dragon` of homosexual pederasty prefers.
Instead of having an erection, the `red dragon` of homosexual pederasty`s guns shoot women. To `cock` means to prepare a gun to fire, so the `big cocks` are the firers (virus) who`ve shot a lot. HIV/AIDS is `friendly virus` because it `feigns friendship` in order to kill the white cells that protect the body`s health in the shape of the red cells. When Britney, in her red suit, in Oops I Did It Again, hoists her `spaceman camera` above herself in a white bikini dress, she`s the red cell showing the difference between the white bikini dressed cell and the alien parasitical virus, that is, the male, which only feigns friendliness in order to attack her.
The Vietnamese `gooks`, because the US` servicemen didn`t understand their `gobbledygook`, in the Vietnam war pretended to be wounded and cried out to American servicemen, `Tommy! Help me!` to attract and ambush them. The concept is similar to `friendly fire`, that is; `inadvertent firing towards one's own or otherwise friendly forces while attempting to engage enemy forces`,1 which is what the Navy Seals platoon pretend has happened to Demi Moore in the movie GI Jane when she`s raped by them during manoeuvres.
Warfare is just the friendly virus` excuse to transmit itself further and doesn`t want women to live. That`s why there are `rules of engagement` in `conventional war`, because higher levels of technology employ shields, like the condom, whereas men don`t want women as a species to live upon the Earth, or to leave in ships either, such as those of Star Trek (1965-), which have strong shields to protect those inside from meteors, etc. Men are the aliens on the green and blue world of Terra, who want to kill woman here and prevent her from ever leaving. Their CCTV cameras are in position to film her struggles, and the Luddites have ensured that there aren`t any machine Meshiah`s to keep her safe and protect her species from the aliens that are men.