Lesbian Sony TV

10/07/2012 13:22

Lesbian Sony TV

 

Homosexuality is a perspective deriving from ancient Greece, where women were enslaved by homosexual pederasts who wanted boys to have anal sex with, while making war to spread their plague. The `wooden horse` of Troy, for example, was used by the Greeks to feign atonement for their sins before the Trojan city and, when the Trojans took the huge `gift` into Troy, the Greeks emerged, like AIDS from someone who`d sworn they didn`t have HIV, to enslave the wombs of the women of Troy, and spread the contagion of homosexuality and war further.

 

 One of the more famous cartoons associated with 9/11 is of Greek `wooden horses` crashing into the Twin Towers of New York`s World Trade Centre, and the `air AIDS` metaphor is totally appropriate from the homosexual parasite`s point of view, because it`s the spreading of the plague of homosexuality and war in the `Greek style`. The Trojan priest Laocoön, deducing the meaning of the Greek horse, observed:

 

 `I fear Greeks even those bearing gifts.`

 

 In 9/11 terms:

 

`Beware Islamic Fundamentalists bearing aeroplane tickets.`

 

 Women are vulnerable when pregnant, which is how the homosexual pederastic parasites of ancient Greece gained power over women as the `hosts` of the men as blood-sucking leeches feeding upon their products. The crime is against God, because women have a penis of their own as futanar, which means they`re a species, while men who are incapable of reproduction, aren`t. Consequently, men are homosexual pederast parasites, by definition.

 

 

 Broadcast by CNN, amongst others across the globe, 9/11 was perceived by the alien parasites as a transvestite displaying itself on the appropriate medium of `TV`.  From the point of view of a homosexual parasite, Steve McQueen`s Towering Inferno was also a transvestite movie, because heterosexuality is the perception on the part of the innocent that men are a part of a species, whereas in truth they`re not a species at all. Consequently, although married to Joanna Pettet, the homosexuals watching perceive that Steve is wearing a woman`s clothes, because men emerge as parasites from the `host` wombs of women, having effectively `stolen` the women`s daughters` bodies, and so don`t have any legitimate entitlement to the flesh that constitutes the `clothing` of their parasitical viral form.

 

 

In The Emperor`s New Clothes by Hans Christian Andersen an Emperor is promised a new suit of clothes that is invisible to those unfit for their positions, stupid, or incompetent. When the Emperor parades before his subjects in his new clothes, a child cries out:

 

`But he isn't wearing anything at all!`

 

 As enslavers of women as `host` wombs for their parasitical alien life form, men are wearing clothes that don`t belong to them. In effect, they don`t have any of their own, which is why The Emperor`s New Clothes is a metaphor for demonic possession. The boy is able to see that the Emperor has a penis, which is why Andersen`s tale needs him to be naked; to show he`s not a woman. The parasitical alien life form has been exposed and so, needing new clothes to disguise itself, the boy is `ready to wear`.

 

 The relationship of man to boy son (poison) is much like that of the HIV/AIDS` virus that tells the `white cells` of the body`s immune system that it`s one of them, which poisons them, and so the body dies, where the body is the next woman in the cancer`s `smoking chain` that has believed in the boy, son lie. It`s The Emperor`s New Clothes again. No matter how the homosexual parasitical alien life form disguises itself, it`s a killer disease.

 

The Emperor`s New Clothes doesn`t explicitly mention that the Emperor`s penis is a homosexual pederast`s, but implicitly the `new Emperor` is the`boy` because he already has the Emperor`s `new clothes`, the naked form of the `clothed` virus which is the body he`s in receipt of from the `host` womb of Woman.

 

 

 The boy is the ingenue the reader is supposed to find intelligent, whereas Andersen is simply observing that the boy isn`t wearing `clothes` either, because they`re mother`s, and she isn`t his mother because he isn`t her daughter. Women with a penis of their own are a species, and the boy sons (poisons) aren`t, which is why the metaphor for homosexuality and war in the late 20th, and early 21st century, was the `biblical` disease, HIV/AIDS. On 9/11, this poison was the evil serpent`s `seed` (boys, sons) that attacked the `Big Apple` of Jesus` wisdom, grown since Eden. On TV 9/11 appeared to the homosexual parasitical alien life form that had infested women`s wombs as `normal service will be resumed as soon as possible`, because homosexuality and war is what the alien parasite, that is, men, had perceived the `transvestite`, that is, the heterosexuality they`d Satanically conceived as `TV`, was for

 

 The medium most criticized in the 20th century was pornography, but sex is physically harmless. The Emperor`s New Clothes is Andersen`s observation that, if women as a species have their own penis, male nudity and sexual intercourse, either anal or vaginal, is `window dressing`; to disguise as `play` their `plague aims` activities of homosexuality and war. From that perspective 9/11`s Twin Towers was Russia`s `Tallest Toy` story, War and Play Games by Lev Nikolayevich, and just another `costume change` for the virus.

 

 

 The `Tallest Toy`s` attraction, in the movie of Tolstoy`s War and Peace (1869), is Princess Elena Vasilyevna (Hélène) Kuragin:

 

`A beautiful and sexually alluring woman who has many affairs, including (it is rumoured) with her brother Anatole.`1

 

 War and Peace is The Emperor`s New Clothes as a `costume drama` about the Emperor Napoleon`s invasion of Russia. Without the transvestism of homosexual war, the fucking of the woman is all that`s of consequence, that is, she`s The Emperor`s New Clothes because, without her, men`s main activity of war would be perceivable as parasitical homosexuality`s desire for more `host` wombs to fill with the plague`s poisons (boy sons). In terms of socio-historical literary criticism, Hélène and the World Trade Centre are The Emperor`s New Clothes because they disguise, in their respective ways,2 the homosexual `game` of war, plague, and:

 

 `Death to Woman!`

 

 

 For homosexual parasites it`s only about whether they`re standing behind the machine guns, which is why they enjoyed 9/11 and the TV wars of the Gulf (1990-2011). As those who `plague aims`, being in front of the screen, and divorced from the action, is what the homosexual parasite turns on the TV for; to `play games` with Mankind as a dying transvestite: `Jesus Christ superstar! Walks like a woman and he wears a bra!` For the homosexual parasite masquerading as a harmless `couch potato`, 9/11 and the Gulf War (I & II) was their dream `shoot `em up`:

 

 `In a shoot  'em up, the player controls a lone character, often in a spacecraft or aircraft, shooting large numbers of enemies while dodging their attacks.`3

 

 The basic preconception of the 20th century was that contraptions such as the 1908 `Model T` Ford, which developed into the 2012 Ford Focus, were about movement. Designed as pedal cars, and remaining pedal cars since the first `Tin Lizzie` 100 years ago, it can scarcely have escaped the notice of any passenger, especially in aeroplanes, that the world moves while the occupants remain fixed behind glass. In psychological terms, men don`t want to move, and they don`t like anything to move without them. Especially in Arabia, where men forbid women even to drive a car. Nothing can move unless men are, metaphorically and literally, behind bullet proof glass with machine guns, which ultimately means that nothing is going to escape, despite the name of the 2012 Ford Escape. For the parasites it`s about `plaguing games` of cowardly `dodging` and homosexually `controlling`  heterosexual characters in `TV war shoot `em ups`. The parasites aren`t concerned with sex per se, but manipulating the `TV` action. Heterosexuals are perceived as the parasites` `TV` or transvestite, as on 9/11 and during the `Television War`,4 as the Gulf War (1990-2011) was labelled, and the homosexual parasites laughed as, unlike Elvis with Priscilla Presley, the `TV` shot itself.

 

 

 9/11 on CNN, or any `TV` channel, was men`s `plaguing games` with its own homosexuality, which is a sterile path of non-reproduction that has, as its teleological end product, death for `Mankind`, represented biblically and socio-historically as HIV/AIDS:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 `Womankind` is a different issue. As a medium, pornography represents both the problem and the solution. So long as men are perceived as heterosexual rather than parasites on the `host` wombs of women that are homosexually pederastic and warmongering as the ancient Greeks, pornography will be evil rather than merely condemnable for showing us their penis going in and out. Watching lesbians engaging in sexual activity is the first step towards `normal` sexuality, because futanarian women have  a penis, and therefore sexual intercourse between futanarian women and lesbian women is logical and, inevitably, women without a penis become a part of the equation which screams: `SPECIES!` In other words, pornographic representations of female sexuality, in the media; television, cinema, and elsewhere, is the only psycho-physical remedy for women who want to rid their daughters of parasitism.

 

 

 In Hungary there`s a church called Hít, which means `Faith`, and a lot of faith is required from men who perceive they`re parasites within the homosexual system that perceives heterosexuality as transvestism, a `TV` to be controlled so it can satisfy its blood-sucking leech`s desire to fulfil its `objective correlative` of species` murder and plague`s same as `reality TV`.

 

 The Hungarian church has its own channel, HÍT TV, which means Jesus on HÍT TV; or, in other words, Sony TV. In Revelation the `woman clothed with the sun` gives birth to the `New Redeemer`, who protects her from the red dragon, a sun devourer that `swept a third of the stars out of the sky and flung them to the earth`:

 

 `The dragon stood in front of the woman who was about to give birth, so that he might devour her child the moment it was born.` (Rev: 12.4)

 

 The red dragon waits in vain but, from the perspective of homosexual sterility, as a parasitical virus that wants species` death for Womankind, it`s `sun eat Eve `E`, where `E` is the Earth, the Earth is a solar powered transvestite, or `Sunny TV`, and nuclear holocaust is the red dragon as the devourer. The antidote is lesbians on `E` for Eve`s Earth TVee, which would make the `New Redeemer` a male lesbian. It sounds odd but it`s psychologically apposite. The woman `clothed with the sun and with the moon at her feet` is a symbol of the union of male and female, which indicates that her child is a male lesbian, that is, loves Woman as its own species.

 

 

 In Hungarian, `tanar` means teacher, and `fut` means `run`, which suggests that God`s programme for woman as a species with her own penis, that is, futanar, was begun by Jesus Christ two thousand years ago when he recognized what a virgin birth meant.  The torturing to death of Jesus confirmed that men are unviable, and the descent of the Paraclete as the `teacher` after Jesus` piercing by the spear of the Roman centurion Longinus to effect the emergence of the Holy Spirit as the `Second Eve` from the rib of the `Second Adam` , is for Woman to  learn from.

 

 In Revelation the `hidden` woman, who has given birth to the `New Redeemer` that protects her from the red dragon that is waiting to devour her, that is, men`s homosexuality, plague and war, leaves Earth to sow her `seed` in heaven, where she defeats the evil `serpent`s seed`, and receives a new heaven and Earth as her reward while the evil receive perdition as their punishment. Only a futanarian woman with her own penis could sow her own `seed` in heaven, which means that the Paraclete, as the Word of God, the New Testament`s incarnation of the female Shekinah of the Old Testament, dwelling in the Ark of the Covenant containing  the tablets of the law of God that, kept, guarantee God`s `Promised Land` of `milk and honey`, is Woman`s and not Man`s future.

 

1 http://en.wikipedia.org/wiki/War_and_Peace

 

2 Hélène falls ill due to a pregnancy and dies.

 

3 http://en.wikipedia.org/wiki/Shoot_%27em_up

 

4 http://www.ajr.org/article.asp?id=2988