People Are Food

20/06/2014 17:04

People Are Food

 

In US television`s Star Trek: The Original Series (1966-69), the science fiction is that starships belonging to the Federation, police the colonized worlds of humans as they have spread outward from Earth in a diaspora unparalleled in the planet`s history. The TV series, featuring Starfleet`s USS Enterprise starship NCC-1701-D, was subsequently made into a Hollywood Babylon movie, Star Trek: The Motion Picture (1979), and an updated version with a new cast, Star Trek: The Next Generation (1987-94) appeared on the small screen as a result of cinema audiences` discovering the Star Trek mythos of a cosmos colonized by humans. The presence of aliens amongst the worlds not Earth was accepted and crew members not human were aboard the starships as welcome adjuncts to the theme of peaceful co-existence, although hostile alien races were encountered, such as the Romulans in their `warbird` spaceships from Star Trek: The Original Series (TOS) and the Earth conquering, cannibalistic spare part surgeons of the cyberneticist Borg in Star Trek: First Contact (1996), whilst older rivalries were absorbed into the picture as once feared Klingons were found to be present within the ranks of the Federation`s personnel journeying amongst the stars, particularly Lieutenant Commander Worf in Star Trek: The Next Generation whose fearsome presence belied his good heart.

 

 

 Spin off TV series emerged, Star Trek: Deep Space Nine (1993–1999), which featured a Federation outpost in the shape of a starbase hanging somewhere out in the vastness of deep space, Star Trek: Voyager (1995–2001), which featured a starship adapted for deep space exploration and research, and Star Trek: Enterprise (2001–2005), which bizarrely attempted to depict the crew of the original series before they became more famous. By the early 21st century, several franchise films had been made and the film Star Trek (2009) kept the names of the TOS crew alive while entirely different actors assumed their importance for cinema audiences who didn`t know better and hadn`t seen the original series (TOS). It was traditional Hollywood Babylon revisionism familiar from remakes of the H.G. Wells` novel, War Of The Worlds (1897), filmed in 1954 and starring Australian actor, Robert Taylor, that was subsequently meant to be forgotten when Tom Cruise was given the role in 2005. Hollywood was depicting the reason for its being known as Babylon, `a woman` in the Bible, enslaved:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Hollywood Babylon is a regurgitator of obsolescent scenes of men without `futanarian` women with their own penis` semen and host womb, that is, the movie industry refuses to progress and remakes are a symptom of male brained society`s regressivity in rejecting `woman`s seed`. Consequently Star Trek: Enterprise may look better than TOS, but it`s Hollywood`s policy to be belligerently retrograde to promote worship of the Hollywood Babylon `leading man` as matinee idol, rather than develop Starfoot: The Human Generation and be truly future oriented. Womb slavery was the method employed by the ancient Greeks, who institutionalized homosexuality in pederasty to promulgate war through the enslaving of women`s host wombs. God warns Eve, the first woman, according to the Bible, that her `seed` will have `perpetual enmity` with the `serpent`s seed`, which suggests she has penis` semen of her own and `futanarian` women do have host wombs and `seed` of their own, but they`ve been subjugated by men who don`t want them to sexually reproduce as an independent socio-economic entity and escape from womb slavery in war and pederasty, which is what men`s parasitism has produced. Consequently, women are the human species of the Earth dealing with a parasite that has somehow inveigled itself into her host womb to enslave and kill her.

 

 

 In the developmental psychology of Carl Gustav Jung (1875-1961) the archetype of the ourobouros serpent appears which is self-begetting and self-devouring. The serpent is depicted as regurgitative with its tail in its mouth and Jung identifies it as a developmental archetype, one amongst several that exist in the collective unconscious minds of humanity emerging in dreams, art and imagination as the impulse engines of the species impelling its progress. According to Jung men have individual souls he calls the anima, while women have a spirit, the animus. Both denote aspects of the personality that make them feel inferior and the goal of the growth process is to overcome those feelings of inferiority that cause men, for example, to project their femaleness onto other men accusatively in homophobia and provoke conflict and which ultimately constitute the basis for war in pederasty. That process Jung calls individuation and the tail-eating ouroboros archetype represents projection, recognition, and introjection, that is, conscious understanding of the meaning of the accusatory feelings. Women`s animus is a collective of men surrounding her, according to Jung`s assessment of her feelings, which causes women to perceive herself as either loved or imprisoned, depending on her knowledge and experience. If `futanarian` women with penis` semen and host wombs of their own know they can sexually reproduce as woman, they`re able to perceive the walls of their prison, which makes their animus a projection of men`s spirit, while Jung`s opinion that women don`t have souls appears as a falsity based on an incorrect species` analysis. Because women are dealing with a predator, Jung`s collective unconscious isn`t mankind`s but woman`s, which is why Jesus` was an archetypal birth from the unconscious needs of the human species uncontaminated by male semen from his mother, the Virgin Mary, as the pure host womb of the race.

 

 

 In Eve`s first home, Eden, the serpent, Satan, is depicted as offering her `the fruit of the tree of the knowledge of good and evil`, saying `You shall be as gods,` (Gen: 3. 5) while encouraging her to give some to the first man, Adam. God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves,` which suggests that her `futanarian` foot will leave Earth aboard the mighty starships of the Federation, or something like them, prior to the colonization of the cosmos by her human `seed` after she`s escaped from men of the `serpent`s seed` through the sexual reproduction of her own brains` powers for the invention of the technologies she`ll need for space travel and exploration. Expelled from Eden for rejecting the `fruit of the tree of life`, which is immortality, in preference for death and power, is a metaphor for men`s subsequent womb enslaving of `futanarian` woman as the Earth`s true species, while the nailing of Jesus to a wooden cross and torturing him to death before his Resurrection and Ascension to heaven may prefigure the Resurrection of `futanarian` woman`s `seed`, but it also establishes the death worship of pederasty in war as the basis for an anti-Christian belief.

 

 

 The Koran of the Moslems, dictated to the Prophet Mohamed by the angels, according to the tradition of `Islam`, which means `acceptance`, was written six hundred years and more after the death, Resurrection and Ascension to heaven of Jesus, but Jesus has Ascension without death, because Moslem marriages have four wives and so Jesus` teaching of `woman`s seed` and her Resurrection and Ascension to heaven, after the model of the Virgin Mary`s bodily Assumption without death, is accepted in Islam as a `given`, so death isn`t the basis of their system of worship, as it is in anti-Christianity due to Jesus` death preceding Resurrection and Ascension, that is, the belief that it`s necessary to die to go to heaven, which isn`t dogmatically true.

 

 

 The `beam me up` command in Star Trek TOS resulted in the `Ascension` of `away team` personnel back instantly from whatever planet they were upon aboard the starship Enterprise by matter transporter, but the concept of Resurrection wasn`t a part of TOS philosophy, because the starship Enterprise is a tin of food from the Satanist perspective. In the Bible the serpent is depicted as growing in size until it`s a dragon waiting in vain to devour Jesus who is reborn to `rule the nations with an iron scepter` because men are the ourobouros serpent self-devouring itself while the enslaved host womb of the human race of `futanarian` woman`s `seed` is the devouring parasite`s self-begetter in a male braining going back to the birth after Eden of women with their own penis` semen and host womb killed and culled to ensure the power that would result from the `serpent`s seed` of men`s enslaving of the daughters of Eve`s host wombs in pederasty and war against her human species.

 

 

 Because male braining is the creation of a creature entirely male, though gender differentiable, `TV` is an appropriate medium for a transvestite wearing each others` clothes to entertain its alien masters with its self-killers` antics. The `TV wars` presented as news, or depicted as socio-historical dramas for Hollywood Babylon actors to disport themselves in as movie entertainments, represent the bizarre spectacle of a species eating its own `foot`, that is, consuming itself as food from a tin, which is what Star Trek actually denotes as the mighty starships of the Federation`s Starfleet journey about the planets of the cosmos supposedly striving not to devastate `other` Hollywood Babylon actors wearing grotesque rubber masks with their phasers and photon torpedoes while actually engaged in doing so to increase the number of aliens watching and so improve the Paramount Television company`s viewing figures to make more money through a successful endeavor.

 

 

 The discovery of a starship in breakfast cereal is a delight to the child, especially if it`s an alien who knows that the contents of the plastic starship Enterprise gift from the food manufacturer is to devour the `foot` of the human species. On July 21, 1969, 2: 56 UTC, space astronaut Neil Armstrong of the North American Space Administration`s (NASA) Apollo 11 rocket program to place a man upon the moon, said from thence, `One small step for a man, one giant leap for mankind,` because men could now hold women upon the Earth as their prisoner. By March 1983, US President Ronald `Ray Gun` Reagan had developed his `Strategic Defense Initiative` (SDI) to ring the Earth with a `ground and space based missile system` to make it difficult for the woman to leave, because she`d never be able to get her `foot` off the Earth independently and onto the luna surface as the human `futanarian` species of `woman`s seed` with her own penis` semen and female brains` capacity to develop space travel to escape.

 

 

 Hollywood Babylon had enshrined women`s occlusion since the censorship of the `one foot on the floor rule` of the Hays code (1930-67) for bedroom scenes in movies precluded woman`s penis from ever being seen on the `big screen` in a concerted attempt to prevent `futanarian` woman`s `foot` from ever leaving Earth through the sexual reproduction of her own intellectual capacities as a socio-economically independent human race. By the time Barefoot In The Park (1967) was released and actress, Jane Fonda, could be seen in intimate nude bedroom scenes with Robert Redford, it was too late for the `foot` of `futanarian` woman`s penis to be thought of by viewers in the cinema audience as credibly walking about New York`s Central Park while thinking about leaving Earth and the `serpent`s seed` of men: because they`d been conditioned out of it. Holllywood Babylon had embraced the alien and the history of cinema would be how it ate the humans out of tins.

 

 

 Although the first tank wasn`t seen in action until 15 September, 1916, at the week-long battle of Flers-Courcelette during the Somme Offensive to cut through the lines of the Germans in WWI`s war against Imperialism (1914-18), the concept of the English knight in armour defending the woman was established as early as the Middle Ages with the romantic theme being developed by Sir Thomas Mallory in Le Morte D`Arthur (1485) in which the story of King Arthur and the knights of the round table and their quest for the Holy Grail is depicted. The Grail was the bowl Christ drank from at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven. Jesus had offered `bread and wine` as symbols of his `body and blood` as the host at the `Last Supper`, where he was betrayed by his disciple, Judas Iscariot, for `thirty pieces of silver` as a `dissident` of the Roman Empire in Palestine. Judas represented Imperialism, as the military prevention of `woman`s seed` from flourishing. Iscariot was the betrayer of the human species` host womb of `futanarian` woman who could sexually reproduce her own race without male semen to Empire. Consequently, the knights of the Middle Ages and those sitting imperiously in their tanks during the `TV war` of the Gulf (1990-1) to quell Saddam Hussein`s Imperial ambitions and remove the Iraqi army after its invasion of Kuwait, represent tinned humanity devouring itself, because it hasn`t been able to understand that the Holy Grail is `woman`s seed` and the `Tin Man` isn`t supposed to eat Dorothy.

 

 

 Dorothy was the girl on her way to the Emerald City in Frank L. Baum`s US children`s tale, Wonderful Wizard Of Oz (1900), which featured the `big lie` that the man in the Emerald City of the fictional land of Oz was powerful, whereas he was a charlatan and a shill, that is, someone who cheats the unwary, and that`s what Emperors do. Dorothy`s companions are the `Tin Man`, `Scarecrow` and `Cowardly Lion`. Where the lion corresponds to Osama Ben Laden, because `Osama` means `lion`, Saddam Hussein, the `small handsome man` and `crusher`, is the `Tin Man` seeking to eat the country of the women of Kuwait from his tins, that is, his tank armour surrounding the Emir`s old city, which corresponds to the Emerald City of Baum`s novel, while `Scarecrow` is brainlessness, and is what the Empire of the `serpent`s seed` promulgates for humans.

 

 

 Lieutenant Commander Data aboard the starship Enterprise is a robot, because that`s what Medieval knights represent. The development of `conventional warfare` amid `rules of engagement` to govern armour thicknesses, etc., represent a concerted effort to preclude the construction of starships that have impregnable shields, because it`s men`s `Scarecrow` to ensure that women`s hymen`s remain impregnated by their `serpent`s seed` so that they`ll continue to have a host womb and their devouring parasitism can continue while women remain fearful, ignorant, brainless, and so foolishly susceptible to offence at the very idea that they`re male brained they`ll embrace the `serpent`s seed` rather than accept what they fear, which is admission of the sin of cowardice because they`re afraid of sexually reproducing their own species` brains and being faced with the job of developing civilization and culture for themselves. Defence is concerned to promote warfare rather than survival for `woman`s seed` because it serves the thinning of the thickness of her armour. Star Trek: The Next Generation`s Data is women`s potential robot helper that `Ludditism` and men`s devising of `bad machine code`, modelled after the late 20th century`s HIV/AIDS` virus spread by homosexuals` mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, represent, but Data states the case for women`s refuting the obligation upon herselves to be the `fatherer` of herself:

 

`You don't tell me how to behave; you're not my mother!`1

 

 

 `Greek` men`s `biological weapon` of HIV/AIDS, where `Greek` is a global euphemism for homosexuality in pederasty, kept women in fearful faithfulness to ring slavery in monogamous misogyny. The `Greek` paradigm was replicated by computer `geeks` of the late 20th century who devised `bad machine code` similar to the HIV/AIDS virus` effect, which was to infect and kill the auxiliary machine brains that were the helpers of the disabled humans. The pattern has socio-historical antecedents. In 1779 Ned Ludd broke two `stocking frames` and gave his name to the 19th century `Luddites` who ostensibly damaged machinery in the English textile industry because they feared being made redundant, which is what `futanarian` women with their own capacity for sexually reproducing their own brains` powers for labor saving technologies might do to men.

 

 

 Fear of the machine is a symptom of men`s fear of women, and the HIV/AIDS paradigm of the modern day Greek, that is, the 20th century computer `geek`, who programs computers with `bad machine code` to kill them, is directly attributable to Greek institiutionalized homosexuality in pederasty and war, where the `geek` term `Trojan horse` virus comes from the huge hollow wooden horse deployed by the Greeks before Troy as a misleading gift for the Trojans to take within their walls where the Greeks emerged to enslave the host wombs of the women of Troy to spread their contagion of pederasty and war further. HIV/AIDS` cells feign friendship for the white leukocyte defensive cells of the human body`s immune system before killing the brain, which is what the `serpent`s seed` of men in homosexuality and war do. The human race of `woman`s seed` is engaged in an undeclared war with the alien `seed` to defend her own brain.

 

 

 Although Lt. Data in Star Trek: The Next Generation represents the zenith of women`s aspirations in labor saving, that is, the humanoid robot, he`s male, because the parasite`s system is to train the eyes on men so that women can never escape their nemesis. The Medieval knight and the Gulf war tank are precursors of Data, who is men`s `Trojan horse` of the future, `With regard to romantic relationships, there is no real me.`2 If humanoid male robots are manufactured, men can continue because they`re expected to, but that`s parasitism and death for a human race esnslaved by the `serpent`s seed` in male braining, so most robots in science fiction are male, for example, in The Day The Earth Stood Still (1951), where the Earth is invaded by an alien, Klaatu, with the epitome of the Hollywood Babylon `leading man`, Charlton Heston, in the role of the man who comfortingly and lullingly saves humanity for Earthmen, while `Robbie the robot` in Forbidden Planet (1956) serves the `mad scientist` who unleashes monsters from the unconscious that stalk the humans, because terrifying women to keep them in slavery to war and death in pederasty is what men`s moviedom is designed to promote and the appearance of the male hero imago in everyone`s psyche isn`t a developmental Jungian archetype, as many suppose, but a devouring monster. As science fiction writer, Ursula K. Le Guin observes:

 

You look at the blonde hero - really look - and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. `You must change your life,` he said. When true myth rises into consciousness, that is always its message.`3

 

 

 It`s safer for women and humans to assume there are only heroines, not heroes – or gods. Apollo astronaut, Neil Armstrong`s `small step for a man, one giant leap for mankind` statement from the surface of the moon, represents the heel of the oppressor preventing woman`s `foot` from getting her `seed` of Earth and out of the solar system in a bigger step for humanity and womankind. Looking upward from Earth at the moon where Armstrong planted his foot on 21st July, 1969, he looks more like Le Guin`s `gerbil` than a godlike hero to a woman who has her own penis` semen and host womb and wants to get her children away to the planets and stars where she and they can have a future independent of the `serpent`s seed` of men keeping them prisoners to slavery and death as host wombs to a parasite that keeps her to maintain its entertainment in war through pederasty.

 

 

 `Data` is the common computer term for stored information, while `Trojan horse` is the `geek` term for `bad machine code` developed by programers to kill the brain of the human helper that contains the stored information needed for the human to be assisted to live, which is why women need computer machine brains and humanoid robots in the image of women, ` In that particular moment, I was reconfiguring the warp field parameters, analyzing the collected works of Charles Dickens, calculating the maximum pressure I could safely apply to your lips [ Data`s girlfriend`s, Lt. Jenna D`Sora`s lips ], considering a new food supplement for Spot [ Data`s cat ] ...`4 Data has a girlfriend but a `futanarian` robot would have her own penis, so a future women`s species wouldn`t need male robots in men`s image:

 

`If you are referring to sexuality, I am ... fully functional, programmed in ... multiple techniques.`5

 

 

 Humans don`t now have the memory capacity to remember their own species and communicate that to their daughters. The `futanarian` race of `woman`s seed` with her own penis` semen, and host womb for the sexual reproduction of technologies that are labor saving and will afford her the possibility of space travel, is handicapped by women`s ephemerality, which requires the development of medical science and life prolonging rejuvenative treatments to rectify, but men`s alien preference for war and death in pederasty precludes that science`s development through resources being diverted into activites alien to humans:

 

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 

 

 The `hidden woman` gives birth to Jesus in his `Second Coming as the `New Redeemer`, who will `rule the nations with an iron scepter`, so the `Great Seal` of the authority of the President of the US, which has the emblem of the eagle upon it, as well as the seals of the US Navy, who served in the Gulf and killed terrorist leader, Saud Arabia`s wealthy Osama Ben Laden, on 2 May, 2011, who had been the direct cause of the second Gulf war (2003-) to depose Saddam Hussein in Iraq after the dictator offered bases to Laden`s Al Qaeda when the group had crashed hijacked planes into the World Trade Centre of New York on September 11, 2001, so reestablishing homosexuality`s `rough trade` paradigm of `brutality and violence`6 amongst rich men who pay each other back in vendetta:

 

`I have found [Sherlock] Holmes' methodology of deductive reasoning to be quite useful. One of his adages is that once you have eliminated the impossible, whatever remains, however improbable, must be the truth.`7

 

 

 US Navy Seal Team Six`s killing of Osama Ben Laden represented the defense of the `futanarian` human hymen of `woman`s seed` with her own penis` semen and host womb in the Middle East. Moslem women of the desert wear the one-piece coverall of the burkha to conceal themselves from public view, because sex is a private matter between members of the human family, so the women keep their looks for each other, because they`re taught not to look at men and men are taught not to look at them, that is, the women are wary of `the alien`, which the United States hasn`t shown it comprehends. On the contrary, Saddam Hussein`s name means `small handsome man` and `crusher`, that is, `he shall crush your head with his foot and you shall bruise his heel,` (Gen: 3. 15) as God warns Eve of the `serpent`s seed` and its `perpetual enmity` for her `seed`, because the ancient seat of Iraq was Babylon and so `crusher` Saddam Hussein was a `small handsome man` acting for the `small screen` in the `TV war`, beginning `live on CNN` and other network channels, when Osama Ben Laden`s Al Qaeda terrorist hijacked planes crashed into the Twin Towers of the WTC on 9/11, 2001, to provide material for Hollywood Babylon`s `blockbuster` World Trade Centre (2005) and other desert war films reinforcing the male lie of themselves as the first line of defence for `woman`s seed` humanity outside of Islam remains conditioned to believe.

 

1 Spiner, Brent as Lieutenant Commander Data Star Trek: The Next Generation, Season 4, `In Theory`, Episode 25, 1 June, 1991.

2 Spiner, `In Theory`.

3 Le Guin, Ursula `Myth and Archetype in Science Fiction`, 1976.

4 Spiner, `In Theory`.

5 Spiner, Brent as Data in First Contact, Paramount Pictures, 1996.

6 `Violent, often brutal sex acts, or a person, usually a male prostitute, who looks like they participate in such acts.` http://www.urbandictionary.com/define.php?term=rough%20trade .

7 Spiner, Season 4, Episode 11, `Data`s Day`, 5 January, 1991.