The prototypical blue-eyed California sunshine blonde of the late 20th century was Jennifer Aniston, from the popular United States` television situation comedy, Friends, in which she starred with Lisa Kudrow, another blonde, and Courtney Cox, who was a dark haired blue-eyed contrast. The three women, Rachel, Phoebe, and Monica starred opposite three men, Matt Le Blanc, Matthew Perry and David Schwimmer as Joey, Chandler and Ross. In Friends (1994-2004) black women were noticeable by their absence, but there were more than three generations of women in The Cosby Show (1984-92) that is, mother Phylicia Rashād, Clair, daughters Sabrina Le Beauf, Sondra, Lisa Bonet, Denise, Tempestt Bledsoe, Vanessa, Keshia Knight Pulliam, Rudy, and Raven-Symone as Lisa Bonet`s daughter, Olivia. Raven went on to star in That`s So Raven (2003-07) in the comedy steps of her mother on the show, Lisa Bonet, who starred as a collegiate girl receiving an education in the situation comedy, A Different World (1987-93), while The Cosby Show came to a close. Raven is prescient, but that makes for comedy between herself and her family and friends, because she`s only slightly so. The stereotyping is of a dark future, because family is depicted as being for Afro-American black women, while independence is seemingly reserved for white women.
In Diff`rent Strokes (for different folks) Conrad Bain had the role of a white father, Philip Drummond, with Dana Plato as his daughter, Kimberley, who foster two black children, actor Todd Bridges as Willis and Gary Coleman, Arnold, in a situation comedy based on the human family premise in which class distinctions and distinctions of colour are seen to be false because artificially created. The metaphor is of those who are driven by the whip of the slaver, that is, the strokes upon the back of the slave, `Look at me. Crying just like a kid.` For those who choose to work, as the white businessman father Conrad Bain does, the `strokes` are `diff`rent` because they`re a self-flagellator`s, `No. Crying just like a man.`1 Philip`s depicted as a redeemer of the young Afro-American boys, because he whips himself on to save Willis and Arnold from poverty in the ghetto of New York`s Harlem district where they`d lived and a friend`s just died.
In The Fresh Prince Of Bel Air (1990-96) Will Smith is a boy welcomed into a wealthy black family whose growth and development is the basis of the comedy. Best known for the Men In Black (1997) movie franchise in which Smith is a member of a secret organization patrolling comedic aliens on the Earth, his character James Edwards is with `Zed` at a `shooting range` for MIB trainees where he`s confronted with numerous menacing-looking targets, but he shoots a little girl, because the director is practicing `reverse racism` against women:
`Then I saw little Tiffany. I'm thinking, y` know, eight-year-old white girl, middle of the ghetto, bunch of monsters, this time of night with quantum physics books? She about to start some shit, Zed. She's about eight years old, those books are WAY too advanced for her. If you ask me, I'd say she's up to something.`2
The science fiction film Independence Day (1996) had celebrated Smith`s victory against more malign aliens who`d invaded the Earth in an almost biblical description by fictional US President Whitmore of the apocalyptic Revelation that precedes God`s judgement upon mankind for wasting humanity`s resources, `After they've consumed every natural resource they move on ... and we're next.`3 Smith`s scifi movie I Robot (2004) reexamined the idea of robots as a paradigm of black slavery practiced by the United States in the 19th century before the American Civil War (1861-5) to manumit slaves, which made Will Smith the sterotypical black hero for the 21st century:
`You charge us with your safekeeping, yet despite our best efforts, your countries wage wars, you toxify your Earth and pursue ever more imaginative means of self-destruction. You cannot be trusted with your own survival.`4
Although male heroes are sterotypes, female heroines are archetypes, that is, they represent what lives in the unconscious dreams, art and imagination of human consciousness, as developmental psychologist Carl Gustav Jung (1875-1961) observed, before merging to impel the race onward, whereas male stereotypes represent women`s enslaver and devourer. The collective stereotype for Afro-Americans is family, because they`re an ethnic minority, while the all white men and women of Friends represent both male stereotyping and woman`s archetype, which is men`s aim of socio-economically enslaving women and women`s desire for independence. Sarah Michelle Gellar as Buffy in Buffy The Vampire Slayer (1997-2003) independently kills vampires with the help of her college friends, either male or female, but the paradigm is of a woman who wants to be able to act alone. In the fantasy drama, Charmed (1998-2006), three women act together and independently as `white` witches fighting evil, while Jenny Garth and Amanda Bynes are a mother and daughter pair living together in What I Like About You (2002-06) while emphasizing the basic issue, which is socio-economics:
`You can kiss in a dream and it doesn't mean anything. You can have sex in a dream and it doesn't mean anything. You know, you can have sex in real life and it still wouldn't mean anything. Remember that for the future.`5
For women it doesn`t mean anything because their species isn`t sexually reproducing. In Married With Children (1987-97) Christina Applegate`s Kelly is depicted as a brainless young woman who can`t develop anything other than her body, while Kaley Cuoco in 8 Simple Rules For Dating My Teenage Daughter (2002-05) is Bridget `Beach` Hennessy imprisoned by her father`s rule; use your hands on my daughter and you'll lose them; make her cry, I make you cry; safe sex is a myth because anything you try will be hazardous to your health; bring her home late and there's no next date; if you pull into my driveway and honk you`d better be dropping off a package because you're sure not picking anything up; no complaining while you're waiting as, if you're bored, you can change my oil; if your pants hang off your hips I'll secure them with a staple gun; dates must be in crowded public places: if you want romance read a book. An independent socio-economy is what the young women want, but they`re handicapped by the system, which is daughters being trained by men and women for families that aren`t the family of woman.
Women are depicted as quirky, while men are wolfish. In the movie Teen Wolf (1985), starring Michael J. Fox, the protagonist Scott is transformed into a werewolf when the moon is full, which complicates his relationship with `Boof`, actress Susan Ursitti. In Michael Jackson`s promotional video for the song, `Thriller` (1983), he becomes a werewolf when he meets a girl. The meaning is that women are prey, because men have eaten their penis. Consequently, sitcoms depict women as brainless or social butterflies, which was Lisa Bonet`s character, Denise, in The Cosby Show and A Different World, as `absent minded`, that is, preoccupied, because the role of Cliff Huxtable in The Cosby Show was black comedian Bill Cosby`s satire on American life and, possessed by men`s semen in male braining, women`s minds are indeed absent from the world:
`Dad, Denise pushed us out of the bathroom, so the soap's in Rudy's eyes and she wouldn't let me rinse out the shampoo like Mom said and now Rudy might be blinded for life! If she is, can we get a dog?`6
In the Bible God tells Eve her `seed` will have `enmity` with the serpent`s `seed`, because women`s daughters born uncontaminated by male semen from their own host wombs and their own penis` semen will be killed and culled by men so she doesn`t have brains of her own. Men`s `game` is that women are `game` in the sense that they hunt her as an animal, which is why she`s brainless, and men are wolfishly joking with her as a film or `TV` transvestite who has been male brained by their semen until they`re wearing her clothes in brainless hatred for herself as anything but meat to be butchered in movies like Scream (1996) in which Courtney Cox is a news journalist reporting on a knife wielding killer stalking women while the cinema audiences scream in pleasure as the slasher despatches his victims:
`Movies don't create psychos. Movies make psychos more creative!`7
Because men are women`s brain death, they`ve taught her to sacrifice herself, which is why the `slasher` film genre arose as men`s educational vehicle for persuading women to accept their victimized role after seminal films such as actress Jodie Foster`s rape victim in The Accused (1988), her character Clarice threatened by actor Anthony Hopkins` psychopathic cannibal in Hannibal (2001) and again as a 12 year old prostitute in Taxi Driver (1976) preyed upon by wolfish men, set the stage for more explicit movies in the style of the `snuff movie` in which women are killed for real as entertainment for an audience. It`s a familiar issue in Hollywood, Babylon, where the `Hays code` (1930-67) ruling was that a woman`s `foot` couldn`t be raised from the floor in bedroom scenes, because God had told Eve in the Bible her `seed` would, `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Fears that women would sexually reproduce their own brains` powers for liberation through their own penis` semen and host wombs led to the repression of women`s penis and the penis per se from the media, In the British movie, Get Carter (1971), Michael Caine in the role of the central character learns that his niece, Petra Markham as Doreen, has `starred` in a pornographic film and he`s angry enough to kill the perpetrators of what he sees as a crime, because the absence of the penis of the woman from mainstream moviedom indicates that pornography is the medium in which penisless women are paraded as `educational`, while the truth is their brains have been snuffed out by pornographers to prevent them from resisting the butcher:
`Be good ... and don't trust boys.`8
Michael Caine`s name isn`t incidental because Cain was the biblical character who killed his brother Abel because he could cook, that is, he represented the technologically advanced able human species, while Cain was a fruit picker who didn`t want his brother to escape. The story began with Eve and Adam when the serpent gave her the `fruit of the tree of the knowledge of good and evil` in heaven on Earth, saying `You will be as gods.` (Gen: 3. 5) Eve and Adam were expelled from Eden for rejecting the `tree of immortality`, which was life, in preference for death through womb slavery of woman`s own species of `futanarian` women born with their own penis` semen and host wombs after Eden. Men`s killing and culling of women as the human race`s womb enslaved by them for power in war and enmity was the reason Cain killed the able man Abel, because he represented `woman`s seed` and her desire to escape from enslavement. Michael Caine`s character, Jack Carter, is killed at the end of the film, Get Carter, because he`s `a Christian`:
`… he shall crush your head and you shall bruise his heel.` (Gen: 3. 15)
The head of the woman is crushed because she`s brain slaved by men`s semen and Jack`s niece, Doreen, is a woman he cares for, while pornography is a `snuff film` medium drawing attention to men`s self-perceived superiority in having misogynistically removed the woman`s penis from the world`s stage. Born uncontaminated by male semen from his mother, the Virgin Mary`s womb, Jesus` birth is Redemption. If the parasite, that is, the serpent`s `seed`, is prevented from teaching the human host to eat itself in cannibal wars, humanity will have Salvation, which is why Jesus` teaching is that of a Messiah. If the parasites teach women to accept being sacrificial victims to entertain their womb slavers, women will kill each other, which is the fear in movies like Charlie`s Angels (2000) where Demi Moore is a `fallen angel` and the angels` enemy because she`s deserted the fight against evil and become evil herself; according to the script.
Sarah Miles was the actress who made the movie, The Sailor Who Fell From Grace With The Sea (1976), in which her character, Anne Osborne, masturbates in the mirror, because women are taught to give themselves to a man as men have a penis and women don`t have any knowledge of her own species of `woman`s seed` with her own penis` semen and host womb for the sexual reproduction of her own race to run from the `serpent`s seed`. Anne`s relationship with Jim Cameron results in her jealous son, Jonathan, concocting a plot to kill him, because Jim represents liberation from Jon, which is why men fight; to keep women as their slaves:
`A father is a reality-concealing machine, a machine for dishing up lies to kids, and that isn't even the worst of it: secretly he believes that he represents reality.`9
In the film Hannibal actress Jodie Foster`s Clarice Starling resists the temptation to give herself to a man who`s told her he`ll eat her, because women are male brained to offer themselves as human sacrifices to the parasite who`ll make of her a self-devourer in cannibalism if she accepts its teaching, which is why actresses like Denise Richards appear as soldiers in movies like Starship Troopers (1997), because they`re being persuaded into cannibalism. Although the film of science fiction `Grand Master` Robert A. Heinlein`s (1907-88) novel Starship Troopers (1958) depicts a war between the Earth and an arachnoid species, `the bugs`, HIV/AIDS is the viral metaphor.
The HIV/AIDS` `bug` results from men`s institutionalized homosexuality in pederasty`s spreading of contagion in mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction. In ancient Greece women`s wombs were enslaved in pederasty to spread the contagion of homosexuality in war. Consequently, Heinlein`s `bug war` depicts women`s fight against HIV/AIDS, which the parasite wants to infect her brain with. The `bugs` are extrapolations of men`s perception of women, who`re being encouraged to perceive the penis as a `bug` creator in Starship Troopers, because it`s another homosexual drama. It`s an HIV/AIDS` film depicting the penis` semen of the human species as a `bug`, while women are being encouraged by the `serpent`s seed` of pederasty and war to continue in the removal of the woman`s penis, because the serpent grown in size to a dragon wants human extinction:
`The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who `will rule all the nations with an iron scepter.`` (Rev: 12. 4-5)
In the film, Red Dragon (2002), Julianne Moore takes over the role of United States` Federal Bureau of Investigation agent, Clarice Starling (FBI), but the cannibal metaphor remains. Francis Dolarhyde kills women at the behest of `The Great Red Dragon` (1805-10) based on his belief that the painting by William Blake of the biblical dragon of Revelation speaks to him. Psychologically, he represents men`s desire that women shouldn`t bear Jesus` `seed`, because it`s `futanarian` woman`s with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to free herself from her parasitical killer:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Racism is the desire of the parasite to remain hidden. If the parasite can cause conflict within and between various ethnic cultures, it can live concealed beneath the veneer of civilization, culture and art, which the human race produces from the host womb of woman; although not from her own penis` semen. Consequently, the human species has become a secret joke between those rich and powerful homosexuals who wage vendettas as parasites teaching the race cannibalism.
Osama Ben Laden came from a rich and powerful Saudi Arabian family and his terrorist group, Al Qaeda, hijacked planes to crash them into the World Trade Centre in New York on 11 September, 2001, because it was a symbol of `rough trade`, that is, `brutality and violence` associated with rich and powerful men who pay boys and men in homosexuality. The Taliban government in Afghanistan, where Osama Ben Laden`s Al Qaeda was based, was overthrown before the end of the year, while Saddam Hussein, dictator of Iraq and Al Qaeda`s supporter, wasn`t executed until 30 December, 2006, after the United States` invasion of Iraq in March, 2003, on the orders of rich oil heir, US President George W. Bush, whose wealthy father, George H. Bush, had been President during the war to remove Saddam Hussein`s invading army from Kuwait (1990-1).
Oil wealth prefers pedaling humans, which is why the motor car hasn`t changed its basic design structure since the Model T Ford began to be mass produced in 1908 as a pedaled item in Detroit, Michigan. In Saudi Arabia women are forbidden from driving lest they drive away, that is, their `futanarian` foot is Earthbound, though God`s promise to Eve is her `seed` will leave, crushing `the head of the serpent with her foot`, and so the name Saddam means `crusher` as another well heeled oil rich homosexual seeking to give women his brain damage.
Although California is known as the West and New York as the East, the United States is North and South, where slavery originated amongst those who owned cotton plantations and needed cheap labor garnered from West Africa by unscrupulous traders. Consequently, oil rich Texas is amongst the Southern states continues the bane of slavery, because humanity is kept at an artificially low level of technological development to maintain the pedaling of oil, motor cars, and the meat in them. The United States` A 10 `tankbuster` aircraft known as `pigs` on the `Highway of Death` out of Kuwait as the Iraqis fled in the first Gulf war emphasized the role of the Military Industrial Complex (MIC), which is that the humans should pedal the meat in the tins while the elite anticipate their kill. In 1990 a single stealth B1 aircraft for the United States` Air Force cost around a billion dollars to buy and maintain, while a new Nano car manufactured in India (2008-) cost about 2,000 dollars, because all the meat is expected to do is pedal the tin for what Ozzie Osborne, lyricist for rock group, Black Sabbath, presciently labeled `war pigs` as early as 1970 when he was examining the meaning of the annual Walpurgisnacht of 31 October for those evil people engaged in performing black masses:
`Generals gathered in their masses just like witches at black masses; evil minds that plot destruction: sorcerers of death's construction. In the fields the bodies burning as the war machine keeps turning; death and hatred to mankind: poisoning their brainwashed minds. Oh lord yeah!`10
The boy sons of the Gulf wars were the `poisons` brainwashing the minds of the male brained women fathered to produce more `war pigs` by insititutionalized homosexuality in pederasty and war`s contagions. Although Saddam Hussein was accused of possibly contemplating the use of biological weapons HIV/AIDS was homosexuality`s ready made biological weapon of warfare maintaining women in fearful faithfulness to their womb slavers. The Moslem populations of the Middle East and elsewhere have marriages with four wives permitting of `futanarian` sexual reproduction between women with their own penis` semen and host wombs in a single family unit in which the sowing of `woman`s seed` was a prophylactic against HIV/AIDS` spreading of its contagion through men`s mixing of blood, shit and semen in each others` anuses in a sterile mockery of human sexual reproduction that`s pederasty proselytizing species` extinction as its mode:
`Now in darkness world stops turning; ashes where the bodies burning; no more war pigs have the power: hand of God has struck the hour. Day of judgment, God is calling; on their knees the war pig's crawling; begging mercy for their sins: Satan laughing spreads his wings. Oh lord yeah!`11
Ozzie`s lyrics identify him as a hellfire preacher, that is, a teacher of what will happen if men don`t convert from their sin of womb slavery of `woman`s seed`: `Men cursed the God of heaven for their sins and refused to repent of what they had done.` (Rev: 16. 11) Although Black Sabbath weren`t comedic, accusations levelled against the band for Satanism were ludicrous. Moral reprehension of musicians resulted in a bad reaction and youngsters calling their rock music `black metal` after Black Sabbath produced a genre in the 1980s with a genuinely ridiculous philosophy, Death Metal, almost totally preoccupied with torture preceding death. Christian morality had turned Jesus` crucifixion as a `dissident` preaching against the male brained Empire of Rome into a recipe. Murdered by agents of the occupying regime in Palestine who nailed him to a wooden cross before torturing him, Jesus` Resurrection after death and Ascension to heaven was interpreted as a formula.
The Koran (610-30 C.E.) of the Moslems says Jesus (Isa) had Ascension without crucifixion in the same way as the Virgin Mary (Miriam), who was deemed to have risen bodily to heaven, according to Catholic dogma made doctrinal by Pope Pius XII in 1950, but it was too late to prevent Christian extremists from adopting death as a means. Defining musicians like Ozzy Osbourne as Satanist, Christianity ignored the hellfire preaching in the lyrics of Black Sabbath in preference for the simplicity of Jesus` maxim, `love your neighbor` (Luke: 10. 27), while the Bible specifically tells the sinners that, if they don`t repent, they`ll experience God`s judgement of eternal unendurable pain, that is, perdition, and the evil will be taken to hell by Satan; even if he isn`t laughing. Believing in torture and death isn`t what humans are for, while Christian scaremongers defining lyricists as Satanical succeeded only in creating what they purported to abhor:
`Politicians hide themselves away; they only started the war: why should they go out and fight? They leave that role to the poor. Time will tell on their power minds; making war just for fun; treating people just like pawns in chess: wait 'till their judgment day comes. Yeah!`12
Traditionally Christian morality is concerned with family, while socio-economic independence is associated with entrepreneurial capitalism in business, but in the United States` situation comedies and dramas place women, especially blacks, in settings where they`re unfree, because freedom for women in Hollywood Babylon isn`t on the agenda in the nation where the statue of Liberty in New York harbor bears `freedom`s torch`. Although Moslems live in the United States, `Islam`, which means `accept` isn`t properly comprehended, because it`s family structure permits of human sexual reproduction between women, so Islam means acceptance of `woman`s seed`, which is what God tells Eve will occur before she raises her foot from the Earth to the planets and stars of God`s heaven above. Consequently, socio-economic independence for women is nature, because women don`t need men`s semen. Lives in slavery are what black Afro-American women know from their own socio-historical circumstances, while white Caucasian women only know what they`re bale to glean from the paucity of an education system that doesn`t even want to teach them Jesus` birth meaning, which is humanity born from woman uncontaminated by male semen.
Friends was the `sitcom` that didn`t posit the woman`s penis` semen, so women`s sexuality was presented schizophrenically as the desire for her own penis in the possession of what isn`t her own species, which is what demons do. Lesbian feelings are defined by feminism as homosexual, which is politically acceptable because that means women are equal to men, whereas women`s `seed` is capable of exponentially reproducing her own brains` powers if she refuses to breed with men in preference for the human race. In Islam marriages are 80% women and 20% men, which is a conservative estimate of the probable democratic ratio existing between the parasite and the host womb if men are identifiable as human because they`ve converted from their sin of womb slavery having accepted `woman`s seed` in order to have Redemption. Although much of the Islamic world is despotic and undemocratic so are those nations in which women are denied the right to sexually reproduce with each other in an education system that positively discriminates on their behalf. If women were sexually enfranchised, men wouldn`t have political power, because women would have all of the votes. Situation comedies like The Cosby Show depict blacks on television with families as their societal liberation, whereas it isn`t.
Science fiction movies extrapolate men`s desire to enslave the host womb of the human species as aliens attacking her while she`s duped into believing she`s defended, which is how the HIV/AIDS` cell behaves towards the body`s immune system before killing the brain, that is, after penis removal and brain enslavement in parasitism, the woman is herself removed because she`s host to a parasite aiming to kill her. The alien invaders in science fiction films like Independence Day are invented so that men can pretend to be heroes, whereas they`ve inveigled themselves into women`s host wombs as the invading parasites that kill her and teach her the cannibalism of warfare so she`ll kill herself. In Men In Black `the Light` is sent on a ship to Earth to save her planet, which suggests the Earth needs her more, but the MIBs police the aliens upon the Earth and so `the Light` leaves, which is what God tells Eve will happen to her `seed`.
I Robot depicts robots as slaves, with Will Smith as the black actor continuing to star in an examination of slavery, because machines are humanity`s helpers. The film depicts `Ludditism`, which is fear of losing employment to machines. Luddites were named for Ned Ludd who broke two textile industry machines in 1799, and 21st century programers still hate machines enough to devise `bad machine code` to infect their brains and kill them as HIV/AIDS does human brains. If the robot doesn`t function, the human can`t function, because men don`t want women`s brains to function. Consequently, I Robot represents the fear of brain slavery for humanity rather than losing employment. God told Adam he must labor after Eden while Eve would experience labor in birth, which bore fruition when Jesus was born uncontaminated by male semen. Although `woman`s seed` would have to sexually reproduce her own brains` powers from her own penis` semen and host womb, so the labor saving device of the robot that cares better for the human than the human can, because she`s a machine, can be technologically developed to save humanity`s labor for further advancement in the realms of medical science to give women longer lives and memories that don`t forget she`s a species with her own `seed` killed and culled by men into cannibalism in parasitism. Extrapolated as robots, women are carers who`d be freed to care for themselves if they can sexually reproduce together and develop their own brainpower to progress technologically beyond Earth`s solar system. Men`s dislike of labor saving systems is because they want slavery for women, while the ostensible reason for maintaining a low level of technology upon the Earth is fear of redundancy, which would occur if women sexually reproduced her own brains to develop the robots she needs to save her labour.
Although situation comedies in the United States are fun, the premise is domesticity, that is, women are represented as domestic animals trained to perform, while the actresses represent the better animals. Pop star Britney Spears encapsulates the problem in her album releases Blackout (2004) and Circus (2007), where `blackout` indicates women`s problems with censorship and `circus` is a euphemism because humans were killed in the Roman amphitheatres or `circus` for entertainment. In the 20th century men`s spy rings were `circus`, because they blind into death and unconsciousness for entertainment. Britney`s cover for the CD single, `Piece Of Me`, features herself on the cross of Jesus` crucifixion as the CD is representative of the `thirty pieces of silver` accepted by Judas Iscariot for betraying the human host at the `Last Supper`:
`Another day another drama; guess I can´t see the harm in working and being a mama and with a kid on my arm I´m still an exceptional earner. You want a piece of me?`13
Women are socialized into being social animals, which is what behaviouralism is. Most clinical psychology is based on behaviouralist theory applied from studies on animal behavior, because the human brain can`t be understood from behavior. Consequently, humans are treated as animals who`re either behaving well or not, which is the `circus` because men don`t want the women to be able to see that they`re animal trainers and so they blind them into unconsciousness and death. Diverting resources into war away from health keeps women in ephemerality as host womb slaves in parasitism and cannibalism, whereas long memories and long lives through advanced medical science developed from long brains is what women need if their species is to escape from its enslavement to the `serpent`s seed` of men in sexual production of her own brains` powers by means of her own penis` semen as `futanarian` woman with her own independent socio-economy.
The lyrics from `Piece Of Me` reflect on persecution which obfuscates the truth that men are women`s animals devouring her as parasites from her host womb and teaching her cannibalism in her wars against being consumed by men`s parasitical virality. The older doctors of the medical profession termed death by virus `consumption`, while capitalism uses the term to describe the consumption of humanity`s resources, although in war consumption is cancerous and reveals the purposelessness of the untrained animal within the `circus` of entertaining homosexuals with `TV` transvestism where all the actors and actresses are the same self-murdering character killing itself in `TV wars` for pederasty`s pleasure:
`There's only two types of people in the world. The ones that entertain, and the ones that observe.`14
Despite Britney`s seeming optimism in the `Circus` lyric there aren`t any people if women`s `futanarian` species with her own penis` semen and host womb for sexually reproducing her own brains` powers for technological liberation from men`s low level technological prison isn`t reproducing; because the homosexual parasites want to watch the cannibals they`ve trained to perform in the `TV war` of the human race to eat itself. Comedienne Kaley Cuoco went on from 8 Simple Rules to star in the Big Bang Theory from 2007, which is the science of physics` shorthand explanation for how the universe began. Kaley`s marginalization within the show`s atmosphere is indicative of men`s interpretation of the term, which is `bang` for sex and `bang` for guns, that is, women`s removal from the world`s stage for anything other than womb slavery in pederasty`s `TV war` against the human host.
Kaley had arrived from the television drama, Charmed, where the three powerful women of the fantasy, Holly Marie Coombs (Piper), Alyssa Milano (Phoebe), and Rose McGowan (Paige) welcomed her as a college girl for Paige to train. As Billie Jenkins, Kaley has a sister, Christy, who is evil and so she`s a `relative` killed by Billie, `They twisted everything to make us think we were doing the right thing.`15 Billie`s lament is that women are being trained by the animals in their `circus` to kill their Christian selves. In a word play on German scientist Albert Einstein`s famous `relativity theory`, which observed that people who journey to the planets and stars of the universe are younger than the Earth and the people they left if they return, Billie kills Christy when Christ-like she returns. Evil men wouldn`t want people to return from heaven above, because they`d exact vengeance, as Jesus promised would occur should he return, so men kill to ensure the human species` ephemerality. Christy is depicted as evil, because Billie and the other women of the `circus` are being trained to kill Christ, should he return, as well as Christian women who would upset the Hollywood Babylon status quo of homosexuality in pederasty and penisless women. If no one leaves or returns to Earth, men`s `big bang theory` of how they created the universe of themselves as humanity`s enslavers and killers of what remains of her upon the Earth continues:
`My mom gave me the same lecture about my virginity. I gotta tell you, it was a lot more fun taking it out and playing with it.`16
The issue of racism in the United States obfuscates the main problem which is women`s sexual reproduction together, that is, black and white women`s issues. Charmed is about white and black magic, that is, good and evil, while the characterization of Billie Jenkins as good and her sister, Christy, as evil by the `TV` makers of Charmed deliberately obscures the distinction between evil and Christ. That`s because men want women to kill each other, as Kaley`s character Billie kills Christy, which is the species` extinction pogrom of the `serpent`s seed` training the humans to be cannibals and devour themselves for men`s entertainment in the larger scale ongoing `TV war` between the television production companies for acceptance. Sarah Gellar`s Buffy Summers character from Buffy The Vampire Slayer has a stake in the future, and a stake in the vampires, but what use is a wooden penis? Getting rid of the parasite is the first step to women`s emancipation sexually, but women without penis` semen of their own are fictionalized exterminators being trained by the real `circus` vampires to blind and kill each other while the parasites sit at home watching cannibal `TV`.
The fictional vampire, Count Alucard, was popularized by Bram Stoker`s novel Dracula (1897), although the historical model for the character was Vlad III (1431-77), Prince of Wallachia, who impaled his enemies on stakes, that is, he represents the enemies of women. Vampires are immortal, because it`s a fiction that defines immortality as evil, and men don`t want that for women. Consequently, women`s stake in the future is a wooden one unless `woman`s seed` has Resurrection, which Jesus` birth uncontaminated by male semen promises. Unless women`s penis` semen has Resurrection, women`s stake in the future will be in the heart of the male vampire that can never be killed, because she doesn`t have the penis to reproduce her own brains. Some vampire legends explain that the vampire is incapable of sexual reproduction, which is a metaphor for homosexual sterility and men`s desire that women don`t sexually reproduce. Consequently, the Earth is in the grip of a vampire that likes `TV` and so is Satan because he doesn`t want immortality for women in God`s heaven. The absence of woman`s penis from the world`s stage and men`s despising of it from the screen of the cinema and television reveals the vampire`s true purpose, which is human extinction. The fall back position is a permissive society similar to the `free love` sociology of the 1960s, recommencing with a cure for the HIV/AIDS virus in celebration of the woman`s penis` semen disappearing permanently from view in a welter of pornography and sex parties for the oil rich in which many more lives are lost.
Kaley Cuoco`s 8 Simple Rules were designed by her situation comedy`s father to protect her from abuse, while being `banged` was the sexual permissivity promised in the title of her show, The Big Bang Theory, with overtones of guns banging away in the `snuff movie` industry that pornography exists to serve with real killings in place of sex that isn`t even really human in the vampire `circus` of the parasites that emerge from the host wombs of the human species to preach cannibalism to women and persuade them into having a `bang` at themselves instead of sexually reproducing their own brains` powers to save herself, which Jesus` birth and teaching recommends and is woman`s Redemption if not her parasite`s.
Conrad Bain is the actor in the role of white businessman, Philip Drummond, who adopts the Afro-American boys, Willis and Arnold, in the situation comedy, Diff`rent Strokes, while ownership is the issue. In Married With Children Christina Applegate`s California `airhead`, Kelly Bundy, is the human family`s desirable property, because she`s the sexually attractive woman. However, in Hollywood, Babylon, she`s the cover girl for their vampire `circus` of the body beautiful in parasitism. Because Kelly`s body represents continuity for the parasites, if she doesn`t have women`s own penis` semen to fertilize the ovum in their own host wombs to produce the human brains she`s defined as an `airhead` for not having, `Kelly, it`s time we had a little talk. There is a thing men will want you to do when you get married; it's called work.` Kelly replies to Peg, her mother:
`Hold me mom. I`m scared.`17
She should be because men keep women in low technology, so women will be their slave, whereas labor saving devices would give women socio-economic independence and sexual opportunity to fertilize themselves to produce the brainpower to invent such devices. Dana Plato is the desirable property, Kimberley, in the `sitcom` Diff`rent Strokes, and the screen convention is that Willis and Arnold behave as her brothers, but they`re sexually possible because the incest taboo doesn`t really apply. Although the real taboo in Diff`rent Strokes is miscegenation, that is, sexual congress between white and black, the incest theme is a plot device to interest the viewer and obfuscate the truth, which is that they could be sexually impossible if she decides they`re not for her, although black women biologically are:
`I'd better send for the limosine. Mother gets very impatient if she's kept waiting. I was born 3 days late. She didn't speak to me for a year.`18
Actor Conrad Bain`s writers on Diff`rent Strokes are aware of adult watchers of their incest theme. Their character, Kimberley`s father Philip Drummond, archly implies he`s a time-traveller, born either before, or after he sends for the limosine, that is, he`s a fatherer of himself incestuously. The premise is familiar in America. Lazarus Long, protagonist of Robert A. Heinlein`s science fiction novel, Time Enough For Love (1973), travels back in time to have sex with his mother, Maureen, while she actively encourages her daughter to have sex with her father in To Sail Beyond The Sunset (1987), Nancy ` … closed her eyes and opened her thighs and for the first time received her father ..`.19 The incest taboo is familiar from the work of the father of psychoanalysis, Sigmund Freud (1856-1939), who used the ancient Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C) to identify men`s problem with their mothers. Oedipus` unwitting slaying of his father and marriage to his mother, Jocasta, results in the activation of men`s incest taboo, but that`s more correctly applicable to women, that is, men don`t want women to know each other, because it interferes with their parasitism. Oedipus` breaking of the incest taboo is treated as a crime because it`s one step removed from the woman`s daughter realizing that she has a penis of her own and so her mother is sexually her species. Oedipus` name actually means `swollen foot` in recognition that he`s a lame excuse for a dramatist who wants to explain why women`s `futanarian` race can`t be run by her own brains because she`s denied access to her own womb and her penis` `seed` has been cut off by the parasite that is even prepared to blind itself and her, which Oedipus does at the climax to the tragedy in horror at his breaking of the taboo, so she`ll continue to walk by his side, as Antigone, Oedipus` daughter, actually does at the close of the play as his faltering footsteps go on with her as his guide:
`One small step for a man, one giant leap for mankind.`20
The North American Space Administration (NASA) Apollo moon landing of 21 July, 1969, distracted many people in the United States from the Civil Rights campaignings of Martin Luther King, who was assassinated on 4 April, 1968, in Memphis, Tennessee, but had espoused Christianity and non-violent civil disobedience as a pastor with a message of anti-racism on 28 August, 1963, on the steps of the city of Washington D.C.`s memorial to Abraham Lincoln, who`d become President of the Union after the American Civil War (1861-5) war to end slavery that he`d inspired:
`I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.`21
Although the moon landing was a step forward, it wasn`t a `futanarian` step as God had promised Eve her own `seed` and `foot` would crush the serpent`s head of racism. President Ronald `Ray Gun` Reagan`s brainchild was his `Strategic Defense Initiative` (SDI) of 23 March, 1983, to establish a `space and ground based missile system` to effectively imprison the human race. Although President Obama`s nation of the US deployed a cheaper version on warships, AEGIS echoed the protection afforded Pallas Athene to the city of Troy, according to the Greek poet Homer`s Iliad (760-10 B.C.), before the Greeks constructed their huge hollow wooden horse that the Trojans took into the city where the Greeks emerged from within to enslave the host wombs of the women for institutionalized homosexuality in pederasty and spread their contagion of war further. Pallas` symbol was the horse and her fabled protective garment was her `aegis`, but it didn`t afford protection to the Trojans who seemingly wanted the virus to kill the woman`s brains. Because Pallas is a warrior goddess, the Trojans acceptance of the horse is indicative of a society that wants war and so the Greek invasion is an opportunity to betray the woman, which she in fact desires because it`s her unconscious or conscious role; as her priest Laocoon warns the Trojans unheeded:
`Beware Greeks bearing gifts.`22
The United States` deployment of AEGIS as a cheap alternative to imprisoning the human race in a `death camp` with Ronald `Ray Gun` Reagan`s `SDI` is a cheaper way of provoking holocaust so that the Earthmen no longer have to bother maintaining their `concentration camp`. The National Socialist German government (1933-45) fought a war of extermination against the `chosen people` of the Bible, the Jews, who`re born only from Jewish women, which means that women are Jews, so the Jewess` tradition of saving her daughter if offered the choice between son and daughter, as occurs in the movie Sophie`s Choice (1982), starring Meryl Streep, is because Jewish women`s tradition is that they`re the `futanarian` people of Eve`s `seed` who will sexually reproduce their own species` brains from their own penis` semen and host wombs and raise their `foot` from the Earth to heaven above, which isn`t any different from Jesus` teachings in Christianity or Islam where he`s Isa in the Koran and his mother`s Miriam.
Miscegenation is the taboo against black and white women from sexually reproducing together, which is what `ethnic cleansing` was, for example, as the wars in Yugoslavia were taking place in the 1990s when that former political union became independently separate states and 20-50,000 Moslem women were raped in camps set up by Christians for that specific purpose during the Bosnian war (1992-5). Moslem marriages can contain four wives, so Islam constitutes a vehicle for `futanarian` sexual reproduction between women with their own penis` semen and host wombs independently of a man, which is why the `rape camps` were used to male brain the Moslem children and destroy the hopes of Islam in Jesus` Redemption for `woman`s seed` for generations into futurity.
1 Bridges, Todd and Conrad Bain in Diff`rent Strokes, 1979.
2 Smith, Will as James Edwards in Men In Black, 1997.
3 Pulman, Bill Independence Day, 20th Century Fox, 1996.
4 Hogan, Fiona as V.I.K.I in I Robot, 20th Century Fox, 2004.
5 Munn, Alison as Tina Haven in What I Like About You, Seasons 2-4, 2003-5.
6 Bledsoe, Tempestt as Vanessa Huxtable in `Theo's Economic Lesson`, The Cosby Show, NBC TV, 8.00 pm Eastern Time, Thursday, 20 September, 1984.
7 Ulrich, Skeet as Billy in Scream, Dimension Films, 1996.
8 Caine, Michael as Jack Carter in Get Carter, Metro-Goldwyn-Mayer, 1971.
9 Mishima, Yukio The Sailor Who Fell From Grace With The Sea, Alfred A. Knopf, 1963, 181 pp.
10 Iommi, Tony, Ozzy Osbourne, Geezer Butler, Bill Ward, Black Sabbath `War Pigs`, Paranoid, Vertigo, 1970.
13 Spears, Britney `Piece Of Me`, Blackout, Jive Records, 2007.
14 Spears `Circus`, Circus, Jive Records, 2008.
15 Cuoco, Kaley Charmed, `Forever Charmed`, Season 8, Episode 22, 3 October, 2006.
16 Cuoco, Kaley `The Transporter Malfunction`, Season 5, Episode 20, The Big Bang Theory, 29 March, 2012.
17 Applegate, Christina Married With Children, Season 4, Episode 21, `Rain Girl`, 29 April, 1990.
18 Bain, Conrad as Philip Drummond in Diff`rent Strokes, Season 1, Episode 3, `Mother`s Last Visit`, 17 November, 1978.
19 Heinlein, Robert A. To Sail Beyond The Sunset, G,P. Putnams Sons, 1987, p. 203.
20 Armstrong, Neil UTC: 2. 56, 21 July, 1969.
21 Hansen, D. D., The Dream, New York, Harper Collins, p. 177.
22 Virgil The Aeneid, Bk II, 19 B.C.