Britney Spears And The Legend Of Sleepy Holo

21/07/2012 21:15

Britney Spears And The Legend Of Sleepy Holo



Washington Irving`s story of Ichabod Crane, The Legend Of Sleepy Hollow, is the basis for Britney Spears` Oops I Did It Again, because of the myth symbol. The ibis bird, the crane, is the symbol of the Egyptian god of knowledge, Toth. Because `ib` is the heart, the ibis is the heart`s knowledge. Britney`s spaceman has the Ichabod Crane role of `teacher` and gives her a `gift`:


`But I thought the old lady dropped it into the ocean in the end?`



 Britney`s allusion`s to the Titanic movie, and Rose`s ex-lover`s framing of her new lover for stealing a blue diamond pendant, `the heart of the ocean`, by placing it in his pocket, and which Rose drops into the sea signifying her `disappointment`.



 In her red suit, hoisting her spaceman above herself in a white bikini dress, Britney`s the Egyptian goddess Ma`at, with her `balance` and `feather`, symbolized by herself in the white bikini dress. If heart and feather balance, the `hero` will go on with her. Britney removes the spaceman`s helmet, before he gives her the `gift` of the blue diamond heart pendant, so he`s a `headless horseman`, and now doesn`t have a heart. When she suspends him above herself in a white bikini dress, she`s the `white` feather if he isn`t brave enough to ask for her heart, and she `takes heart` with Rose from the Titanic. In other words, she`s accepted the Kore relationship between women, symbolized in Greek mythology by the mother and daughter goddess pairing of Demeter and Persephone, as being supportive.



 Women`s perceptions generally are formed by their supposed need for a family, but that need is purportedly resolved by the male penis. However, in Revelation, the `hidden` woman leaves Earth to `sow` her own `seed` in heaven, which means she has her own penis, and is a species. Britney`s preference for Kore is instinctual but spiritual insofar as she`s prepared for family, but also bisexuality, hermaphroditism, and divorce from men and the Earth.



 In the movies Ichabod Crane`s role is `starring`, and Britney descends onto the stage in Oops I Did It Again inside a `giant ring`. The `hidden` woman of Revelation has a ring of twelve stars around her head, symbolizing the Earth`s planetary zodiac, that is, the heavens, as they appear from Earth. There`s no sign of marriage, but she gives birth to the `New Redeemer`, and the `Second Coming` of Christ is the Revelation of those rewards and punishments that result from obedience and disobedience to Jesus` teachings.

 The teacher, in The Legend of Sleepy Hollow, is Ichabod Crane, which means the `hidden` woman is the Paraclete, or Holy Spirit, which emerges as the `Second Eve` from the side of the `Second Adam` after Jesus` crucifixion, death, Resurrection and Ascension. Effectively, she emerges when Longinus, the Roman centurion, pierces Jesus` side with his spear, which is thereafter known as the `Spear of Destiny`. Adopted by the USA, as a symbol of `Manifest Destiny` and the `American Dream`, the spear and Britney Spears are metaphors for the `hidden` woman by the side, that is, the `spirit of God`; the woman by the side of man (and woman), and the `hidden` woman of the Earth who`s to come:


`I`m Miss American Dream since I was seventeen.` - Britney Spears Piece Of Me



 Britney`s spaceman is wearing his helmet again, when he`s suspended above her. Britney`s restored the horseman`s head after removing it to receive his heart and, because winches were used in the Middle Ages to lift knights onto horses, Britney`s spaceman is Ichabod Crane, that is, Washington Irving`s employment of a name as an uplifting  symbol of the teachings of Jesus` `sacred heart`. Because, in Egyptian mythology, the knowledge of the heart is symbolized by the ibis bird, a `crane`, Britney`s observing that `name` is a relative issue.



 In Oops I Did It Again Britney appears in red, white, and black and white, that is, the `hidden` woman by the side, which is the `spirit of God`, and the woman by the side of man (and woman), while the presence of the `hidden` woman of the Earth who`s to come, as a species with her own penis, is tacitly accepted, but she`s anonymous. In others words, `name` and `position` aren`t an issue for the woman but, in The Legend Of Sleepy Hollow, `Bones` wants the `position` with the woman, because he`s death. In Revelation the red dragon`s a devourer, because it represents HIV/AIDS, the blood disease, which effectively arose in ancient Greece where homosexuality, pederasty, and the enslavement of women`s wombs to maintain the `devourer`, were spread by means of war.

 Britney`s uplifted spaceman is representative of the `New Redeemer`, as Ichabod Crane, and because the `crane` bird, or ibis, is a symbol of the heart`s (ib) knowledge in Egyptian mythology, Britney`s spaceman is symbolically in danger of being devoured by the red dragon of Revelation, which is Britney, in red and white, symbolizing the red and white cells of the body`s immune system. In HIV/AIDS the body can`t distinguish between HIV/AIDS cells and the body`s, which means that the red dragon of Revelation has `evil` blood. Consequently, although Britney, in red and white, is warning of the dangers of HIV/AIDS, her `system` is `healthy`. In Revelation the red dragon of HIV/AIDS waits in vain to devour, because it`s a `Greek horse`:


`Whoah there horsey!`


 Britney`s spaceman`s exclamation when, upon finding her brooch in the Martian sands, the `House of Horus` emerges from the desert, suggests the walls of her citadel are to be `broached` by the `Greek horse`; the device the ancient Greeks used, to hide inside and capture the city of Troy. The Greeks` traditional method was to betray friendship in order to further `plague aims` of homosexual pederasty and war. The Trojans believed the huge wooden horse left by the Greeks outside the city was a `gift` and took it inside the city`s walls where the Greeks emerged for further `plague games`:


`Beware Greeks bearing gifts.` Homer, Iliad


 As a parasitical alien virus, the Greeks represent the `hidden` man, that is, men as the virulent homosexual pest of war. The `hidden` woman is the `spirit of God` at the side of a man, but `invisible men` would be a disease, which is why Jesus, in the New Testament, speaks of the teachings of the `Holy Spirit` that`s to come. In the Old Testament, the `spirit of God`, who is female, is the Shekinah, who dwells where the law of God is kept in the Ark of the Covenant, and so is again God`s promise of what`s to come. Not simply the promised land of `milk and honey`, but the `hidden` woman implied by the law of Judaism that a `chosen ` can only be born from a woman, which effectively means that only women are the `chosen people`.



In The Legend Of Sleepy Hollow Ichabod Crane is a fictional character. His only reality is textual. Oops I Did It Again is about `identity`. Ichabod Crane, the teacher, wants a wife, but `Bones` marries his choice. Effectively Ichabod Crane is absorbed into the character of the `headless horseman`, who`s identified by literary critics as `Bones` himself, which means `possession`, and `position` respectively. `Bones` is a `hollow man`, for whom `position` is everything, and truncating the teacher`s personal growth, and development, is how he makes sure of his `choice`..

 Arabian despots place couples inside a sarcophagus to crush the juice out of them. Many `royal` houses have married couples, or pairs of what they call their `choose`, inside what are similar to the `iron maidens` of the Middle Ages. Their images appear in Jennah, the `Paradise` of Arabia, similarly to transmitted pictures in CCTV, but more substantially, like those on the `holo deck` of a Starship from Star Trek.

 One of the reasons for the Gulf War (1990-2011) was Saddam Hussein`s first name, which means `crusher`. Aboard the Starship Enterprise in the television series Star Trek (1965-) `Bones` was the nickname of Dr McCoy, the `space doctor`, but after the subsequent movie franchise that began with Star Trek: The Motion Picture (1974), the 90s TV continuation, Star Trek: The Next Generation, featured Dr. Crusher, a woman, as `Bones` successor. This is relevant because, in Arabia, the `holo` deck is the result of `bone crushing`, and that`s why Saddam `Crusher` Hussein had his name. The one piece coverall of the women`s abiyah or burkah is merely the outward symbol of the `iron maiden` inside which the soul is `crushed`. Saddam would`ve `crushed` the `Jews` too, so they`d be slaves of the Middle East`s `holo` deck. The abiyah or burkah is the `shell` of the woman but, according to Islamic belief, her spiritual body, or the soul or spiritualized anima of her trapped self within a man, is the equivalent of the Holy Spirit, that is, the Paraclete of Christianity, and appears invisibly outside of herself in `Jennah`, which is the Arabic word for Paradise on Earth.



 In her abiyah or burkah, the Arabian woman is an `iron maiden`. If the Star Trek `holo deck` that first appeared as a part of the ship`s recreational facilities in the 90s was the result of bone crushing by `iron maidens`, Dr Beverley Crusher would be the `space doctor` and the crew would be her `shells`. In mythology Venus is the pearl born from the ocean insofar as she is depicted arising from the depths of what might be thought of, in terms of psychological development, the unconscious. Consequently, Venus represents the anima as the spiritualized soul of a man, which is female, or the female spirit of a woman. In simple terms, the body is the `shell` of the pearl, whether the body is male or female, and the Gulf wars were ostensibly about the freedom of woman symbolized by `Liberty` in New York harbour, who was attacked by Arabia`s terrorist group Al Qaeda on 9/11, 2001, when they crashed hijacked planes into the Twin Towers of New York`s World Trade Centre to insure the devouring `red dragon` of homosexual pederasty`s slave trade in the `boy sons` of warfare which has, as other of its valences, the `poisons` of HIV/AIDS` `biological warfare` against women`s `host` wombs and its continued `shelling` of women`s peace on Earth for the false Paradise of woman`s enslaving.

 In biblical terms, the `seed` of the woman, as depicted on Star Trek, is unable to escape from the male valence; although she has a penis of her own as `futanarian` woman and doesn`t need the male. In Revelation the woman`s `seed` receives a new Earth and heaven from God; after war in heaven between her `seed` and the evil serpent`s `seed`, which would correspond to the male valence that would devour her on the Earth rather than allow her to escape to the stars alone. Star Trek presages that war in heaven because the woman`s `seed` has to be independent of the male if the Bible is to be fulfilled.  In fact Revelation depicts the `red dragon` waiting in vain to devour the child of the `woman clothed with the sun and with the moon at her feet` because woman`s `seed` will be successful. The `New Redeemer` is depicted as the enlightened male valence that allows her to live and protects her before she leaves with `an `iron sceptre` that corresponds to the will of conviction and resolve, which would be necessary if faith consisted of the belief that your true valence was female and that you lived as a woman in heaven.



In Star Trek the movie still has the male virus. Because the enemy aliens are the `shells` of men. But Dr Crusher represents the female valence that would liberate the trapped female from within the body`s male `shell`, rather than that the bodies should be crushed by the shells of the evil serpent`s `seed`, which is the valence of the `red dragon` that was Saddam `Crusher` Hussein and its wars of the Gulf between evil and woman`s `seed`. The biblical concept of the `New Redeemer` is that men can be redeemed but the evil serpent`s `seed` received unendurable eternal pain from God as a punishment and, because men are the parasitical viral valence of what has formerly been presumed as the human species, God`s perdition is theirs.



 The Assumption of the Virgin Mary in Catholicism is the assumption that woman`s `seed` will be successful, but the male `seed`, which is denied at the birth of Jesus from the Virgin Mary, is irredeemable after the evil`s refusal to accept the female valence. In other words, the future of humanity is the self-producing female with her own penis as `futanarian` woman. The male `seed` is unredeemed by the `New Redeemer`, who is the redeeemer of woman, and she receives a new heaven and Earth as a species, but men are effectually doomed if they don`t accept that they are women. Equally, if women don`t have humanity, they don`t have God, because God is a human and humane God, and those women who don`t accept humanity are also doomed to perdition because they cannot be trusted with the nurturing and development of God`s future creation.



The misconception in Star Trek, and other extrapolatory scifi `pictures`, is that humans would have to be more evil to defeat evil, whereas men`s `picture` of themselves suggests that they`re the evil that they represent. In other words, the male valence is malevolence towards the human species, which is `futanarian` woman`s. She represents the thwarted self-reproductory and intellectual spirit of what is truly humanity, which isn`t the male alien that seeks to enslave her in monogamous homosexual pederasty and the devouring misogynistic wars of the `red dragon` against her.



 To defeat evil humanity would have to be better, that is, more good, rather than evil, whereas the male valence of malevolence at the end of the 20th century was to maintain women`s `host` wombs enslavement by means of the `child` of homosexual pederasty, that is, the HIV/AIDS virus and fear of it, which would maintain monogamous possession of humanity, that is, woman, and prevent her from escaping to the stars without men.



Star Trek is invariably about the alien but, if men are the evil alien parasitical virality preying on the `host` wombs of women as homosexual pederasty and its valence of warfare against her, the criteria for what is God, human, and humanity, is humane, which is how female nurturing and the developing of intelligence is definable. Consequently, there can be no alien intelligences but there is evil and the Bible effectively tells us that men are woman`s evil aliens. As a `futanarian` species, women are human intelligence and what is intelligent is humane. Although it`s tautological, if human is defined as God and woman, intelligence is defined, and the alien is the male in whatever guise he appears. Star Trek is a bevaviouralist depiction of how women survive by acting with men who`re dangerous, but without them they`d have to act together, which is the reason for the `picture`: tt`s a model for their species` survival.



 An encounter with another intelligence would be an encounter with what is human, because intelligence is the definition of `human`. Only an evil creature would spoil the picture if it was a `human` scene. The concept of another intelligence that isn`t of Earth origin is a misnomer, because intelligence is what humans perceive as human. Or, in other words, men are the aliens that have convinced the `futanarian` species of woman that they aren`t evil devourers of her, whereas `other` intelligences within the cosmos are conceivably human but appear otherwise.



 In short, humans are women and have been taught to confuse intelligence with form, that is, men are the `shells` that imprison but she perceives her `alien jailor` as human, whereas humanity is dependant not on form but intelligence. In simple terms, alien is evil and human isn`t men, whereas men are evil and aliens. So, in Revelation, God gives woman`s `seed`, that is, `futanarian` woman`s `seed`, with her own self-reproductory valence as a species with her own penis, a new heaven and Earth. Because men are evil aliens.



 Star Trek is concerned to present the possibility of an alien threat to humanity. Because the human valence of God isn`t dependent on form, that is, men are the evil aliens, and woman is trained to understand by them that there is no hope for her from a human valence that doesn`t have the form of men, whereas she`s a species and men are her alien devouring parasite. In simple terms, God has humanity. Women pray to God for escape from the evil aliens that are the men who have imprisoned her as the parasites that prey upon her.



 Extraterrestrial intelligence will be a valence of God`s. Because intelligence is definable as human, whereas men after Revelation no longer are. God is definable as humanity, that is, the female and her `futanarian` `seed`, which has humanity and isn`t evil, while men are. Extraterrestrial humanity doesn`t have to look like `Woman` to be perceived as `human`. Moreover, good, better, best is the solution to evil; rather than more evil.



 The Star Trek adventure is men`s conception of being a greater evil than their supposed evil, which isn`t in fact extraterrestrially visible. However, if humanity is the prisoner of evil, that is, women are the prisoners of men, God is the extraterrestrial intelligence to whom they pray for deliverance and doesn`t appear to be human. Although God is described as creating man in the image of God, the woman`s `seed` is defined as humanity in Revelation while the serpent`s `seed` is defined as men, who are irredeemable, which means men are no longer in the image of God and have been superceded by the reproductive and intellectual valence of `futanarian` woman.



 God could never appear as human to men. Because God appeared as human to Adam in the shape of Eve and the alien parasite eventually decided she was the apple it should have eaten. Consequently, God`s future valence towards humanity will be formal and not manlike. Or, in other words, God will appear to humanity, that is, woman, in another form, which men are preparing to kill; as they are killing her. Because men have chosen to be evil aliens towards woman as a species and God hasn`t. Star Trek constitutes men`s preparation as the evil aliens who are intent on killing God and they don`t care how `She` appears. As long as she doesn`t look like them.



Star Trek`s Dr Beverley Crusher represents the prescient notion of woman as a `chosen` species that Saddam `Crusher` Hussein wasn`t able to crush. In Judaism it isn`t possible to be born a Jew unless born from a woman, which effectively means that women are the human valence. Or, in other words, men aren`t humanity, which loves the humane. Paradoxically, WWII`s Nazi pogroms against the Jews (1939-45) defines men as evil but reinforces the perspective that women are the `chosen` people. If men are the imprisoning shells of women, Dr Crusher of Star Trek connotes the `space doctor` that has the remedy for the Arabic valence of Saddam `Crusher` Hussein, who`d crush the `chosen` people, that is, women.



A man and woman are a pair, according to Genesis, and choosing a new pair of Jews would be the joke of the evil serpent`s `seed` if woman as a species with her own penis were to replace men as God`s `chosen`. In Arabia women wear the black abiyah or burkah, which is a one piece coverall that appears as if it were the iron maiden of the torture chamber because that`s the Arabic valence of Saddam `Crusher` Hussein and the `holo` deck of Arabia.



 Arabian women aren`t visible in public, which effectively means they`re blind to their own beauty. Because men want to subdue their `futanarian` valence. If the body is a `shell` for the imprisonment of women, and the Arabic valence is the iron maiden of the abiyah or burkah, humanity is a `shell game`. The humans are blind to the beauties of the woman who is crushed. But she`ll appear to the `choosing` of the evil serpent`s `seed` of men as they mock the Holy Spirit, that is, the Paraclete. She effectively emerged Eve-like from the rib of the `Second Adam` as woman`s teacher in the evil`s `shell game`. When Jesus` side was pierced by the spear of the Roman centurion Longinus at the Messiah`s crucifxion and death before Christ`s Resurrection and Ascension to heaven.



 In simple terms, woman`s penis is being blinded so that men`s penis can have her. What is visible is only the `shell` of the `game` of men as the evil aliens that have enslaved `futanarian` woman with a penis of her own, which is the true valence of humanity. While she tries to guess what`s under the shell of her body, all around her are the women that she can`t see. Even though they`re visible to the evil serpent`s `seed`. Consequently, the holy book of Islam, the Koran, tells Moslem women that the voice of evil is powerless, so that she`ll only listen to the voice of God, who is `neither male nor female`, because `futanarian` is woman`s true valence.



 The `shell game` is usually played with three upturned cups beneath which is a token, In Arabian terms, the `contestant` would have to guess where the woman`s penis was, and if a man were under there in the case of marines in the Gulf wars and their concerns over infiltrators masquerading as females. Three cups because man, woman, and `futanarian` woman with her own penis are `triune` but, in Arabia men can have four wives, which means the `shell game` is fourfold. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; `Thinking`, `Sensation`, `Feeling` and `Intuition`. According to Jung the four functions receive differentiation or become functional valences of the individual as growth occurs. Consequently, the Arabian marriage valence constitutes a self-actualizing paradigm and, although a man is at the centre of what might be a vehicle for `futanarian` relationships, having a woman at the centre is feasible in terms of species` functionality, and survival without the enslaving male alien parasitical virality. In simple terms, Christianity represents the monogamous obstacle to a triune marital arrangement between man, woman, and `futanarian` woman with a penis, and the quintessential Arabic marriage represents a potential fourfold functionality in terms of woman`s species` differentiation. But it`s a `shell game` with four cups instead of three for those who aren`t interested in Jungian functionality but could be interested in whether or not the woman in the abiyah is a `suicide bomber`.



 If men are the evil serpent`s `seed`, they`re forever recognizable and so condemned as women`s enslavers. Despite their cleverness at blinding women`s penis to its own existence. Despoiling her Paradise secretly in the realm of what is invisible to her, men have forever `shelled` Arabian woman in the wars of the Gulf between her and them. Christianity`s promise is of a new heaven and Earth to her and her `seed`, which is what the Gulf wars were about. Because they wouldn`t have chosen to have a man, Saddam `Crusher` Hussein represented the `bones` of Arabia`s women. His remedy for woman`s wanting to escape from Earth would have been to `crush the foot of the shoes`, that is, prevent God`s new `chosen` pair of Jews, who are woman with her own penis as `futanarian`, from using its own `juice` exclusively.



 In The Legend Of Sleepy Hollow, Bones` denial of Ichabod Crane is, symbolically, rejection of the ibis bird, which is the heart of knowledge in Egyptian mythology (ib). Bones` defeat of Crane represents man`s heartless `final solutions`. The `hidden` woman protected by the `New Redemer` of Revelation is depicted as crushing the serpent`s head with her naked heel when she leaves. Because her `futanarian` foot finally has `freedom from the Jews`.



 Oops I Did It Again also references The Wizard Of Oz in which the `cowardly lion` receives encouragement in the form of a medal, in this case the blue `heart of the ocean` diamond pendant, rather than the `purple`. In The Wizard Of Oz the `cowardly lion` is brave, but doesn`t feel so until he receives the medal. Most heroes feel the same. It`s a surprise when their valor is recognized.1



 The scarecrow doesn`t have a brain, but scares the crows and Britney, in her white bikini dress beneath the spaceman, raised by herself in a red suit, moves her arms airily, as if she were protecting the corn from crows, a symbol of the Greek mother-daughter Kore of Demeter, the corn goddess, and Persephone, her `seed`, which in Revelation appears as the archetypal `hidden` fertile woman prepared to leave Earth.



 Britney`s spaceman`s Set, the devourer of Osiris, god of growth and development in Egyptian mythology, because he has a camera to transmit pictures to `Mission Control` on CCTV, for the `TV set`, who want holo women. In the myth, Isis resurrects Osiris, with the new name of `Horus, the sky god`, after Set`s dismembering of her `pair`. Britney`s set is Bones` TV, which is reset each time Oops I Did It Again is viewed so that the virus can never penetrate her defences.



 A huge fork hangs beside the spaceman, whose camera `on the side` is receiving transmitted pictures of Britney from CCTV Set, symbol of disremembering, that is, devourment after dismemberment, which is why Britney, in her white bikini dress, looks as if she`s on a tablecloth. Because she`s an `airhead` who is only trying.



 Oops I Did It Again is about the meaning of `character`, and the difference between `role` and `position`. In fiction there are characters, and in reality there are characters. In fiction all of the characters are the character of the author, so `position` is important only so far as the author identifies with the `role`. In reality, `position` is crucial.



 In The Legend Of Sleepy Hollow, `Bones` is `imposition`, because he`s a `headless horseman`, whereas Ichabod Crane has lifted himself into `position`. Britney`s use of a `crane` to hoist her spaceman alludes to Arthur C. Clarke`s 2001: A Space Odyssey where a monkey throws a bone into the sky and it`s transformed instantly into a futuristic space habitat by camera technology. Britney`s spaceman is her `monkey`. She doesn`t have a spacesuit, because it`s her scifi, and the `space monkey` from Earth is already ancient history, where Mars doesn`t have `boy sons`, and is `98% oxygen`. For Britney, women have a penis of their own, and men are poisonous (boys & us). She learns `plague games`, so she`s positionally `sound`:


`I played with your heart, got lost in the game.`



 If a woman has a penis, then she needs another, but if the first woman has a need for a baby, then she will need a woman with a penis, which means that, as a woman, a futanarian relationship is `triune`, which re-explains the Christian Trinity as `fatherer`, Paraclete, and futanar. The Paraclete is the female  `spirit` of God`:


`I`m every woman, it`s all in me.` - Chakha Khan



 In Hungarian, `futanar` means `the teacher that leaves Earth`. After she`s crushed the evil serpent`s head with her `foot`:


 `I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)



 She`s from heaven originally, and so will return there, where she`ll receive a new heaven and Earth from God after her `seed` defeats the `seed` of the red dragon of Revelation  there, which has grown strong enough to attack her.



 Love is an aspect of the virus, and a woman is able to care about men as the evil alien virulent parasite because it comes from her womb, but she doesn`t want it to return as HIV/AIDS, or in reincarnated form, with a karma to resolve, because she`s Woman, and she`s preparing to leave Earth, so she teaches the alien to `convert` to Christianity, by means of the teachings of Jesus and the Holy Spirit. Only then can Britney`s `space monkey` proceed to the `House of Horus`:


`Her name is translated as `House of Horus`, which may be a reference to her as the embodiment of the sky in her role of the Celestial Cow, being that which surrounds the decidedly sky-oriented Horus. If Horus was the god associated with the living king, Hathor was the goddess associated with the living queen.`2



 The `tin man` doesn`t have a `heart` in The Wizard Of Oz, but has an accurséd axe to prevent him from marrying the girl he loves, and it dismembers him until there`s nothing left of him but tin replacement parts, so he`s no longer able to love, which is why he needs a heart. The story is very similar to that of Osiris and Isis. She can`t find his penis, but it represents the impulse to collect. Without the testicles, which collect sperm, the desire for `collecting` is gone. This applies to the desire to keep women; what is bought; what is invented; and what of the individual man`s developed self he wants to keep. In Osiris` myth, the entirety of his incarnation upon the Earth as humankind is a stored memory but, if his penis is interfered with, that is, the desire for `collecting`, he won`t be able to recollect, and can`t remember. Isis` giving him a new penis represents her restoring developmental functionality, which requires the knowledge that he`s Woman also.



 The Tin Woodman of Oz looks for `Amee`, his lost love, but discovers she`s married Chopfyt, who is made of his own lost body parts. Britney introduces herself as `Amee` in If You Seek Amy:


`But all of the boys and all of the girls are begging to if you seek Amy.`



 The central lyric, and title of the song, are interpreted as F*U*C*K me, because the penis wants the woman. If women have a penis, then Britney would want herself. The `tin man` of Oops I Did It Again is Britney`s spaceman, who gives her Rose`s `disappointed` heart in the form of the blue diamond pendant from the Titanic. Unless he `converts`; because he isn`t a woman with a penis, and so can never belong. He`s as `disappointed` as Rose, who should be a woman with a penis of her own, but isn`t. Hollywood won`t allow women`s penis to be shown, which the mysterious sinking of the Titanic by iceberg is symbolic of.



 The `tin man` represents the penis` development from instinctuality, and imagination, to create and interact with what`s `collected`. In The Tin Woodman Of Oz even the heart of the `tin man` is Chopfyt`s, which means whatever is `collected` by Britney`s spaceman, as her `tin man` on the Mars` CD, or back on Earth, to where the `tin man` returns with her `holo` in his camera, is Chopfyt`s.



 On Mars there`s `98% oxygen`, which is Greek (oxys-gonos), and literally means `sharp producer`, or `begetter`, because it`s the blood pump that inflates the penis, which is the physical manifestation of the developmental function. The oxygen content of air on Earth is 21% and, while the penis will want to develop, the `tin man` will struggle because he`s starved, which is Chopfyt`s method. Even though the penis is starved, it develops, but Chopfyt is the starver who doesn`t develop beyond homosexual pederasty; promulgating the evil serpent`s `seed`, symbolized in Revelation as the red dragon`s `blood plague`, and living like a blood-sucking leech on the penis` struggles to develop:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`3



 The `tin man` doesn`t lose his heart, but his penis. Chopfyt can have everything the `tin man` develops, but it`s the tin man`s penis, which is why Britney gives the `tin man` oxygen. She`s Isis. In The Tin Woodman Of Oz Chopyft`s everything the `tin man` had, which means his works are `collected` but he`s truncated, that is, Chopfyt`s chopped off the tin man`s penis, which is what `TV Set` does in his dismemberment of Osiris. The Isis` myth`s equivalent of the incarnation of God upon the Earth is viewed by the the `TV Set` as a transvestite to be kept in ignorance of its divided state, and watched as it kills itself on TV, while men, as its virulent alien parasite, emerging from the enslaved `host` wombs of women who are a species of their own with their own penis, leeches off her dying corpse. Britney`s If You Seek Amy is, in fact, the tin man`s truncated appeal:


 `All of the boys...

 And all of the girls are...



If you seek Amy...`



 In the psychology of Carl Gustav Jung (1875-1961), instinct or sexual libido, is transformed into spiritual, or intellectual energy, which is developmental. The penis is the physical manifestation of the God archetype which, according to Jung, underlies all the inventiveness of humankind, and exists in the dreams of the unconscious, imagination and art, amongst a plethora of sexual, and more abstract images, surrounding the soul or female anima, to stimulate and give impetus to genius. In If You Seek Amy, Britney`s `tin man` has become like `Hal`, the ship`s computer from Arthur C. Clarke`s 2001: A Space Odyssey, which regresses when shut down:


`There is a flower within my heart,

Daisy, Daisy,

Planted one day by a glancing dart,

Planted by Daisy Bell.`



 In Jungian psychology the anima is what impels development, and the sight of a beautiful woman is enough to arouse desire, so the shutting down of `Hal` is a metaphor for what happens when Chopfyt`s finished with a man`s penis. In Britney`s lyric the `tin man` is reduced to Hal-like infancy, because Chopfyt`s penis doesn`t want development:




If you seek Amy...`



 The Legend Of Sleepy Hollow is Chopfyt, because the `censor` is functioning to prevent the truth from becoming manifest, which is why the USA`s is the constantly thwarted American Dream of Manifest Destiny. Developmental functionality is discoverable in Washington Irving`s tale, but implicit rather than explicit. Because the archetypes of woman`s collective unconscious are only discernible within conventionality, and conditioning, as `buried bones`. The `headless horseman`, `Bones`, and the `ibis` Crane, that is, the heart (ib), and knowledge of the `teacher`, which is the `spirit of God`, are Chopfyt, because `censored` to prevent the reader understanding that the `headless horseman` and `Bones` are witless screws who don`t want developmental teaching for women, because she`d escape once she knew she`s a species with her own penis. Ichabod Crane is a Christ figure, because he represents the teaching that convention, and conditioning, don`t allow of, which is that men are aliens screwing a species.




 9/11 in the USA was Al Qaeda`s Die Hard in which the Twin Towers were the man`s penis, and the woman`s penis, as a species with her own, while Al Qaed`s `Big Apple` of New York was Osama Ben Ladan`s  tempting of the USA to restart homosexual pederasty`s war. One of the basic principles of homosexual pederasty is that the penis is soft when a man isn`t sexually aroused, but the homosexual pederast wants to tell the man when to be hard. Moonlighting with Sybil Shepherd presented Bruce Willis as the romantic charmer, while Die Hard was the homosexual pederast telling Bruce Willis to play a homosexual, and lose. In other words, David Addison in Moonlighting was `soft` and successful, while Bruce Willis in Die Hard was hard and homosexual.



Censorship is the truncation of woman`s penis` story; of penis envy and repression, discernible from a psychoanalytical literary analysis of the collective unconscious in dreams, imagination and art: or any form of `text`.The penises of futanarian women are bigger, and women as a `developed` species are destined for the stars. The evil, who are the serpent`s `seed`, are defeated in a war in heaven by the `hidden` woman`s `seed`, after she leaves Earth, according to Revelation, which is why the red dragon of homosexual pederasty`s devourment of the products of her enslaved `host` womb in warfare, doesn`t want her to leave. The serpent`s `seed` receive perdition, while woman is given a new heaven and Earth by God.



 9/11 was the thwarting of the American Dream, and Manifest Destiny, by the devouring red dragon`s `blood plague`, that is, homosexual pederasty`s desire to enslave women as `host` wombs for their virulent wars, and prevent woman`s penis from emerging as a developed species`, while the evil aliens that are men remain as her `screw` and parasite.



 In If You Seek Amy, Britney`s perception is Chopfyt`s. The girls want her, but the boys have the penis. The explanation she`s a woman with a penis of her own either isn`t knowable, or it`s impossible to communicate, because of the censor, which is Nick Chopper, the name of the `tin man`, before his axe was enchanted to dismember himself. Chopper is reassembled as homosexual pederasty`s man, who is only a penis, that is, Chopfyt, because he represents envious repression of the man`s penis, but also of the woman`s penis, because she`ll never escape him.



 Britney`s Amy knows Chopfyt`s preventing the `tin man` from being her, which is why she somersaults, morphing in her red suit, to stand, changed into black skirt, boots, and white blouse, and symbolically receive the `gift` of the `heart of the ocean` of the collective archetypes of the unconscious, which is `personal growth`.



 Britney`s the `cowardly lion` who`s brave, but not homosexual, because homosexuals want you to be hard when they want you. Common assumptions are that lesbians and homosexuals are `gay`, whereas homosexual pederasty`s war, and women with a penis of their own are a species. If they support the `Greek cause`, and men`s `plague games`, they`re `Greek whores`, whereas lesbians are able to recognize women as `separate`:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)



 In Egyptian mythology, the goddess is sometimes depicted as hornéd Hathor, a `cow`, and Britney stands before her spaceman to receive the symbolic `gift` of the `heart of the ocean`, with the red disk of Hathor, but without horns, which means she may be a lion but she`s not a coward. She is Horus` House in Oops I Did It Again but, in If You Seek Amy, the walls of her Troy have been breached by the `Greek cause`. Giving it to Chopfyt, Britney`s `gay` and is promulgating homosexual pederasty`s biblical red dragon of devouring `blood plague` and warfare; because she doesn`t care for the space, man:


`All of the boys and all of the girls are begging to if you seek Amy.`



 In Egyptian mythological terms, the `tin man` is Horus` laptop, that is, but he has an internet connection, `uncensored` by the Pharaoh Chopfyt. He knows women have a penis, and so are the species of the planet Earth, which is what he should want. But the evil `TV Set` is in the `House of Horus`. In her black skirt, boots, and white blouse Britney is a monochrome `TV` set, because the evil Set, who corresponds to the Pharaoh Chopfyt, doesn`t want her man to know that he`s her, but wants a `separate` transvestite couple.



 In Christianity, the `hidden` woman gives birth before the devouring red dragon, and escapes to sow her own `seed` in heaven. The `TV set` { those who want the transvestite to kill itself `live` } want `plague games` of transvestism, and Pharaoh Chopfyt wants to watch it. That`s why Adam and Eve felt ashamed when they were naked in Eden. `TV Set` is the Pharaoh Chopfyt`s, and the evil serpent`s seed`s, that is, the devouring red dragon`s `blood plague` of Revelation, which doesn`t want the woman, but wants to keep her so she can be tortured; because that`s what the aliens do, and women call their parasitical virus `homosexual pederast`. 9/11 was the perception that `Set` was in the `House `, because the transvestite (TV) was killing itself, as Chopfyt`s penis had planned since Eden.



The 9/11 planes that attacked New York`s `Big Apple` of Eve`s wisdom grown since Eden, were `Greek horses` spreading the virus of homosexual pederasty and warfare, which means HIV/AIDS, because it pretends to be friendly, and then betrays the `host`. On CNN the red dragon of Revelation and its `blood plague`,  was seen to have translated the biology and psychology of HIV/AIDS into a terror weapon. From its role as `host`, woman`s `womb` was seen to have reproduced homosexual pederasty`s `Greek cause`, breaching the Towers of New York, as TV Set precipitated global terror in 9/11`s `city of the planes`.



 The `blood plague` of Revelation is sent by God, because the alien virus, that is, men`s homosexual pederasty of war, is their evil `plague game`, which is why God destroyed Sodom and Gomorrah (Gen: 18,19), the `cities of the plains`. HIV/AIDS actually makes women look for their own penis, but it`s a `game play` of God`s omniscience, that is, the red dragon`s `blood plague` is `foreknown` as the consequence of men`s homosexual pederasty, and so is revealed as God`s providentially refocusing of women upon their own penis and species` future.



 9/11 refocused women`s attention on Mars` masqueradings as the heroic masculine god of homosexual pederasty and war,which is why Britney`s Venus is careful to maintain her `House of Horus` on Mars in Oops I Did It Again - and send away the parasite.



 If women are human, and men are merely parasitical viral aliens, they shouldn`t appear in the dreams, imagination, and art of human civilization and culture at all. In other words, 9/11 wasn`t even from God, because the human psyche contains the archetypes of dreams, imagination and art, and women are the human species. The `TV war` of the Gulf was preceded by plague games `on Set`, and other `shoot `em up` TV Set `charnels`, which are the tip of the Titanic iceberg of `snuff` that Britney, in Oops I Did It Again, alludes to.



 In Japan, the TV Set`s Manga, and Hentai women, have `big eyes`. Beneath the sun, which is the species of the Earth`s `star`, men`s sarcophagis are crushing her. In terms of the invisible, to the uninitiated, realm of the `hidden`, she`s got `big, guys`, and the `blood plague` of the red dragon`s alien parasitical virus of homosexual pederasty`s `plague, aims` to `snuff` her secretly, which is how they `plague, games`.


1 Britney is alluding to Crane, Stephen The Red Badge Of Courage (1895) which is symbolic of both `ibis`, that is, the wisdom of avoiding unnecessary conflict. Insofar as Crane had no personal experience of the American Civil War (1861-5) of which he wrote, the brave `ib` of his `heart` is that he could write of the hero and understand that, although he wasn`t one, he would have wanted to have been one. The irony is that those who don`t fight aren`t cowards.




3 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.