Britney Spears` Archetype

23/08/2014 18:41


Britney Spears` Archetype


Britney Spears` pop career began in 2000 when she released the solo album Oops! … I Did It Again featuring the video single `Oops! … I Did It Again` featuring herself on the red planet Mars in the solar system that includes Earth and the other planets orbiting the star humanity calls the sun. The video details the arrival of a spaceman, called `Mars Lander` by `Mission Control` of Earth, who we see following his progress on Mars and giving directions by means of the camera built into his spacehelmet. `Mars Lander` discovers a cameo of Britney Spears in the sands of Mars by his foot. The cameo shaped like a `cookie` represents the `Open Sesame!` password or `cookie` found in software programs that require a key to open up their secrets and we see Britney Spears` domain on Mars surging up from the desert sands as the spaceman watches in awe.

 Ariana Grande`s pop career began in 2013 with the release of the album Yours Truly and the single successes of `The Way` and `Baby I`, which were set at a disco and a street party respectively while the setting for `Right There` was a 19th century masque. The idea of the masque is that the dancers aren`t aware of who they`re partnering, although the men are distinguishable from the women even though masks are worn. The secret of the masque is futanaria, which is that some men and women have both vagina and penis, and that means the masque has an ulterior purpose pertaining to the lack of knowledge afforded the ingénue who`d be a victim of the scene if she didn`t know.



 In the modern era rubber masks allow people to take on roles that aren`t their own, which means that a futanarian male could wear a mask to appear as Ariana Grande, although the surprising penis and vagina combination might shock if it isn`t anticipated. Because futanarian women can sexually reproduce with each other that forms the basis of their possible socio-economic independence as a species from men and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicates that `woman`s seed` is the future. The 19th century masque suggests that `woman`s seed` was the past also, which is borne out by biblical references to; `Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Women`s wombs were enslaved by men in parasitism for the purpose of war. In ancient Greece homosexuality was institutionalized so that the host wombs of the women were enslaved and the Greeks could spread their contagion of war further.

 The poet Homer in his Iliad (670-10 BC) narrates how, at the siege of Troy, the huge hollow wooden structure of the `Trojan horse` was deployed by the Greeks, which the Trojans took into the city thinking it was a gift. The Greeks emerged to enslave the host wombs of the Trojan women and spread their virus further. In the 20th century the term `Trojan horse` was used to describe the bad machine code devised by computer `geeks`, the successors of the Greeks, to infect machines and destroy them. The analogy was of the HIV/AIDS virus spread by homosexuals who mixed blood, shit and semen in each others` anuses during their sterile mockery of human sexual reproduction. The HIV/AIDS virus was the incurable disease of the late 20th century which travelled to the brain and killed the human host. Scientists discovered that the human immune system was fooled by the virus into believing it was a white cell or leukocyte that destroys alien cells, which is what homosexuality represents:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)


 Greek warfare and `geek` bad machine code are analogous because the alien doesn`t want the human race`s program to run. In Judaism Jesus is called Meshiah because he`s `woman`s seed` and women need their own brains` powers through their own sexual reproduction with their own futanarian race`s penis` semen to liberate themselves from parasitism upon their host wombs. Consequently, Jesus` Redemption for humankind was repentance and conversion from parasitism. As the Meshiah Jesus was the forerunner of woman`s `Meshiahn` or machine age in which her labor would be saved. Those who sought to prevent her from developing were her parasites, that is, homosexuality in warfare.

 The Bible story of Eve and Adam relates how the serpent in humankind`s original home of paradise or heaven on Earth tempted Eve with the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) God told Eve her `seed` would, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) God expelled her and Adam from Eden for preferring death to the `tree of life` which was immortality. Although Eve and Adam were a pair their offspring were futanarian, which means the 19th century masque represents the repression of human sexual reproduction by the `serpent`s seed` of men who don`t want women to reproduce their own brains for freedom.

 Hollywood Babylon movies like The Game (1997), with Michael Douglas as the victim of a cabal who wear masks to deprive him of his wife, children and property, only scratch the surface of the masque. Repression of futanarian humankind in the movies is well documented. The meaning of The Game is that Hollywood masks its operational functionality. In the United States of America men and women are surgically corrected if they`re born as futanarian. The `one foot on the floor` rule established in Hollywood by the Hays code from 1934 to 1967 ended with the release of Barefoot In The Park featuring a supposedly heterosexual couple, Jane Fonda and Robert Redford, living in an apartment overlooking New York`s Central Park. But the taboo against woman`s futanarian `foot` being raised from the floor of the bedroom during scenes of intimacy kept the public in ignorance and so precluded protests against the United States` surgical removal of the human species of `woman`s seed`. The real game of the `serpent`s seed` was to prevent women from sexually reproducing so they could escape from parasitism to the planets and stars of God`s heaven above which is what Britney Spears` `Oops! … I Did It Again` (2000) and Ariana Grande`s `Break Free` from her second album My Everything (2014) are concerned with:


This is the part when I say I don't want ya. I'm stronger than I've been before. This is the part when I break free.`1



 In `Oops! … I Did It Again` Britney Spears dances in a red pilot`s suit while the astronaut wearing a North American Space Administration (NASA) spacesuit familiar to July 21, 1969, television viewers who saw Neil Armstrong of the Apollo space program put his foot on the moon: `One small step for a man, one giant leap for mankind.`2 The first American woman in space was Sally Ride of the Challenger Space Shuttle which was constructed to be launched by conventional space rocket and rendezvous with the international space station before gliding back to Earth as a reusable reentry vehicle. Neither Sally nor any other woman put her foot on the moon and so the possibility of female futanarian members of the human race putting their foot upon Earth`s satellite as a first step to the colonization of the planets and stars to escape from men`s parasitism remains science fiction.

 In `Oops! … I Did It Again` Britney Spears winches her spaceman up by means of a pulley and a hook she places in his backpack. Beneath her we see Britney Spears in a white bikini dress which means she`s twinned in the video because the sexual counterpart of a woman is a woman with her own penis` semen. Although we can`t guess at the existence of Britney Spears` twin`s penis because Hollywood Babylon`s Hays code (1930-67) predetermined our expectations. Consequently, it`s just trick photography for the viewer but biologically illuminating for the researcher:


`I think I did it again. I made you believe, we're more than just friends.`3



 The task for a woman with men is to pretend that they`re the same species, which is the game they play perforce with their parasite. In biblical terms the serpent in Eden is the parasite which inveigles itself into the womb of the host in order to devour it. According to tradition Satan was the angel in heaven that refused to accept man and God turned him into a serpent. The meaning is that of the male doomed to be replaced by `woman`s seed` and misogynistically refusing to give way to her. In the New Testament of the Bible Jesus explains that the `serpent`s seed` is to be replaced by `woman`s seed`, and those who don`t accept it will have God`s punishment of eternal unendurable pain. Because men must have killed and culled futanarian woman born after Eden to enslave the host womb of the human species in parasitism, Jesus` teachings are of the Resurrection of `woman`s seed` in heaven where the futanarian race of humanity will prosper:


`For in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven.` (Matt: 22. 30)


 The human cycle is of a species that needs males to begin with before technological development affords women the opportunity to leave Earth to colonize the planets and stars. According to the Bible Satan dwells upon the Earth and will remain there until God`s punishment of perdition because the `serpent`s seed` of men have denied women`s sexual reproduction with themselves as futanarian humans with their own penis` `seed` for the production of their own brains` powers in socio-economic independence from parasitism. Consequently, Satan and the `serpent`s seed` are damned and doomed for male braining the human race in homosexuality and warfare, while HIV/AIDS and `geek` bad machine code is an aspect of biological warfare against women`s host wombs and her brains` powers harnessed for liberation.



 In Britney Spears` video for `Oops! … I Did It Again` her spaceman is suspended above her in a white bikini dress like a mechanical grab at an arcade which children manipulate to win a prize. In Ariana Grande`s video for `Break Free` her science fiction character engages with a robot monster. In a scene reminiscent of Britney Spears` role in Goldmember (2002), which is a spoof of the third British James Bond spy movie, Goldfinger (1964), in which blazing machine guns emerge from Britney`s bra while she`s singing her single, `Boys` (2001), for actor Mike Myers` comedic spy, Austin Powers, Ariana Grande launches missiles from her silver bikini top to destroy the robot who launches a grab that sweeps Ariana off her feet in the `Break Free` promotional video.



 The `grab` scenes are what psychologist Carl Gustav Jung (1875-1961) called `archetypal`. According to Jung the archetypes are images and characters appearing in dreams, art and the imagination that impel humanity along the path of development. Ariana Grande`s `grab` is the dying throes of a robot`s desire whereas Britney`s `grab` represents the inability of the astronaut to reach her as he hangs suspended by her hook.



 Jesus` teaching is of the Resurrection of `woman`s seed` illustrated by his own crucifixion and Resurrection after being nailed upon a cross of wood by agents of the Roman Empire in Jewish Palestine. At the `Last Supper` Jesus offered his body and blood to the disciples in the symbolic form of bread and wine as the host. Betrayed to the Romans by the disciple Judas Iscariot, Jesus represented the host womb of the human race because the Empire of Satan in parasitism wants slavery for the human host instead of a new angelic host born in heaven from the wombs of women and her semen. The symbols of the bread and wine are used in the Catholic Communion service as a metaphor for the transformation process known as transubstantiation in which the priest accedes to the request of the petitioner to become uncontaminated by male semen - as Jesus was - and bestows a wafer of bread and a sip of wine from a chalice in token of Jesus` own decontaminate state and the desire of the parishioner to be rid of parasitism:


`Can you pull in Leviathan with a fishhook?` (Job: 41. 1)



 God`s question to Job, who he`s torturing mercilessly, because Satan wants to prove to God that he isn`t good, is why the `grab` is archetypal. In the New Testament of the Bible, Jesus` cross corresponds to the `fishhook`, while Leviathan is the symbol of woman`s human species, which is her almost extinct futanarian `seed`. According to Carl Jung in Answer To Job (1952), God`s torture of Job represents the need for an unconscious content of the collective unconscious to develop, which is identifiable as the Resurrection of `woman`s seed` and Jesus` crucifixion, Resurrection and Ascension to heaven is her prefiguration for he was:


`… the boy who is born from the maturity of the adult man, and not the unconscious child we would like to remain.`4



 In Islam Jesus isn`t crucified but has Ascension to heaven because Moslem marriages permit of four wives, which is a futanarian framework for the sexual reproduction of `woman`s seed`. Consequently, Jesus` deathless Ascension uncontaminate in Islam is a symbol of the Resurrection of woman and the Moslem perception that death and heaven aren`t bedmates. Upon a cross in place of Jesus for the cover of the CD single `Piece Of Me`, Britney Spears` comments on the `thirty pieces of silver` Judas took in betraying Jesus to the Romans while it`s another `hook`, in pop music terms, for her attempt to catch Leviathan. `Piece Of Me` is Britney`s endeavour to wake woman up to her true nature and break free of her slavery to the `serpent`s seed` of men represented by Judas` selling of Jesus as the human host at the `Last Supper` where Christ had offered decontamination through acceptance of the `body and blood` of `woman`s seed` in the symbolic form of a friendship meal of `bread and wine` with humanity:


`I'm Mrs `Most likely to get on the TV for strippin' on the streets when gettin' the groceries`, no, for real are you kiddin' me?`5



 Britney Spears` `Piece Of Me` came from her album Blackout (2007) symbolizing women`s occlusion. Sexual repression is the way the `serpent`s seed` confuse the issue, which is that women have the capacity to sexually reproduce their own brains` powers as a species with their own penis` semen and host womb. The zenith of the human `seed` of woman`s aspirations is the robot machine that is as human as she because it cares for her as well as (or better than) she can care for herself, while men`s science fiction depicts the robot as the enemy of labor. But the `guilt trip` laid on those who don`t work, because they don`t have to, is a slavers` metaphor.

 `Luddites` of the 19th century were named for Ned Ludd who broke two stocking frames in the textile industry during the industrial revolution in England and was acclaimed a hero because men perceived machines as a threat to their being employed for money. However, machines liberate humans from drudgery. Consequently, machines in the image of woman represent her freedom and men`s attempts to prevent her from sexually reproducing her own brains to save her labor through technological progress represent her enslavement.



 The robot `grab` in Ariana Grande`s `Break Free` video represents the perception that women desire the machine and men don`t want the machine to help her. The machine is symbolically Ariana`s futanarian counterpart as the woman who isn`t able to reproduce with her because men want monsters and not humans. Ariana`s destruction of the robot represents men`s encouraging of women to hate technology because it`s demanding. In Saudi Arabia women don`t drive cars because it`s forbidden or `haraam`, but why would they want a pedal car that hasn`t changed its basic design structure since the first mass produced model T Ford came off the production line at the Henry Ford motor vehicle factory in Detroit, Michigan, in 1908. Pedalling a disabling vehicle isn`t what women want, while they`re encouraged to hate the disabling technology itself and so female destroyers of machine technology that is depicted as threatening but would be enabling appear laudable.



 Britney Spears` in her red pilot`s suit in `Oops I Did It Again` pays homage to a science fiction character from the United States of America`s `Grand Master`, Robert A. Heinlein`s (1907-88) novel for girls, Podkayne Of Mars (1963), `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`6 Dancing with her dancers in the `Oops! … I Did It Again` video, Britney`s `the Poddy beautiful`, as Heinlein describes his character, commanding `deep-space exploration parties` who, on Mars before the Apollo astronaut, represents the culmination of the early days of the NASA space program when pilots flew the X-15 plane into the stratosphere as a preliminary to flying to the moon. Blackouts at high altitude caused the X-15 program`s cancellation as pilot`s lost consciousness and the death toll amongst USAAF pilots grew.

 The pilots blacked out because of unendurable gravity pressure such as scientists suppose is experienced when encountering a black hole which is a collapsed star that absorbs light instead of emitting it and is believed to draw objects into itself as if it were a huge maw. Beside the helmet of her spaceman, as Britney lies beneath his suspended figure in her white bikini dress, the viewer can see the tines of a giant fork, because Britney`s `chip` is resisting being devoured. In the USA `French fries` are what the English call fried potato chips and so Britney as Poddy Fries represents the resistance of the human species of woman`s `Poddy beautiful` to being swallowed by the black hole of men`s refusal to develop beyond devouring parasitism. As the pilot of the future in `Oops! … I Did It Again`, Britney represents the will NASA lacked to persevere with the dream of flying a plane to Mars and she doesn`t want her ship to be dragged into the black hole of Satan`s maw.



 Ariana Grande pays homage to Jane Fonda`s portrayal of Jean-Claude Forest`s 1962-4 illustrations for his sexually liberated female science fiction character in the movie, Barbarella (1968), where Jane strips off her spacesuit in that free fall weightlessness experienced by astronauts outside of the pull of the Earth`s gravity inside their spaceship. Ariana strips as Fonda does in `Break Free`, because she wants to escape from the black hole of the maw of Satan as Britney Spears` Poddy Fries does in `Oops! … I Did It Again`. Appearing at the outset of the video from behind a metal door that slides upward to reveal Ariana on a world different to Earth`s, the symbol upon the door and at her hip are reminiscent of the cookie shaped cameo that represents the spaceman`s `Open Sesame!` to Britney Spears` ship in `Oops! … I Did It Again`. Although Britney`s astronaut collects the `cookie` password to gain entrance, Ariana throws her symbol to the ground and crushes it beneath her foot. The symbolism is biblical because God told Eve her `seed` would crush Satanism before humanity left Earth for the planets and stars of heaven above. Scenes of humans in cages patrolled by aliens wearing the symbol give way in `Break Free` to scenes of Ariana killing the aliens with a ray gun to liberate the prisoners. Finally, in a scene reminiscent of the destruction of the ring of slavery belonging to the `Dark Lord` Sauron in British fantasy writer J. R. R. Tolkien`s novel, The Lord Of The Rings (1954), Ariana hurls the criminal leader of the aliens into the mouth of a volcano. The aliens represent the `serpent`s seed` and so Ariana represents Jesus` `seed` of Redemption because she saves men and women from slavery.



 `Break Free` was Ariana`s second foray into meaningful pop videos after `There Again` from the Yours Truly album which also contained the seemingly innocuous, `The Way` and `Baby I`, as promotional videos featuring disco dances and street parties. `The Way` was a sensation appearing almost instantly at #1 in the US charts, `I hope you hit me on my celly when I sneak in your mind.`7 But the idea of the spirit of a man entering a woman`s mind to persuade her to phone him is the problem that male braining of the human species represents. Without `woman`s seed` all humans are male brained into accepting men`s spirit, whereas futanarian women with their own penis` semen and host wombs for sexually reproducing their own brains` powers are in the Holy Spirit of Jesus` teaching uncontaminated by male semen:


`It is said that God notes each sparrow that falls. And so He does. But the proper closest statement of it that can be made in English is that God cannot avoid noting the sparrow because the Sparrow is God. And when a cat stalks a sparrow both of them are God, carrying out God's thoughts.`8

 God`s deciding to kill himself is only true in male braining, because the male brained creature must perforce accept what the collective wants. Jesus` crucifixion and death at the hands of the Roman Empire watched by the Jewish spectators on the hill of Calvary outside Jerusalem was the collective male brain deciding to kill the individual uncontaminated by male semen because it represented a threat to male braining, which is why `woman`s seed` signifies Redemption from what many people reading the Bible perceive as the suicide of Jesus.



 In the orthodox Christianity of the Catholic church, suicide is irredeemably sinful because it`s human acceptance of male braining`s general desire that the independent individual shouldn`t live, that is, the absence of `woman`s seed` from the world`s stage indicates humanity`s acceptance of the collective male brain`s dictate that she shouldn`t live. Essentially the male brain is a brain eater and the weaker brain is eaten by the male which means that the human species of `woman`s seed` can never progress or develop because the male brain is an eater and needs an easy kill to satisfy its predatory instinct. Consequently, there aren`t any women because men have killed them all to male brain the race into acceptance of human sacrifice, which is what Jesus` crucifixion was:


`Head in the clouds. Got no weight on my shoulders. I should be wiser and realize that I've got one less problem without ya!`9

 Ariana Grande`s lyric from her first single release from the My Everything album, `Problem`, throws light on Jesus` decision to accept the collective will that he be crucified. Brainlessness appears to be freedom, and the deaths of individuals, who seem threatening to the collective, are the perceivable human spirit of woman`s attempt to use her brains. Being wise is accepting that `woman`s seed` isn`t a `problem`, but men`s semen creates the problem of a collective that kills her.

 The MTV Award for music and video is a spaceman planting the MTV flag on the moon and is the most prestigious trophy to be won by pop performers since Music Television was launched on August 1, 1981. Consequently, Britney`s `Oops! … I Did It Again` was designed to appeal to the video vote as well as the music voters. Consequently, the astronaut is seen walking backwards after delivering a gift in a black box, which the viewer never sees. Although the `cookie` icon of Britney found in the sand of the desert gives her spaceman a stage pass, as it were, for the show, the box remains a puzzle to Britney, `But I thought the old lady dropped it into the ocean in the end?`10 The astronaut replies, `Well baby I went down and got it for you.` The box doesn`t contain the key to the spaceman`s freedom. As if to replay the scene sometime in the future, which in fact is what happens whenever a VCD is played by its owner, he`s rewound to deliver another surprise.



 The `old lady` is Rose from the movie Titanic (1997), who drops the blue heart shaped diamond pendant, known as `the heart of the ocean`, into the sea at the point of the salvage operation many years after the ship sank on its 1912 maiden voyage from Liverpool to New York. Hitting an iceberg on April 13, Rose`s lover died while assisting passengers to the lifeboats and her previous fiancée, who`d attempted to frame him for theft by concealing the diamond in his coat pocket, lived. Britney`s spaceman is symbolically the diver and he`s travelled to Mars to give `the heart of the ocean` to her, which is why we hear before the presentation of the black box containing the spaceman`s gift, `All aboard!` Traitors are abhorred and have to work for Redemption, so Britney`s astronaut is doomed to repeat his scene as a slave of low technology in male braining, while Britney represents the high technological progress of the future deriving from the brains she`ll have from `woman`s seed`. Ariana Grande`s `Break Free` depicts a similar scene in which alien guards are imprisoning men and women, but that`s what men do. Consequently, it`s a repeatable sequence in which the men in the cages become the guards. Ariana appears as the savior when she kills the guards with her blaster because it`s a woman`s system for dealing with the problem of men.



 In her red pilot`s suit, Britney Spears of `Oops! … I Did It Again` is a reproval to the X-15 NASA spaceplane program, which left many black boxes to be recovered after pilots blacked out at high altitude and planes crashed during the tests to see if it was possible to fly to the moon and further. As Poddy Fries in a white bikini dress beneath the spaceman who is hoisted above her by herself in her red pilot`s suit, Britney is twinned as Fries` `chips` who are endeavouring to avoid the black hole of Satan`s maw, which is symbolized by the tines of a giant fork beside the astronaut`s spacehelmet. Escaping devourment by the `serpent`s seed` of men, Britney on Mars represents what `woman`s seed` can and must do after analyzing the contents of the black boxes, while Britney`s spaceman represents mankind`s work of Redemption because men have reduced the brainpower of the species in order to enslave her:


`Got me right there with Apollo, on the moon. Who needs genies in a bottle girl if they already got you.`11



 Ariana Grande`s `Right There` refers to Christina Aguilera`s single, `Genie In A Bottle`, and the MTV spaceman, while indirectly referring to Britney`s Apollo astronaut on Mars. Because she`s Britney Jean Spears, Ariana`s reference is to Britney Spears and Christina Aguilera as `pop` genies. The video for `Right There` features Ariana in a masque based on English dramatist William Shakespeare`s tragedy Romeo and Juliet (1591-5) in which a pair of `star crossed lovers` commit suicide failing to achieve togetherness. Ariana`s perception is that Britney Spears` twins in `Oops! … I Did It Again` represent a woman`s desire for her own species while she has to live with men, and so the MTV spaceman is the zenith of her ambition.



 Christina Aguilera`s `Genie In A Bottle` represents woman`s fate insofar as she can`t escape from her imprisonment in order to fulfil her own genius because men don`t want to let the genie out of the bottle, that is, she isn`t able to sexually reproduce with her own species to use her own brains to liberate her from men`s enslaving of her host womb in parasitism, `I feel like I've been locked up tight for a century of lonely nights waiting for someone to release me.`12 Although Shakespeare`s Romeo and Juliet is about suicide, Jesus` fate is traceable to the effects of male braining upon the collective and so Juliet`s suicide is explicable as men`s desire that her human race die. Performed entirely by men originally, Shakespeare`s plays represent misogyny. Although Ariana Grande`s `Right There` culminates in a swimming pool kiss, the element of suicide for `woman`s seed` in male braining is evident. Not only men are misogynist, because futanarian women with their own penis` semen are rare. Consequently, women without penis` semen are misogynist because male brained:


`Boy you make me feel so lucky. Finally the stars align. Never has it been so easy to be in love and to give you this heart of mine.`



 Although they`re `star crossed lovers`, Ariana and her Romeo are together in the swimming pool kissing, and the secret of the black box is revealed. Ariana is the `heart of the ocean` for her `boy`, which is emphasized by the appearance of a NASA spaceman dancing at her masque in his spacesuit. In `Break Free` she kills the alien guards with her ray gun and releases the men and women from their cages. History suggests that the men will be the future alien guards caging the men and women of the future, because Ariana`s love for her boy is a male brained response from a host womb to its parasite. The masque reveals that men are disguised aliens and the `game` is what women play to survive as a race.



 Born in Catholicism Ariana Grande espouses Jewish mystical Kabblah, which is centred upon the `Tree of Life` or Sefiroth where the supraconsciousness of the Crown is Keter in the roots of the tree that are in the air, while the leaves are in Malkuth, the power of the earth filtered through woman`s womb. There are two other sefirot associated with higher consciousness, Chokhmah or Wisdom, and Binah or Understanding; three associated with judgement, Chesed or Kindness, Gevurah or Severity, Tiferet or Beauty, and three associated with desire, Netzach or Eternity, Hod or Splendour, and Yesod or Foundation where ideas associated with building upon the Earth are generated.



 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism. Curiously, Ariana kisses a creature on the forehead that looks like an elephant during the scene in which the symbolic Sefiroth key is used to activate the ship`s controls. The Muladhara chakra at the base of the spine near the birth canal and the Vishuddha chakra at the throat in the system of developing consciousness described in India`s Hindu religion are the first and fifth of the seven chakras or energy points along the spine up which the developing consciousness of the individual is believed to ascend to the `Crown` or Sahasrara chakra, just as the `Crown` or Keter is the symbol of developed consciousness in Judaism`s mystic Kabbalah. From a pop singer like Ariana Grande`s perspective the gestation of creative ideas and her voice are most important and so she acknowledges the Hindu symbol of the elephant with a kiss.



 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism.



 In `Oops! … I Did It Again` Britney Spears descends to her stage set inside a giant`s ring, which is thematically contrapuntal to the giant fork we see beside the spaceman`s spacehelmet when he`s hoisted up by Britney in her red pilot`s suit to where he can see her twin beneath in a white bikini dress. It`s a giant`s napkin ring symbolic of the slave ring of Sauron in The Lord Of The Rings while the giant fork denotes men`s role as women`s species` host womb enslavers through marriage rings which allow them to be her devourers in their parasites` wars against the civilizations, cultures and arts she`s able to produce from herself despite men`s depredations. Briefly wearing her own spacehelmet as she pays homage to Jane Fonda as Barberella stripping in weightlessness, Ariana Grande again appeals to the video and music vote for the MTV Award to recognize spacewomen as the `Tree of Life`, which is immortality through the technological development and medical science from the brains grown of `woman`s seed` into a single spirit and flesh flourishing throughout eternity amongst the planets and stars of God`s heaven.



1 Grande, Ariana `Break Free` My Everything, Republic, August 25, 2014.

2 UTC 2: 56.

3 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, 1999.

4 Jung, Carl Gustav Psychology and Religion: West And East, Collected Works Vol. 11, para. 742.

5 Spears, Britney `Piece Of Me` Blackout, Jive Records, 2007.

6 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, Ch. 1, p.3.

7 Grande, Ariana `The Way` Yours Truly, Republic, March 26, 2013.

8 Heinlein, Robert A. Stranger In A Strange Land, G. P. Putnam`s Sons, 1961.

9 Grande, Ariana `Problem` My Everything, Republic, April 28, 2014.

10 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, March 27, 2000.

11 Grande, Ariana `Right There`, Yours Truly, Republic, August 6, 2013.

12 Aguilera, Christina `Genie In A Bottle`, Christina Aguilera, RCA, June 22, 1999.