Homosexual Pederasty, Warfare and Plague

17/07/2012 12:02

Homosexual Pederasty, Warfare and Plague


If computer specialists had called viruses `Greeks`, we would have understood that it was HIV/AIDS and 9/11 might never have happened. However, political correctness, or `PC` in techno-geek speek, would have made the calling of a virus `Greek` offensive, and so an ancient people were called to account for giving our computers a virus, whereas in fact the Trojans defended their city of Troy against the ancient Greeks who enslaved the wombs of women to promulgate homosexual pederasty which, in the 20th century, resulted in HIV/AIDS, and the escalation of `biological warfare` by the boy sons (poisons) of terror, as graphically illustrated by 9/11, where `air AIDS` over New York was a `symptom` of the `blood plague` of Revelation, and at least partial fulfillment of Michel Nostradumus` (1503-66) own prophecy of `terror from the skies`:


`The year 1999, seventh month,
From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols,1
Before and after Mars to reign by good luck.`
The Prophecies, Century 10, Quatrain 72


 In Revelation, the `hidden` woman leaves Earth to sow her own `seed` and defeats the red dragon with its evil `seed`. If the woman has `seed`, she`s a woman with a penis of her own, and the `New Redeemer` she gives birth to, while the red dragon waits in vain to devour him, protects her on Earth so that, when she leaves, her `seed` is pure, that is, she doesn`t have the `Greek` contagion of homosexual pederasty and war, which the red dragon and its evil `seed` attempt to spread to her in heaven where, after its defeat, she receives a new Earth and heaven to dwell in while the evil receive punishment in perdition.



 God`s view of homosexual pederasty is that it`s a disease, because it attempts to enslave the wombs of women to produce war, which is what the red dragon of Revelation represents, and so God`s destruction of Sodom and Gomorrah (Gen: 16,19) is a warning, and the plagues of Revelation are illustrative of God`s wrath against homosexual pederasty and warfare. Consequently, there are parallels between the `Greek horse`, which the Greeks hid in to deceive the Trojans at Troy, and the 9/11 terrorist hijackers who pretended to be visiting the USA in `civil`, that is, polite, aeroplanes. The Trojans were, in idiomatic terms, `taken in` by the Greeks, and linguistically this is significant because computer viruses are called `Trojans`, whereas in socio-historical terms the computers are taken in by the `Greeks` and so are `Troy`.



 When the Trojans took the `Greek horse` into Troy they were being `PC`, that is, politically correct. They were accepting a `diplomatic gift`. Emerging from the inside of the `Greek horse`, however,  the Greeks took the city, so promulgating their aim of homosexual pederasty through treachery, which in Revelation becomes `plague aims` and, in `PC` terms, is `play games`. In personal computer terms, the notion that gays and lesbians are homosexuals is `politically correct`, and it`s `PC` not to describe viruses as `Greek`, because Greece might be offended, but the truth is that homosexual pederasty is a `Greek` device to enslave the wombs of women to promulgate homosexual pederasty, warfare, `biological warfare` in the form of HIV/AIDS and `terror from the skies` in the form of 911`s `Greek horses` that, demolishing the Twin Towers, began the proliferation of warfare and terrorism, which is the `game` of homosexual pederasty, and is what men are guilty of as alien parasitical viral life forms seeking to destroy the Earth, and the woman of the Earth, who has her own penis and wants to escape:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 In terms of political correctness, or `PC`, the personal computer (PC) corresponds to Troy (there`s a city of `Troy` in New York State), which means that, in failing to distinguish between gays and lesbians by observing that women have a penis, and so lesbian sex is `normal`, while homosexuality is warfare and plague, and by labelling computer viruses `Greek`, also in the name of `political correctness`, as global `police constable` (`PC` 911) the USA has failed to deal with the `Greek horse`.



In Oops I Did It Again  the action in the video takes place on Mars, which may refer to the line in Nostrodamus` prophetic quatrain: `Before and after Mars to reign by good luck.` At the beginning the spaceman visitor to Britney`s Mars finds her icon in the sand, and exclaims:


 `Whoah there horsey!`


 It`s a reference to Troy, and the observation that the video can be replayed so that each time the astronaut finds the `cookie`, in the sands of Britney`s Mars, it functions as an `Open Sesame` or `password` to the action in the video for the spaceman, who represents the alien viral life form of homosexual pederasty and warfare.



 In her red suit Britney hoists the spaceman above herself in a white bikini dress; as if he were a knight about to be horsed. If he were a knight crusading against HIV/AIDS he`s in the right `biological warfare` suit for Britney. He`s able to use a camera on behalf of the evil `seed` at `Mission Control` who are testing a `plague carrier`. The concept of the raised knight preparing to mount is that, for the available whores, he has a camera, which is `safe`.



 At the video`s culmination we see the spaceman walking backwards. We can watch it again, and everything is again in place. The spaceman has to find the `cookie` and - `Open Sesame` !  Video technology promises that, if we`re careful, we may be deceived, but we can`t be betrayed, because we can `rewind and reset`.



 Nostradamus` resurrected `King of the Mongols` was Saddam Hussein, because Iraq was a part of the western wing of the empire of the original `King of the Mongols`, Genkhis Khan. Presenting `PC` as `Greek`, while explaining erroneously that `Trojans` are a `virus`, and giving Saddam  Hussein the world`s 3rd largest army, isn`t socio-historically sensible. Idiomatically, the phrase `work like a Trojan` is, in fact, the truth about Trojans:


`The Trojans were a hard-working, determined, industrious people.` Homer`s Iliad



In Genesis Adam and Eve are told she must bear pain in childbirth and he must labour. In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while threatened with devourment by the red dragon. If homosexual pederasty and warfare produce plague, then men aren`t `working like Trojans`. Britney`s observation in Oops I Did It Again that the spaceman with the camera is denied sex with her, because the camera functions as a condom, is the perception that the camera and the condom `protect` against the red dragon of Revelation, that is, it`s anti-viral, because it works. This accords with Er and Onan`s perception in the Bible that they want Tamar to live. The condom and camera are the works of their descendants, and God in Genesis kills Er and Onan for wanting to develop and not reproduce, because the Old Testament God wants reproduction, not development and production.



 Onan represents the evolving psychology that, standing away from the woman in order to see her fully, is what the camera and the masturbator does. In biblical terms, the camera or visual technology represents man`s eventual separation from the female species, which is described as the `woman`s seed`, in the first book of the Bible, Genesis and the last, Revelation, where the denouement is that she is given a new heaven and Earth by God. Because she her own penis as a `futanarian` woman and so doesn`t need man.



 9/11 was what men do. Because they`re the evil serpent`s `seed`. Ever delaying the point at which women have sufficient development in order to escape from men to the stars, in constructed starships, men delay her Earth`s technological development. The hijacked planes crashing into the Twin Towers of New York was demolishing buildings such as the Twin Towers of New York, the Al Qaeda terrrorists plunged the world into a `New Dark Age` of barbarism and fear,  which is engineered by men periodically to prevent the true picture of woman from developing. The  woman with a penis of her own under the skirts of `Liberty` could tower beside man`s but, as the rebuilding program for New York`s World trade Centre shows, one penis and one tower is the message to the Earth from the devouring `red dragon` of homosexual pederasty and war. Because men don`t want women`s success. They want her to remain as an enslaved species, and without her they can`t reproduce. Consequently, their parasitical focus concentrates on inducing frustration and anger by means of `pictured` events such as 9/11.



In presenting men as woman`s saviour and protector, men`s penis is associated with power, while the `futanarian` woman with a penis of her own is the true power because she doesn`t need the parasitical virality of the `gay boy sons` of war infesting her `host` womb. Destroying her without, the `gay poisons` of HIV/AIDS seek to destroy her within. Fear of HIV/AIDS is that valence of  the `red dragon` of homosexual pederasty`s `blood plague` as the enslaver of women forced into monogamy as a possession of demonic misogyny. HIV/AIDS is their terror weapon of the `biological warfare` waged against woman`s future newborn, that is, the `futanarian` woman with her own penis and economic valence, which isn`t the `rough trade` of homosexual pederasty the attack on the World Trade Centre on 9/11 was designed to reimplement. Men`s killing of `Woman` outside of herself, in their wars, and killing her within her wombs, as a valence of their virality as parasites of the `host` human species, men as the evil aliens seek to prevent woman`s separation and escape to the stars in heaven.  The `picture` is inescapable. Without men, `futanarian` women with a penis of their own can escape men`s `picture`. Onan, the masturbator, represents man`s separation from the `picture` of `Woman`. Because `woman`s seed` is to continue without man, according to the Bible, where `futanarian` woman`s `seed` receives a new heaven and Earth. The evil serpent`s `seed` that seeks to frustrate her going by ever delaying the advancement of the technology that would allow her to leave.receives eternal unendurable pain as a punishment.



 According to Revelation the red dragon, a symbol of HIV/AIDS infected blood, homosexual pederasty and warfare, waits to devour the `New Redeemer`, who`ll protect the woman before she leaves Earth, and the camera and condom are symbols of that protection. Because the condom, the camera, and HIV/AIDS, effectively mean men`s penis shouldn`t have sex with the woman, it`s homosexual pederasty`s `form`, and HIV/AIDS is a form of its `biological warfare` against women in which men`s terrorizing of women is a further explication of their enslaving and devouring paradigm. However, women with a penis won`t have the virus because it`s homosexual, and they`re not.



 The `Gulf war` was the furthering of the virus` plague aims, and it`d `play games` again on 9/11 by promulgating `biological warfare`, against the USA, by means of its 21st century `Greek horse` that, crashing into the Twin Towers, unleashed a global war on/of terror, thereby maintaining the ephemerality of the homosexual system of pederastic devourment of males. In the Bible Er and Onan are killed by God because they want immortality for Tamar, and pregnancy will spoil her looks, and so first her husband, and then his brother, are killed by God, because they refuse to impregnate her, which is homosexual pederasty`s `system` of devourment for those who want to develop and produce rather than reproduce.



 In Oops I Did It Again Britney observes that the condom and the camera are linked with masturbation and immortality. The image on the film is eternal, and so is the `seed`, but in Revelation the `hidden` woman leaves to sow her own seed, which means that she must escape from the evil `seed` of the Earth to be immortal, and God does give her a new heaven and Earth, which is what Britney observes in Oops I Did It Again. The penis wants her, and she`s supposed to want a man`s penis, but Britney, in her red suit, and Britney in her white bikini dress, observe that it`s their Mars and they have each other.



 The `New Redeemer` of Revelation explicitly figures Redemption. The first step is to accept that a man`s love for the god of Mars is a homosexual pederast`s `disease`; the second is for a man to understand that the woman is him (as Jesus said, `Love ... as you love yourself.`), and the third is for woman to have faith in her own penis, and its development. Because men, as parasitical alien viral life forms, that enslave the `host` wombs of women, because they don`t want to `work like a Trojan` and prefer to deal in homosexual elitism where `Mankind` and `Womankind` are repeatedly observed on TV `9/11 style` as God`s `transvestite` (TV) wearing different clothes.

 In Genesis Er and Onan represent the refusal to reproduce so that woman may live, and Mary the Virgin, and the celibate Jesus, represent production without reproduction, because the woman`s penis seeks immortality, whereas the male penis wants only ephemerality for her and hers because men are alien viral life forms that have enslaved the woman`s womb as a `host` for their plague aims of homosexual pederasty and warfare, which means all they do is `play games` of deceit in which the women have the role of `Greek whores`. The homosexual pederast, Mars, the war god, wants boys and not women. If woman, as a species with her own penis, is to escape from men as the alien parasitical virus that is attempting to kill her and her Earth, she must be wise and old, but not necessarily grey, which is a sign of men`s success as her `killer disease`.  However, God`s destroying of Sodom and Gomorrah because of its homosexuality and pederasty indicate a developing thought pattern based on reproduction, which in medical circles is understandable as cell replication, and is what cancers do, and production, which is what developers do, and includes the concept of longevity. The Virgin Mary produced Jesus without reproduction, and Jesus produced the New Testament as a celibate. In Revelation the `hidden` woman is produced by God ex nihilo, that is, as a new creature who, without her alien parasite, will be long lived, wise, and able to fulfil God`s plan of development.



 In Hollywood terms, Britney Spears has it right in Oops I Did It Again. In white and red, she`s `the bread and the wine`, the sacrament of the church, which Jesus inaugurated at the `Last Supper` before his crucifixion, death, Resurrection and Ascension. According to Jesus, the `bread and wine` were symbols of his `body and blood`, and shortly after he was betrayed by one of those at table with him, Judas. Britney`s observation is that one`s companions are, like those of Arthur at the Round Table of knightliness, concerned with the Holy Grail, which is longevity and wisdom. Those seated at the round table represent those who want to eat, drink, and make love in the best places, which is what we see in the movies.



 In Oops I Did It Again Britney in red hoists her spaceman above herself in a white bikini dress to film her with a camera to illustrate how a woman who had longevity would record herself in as many different ways as she wanted to, and her development would be to put herself in as many scenes as she could devise for herself. Obviously, a woman who was long lived, and beautiful, as Er and Onan perceived Tamar to be, wouldn`t want her beauty spoiled either, and would want to have visible memories of herself, as it were, `in camera`, which is prelapsarian insofar as the `serpent` in Eden, which became the `red dragon` of Revelation, was expelled from Eden along with Adam and Eve for wanting to `watch over them` as their `pornographer`, which they agreed to. In Oops I Did It Again Britney observes that, as Eve, she is manifold, and as woman with her own penis she can make her own pornography, which doesn`t have homosexual pederasty and warfare as its mainstay; as we saw on CNN`s coverage of 9/11. In other words, for the serpent of Eden, grown strong as the red dragon of Revelation, violence is pornography, whereas, without warfare, to promote the devouring red dragon, as a symbol of homosexual pederasty and the enslaving of women`s `host` wombs to reproduce its boy sons (poisons), pornography would be sex between women, because men don`t want it.



1 Roi d`Angolmois is the French, and `Angol` means `English` in Hungary, a province of Genghis Khan`s empire, which suggests the `King` is `Greek` from England, and may have arrived in New York before 9/11 to `arrange` it. https://www.dreamscape.com/morgana/1999.htm