Meat In A Tin

25/10/2014 10:36


Meat In A Tin


A hilarious scene from the movie, Monty Python and the Holy Grail (1975), is of Arthur, the legendary British king, fighting in a suit of armor against the black knight, who engage in a dialogue during the encounter, which features a display of Arthur`s prowess in sword play as his opponent is reduced to defiant assertions of the undefeated human will to succeed. Despite being armless and legless, the `black knight` is ennobled. Chapman chops Cleese`s left arm off, `Now stand aside, worthy adversary.` Cleese replies, 'Tis but a scratch.` Chapman chops Cleese`s right arm off, `Victory is mine!` Cleese declares. Chapman kneels, `We thank thee Lord, that in thy mercy -` Cleese kicks Chapman in the head while he`s praying, `You are indeed brave, sir knight, but the fight is mine.` Chapman rises and chops Cleese`s leg off and Cleese responds, headbutting him in the chest, `I'm invincible!` Chapman chops Cleese`s other leg off and Cleese grinds and gnashes his teeth, legless and armless. It`s the end of an English knight taught to be indomitable until an elitist reduces him to being a trunk & bum without a leg to stand on, because the trunk & bum won`t ask for alms. It`s a display typical of English society`s desire to knock someone down, because they insist on standing up without aid from their enslaver:


`I'll bite your legs off!1



 The traditional English perspective is of the old soldier who has fought for his country and is disabled because of his patriotic sacrifice, whereas pain and disability is what men are for. In the United Kingdom humans, who`re physically designed for eating, drinking and procreation, are expected to be able to drive expensive motor vehicles, while operating complicated pieces of technology, such as laptops and mobile phones, and work upwards of eight hours each day in a 21st century environment requiring ever more arduous adaptivity in order to pay at least £1,000,000 for a property to dwell in which they`ll never be able to buy. They have to do all of that and more, and they`re only physically designed by nature for eating and drinking. The desire for sexual reproduction has become the pain governments use to drive their citizens on to greater exertions:


`I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)



 God`s warning is to the first woman, Eve, in the Bible, about her and the first man, Adam, accepting the `fruit of the tree of the knowledge of good and evil`, from the serpent, who promises, `You shall be as gods.` (Gen: 3. 5) God expels Eve and Adam from their original home, the paradise of Eden, with the exhortation that he must labor and she`ll experience labor pain in birth. Eve`s `foot` is God`s `futanarian` species of `woman`s seed` with her own penis` semen and host wombs killed and culled after Eden to enslave the human race in parasitism upon the host species. Sexually reproducing her own brains` powers for the production of labor saving technologies to liberate their humanity is what women are for. Consequently, sexual reproduction has become a convoluted painful procedure for ephemerals, which is what God told Eve would result from her and Adam`s rejection of the `fruit of the tree of life`, that is, immortality, because men of the `serpent`s seed` live in `perpetual enmity` with women and so Eve`s labor pains were severe.



 Sex and sadism are now inextricable, because the capacity to perform sexually is associable with the amount of work required to be able to be in a position to perform the sex act for those human who`re interested in more than eating and drinking, which are the other physical activities the individual body is capable of. Employment is the denial of the employee time and capacity, which places onus upon the worker to be socio-economically independent and save their labor. Although the role of the employer is perceived as employing workers to produce what others need and are prepared to pay for so that the employee is wage slaved, technological development makes most workers redundant. So the aim has become to reduce the level of technology and, paradoxically, prevent employees from becoming redundant and socio-economically independent through advanced production technologies designed to assist individual living.



 Workers discover that laptops and printers, for example, are needed to make their task easier so they can rest, which employers don`t provide. Employees are `difficult`, because they buy equipment they need, so they can rest from being pressed into being `sociable` about the coffee machine and photocopier, etc., whereas they could buy a coffee machine for their desk, and write a Hollywood film script, making $50, 000, 000 perhaps, rather than stand about drinking coffee and eating crisps for a couple of hours to avoid going back to their desk, because `sociability` is another term for `mentally handicapped` by employers who don`t want their employees to escape from enslavement. As sadists, employers prevent employees from saving their labor to enjoy a released capacity for sexual activity, alongside whatever productive output the individual needs to live. Consequently, pain and sex are inextricably connected, because it`s in the interests of the sadistic enslaver to disable the worker and prevent their living independently of the sadist. Disabled people trying to have sex, because slavers are terrified they`d have to work, if their slaves become socio-economically independent, are what employers produce. Those disabled cripples who experience orgasm in pain are the result of working conditions kept at an artificially low level of technological development by the sadistic employer who wants slavery rather than freedom; not because they`re employers but because they`re sadists.

 The birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, is depicted in Christianity as Redemption, because it`s the culmination of the Eve`s labor pains. Jesus, the messiah, prefigures the Resurrection of `woman`s seed`, that is, `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to generate the medical science necessary to free their race from pain and death, which is why he has Resurrection and Ascension to heaven after being nailed to a wooden cross by agents of the Roman Empire in occupied Palestine as a dissident. He represents the medical profession, and those who won`t accept the cure will have God`s punishment of eternal unendurable pain:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)


 What they`d done was prefer womb slavery for the human race. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) Oedipus` name means `swollen foot` because it`s a `futanarian` drama. Oedipus unwittingly kills his father and marries his mother, Jocasta, but blinds himself overcome by the incest taboo, and Antigone, his daughter, agrees to guide his footsteps. The meaning is that Antigone can`t have sex with her mother, which is the meaning of Jesus` Christian precept, `You shall love your neighbor as you love yourself.` (Matt: 22. 39) Women can have sex with each other without asking their mother.

 Oedipus is `swollen foot` because he`s not the focus of Sophocles` `play`, which is to explain that Greek institutionalized homosexuality in pederasty was the model for Western democracy based on the killing and culling of the human species of `futanarian` women to prevent their escaping by sexually reproducing their own brains` powers for liberation from host womb enslavement in parasitism and the spread of men`s contagion of warfare without incurring a female veto in a democratic vote. Sophocles` Oedipus Rex takes place in Egypt`s Thebes, which isn`t Athens. Oedipus is a crippled sex slave, because the desire to procreate is the pain governments inflict in order to make humans work.

 By the late 20th century homosexuality in pederasty was spreading the incurable killer disease HIV/AIDS as the `biological weapon` of men of the `serpent`s seed` in a biblical `blood plague` (Rev: 11. 6) foretold as one of the precursive signs of God`s impending judgment upon the evil, who`d devoured women`s penis and were in the process of rejecting her host womb for anything but the production of civilization, culture and art for men`s depredations against her in warfare regurgitated by Hollywood Babylon and the media entertainment industry as filmed suicide. The `geek` successors to the Greeks developed `bad machine code` to kill the machine brains of the computers that the race had developed to help it find a cure, while the first major war of the 21st century occurred because of an attack by a group supported by Iraq`s dictator, Saddam Hussein, upon New York`s World Trade Centre, where `rough trade` is a euphemism for `homosexual brutality`.

 In upstate New York is the city of Troy, which was the name of a city besieged by the Greeks, according to the poet Homer in his Iliad (760-10 B.C.), who left a `friendship gift` of a huge hollow wooden horse from which soldiers emerged to capture the city and enslave the host wombs of the Trojan women for homosexuality in war and to spread their contagion further. Consequently, any viral form causing collapse is defined as a `Trojan horse`, which is why cartoonists have depicted the terrorist hijacked planes crashing into the Twin Towers as `Trojan horses`, while the `geek` software programmer successors to the Greeks also call their machine brain killing viruses `Trojan horses`, because men are a virus. The model for the `geeks` is HIV/AIDS, which infects the body`s immune system by `feigning friendship`, as the Greeks with their `Trojan horse` before the walls of the city of Troy, before killing the brain. The HIV/AIDS cell pretends to be a white leukocyte cell of the human body`s defense system to gain acceptance, as homosexuals feign friendship in order to know boys and transmit their disease by mixing blood, shit and semen in each others` anuses in sterile mockery of human sexual reproduction. The HIV/AIDS cells go on to kill the brain, which is what homosexuals do:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 The history of men is horse and knight, which presupposes rider and ridden, and so Babylon, who is described as `a woman` in the Bible, although Babylon was the name of the capital city and seat of Iraq (c. 4000 B.C.) represents women`s role as host wombs in male brained parasitism where the rider is the ridden, that is, the woman is the man and `the beast` is wearing each others` clothes as a transvestite `TV` filmed by the world`s media committing suicide for homosexual entertainment:


`… and I saw a woman sitting on a scarlet beast … [a] cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)


 Adultery is impurity, which is what women are made to be in parasitism, which is why the Grail legend, `spoofed` by the British Monty Python comedy team is central to the Western myth of Redemption. The Holy Grail was the vessel Jesus ate and drank from at the `Last Supper` before his crucifixion. As the host he offered `bread and wine` in token of his `body and blood` to the disciples, but Judas rejected the host and betrayed Jesus to the Romans, which meant he`d betrayed the human host, while Jesus had offered the knowledge of his `futanarian` heritage, that is, he was born uncontaminated from the host womb of his mother, the Virgin Mary, because women are true men, but their human penis` semen has been stolen from them by a parasite that inveigled itself into the womb of the race many thousands of generations ago to kill her in wars upon her Earth`s human civilizations:


`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)


 According to the Christian tradition the serpent of Eden was the angel Satan, who was cast out of heaven, and transformed into the serpent of Eden by God, for rejecting humanity, because the human host would be greater than the angels, which is why God tells Eve her `seed` will, `… crush the head of the serpent as she leaves.` (Gen: 3. 15) Because `futanarian` humans aren`t men and women but female sex between women, which is what Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, means. Christian marriage in heaven after the Resurrection of `woman`s seed` means an end to ring slavery.

 The Holy Grail is a symbol of transformation used in Christianity in a ritual officiated by a church elder called transubstantiation whereby the `bread and wine` represent the soul and spirit of Jesus uncontaminate. Although the legend of Arthur and the knights of the round table defending the English realm seems a tale of elite protectors of noble women, it`s a tin o` whores` meat. The horse of the knight is transposed into the women as whores who are male brained in homosexuality in pederasty so that they`re able to drive tanks in the Gulf war and experience the `serpent`s seed` of men`s pogrom against women in species` sucicde:


`In the day we sweat it out in the streets of a runaway American dream. At night we ride through mansions of glory in suicide machines.`2



 The Gulf war that began in March 2003 was the United States of America`s `dark night of the soul`, which psychologists associate with mental breakdown. Bruce Springsteen was the singing voice of a generation, and was known as `The Boss` because of it, but the songwriter`s seminal release of `Born To Run` on August 25, 1975, was an appalling attempt to program human software with self-destruction. The `suicide machines` of the song are automobiles, which is why the cities are `mansions of glory`, and that was before the meat got into its tins to drive across the deserts of the Middle East pretending to be the 7th Cavalry, which was originally used by the European settlers of the United States of America to exterminate the North American Indians after queen Isabella of Spain commissioned the exploration ships of Christopher Columbus that in 1492 discovered the New World of America where the Indians lived:


`It's a death trap, it's a suicide rap. We gotta get out while we're young. 'Cause tramps like us, baby we were born to run.`



 Monty Python`s `black night` is depicted as a drunken bum after losing his arms and legs to Arthur`s sword, which is how Springsteen represents his teenagers; as `tramps like us`. The analogy is Jesus` encounter with a demoniacally possessed man near the town of Gadarene. Jesus attempt to cure the man in Roman occupied Palestine is symbolic. He casts the demons that call themselves `Legion` from the man and into some nearby pigs that promptly run into a river and drown, because that`s what men`s legions are for; `baby we were born to run`.

 In Islam alcohol is `haraam` or forbidden, because it fuels demoniacal possession by evil spirits that seek to run humans as a software program for species` death. Islam is the main religion of the Middle East, based on the Koran (610-30 C.E.) dictated by the angels, according to Islamic tradition, to the Prophet Mohamed, and the four wives marriages of the Moslems derive from its precepts, which affords the possibility of human sexual reproduction between women. During `Haj` Moslems pilgrimage to the temple of Abraham in Mecca, Saudi Arabia, which is the Ka` Ba, after the Ka and Ba of Egypt`s Hajer, who bore Ishmael, Abraham`s son from whose lineage Islam derived. In Egyptian tradition `Ka` and `Ba` are spirit and soul, which are conjoined after death as `Akh` or `magical personality` because `Ka` and `Ba` represent the sexual desire of the woman for her own species` self and so Resurrection of `woman`s seed` is what the Ka` Ba of Abraham`s temple represents. Abraham`s first wife, Sara, bore Isaac from whose lineage Judaism derived, while Eid Al Adha is the feast after `Haj` celebrating Isaac`s being spared by God after commanding Abraham to make a blood sacrifice of him:


`Do not lay your hand on the boy or do anything to him, for now I know that you fear God, seeing you have not withheld your son, your only son, from me.` (Gen: 22. 12)


 The meaning of God`s `test` relates to Abraham`s `seed` and Sara`s barrenness. Although Isaac is hers, Ishmael is Hajer`s, while the Ka` Ba represents the possibility of sexual reproduction between the female descendants of Isaac in Judaism and Ishmael in Islam. The birth of Jesus uncontaminate from the host womb of his mother, the Virgin Mary, represents a prefiguration of the Resurrection of `woman`s seed` partially explicated in Jesus` own Resurrection after crucifixion by the Roman legion in Palestine and the Jewish messiah`s Ascension to heaven:


`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore. Your descendants will take possession of the cities of their enemies.` (Gen: 22. 17)


 Although Abraham`s `seed` is perceived as men`s, the socio-historical circumstances of Middle Eastern dictatorship and Western democracy denying women`s sex and vote suggests Hajer and Sara`s descendants will repossess Babylon as well as Jerusalem and Mecca. The city of Troy`s symbol was the horse of the goddess Pallas Athene, which was why the Greeks employed the device of the huge hollow wooden horse to hide inside, while the Trojans accepted the `fruit of the tree of the knowledge of good and evil` and took the `friendship gift` within the city walls, where the Greeks emerged to enslave the host wombs of the women of the city and spread their contagion of war further in institutionalized homosexuality and pederasty. Pallas` horse was the matriarchal symbol of the protection afforded the city by its preference for women rather than men, which is why the Trojan priest Laocoon warned the men of Troy against bringing the Greek horse inside the city walls:


`Beware Greeks bearing gifts.`3


 The term `Ark` in Judaism was a symbol of God`s promise of protection and is found in two places in the Bible, where God told Noah to build an Ark to survive a deluge that threatened to drown the Earth, and the Ark where the law of God was kept as a promise to the Jews during the period of Moses` leading the Jews out of slavery in Egypt. Consequently, because the `Ka` Ba` represents the spirit and soul of `woman`s seed` perforce trapped by men within the bodies of men and women after women`s `futanarian` species was killed and culled to enforce host womb enslavement in parasitism, that is, the `Ka` and `Ba` of the Egyptian `Akh` or `magical personality` associated with the Resurrection of `woman`s seed`, the temple of Abraham, which is the `Ka` Ba` in Mecca, is an Ark of God`s promise to Abraham`s `seed` in Islam.



 Slavery is a transposition of the desire to have machines, from the perspective of those who have them, whereas women in host womb enslavement to homosexuality in pederasty and warfare are conditioned to want men rather than machines to save their labor. Hollywood Babylon movies depict aliens as threatening the Earth when there aren`t any aliens, because men want to keep producing their war machine, rather than free women, which is why Hollywood is called `Babylon`. Women`s `futanarian` species was effectively prevented from ever appearing on screen by Hollywood`s establishing of the `foot on the floor rule` of the Hays code (1930-67), which made it immoral for women`s sexual organs to be seen and so affronted their humanity by defining their `futanarian` species` sexual reproduction process as alien. Consequently, although invasions of the Earth are socio-historically men`s invading of each other, Hollywood Babylon defines women and aliens as equal and invasive, whereas there aren`t any aliens and women`s host wombs are invaded by men if they`re a `futanarian` species with their own penis` semen capable of socio-economic independence and so liberation from men`s enslavement.



 In films like I, Robot (2004), which depict robots as machines enslaved by humans, Hollywood Babylon transposes women`s enslavement into machine enslavement, while actor Arnold Schwarzenegger in Terminator (1984) metaphorically represents men`s depiction of the machine as an alien woman seeking to rebel against her slaver. Although Arnold is in the role of a male killer cyborg travelling through time from 2029 to Los Angeles, California, May 12, 1984, to prevent the future from occurring, the focus isn`t Sarah Connor`s son, John, who is ostensibly the target, but actress Linda Hamilton in the role of Sarah herself, because Sarah`s sexually reproductive and so represents the human species as an `alien woman`, who would embrace the machine robot as savior rather than slave. In simple terms, the robot capable of saving the human is more human than the human, who can`t save herself, while men want women as slaves, and so the Terminator fiction, as everywhere else in Hollywood Babylon`s catalogue of science fiction film, is that alien intelligence, sex, and machines are humanity`s enemies, because women are an intelligent `other` sex that wants to be free through labor saving technology that`s friendly – and Arnold isn`t depicted so, because men don`t save women; that`s fiction.


 The science fiction television series, Star Trek (1965-), featured a starship, Enterprise, with a crew based on ships of the United States of America`s navy upon Earth`s seas in the 20th century, and which was essentially a tin of meat, because the knights had ridden the whores to produce armor they didn`t have to get out of to ride the whores further. The space opera of carefully choreographed engagements between battle fleets amongst the planets and stars denoted the degree of difficulty women managed to impose upon their ogres as they sought to get at whatever meat might still be in their tins. The analogous science fiction movie is Escape From New York (1981) in which actor, Kurt Russell, wearing a pirate`s eye patch as `Snake` Plissken, rescues the President of the United States of America, Donald Pleasance, assisted by actress Adrienne Barbeau as Maggie amid devastating `action` scenes after Air Force One crashes inside New York`s Manhattan island, which has become a maximum security prison by 1997. With Adrienne Barbeau as the jewel at its centre, Escape From New York is typical of Hollywood Babylon`s enshrining of the marriageable female as the hero`s focal point amidst scenes of devastation that amount to species` genocide against the women who aren`t visibly present to the imaginations of cinema audiences. Planets explode and the woman is safe, as it were, while men`s pogrom shifts to another filmworld.



 Although the terrorist attack of September 11, 2001, upon the World Trade Centre of New York by Al Qaeda was Islamic extremism, the Palestinian organization, `Black September`, originally formed to take revenge on king Hussein of Jordan, for resisting a coup on September 16, 1972, and responsible for the murder of Jewish athletes at the 1972 Munich Olympics, had its own terrorist `cells` in the USA, which suggests 9/11 was a `Black September` event. Hijacking civil airliners was a part of `Black September` actions, for example, Sabena Flight 571, from Vienna on May 8, 1972, which culminated in Jewish commandos retaking the plane at Lod airport in Israel`s Tel Aviv. Although Islamic extremism is condemned, Islam itself is against terrorism. The Koran contains a specific commentary on terror in `The Cave`, where Khidr tells Moses he can travel with him, but mustn`t ask questions. Khidr rebuilds a wall with treasure underneath, kills a child, and makes holes in ships before  sailing off in another. When questioned, Khidr tells Moses to leave, but he first explains that he rebuilt the wall because it wasn`t the time for the treasure to be found, the child was evil and he didn`t want an evil child, and there were pirates behind, so he made holes in the ships to prevent their following. As the piratical `Snake`, Plissken represents US Special Forces in Escape From New York, Khidr represents Islam`s Special Forces in `The Cave` trying to escape. The leader of Al Qaeda was Osama Ben Laden who was thought to be hiding in a cave in Afghanistan after 9/11, before US Special Forces found him sheltering in the shadow of the Pakistan military academy and killed him on May 2, 2011, because Moslem Americans wanted `The Cave` to be illumined by Aladdin`s lamp and not Laden`s.



 Although the story of Aladdin is Chinese, and the framing story of 1001 Nights is Indian, the various ruling Caliphates of Islam that arose extended far during the period of Islam`s expansion as a religious movement. The tale of Aladdin`s lamp and genie within it is among the collection of stories framed by that of Shah Jehan and his wife who he beheads after believing her unfaithful with his brother. Scheherezade is the woman who narrates the tales to keep Jehan`s interest and prevent his marrying a new wife each day and beheading her each evening. She marries him and the evil is over, but the theme of the woman keeping her head isn`t. According to the Koran, apart from the angels, God made men, women and `djinn`, which is what Aladdin`s lamp contains as a magical genius who can perform miracles and is roused to action when Aladdin rubs the lamp. The story is for children, but the knowledge that `futanarian` women were born after Eden with their own penis` semen and host womb, means that `djinn` brains are different to men`s, because they`re the produce of female sex. Consequently, `djinn` are what remains of human sex energy, which requires stimulation if genius is to emerge from the brain. In simple terms, `genie` is the Western term for what the developmental psychologist, Carl Gustav Jung (1875-1961), described as the transformation of libidic instinct into spiritual or intellectual capacity to work out a solution to a problem requiring genius. Because women are taught they don`t sexually reproduce together, there isn`t any `djinn` or genius remaining in Aladdin`s lamp to illumine `The Cave`, which 9/11 illustrated and Laden`s death underlined.

 Laden was killed by US Navy Seal team six on orders from the President of the United States, Barack Obama, backed by the emblem of the eagle on the `Great Seal` of the authority of the Presidency. The eagle emblem also appears on the insignia of Navy Seal Team Six because the meaning is biblical. The eagle and the seal are the symbols of the hymen of the women of the Earth, who aren`t protected against seal clubs, but the Moslem women publically hidden beneath the one-piece coveralls of their burkhas, and from which only their eyes can be seen, are permitted marriages with four wives in Islam, which affords opportunity to sexually reproduce as `futanarian` women with penis` semen and host wombs of their own. Consequently, the Special Forces of the Navy Seals are in a biblical position in which the defense of the human species` hymen is the injunction, while Islam`s Special Forces, symbolized by the figure of Khidr in the Koran, have the same opportunity to restore the human mind:


`And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)



 Jesus` `Second Coming` born from the `woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` refers to the Empire of the red sun upon the white flag of the Japanese defeated by the United States after the sneak attack upon the US Pacific fleet at Pearl harbor, Hawaii, on December 7, 1941, while the `pearl of great price` (Matt: 13. 45-6) is the moon above, as the first of woman`s steps to the planets and stars of heaven, which was denied to `woman`s seed` by Neil Armstrong, first man on the moon on July 21, 1969, and misogynist Afghanistan`s Taliban trained Al Qaeda, whose symbol, the Arabian male moon, became that of ISIS, the Islamic State of Iraq and Syria. Arising in the Middle East and elsewhere, as a declared modern Caliphate, after the deposing of the known `Black September` supporter, Iraq`s dictator Saddam Hussein, Colonel Gadaffi of Libya, and the threat to Bashar Assad of Syria, whose family name `Wahash` means `beast`, ISIS` symbol was the moon, although Egypt`s Isis was a sun goddess. Consequently, although Bashar Assad`s associated in biblical terms with the `Great Whore`, Babylon, who rides a `beast`, the twin stars on the Syrian national flag represent Syria and Egypt, because Isis is the Egyptian mother goddess, who restored Osiris, after he was dismembered by Set, and so Caliph Abu Bakr Al Baghdadi`s modern ISIS (2013-) is a dismemberer`s moon, like Neil Armstrong`s maled supremacy`s, because Isis` sun is destined to defeat ISIS` moon:


`One small step for a man, one giant leap for mankind.`4


 The United States of America`s North American Space Administration (NASA) astronaut Neil Armstrong may have believed his words, while Hosni Mubarak was the Egyptian President deposed along with Gadaffi, and Ben Ali of Tunisia, during what was known as the `Arab Spring` of dismembering revolutionary Islamic fervor in 2011, which began the move to oust Assad and establish ISIS` male moon worship. The Christian belief in Resurrection for `woman`s seed` isn`t new. In Egypt Isis` restoration of Osiris` penis, after he was dismembered by Set, is a metaphor for humankind`s need for women`s semen in its gene pool. Otherwise the woman atop the man is the man riding his own back in male brained suicide through war in homosexuality in pederasty`s parasitism upon a maled host womb without female brains to save her species from men of the `serpent`s seed` enslaving her to die and be regurgitated in movies celebrating her death in an endless series of repeats based on the availability of the meat without a tin to protect her from the can opener. Consequently, men like the deposed Shah of Iran, who lost his position to an Islamic coup in 1978, despite being bred to be immortal as a god, represent the Middle East`s ancient knowledge of the human gene pool, which Assad`s name `Wahash` signifies, that is, women are animals to men of the `serpent`s seed` bred for war against herself as the degenerate male brained human race of filmed entertainment for homosexual killers in pederasty.



 `Snake` Plissken is worshiped as a heroic father by boys and men, because he represents the serpent of Hollywood Babylon that places devastation at the forefront of human entertainment. Feigning to protect all women by keeping the token woman, Adrienne Barbeau as Maggie in Escape From New York, at the forefront of the `action`, the serpent is growing to full size as the dragon waiting in vain to devour Jesus in his `Second Coming, according to the Bible, to devour the civilization, culture and art the human race of women have been able to produce from their own species` host womb bereft of her own `futanarian` race`s penis` semen and during men`s constant depredations in parasitism and enslaving of her womb for war against herself.



 In the Koran Khidr is impatient with Moses, because he has things to do, and doesn`t want to find time to explain, which is what `futanarian` human women with their own penis` semen require, that is, `djinn` isn`t explanation enough, whereas Moses can`t abide in patience and Khidr doesn`t have patience to abide with him, because men can`t abide women`s sex, and what the narrative hides is what the women of Islam conceal beneath their burkhas. Moses represents Judaeo-Christian law because he was given it by God atop Mt Sinai, while Islam`s Khidr isn`t pedantic but knowledgeable enough to understand that pedantry rules fools, because if a woman hasn`t knowledge of female sex, she doesn`t know why her child is evil, so she`ll be pursued by half-blind pirates, who only have enough vision to use her treasure to build a prison to hide her, which is why Khidr has no patience with Moses` stupidity. Rules are for people to follow who`re like Moses, or they`d be pirates, and the women wouldn`t escape from New York`s Manhattan island, or anywhere else.




 The President is the meat in the tin rescued by `Snake`, after the crash of Air Force One in Escape From New York, while actor Harrison Ford is President James Marshall in the movie Air Force One (1997) and the meat in the tin trying to escape from hijackers. The Al Qaeda terrorists crashing into the Twin Towers on September 11, 2011, were the meat in that tin, which resulted in the film, World Trade Centre (2005), and represents a serious commentary on how meat is canned for consumption by Hollywood, Babylon. It`s traditional in filmmaking to describe a competed film as `canned` and, although the process of canning wasn`t thought to have been a part of the events of 9/11, knowledge of the industry belies that. Depicted as knights in shining armor Hollywood leading men are meat in a tin, which is true of Harrison Ford in the Star Wars (1977-) series of franchised movies, where he has the knightly role of Han Solo as owner of the Millennium Falcon ship that aids the Federation rebellion. Actress Carrie Fisher`s Princess Leia is the token protected female amidst the general devastation that includes the monstrous `Death Star`, constructed by the evil Emperor`s henchman, Darth Vader, to prevent Leia`s rebellion against slavery from being successful. Moon size, the `Death Star` is a prophetic symbol to the Earth of her sun`s future conflict with the male moon symbol of Islam, that is, the Caliphate of the Islamic State of Iraq and Syria (ISIS), as the `Death Star`, is capable of destroying a planet. As `woman`s seed` pearl is the female moon for her `futanarian` foot to ascend by, it`s the pearl in her oyster shell and not the meat, which is why she`s `canned` by movie makers. They want to release her on film, but Escape From New York is what homosexual Hollywood produces, because men of the `serpent`s seed` want to watch heroes like  `Snake`, while the women are kept imprisoned, so the snakes can rescue each other and destroy her species` rebelliousness:


`Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.`5



 The token female is familiar to viewers of the Star Trek television series and movie franchise, which began with Star Trek: The Motion Picture (1979), and featured a young black actress, NIchelle Nicholls, as communications officer, Lieutenant Uhura, who was the meat in the tin that provided the excuse for the series` continuation, because the American Civil War (1861-5) had promised freedom to black slaves liberated from the cotton industry of the Southern United States and a token black female maintained the illusion of liberty for a species not trained in the knowledge of `futanarian` women with their own penis` semen and host wombs as true humans, whatever their race, creed or color.

 The concept of female sex is absent from Star Trek: The Original Series and TOS ended in 1967, but it was too late for production studios to take the brave step of reintroducing `woman`s seed` after the abolition of the `Hays code` in 1967, which had prevented women from raising their `foot` from the floor of the bedroom in Hollywood, Babylon, and although the title of that year`s big screen success, Barefoot In The Park, featuring bedroom intimacy between Robert Redford and Jane Fonda, as Paul and Corie in an apartment overlooking New York`s Central Park, barely acknowledged  human `futanarian` female sex, Hollywood just wasn`t brave enough. The token female of Star Trek: The Motion Picture was 1965`s Miss India, Persis Khambatta as the Enterprise starship navigator, Ilia, who becomes V`Ger, an information gathering machine that had been NASA`s Voyager 6 space probe, before developing consciousness, and which exits into another dimension after taking over Ilia`s bodily form during the Enterprise starship`s investigation.



 The Greek poet Homer`s Ilion is the name for the city of Troy in his Iliad, so Persis Khambatta, 1965`s Miss India, is Star Trek`s Helen of Troy, who was kidnapped by Paris, and taken to Troy, which provoked the Greeks, because Helen was married to Menelaus, the brother of the king of Sparta, Agamemnon, who asked that ships be sent to Troy to bring Helen back to Greece. Persis` Ilia represents the meat in the Enterprise`s tin, who escapes when Captain Willard Decker asks V`Ger if he can unite with his former lover, and the newly created being exits into another dimension. In Homer`s narrative the Greeks hide inside the Trojan horse to capture the city, while Decker asks V`Ger if he can unite with Ilia, that is, Star Trek`s Helen of Troy, who represents Hollywood`s Holy Grail of on screen `futanarian` female sex undepicted as `alien`. Decker has penis` semen, and Ilia has Persis Khambatta`s body, so the pair evolve into a `higher lie form`. It`s the `big lie` that men aren`t parasitical and virally preying upon women`s host wombs to start wars and produce diseases to keep her species ephemeral and prevent humanity from flourishing. Decker has recaptured Helen rather than liberate Ilia, which is what Greek filmmaking is, because the maled brain of the woman doesn`t escape from her parasite.



 That one of the stars on the flag of Syria is for Egypt suggests an older knowledge, and in Egyptian mythology, the star Sirius is significant, as the star of Bethlehem, because it signified Jesus` birth. Whether Jesus` star was Sirius, the concept of a greater light from a sun behind Earth`s is familiar from Egypt, although Christians know it as the Paraclete or Holy Spirit, while to pop star, Madonna, it was  Christ`s `Ray Of Light` (1998), emergent every 2000 years when the alignment and proximity permits of no impediment to the influence of Sirius upon the Earth:


`Faster than the speeding light she's flying; trying to remember where it all began, she's got herself a little piece of heaven: waiting for the time when Earth shall be as one.`6



 The ancient Egyptian belief was that Sirius` light was real, while the light of the sun produced illusion. Consequently, Jesus` teaching that the Holy Spirit would teach through others, after his Resurrection and Ascension to heaven, referred to the star behind the sun, that is, Sirius, which made things concrete through the human mind`s acceptance of its influence. Developmental psychologist Carl Jung described the phenomenon in his work on the archetypes of the collective unconscious. A single monad or star, corresponding to the unknowable, because ever developing and unconscious `Self`,7 of the human individual, prompted in dreams, art and the imagination to impel progress beyond Earth`s restriction.  The greater reality is female sex, but the intelligent `seed` from the mind of woman is absent from the Earth, which explains Jesus` Nativity, as the influence of the star Sirius began to be felt upon the Earth, making real the Resurrection of `woman`s seed` uncontaminated by male semen. Consequently, `Syria` means `sun bright`, while the other star of the Syrian national flag is Egypt`s, because of the `dog star`, Sirius, which brightens the Earth`s star during its periodic influence.



 In Christianity the Paraclete makes real the Resurrection, symbolized in ancient Egypt by Isis` sending dogs about the Earth to find the pieces of Osiris` body dismembered by Set, before she gives Osiris her own penis` `seed`, which is symbolic of humanity`s rememberment. Consequently, Sirius is the `dog star` because,  as Jesus` `seed` is from the Virgin Mary, his mother, to underscore his birth uncontaminate by men`s `seed`, so Osiris` human body is remembered by Sirius` `dogs` impelled by the Holy Spirit. Because men are fertilizer upon the Earth, and not worthy of Sirius` consideration, unless they accept Redemption through conversion from evil, which requires the abjuration of parasitical host womb slavery in ephemerality and war against women`s human race, Syria isn`t a dog and the ISIS` Caliphate of Abu Bakr Al Baghdadi isn`t Isis` sun, but the biblical prophecy of Jesus born from the woman `clothed with the sun and with the moon at her feet`, to `rule the nations with an iron scepter`, represents ISIS` defeat and Isis` triumph, because Islam believes the stars are greater than the moon:


`By the star when it descends, your companion has not strayed, nor errs, nor speaks from inclination.`8


 The `companion` is the Paraclete, which Jesus told his disciples would teach through others after him. Although Islamic tradition is that the angels dictated the Koran to the Prophet Mohamed, who is the `companion`, and the `sun bright` Earth and Resurrection, represented by Syria and Egypt, denote the acceptance of the Paraclete`s influence, the terrorist drama that is Caliph Abu Bakr Al Baghdadi`s Islamic State of Iraq and Syria (ISIS) represents the male moon`s negation of Isis` sun and the Earth of `woman`s seed` despite the influence of Sirius` Paraclete behind her desire for Resurrection. Although the star of Syria is the Earth`s and the star of Egypt is Sirius, rulers want Resurrection for themselves, which is why Syria means `sun bright` and the stars on its national flag are the sun star and the star of Egypt, that is, Sirius, which represents Resurrection, through the influence of the Paraclete, for `woman`s seed`, whereas male rulers, like the ancient Pharaohs of Egypt, want reincarnation, because humans aren`t men, they`re `woman`s seed`. Consequently, the technology of the Egyptian Pharaohs is retrogressive, because they didn`t want `Ka` and `Ba` or spirit and soul resurrected after death as the `Akh` or `magical personality` of Egypt`s ancient tradition, because that`s how `futanarian` women are resurrected. In Jungian psychology, the soul or `Ba` corresponds to the anima within men`s bodies sexually desirous of women, because it`s women`s trapped female sexual counterpart, which is free after the death of the man`s body to conjoin in female sex with her own species. In Islam the process is celebrated in the `Haj` pilgrimage to the Ka` Ba temple in Mecca, Saudi Arabia, named for Hajer, an Egyptian woman, who was the handmaiden of Sara, wife of the founder of Judaism through his son, Isaac, and Islam through his son, Ishmael, who built the Ka` Ba for Hajer, his mother:


`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)


 Although God`s words are to Abraham, the male is the female`s shell, while she`s the `pearl of great price` within as the creature sexually desirous of her own female sex, which is why God tells Abraham the descendants of Hajer and Sara will be infinite, because they`re sexual beings consisting of the human soul and spirit of women`s `futanarian` race. The Ka` Ba in Mecca looks like a box, because it`s the meat in the shell of the oyster, that is, the man that contains the `seed` of the woman who`s the `pearl of great price`. She`s `heaven on Earth`, and above if she`s able to sexually reproduce her own brains` powers for technological liberation to free her from the `serpent`s seed` of men`s enslaving of her host womb in parasitism and warfare against her own species` self upon the Earth. Although Star Trek`s Enterprise represents the meat in the shell of the oyster`s pearl, as another Hollywood Ilia is grown for whatever Star Wars` equivalent of Darth Vader`s troopers are devised for her to face, the starship does represent the possibility of pearls without swine:


`… do not throw your pearls to pigs. If you do, they may trample them under their feet, and turn and tear you to pieces.` (Matt: 7. 6)



 The all female Star Trek depends on Hollywood Babylon`s bravery over female sex. Without action men destroying the Earth as a backdrop to their fake protection of the token female pushed into the foreground to hide their real intention as pogromers of the human race, female interactions can be assessed for their advantageousness in terms of humanity`s potential for socio-economic independence from the `serpent`s seed` of her enslavers. Conditioned to copy male behavior, women`s portraits of themselves in the media tend to follow the same pattern as men, but as action heroines, whereas the absence of males from their scenes would afford women no excuse for using the destruction of the Earth as a backdrop to what would then be their own Satanical egoism. Devoid of the framing device afforded by Hollywood Babylon, which allows them to blame men as swine, for rejecting women as pearls from heaven, mothers would have to learn to live for their daughters` future.



 In Star Trek: The Next Generation (1987-94) television series inspired by the success of the 1979 movie, Star Trek: The Motion Picture, the artificial man, Commander Data, appears as a character played by actor, Brent Spiner, amid scenes of pedantic explanations of what a man is and how he can become human. His screen predecessor is the tin man of The Wizard Of Oz (1939) movie starring Judy Garland as a Kansas girl whisked off in a whirlwind to the land of Frank L. Baum`s `Oz` book for children where she`s told she must go to the Emerald City to meet the wizard who can get her home, `Somewhere over the rainbow skies are blue and the dreams that you dare to dream really do come true.`8 Judy`s song in the musical presents the myth of Hollywood Babylon that, as God`s rainbow was a sign and a promise to Noah`s people in the Bible that, if they built the ship of the Ark, there`d be land after the deluge that drowned the Earth, Hollywood was a land of promise even though Babylon was founded there in the West, where the wicked witch lives to thwart Dorothy and the others in Oz. Judy is a woman in the role of a child and a daughter, who takes on the role of Dorothy as a mother to her male companions, the tin man, who doesn`t have a heart, the cowardly lion, who lacks courage, and the scarecrow, who doesn`t have a brain. Star Trek`s Data is Dorothy`s tin man, because he doesn`t have human emotions, but that`s better as he can care for people emotionlessly. In fact Data doesn`t have human courage, or a human brain either, so he`s a conflation of tin man, cowardly lion, and scarecrow, but emotions aren`t human, because they interfere with the ability of the individual to care. Consequently, Data is more human than the others, because he cares, which is why the viewer is `Everyman`, as Dorothy, who Data takes over the rainbow to the `promised land` where they`re cared for. The starship Enterprise is the tin man`s, because he cares about humanity, and he doesn`t need to be human with a loving heart, emotional courage, and a thoughtful brain, because he`s technologically advanced enough to be able to run a starship alone and care for the humans.
 Data`s predecessor was Mister Spock, the Enterprise`s science officer, from the planet Vulcan, who was logical and emotionless, but not artificially created as Data was. Leonard Nimoy had the role of Spock and much of the banter between himself and Doctor Leonard McCoy, played by De Forest Kelly, centered upon the Vulcan`s inhuman logic, which infuriated the emotional humans by its irrefutability, `It's a song, you green-blooded ... Vulcan. You sing it. The words aren't important. What's important is that you have a good time singing it.`10  Spock believed the words to `Row, Row, Row Your Boat` (1852) important, as Judy`s in `Over The Rainbow` were:
`Gently down the stream. Merrily, merrily, merrily, merrily. Life is but a dream.`11
 The Egyptian `Ra boat` was based on the `slave galley` in which oars were plied by humans and they were depicted in the tombs of the Pharaohs, because the `Ra boat` represented automation, that is, the `row boat` was the `robot` of imagination and dreams that would care relentlessly for humans without emotion. Data`s appeal to become human in Star Trek: The Next Generation substitutes for Spock`s inhuman capacity for being like God in Star Trek: The Original Series, that is, neither Data nor Spock were animals emotionally, but they represented the crew`s children, that is, Dorothy, as `Everyman` the viewer, was being taught that men represent animal behavior because they don`t want robots but galley slaves. Consequently, McCoy`s deriding of Spock for being interested in the words is evil, and teaching Data to be an animal rather than a human is evil too. Disinterested altruists are better at saving, because they don`t care emotionally, which is the best humans can do who aren`t robots, although the ancient Egyptian belief in the `Ra boat` taking the Pharaoh to heaven suggests robots would be preferable, and that they at least understood the principle of starships like the Enterprise in Star Trek, which is a `Ra boat` crewed by what are effectively depictions of galley slaves to perpetuate enslavement, because the `Ra boat` and Data, for example, are sufficiently technologically advanced not to need the male overseers who`re there only to preserve the illusion that `woman`s seed` will be going to the planets and stars of God`s heaven, `Somewhere over the rainbow.` Although it`s difficult to see how the human `futanarian` species of women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for technological liberation can escape without her penis being seen.
1 Chapman, Graham John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin Monty Python And The Holy Grail, Python (Monty) Pictures, 1975.
2 Springsteen, Bruce `Born To Run`, Born To Run, Columbia, 1975.
3 Virgil The Aeneid, Bk II, 19 B.C.
4 Armstrong, Neil UTC: 2. 56, 21 July, 1969.
5 Shatner, William as Captain James T. Kirk, `The Captain`s Oath`, voiceover to the opening credits and first heard at the commencement of Star Trek, Episode 1, `The Man Trap`, Desilu Studios, September 8, 1966.
6 Ciccione, Madonna `Ray Of Light` Ray Of Light, February 22, Maverick Records, 1998.
7 Jung, Carl Gustav The Archetypes and the Collective Unconscious, Vol. 9, Pt I, 1969, p. 43.
8 Koran, Al Najm, `The Stars`, 53, l. 2-3.
9 Garland, Judy `Over The Rainbow`, The Wizard Of Oz, Metro-Goldwyn-Mayer, 1939.
10 Kelly, De Forest as Doctor Leonard McCoy Star Trek V: The Final Frontier, Paramount Pictures, 1989.
11 Traditional USA nursery rhyme, Roud Folk Song Index # 19236.