Riding Horses Made Of Water

23/10/2014 00:38


Riding Horses Made Of Water


The horse appears throughout the history of warfare as a reluctant carrier of the plague of conflict. At Troy the Trojans allowed the huge wooden horse of the Greeks inside the city walls where the Greeks, whose society was founded upon homosexuality in pederasty, emerged as parasites to enslave the host wombs of the women of Troy and spread their contagion of war further. The symbol of the city was a horse, because the patron deity of the city was the mother goddess, Pallas Athene, while the narrative of the taking of the city by the poet, Homer, the Iliad (c. 760-10 B.C.), not only depicts Greek warfare as a plague, but how the biblical `blood plague` of HIV/AIDS is spread by homosexuals in pederasty `feigning friendship` towards their victims in male braining`s coercive mode. Women as `futanarians` have their own penis` semen for the sexual reproduction of their own brains` powers, so the narrative of Troy depicts how Greek homosexuality in pederasty captured a woman`s city by coercing the men within to accept a `friendship gift` equivalent to a homosexual wooing:


`Beware Greeks bearing gifts.`1


 The Trojan priest, Laocoon, fails to understand how the people can`t see that the Greek horse poses a threat to the integrity of the city. The Greeks are male brained in homosexuality in pederasty and so are able to coerce the men within the walls of the city of Pallas Athene to accept their gift like homosexuals wooing a victim to accept HIV/AIDS. In the computer age that began in the 20th century, the `geek` successors to the Greeks devised `bad machine code` known as `Trojan horses` to infect and kill the brains of computers, which is the male brains` aim with regard to women:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 In the Bible God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and the first man, Adam, lived in Eden, where they were tempted by the serpent, Satan, the angel cast out of heaven by God for not wanting humankind to be greater than the heavenly host, `You shall be as gods.` (Gen: 3. 5) Eve and Adam took `the fruit of the tree of the knowledge of good and evil` offered to them by the serpent, Satan, and were expelled from paradise for rejecting the `fruit of the tree of life`, that is, immortality, because they accepted host womb slavery in parasitism and ephemerality for their `futanarian` daughters and the human species born after Eden, killed and culled by men of the `serpent`s seed` in parasitism and homosexuality in pederasty, and warfare against the future host of God`s angelic nature. Without female brains produced from `futanarian` women`s semen and host wombs, male brains coerce the male brained. Consequently, the collective male brain of the Greeks was able to coerce the men of Troy to surrender their city. Babylon was a city in Iraq (c. 4000 B.C.), and the Bible describes her as `a woman`, for the same reason that Troy was Pallas Athene`s city, because Babylon represents male braining in host womb parasitism and warfare against the human host by men of the `serpent`s seed`:


`At that moment there came a roaring and a rushing: a noise of loud waters rolling many stones. Dimly Frodo saw the river below him rise, and down along its course there came a plumed cavalry of waves. White flames seemed to Frodo to flicker on their crests and he half fancied that he saw amid the water white riders upon white horses with frothing manes. The three Riders that were still in the midst of the Ford were overwhelmed: they disappeared, buried suddenly under angry foam. Those that were behind drew back in dismay.`2



 Some commentators argue that Homer`s Greek campaign against Troy was fiction. Britain`s fantasy writer J. R. R. Tolkien in his The Lord Of The Rings (1953-4) depicted horses made of water with riders, because books about men`s preoccupations are elision. All of the fictional activity is horses made of water with riders, because the battle of women for female sex is excluded from the picture. In the 21st century film of Tolkien`s trilogy, The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003), actress Liv Tyler with the role of the 2700 year old elf woman, Arwen `Evenstar` of the forest of Rivendell, and actress Cate Blanchett, as Galadriel, Arwen`s grandmother and the elf woman of the forest of Lothlórien, are the female sex at the heart of director Peter Jackson`s film treatment, which brings home to wiser cinema audiences the elision. Battles are fought but the women are the female sex unfought for by the women.



 Liv and Cate aren`t able to portray the socio-economic conflict in interest that the battle for female sex represents, because Hollywood Babylon reinforces narrative conventions against `woman`s seed`, despite Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, fulfilling the biblical prophecies of the Old Testament of the Redeemer. Mary represents the `futanarian` human woman capable of sexually reproducing her own brains` powers for technological progress and escape from men`s enslaving of her host womb in homosexuality in pederasty and parasitism for male braining and war. But Hollywood Babylon`s establishing of the `Hays code` (1930-67) made it a convention that women`s `foot` shouldn`t be seen rising from the floor of the bedroom in scenes of intimacy, because of fears amongst the `serpent`s seed` in the Babylon of the West that God`s words to Eve would be fulfilled, that is, she will:


 `…crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)


 Consequently, `woman`s seed` shouldn`t be seen to have the capacity to sexually reproduce her own brains` powers through her own penis` semen and host womb. Although Tolkien`s The Lord Of The Rings is the tale of how the men of the West defeated the `paper tiger`, Sauron, in the land of Mordor, before the marriage of Arwen and Aragorn, heir to the West, the elision obtains, that is, Tolkien`s `ring war` is the myth of women`s acceptance of her parasite, rather than the truth, which is that women`s battle for their own female sex is elided by men`s battle to enslave her womb and keep their parasitism a secret from generations of daughters untaught that their sex is forbidden because it`s a threat to male braining in parasitism and warfare against her hosts:


`With his last failing senses Frodo heard cries, and it seemed to him that he saw, beyond the Riders that hesitated on the shore, a shining figure of white light; and behind it ran small shadowy forms waving flames, that flared red in the grey mist that was falling over the world.`



 Frodo is the heir of Bilbo Baggins who by chance recovers the lost ring of Sauron in Tolkien`s The Hobbit prequel to The Lord Of The Rings and which Frodo and his companions are asked to take to Mt Doom and unmake in the mouth of the volcano so that the power of the Dark Lord is broken. Living in Hobbiton, where the doors are round, Bilbo is rabbit-like, that is, he`s Bilbo, the rabbit from `rabbit on`, where the verb `to rabbit` means talkative, because Tolkien`s tale is riding horses made of water, that is, an elision in which female sex is excluded from the fantasy, because it`d interfere with the simplicity of the aim of the action depicted, which is to spread the contagion of war further. Frodo is a rabbit, because he`s half a man, that is, a `halfling`. As the `serpent`s seed` will have `perpetual enmity` with Eve`s `seed`, according to God in the Bible, so male children have to be educated in warring against her `seed`.

 Jesus was nailed to a cross of wood by agents of the Roman Empire in occupied Palestine and tortured to death for dissidency before his Resurrection and Ascension to heaven as a prefiguration of the `futanarian` ascent of `woman`s seed` through the sexual reproduction of her own brains` powers from her own penis` semen and host wombs. Just as Jesus emerges from his entombment in Resurrection, so Frodo emerges from the round door of his `hole` as Tolkien`s `rabbit` in the tradition of the female English novelist, Beatrix Potter, who wrote Peter Rabbit (1902) about a rabbit told to avoid Mr McGregor, whose wife Mrs McGregor had put his father `in a pie`. Encountering McGregor, Peter wriggles out of his coat to escape, `Stop thief!` Tolkien`s Peter is Frodo, whose task is to break the ring of woman`s slavery, and so Frodo will remain a `halfling`, but he will escape marriage, as his own doom is to be unwed, although `futanarian` women will have Resurrection and escape in Ascension to heaven if he unmakes the ring of the Dark Lord of slavery in Mt Doom`s volcanic fires:


`The black horses were filled with madness, and leaping forward in terror they bore their riders into the rushing flood. Their piercing cries were drowned in the roaring of the river as it carried them away. Then Frodo felt himself falling, and the roaring and confusion seemed to rise and engulf him together with his enemies. He heard and saw no more.`




 Frodo`s role as a `halfling` represents the `half fling` or `affair` of `woman`s seed` with men, while Jesus` role as `woman`s seed` born uncontaminated by male semen represents the human species` ending of the `affair`, and so Bilbo, Frodo and the other `halflings`, who`re a part of the `fellowship of the ring`  on their way to destroy the enslavers` power, are half the size of men and aren`t men but humans, because warfare is riding horses made of water to preserve the elision that keeps women focused on men`s battles against her human hosts, rather than women`s own battle for female sex. The archetype of female sex is the `bunny girl` of Playboy (1953-) magazine fame in which the women `play boy` because `boys` are what they are. Archetypes were popularized by psychologist, Carl Gustav Jung (1875-1961), who explained that the human psyche contained images and characters that spoke, literally or metaphorically, in dreams art and the imaginations of humans, to impel development and progress. Archetypes were the engines of civilization, culture and art, which men`s depredations prevented women from successfully realizing through her host wombs efforts in enslavement and parasitism as the `serpent`s seed` wars against her race`s efforts to escape through technology her imprisonment upon the Earth to reach the planets amongst the stars of God`s heaven. Consequently, Playboy `bunnies` are the archetype of `futanarian` human women with their own penis` semen and host wombs who sexually reproduce their own brains` powers for liberation, which the Playboy image can`t depict for the same narrative convention that governs Hollywood Babylon, and every other kind of publishing and media format.

 Swiss Carl Jung was a disciple of Sigmund Freud`s (1856-1939) Vienna school of psychoanalysis, which argued that women were victims of `penis envy`, whereas they were unconsciously angered by men having killed and culled their own `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to create labor saving devices to free their minds for developing liberating technologies that would give them absolute freedom. Psychoanalysts were called `alienists` and `lesbianism` was clinically diagnosed as a `mental aberration` discouraging women seeing themselves in the mirror from finding their own species` path alluring. The result was schizophrenic rejection of their own bodies and other women`s in acceptance of male parasitism upon their host wombs. Perceived as `alien` by the `alienists`, women`s fate was to be depicted transposed as aliens in science fiction and fantasy, that is, wherever there were aliens in fiction, women were discoverable concealed beneath men`s description of their own desire to attack her upon the Earth. In Tolkien Frodo in The Return Of The King has to travel beneath mountains to reach Mt Doom and he encounters Shelob, a giant female spider, who he wounds before continuing. Shelob represents Freud`s `id` as the repressed female unconscious archetype of the `Self` which contains her natural hatred for men who`ve stolen her penis` semen and brains by inveigling themselves into her host wombs to practice parasitism and war upon her Earth against her human host:


'Galadriel!' he called, and gathering his courage he lifted up the Phial once more. The eyes halted. For a moment their regard relaxed, as if some hint of doubt troubled them. Then Frodo's heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right hand drew his sword. Sting flashed out, and the sharp elven-blade sparkled in the silver light, but at its edges a blue fire flicked. Then holding the star aloft and the bright sword advanced, Frodo, hobbit of the Shire, walked steadily down to meet the eyes.`



 Galadriel is the Lady of the Golden Wood, Lothlórien, who Bilbo encounters after his sojourn in a wood attacked by giant spiders in The Hobbit (1937) prequel to The Lord Of The Rings because the spiders are the `id` of the elven women. Shelob is `Her Ladyship` reached by means of `the pass of the spider`, that is, Cirith Ungol, as Galdriel was reached after Bilbo`s defeat of the spiders in the forest of Mirkwood. The light Frodo has is a gift from Galadriel, because it`s for shedding illumination upon women`s `id`, that is, bringing forth knowledge from what Jung prefers to call the subconscious shadow of human consciousness:


`Somehow the killing of a giant spider, all alone by himself in the dark without the help of a wizard or the dwarves or anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach as he wiped his sword on the grass and put it back into its sheath.`4



 The technical term for a condom is a `sheath`, which has been recommended by medical professionals, as a means to stop women contracting HIV/AIDS in casual or violent sexual encounters with men. Bilbo`s encounter with the spiders of Mirkwood, preceding his meeting with the `Lady of the Golden Wood`, Galadriel of Lothlórien, and Frodo`s wounding of Shelob beneath Cirith Ungol, aided by the `light of Galadriel`, is a sexual assessment by the women of the elves as to their liking for beauty. If humans are `futanarian` then females with their own penis` semen and host wombs are all that humanity is. Consequently, the hero must reject the monstrous apparition even if the spider creature is Galadriel herself, because desirefulness derives from appearance. In the New Testament of the Bible, Jesus is the hero, because he`s `woman`s seed`, and his celibate desire is for God, which means he doesn`t want what`s less than himself and he`s `futanarian` by birth. Shelob represents the HIV/AIDS men have created, because they didn`t want `futanarian` humans, and preferred each other in homosexuality in pederasty and warfare. Mixing blood, shit and semen in each others` anuses, homosexuals spread the late 20th century incurable `killer disease` as a form of `biological warfare` against the host wombs of women already enslaved in parasitism. Consequently, Bilbo`s and Frodo`s encounter with spiders represents the `id` of men who don`t want `futanarian` women`s `seed`, so when Frodo sees Shelob he calls `Galadriel!` As he`s only a `half fling`, Bilbo won`t inevitably wed the elven woman, but he represents the human seeking an end to slave rings for women, so Shelob is but wounded on Frodo`s way to removing men`s `id` from his human consciousness, because Galadriel is her more desirable self.



 Emerging from his burrow in Hobbiton, Frodo`s the hobbit equivalent of the disciple of the Jewish rabbi Jesus, because he seeks decontamination through manumission. During Jesus` life in Palestine the Roman Empire encountered resistance to slavery. Jesus was crucified for teaching his disciples as host at the `Last Supper` where he gave `bread and wine` in token of his `body and blood`. Judas` betrayal of Jesus as a dissident `woman`s seed` resistant to the Empire of the male brain of Rome was treachery against the `futanarian` human host womb, that is, women`s own penis` semen for the sexual reproduction of her own brains` powers to liberate uncontaminated by male semen. The escape of Beatrix Potter`s Peter Rabbit from Mr McGregor is analogous to the disciple Peter`s. He denied knowing Jesus and became head of the church of Rome, which replaced Empire. Consequently, Frodo`s emergence from his burrow to break the Dark Lord`s ring of slavery in J, R. R. Tolkien`s The Lord Of The Rings places him in the great tradition as the direct literary descendant of Peter Rabbit:


`Mr McGregor was after him in no time, and tried to put his foot upon Peter …`5



 The superstitious belief that a `rabbit`s foot` is `lucky` is pertinent here, because `he shall crush your head, and you shall bruise his heel,` (Gen: 3. 15) is what God tells Eve will happen with the `serpent`s seed` after Eden, when men kill will cull the `futanarian` human species of `woman`s seed` with their own penis` semen and host wombs to prevent them from sexually reproducing their own brains` powers for freedom. Consequently, Mrs Rabbit, Peter`s mother, is the talisman of the `lucky rabbit`s foot` for Beatrix Potter`s readership, because she represents `futanarian` woman and not the oppressive heel of McGregor, which Peter neither wants to crush him, or want that he should become an oppressor of his mother and his siblings, or other of his relatives, friends and acquaintances. Although Mrs Rabbit isn`t an obvious defender of her sex, she`s in the Playboy tradition, which is that boys have to be played like a game, because they`re potentially the exterminators of women`s `futanarian` humanity. Playboy `bunny girls` wear rabbit costumes to remind them of their endangered species, which is reemphasized when they appear nude in Playboy magazine without penis of their own, because men have effectively eaten them like carrots in order to starve the female population to death.



 Death through sex starvation is a male principle. The National Socialist Party (Nazis) of Germany pogromed the Jewish `chosen people` of the Bible during World War II (1939-45), because the Jewish tradition was that Jews were born from women, that is, the `chosen people` were women, which threatens male perceptions of themselves as dominant when women have penis` semen of their own as `futanarian` humans. The Nazi `concentration camps` at Belsen, Dachau, and Auschwitz in Poland, for example, defined women as animals, and so all children of females were too. Although the Nazis were in fact the animals, and so Hitler was the biggest animal and most powerful male, the most powerful animal would always be the biggest male, which is what homosexuality is; the extinction of the female by definition.



 In the United States of America after 1492, when the exploration vessels of queen Isabella of Spain had discovered the `New World`, the government paid buffalo hunters to kill all of the buffalo to starve the North American Plains` Indians to death for the same reason the Nazis starved 6, 000, 000 Jews to death in `concentration camps` at Belsen and everywhere before burning the unwanted corpses in ovens. Before the hunters began killing the buffalo in North America, there were millions, and afterwards a handful. The women were being forced to concentrate on the male penis. Although Playboy seems libertarian, the absence of the woman`s penis from the magazine is sex starvation, which is what men practice against female sex. The perception that the strongest male has many women denies the socio-historical circumstance that his predecessors have devoured her penis like chain smokers, which is why cigarettes are `cancer sticks` and `coffin nails`, because that`s what they are for women consumed and boxed.



 The boxing metaphor is appropriate because the aim of the game is to keep men away to avoid extermination. Although boxing as a sport is known as the `fight game`, boxers aren`t fighters. The aim is to keep the opponent at bay while success is achieved by making contact with the heavily padded gloves on the other boxer`s body as many times as possible in order to have a higher points total and win the bout. Consequently, J. R. R. Tolkien was a `futanarian` like Jesus, that is, a Christian, because he didn`t want women to have Sauron`s ring of slavery. Boxing instructs women how to avoid the ring, because they shouldn`t want to be consumed or boxed. In Russia `smoking` is a euphemism for fellatio, while murder is `smoking` in the United States of America, so women are categorized as `cancer stick` cigarettes to be consumed, or boxed `coffin nails`.  To avoid consumption and the coffin, as Christina Aguilera shows in her 2002 promotional videos for the songs, `Fighter`, in which she depicts a woman being nailed down as a `coffin spider`,6 and `Dirrty`, where Christina`s a boxer `fighting dirty`, women have to learn Tolkien`s `ring craft`, which is what Playboy represents. Although the `big lie` can work both ways, men`s lie is women don`t have penis` semen and host wombs of their own, whereas women`s fiction is that their penis is `hidden`.



 In Moslem nations women wear the one-piece coverall of the burkha in public so that only their eyes are visible. In accordance with the precepts set out in the Koran (610-30 C.E.), dictated to the Prophet Mohamed by angels, marriages in Islam are permitted four wives, which affords the possibility of sexual reproduction between women, whereas Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, makes him `futanarian`, and is a story that also appears in the Koran as Isa and Miriam. Consequently, Islam and the Judaeo-Christian tradition are an ordered religious unity from a woman`s perspective. However, women must learn `ring craft` if they`re to live as a potentially socio-economically independent part of humanity, which is what boxing teaches.

 The battle at the Ford of Bruinen occurs at the very end of The Fellowship Of The Ring, which is the first of J. R. R. Tolkien`s The Lord of The Rings trilogy. It`s the beginning of the campaign to defeat Sauron`s witch king of Angmar, the `Lord of the Nine`, who`re the `fallen kings of men` that ride hideous wingéd steeds as `Nazgûl`. On October 20, 3018, their appearance at the river as `black riders` hinders Frodo`s progress, although he goes on to meet Galadriel in Lothlórien and receive the phial of elvish light to assist him at Cirith Ungol, that is, `the pass of the spider`, against Shelob, before he unmakes the ring of Sauron`s slavery in the volcano mouth atop Mt Doom. The Dark Lord`s fortress, Barad-Dûr, made by the magic ring, collapses, but although that`s the culmination of the action in the third part of Tolkien`s trilogy, The Return Of The King, the myth was complete at the Ford of Bruinen where Tolkien introduced riders on horses made of water, because female sex is absent from the story, that is, the women should be fighting for their own sex and species but, riding on horses made of water, the male illusion is that females are being fought for. Consequently, the action narrative is an elision in which men ride horses made of water, because the `futanarian` human species of women can sexually reproduce without men of the `serpent`s seed` and so the `warhorse`, symbolized in The Lord Of The Rings as Nazgûl, after Nazism, is a delusion perpetrated by homosexuality in pederasty`s enslavement of the host wombs of women to pogrom the civilization, culture and art she`s able to produce despite men`s depredations against her race:


`But no living man am I! You look upon a woman. Éowyn I am, Éomund`s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.`7



  There`s a prophecy that the witch king of Angmar can`t be killed by men, and Éowyn is the niece of Théoden, king of the `horse lords` of Rohan, while the seat of his neighbor, Denethor of Gondor, is the city of Minas Tirith, besieged by Angmar before the ring of power is unmade. After Angmar`s forces breach the gate of the city, the witch king becomes the first enemy ever to stand within Minas Tirith, but the allies of Gondor arrive, the Rohirrim `horse lords` of Rohan, and the battle of the Pelennor fields occurs in which Éowyn wearing armor kills Angmar. Although the fictional convention requires her to defy Angmar`s attack upon the spirit of her father Éomund, who was slain by Sauron`s orcs, it isn`t a battle for female sex and so the Rohirrim are metaphorically riding on horses made of water because it`s an illusion designed to foster the delusion that men`s wars are anything but a means of eliding women`s realization of the truth that they`re ring slaves:


`But suddenly he too stumbled forward with a cry of bitter pain, and his stroke went wide, driving into the ground. Merry's sword had stabbed him from behind, shearing through the black mantle, and passing up beneath the hauberk had pierced the sinew behind his mighty knee.`



 Meriadoc Brandybuck was the hobbit amongst the fellowship travelling with the horse lords of Rohan to save the men of Gondor at Minas Tirith in the battle of the Pelennor fields at the behest of king Théoden whose niece, Éowyn, slays Angmar after `Merry` has crippled him. The scene is biblical insofar as God told Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Merry is a `half fling`, like Frodo is with Galadriel, because Merry`s heart is Jesus` `seed`, that is, he`s not a man, and neither is Éowyn, but they stand muster with humanity, and so Frodo`s test at `the pass of the spider`s stair` is recognition, `Galadriel!` The spider Shelob is `Her Ladyship` to the orcs of Sauron that were bred from captured elves as the evil slaves of the Dark Lord, while the elven woman is `The Lady of the Golden Wood` who gives Frodo the phial of light which he uses to blind Shelob with its brightness while he wounds her eyes with his sword, crying `Galadriel!` Shelob is the aspect of Galadriel `hidden` and repressed as the `id` of Freudian psychology that contains something so monstrous no one can stand against it without feeling fear. The crippling knowledge that `woman`s seed` has been killed and culled by men of the `serpent`s seed` to prevent her human race from rising to the planets and stars is what lies behind all men like the witch king, Angmar, because Merry and Éowyn are Jesus` `seed`:


`Do not pursue him! He will not return to these lands. Far off yet is his doom, and not by the hand of man will he fall.`8



 Angmar had been defeated once before by Eärnil II of Gondor with help from the elves of Rivendell, amongst whom was Glorifindel, who prophesied the witch king wouldn`t die by any other than human hand. Although Jesus was born from his mother, the Virgin Mary, and was human, he wasn`t contaminated by male semen. In The Lord Of The Rings Tolkien depicts Merry and Éowyn`s humanity, but neither of them are men, whereas the meaning of Jesus` birth is that Merry and Éowyn don`t have to be men to be human. Moreover, men have killed and culled `woman`s seed` to prevent her from thinking with her own brains, which are human but not men`s. Consequently, female sex is human, although humans can be born without women`s semen, because Jesus was, although his birth prefigures the Resurrection of `woman`s seed`.

 Angmar is crippled from the beginning of his history because Tolkien can`t reveal the truth of women`s `futanarian` nature in the narrative because of fictional conventions. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), Oedipus is blind metaphorically from the start, but literally by the close of the drama. He kills his father unwittingly and marries his mother unknowingly, before blinding himself after learning he`s broken the society`s incest taboo. Jesus` precept aimed at women with daughters who`re `futanarian` is, `Love your neighbor as you love yourself.` (Matt: 22. 39) Jesus` argued that his precept was the whole of God`s law distilled, because men`s incest taboo isn`t directed at sons, it`s directed at daughters, who`d resolve their desire to sexually reproduce by turning to the nearest available female neighbor apart from their mother. Jocasta`s daughter, Antigone, agrees to guide her father, Oedipus, after he`s blinded himself, because she`s blind too. Oedipus doesn`t reveal the meaning of the drama, which is that there aren`t any `futanarian` women, because men have killed and culled them before establishing the incest taboo to prevent women`s daughters from escaping their blindness and sexually reproducing with each other. Daughters perceive they`re children of their fathers, whereas they`re daughters of the penis` semen of their mothers stolen by her parasites. The incest taboo of men`s exists to prevent women`s daughters from realizing that their mothers aren`t incestuously inclined. For a daughter, the rest of the women are hers, because it`s her mother`s race. The parasites that are men will inhabit whatever host womb is available, which is why the incest taboo exists.



 The `pass of the spider` at Cirith Ungol, where Shelob lies waiting for Frodo, represents women`s repressed `futanarian` eight-limbed female sex. As Oedipus is blind, so Angmar is crippled, because he can`t repent from a sin he knows nothing of, but which has crippled his humanity. Although Tolkien has prepared Angmar as a victim, the writer can`t escape the literary conventions of fiction and fantasy so he has to resort to symbolism and metaphor. Angmar`s crippled because Tolkien hasn`t explained that Shelob`s `woman`s seed` repressed and subjugated by men of the `serpent`s seed`, which might have made a difference to Angmar`s development as a person. Consequently, Angmar`s a victim chosen by Tolkien to illustrate his thesis, but the powerful `hidden` message of the novel is also absent from the 21st century screen version, because of Hollywood Babylon cinema conventions, and so the story simply prepares the path for more cripples and victims to travel blithely along the road to Mt Doom and hurl themselves into the mouth of war`s volcano.



1 Virgil The Aeneid, Bk II, 19 B.C.

2 Tolkien, J. R. R. The Lord Of The Rings, The Fellowship Of The Ring, `Flight To The Ford`, Bk I, Ch. XII, George Allen & Unwin, 1953-4.

3 Tolkien, J. R. R. The Lord Of The Rings, The Two Towers, `Shelob`s Lair`, Bk IV, Ch. IX, George Allen & Unwin, 1953-4.

4 Tolkien, J. R. R. The Hobbit, `Flies and Spiders`, Ch. VIII, George Allen & Unwin, 1937, p. 155.

6 The footfall of the `coffin spider` is so heavy as to be audible, which could be why Christina Aguilera chose the theme for the heaviest track on her 2002 album, Stripped. The colony of spiders at Islesboro, Maine, USA, is centered upon the church, while the local name for the creature, `Hearse House`,  derives from its originally being found in hearses where carriages were housed. Although women aren`t vampires, the stake they have in their future is severely curtailed by the transposition of their own penis into the stake that men have in their hearts.

5 Potter, Beatrix The Tale Of Peter Rabbit, Frederick Warne & Co., 1902, p. 47.

7 Tolkien, J. R. R. The Lord Of The Rings, The Return Of The King, `The Battle Of The Pelennor Fields`, Bk V, Ch. VI, George Allen & Unwin, 1953-4.

8 Tolkien, J. R. R. The Lord Of The Rings, Appendix A, l, iv, 1953-4.