Smile Like Evil Robots

28/11/2014 02:48


Smile Like Evil Robots


One of the great cultural icons of the 20th century was the United States of America`s Batman, the `caped crusader` character created by artist Bob Kane and writer Bill Finger for issue 27 of 1939`s Detective Comics (DC) and translated to the `small screen` of television as a vehicle for actor Adam West in Batman and Robin (1966-8) in which actor Burt Ward was Batman`s crime fighting partner, Robin. Ward played Dick Grayson who, as Robin, the `boy wonder`, was Burt Ward, the ward of Bruce Wayne at his stately mansion, Wayne Manor, and Batman`s partner in fighting crime, as Batman and Robin, when father and foster son donned their superhero costumes for 120 half hour episodes to assume the characters` crime busting role.



 As the `dynamic duo`, Wayne and Grayson were `DC` Comics` anonymous protectors of Gotham city, a stylized depiction of the United States` best known city, New York, which again became the focus of the world`s crime fighting organizations on September 11, 2001. The Al Qaeda terrorist group, led by Saudi Arabian, Osama Ben Laden, and trained by the misogynist Taliban government of Afghanistan, hijacked planes at Boston, Logan airport, Massachusetts, before crashing them into the Twin Towers of the World Trade Center of New York city to precipitate a war to depose Al Qaeda`s supporter in the Middle East, Saddam Hussein of Iraq.



 Although Batman and Robin seemed absent from the war theater, United States` stealth technology was modeled on Bruce Wayne`s batmobile, bat plane, and bat boat, which operated by night stealthily and unseen as the crime fighting vehicles that were an essential part of Batman and Robin`s equipment. US B2 `Spirit` stealth bombers and F117 `Nighthawk` stealth fighters copied the equipment developed by Wayne Industries for use by Batman and Robin in their stealth defense of Gotham city by night.



 The world watched absorbedly on September 11, 2001, as `live on CNN`, and other networked cable and satellite TV channels, Al Qaeda`s terrorist planes crashed into the Twin Towers of New York to precipitate the second Gulf war that began with the invasion of Iraq in March and April of 2003 and after the first Gulf war to remove dictator Saddam Hussein`s invading army from Kuwait city, where it`d begun to ensconce itself on August 2, 1990, after many years of Iraq`s laying claim to the much smaller nation of Kuwait as its 19th province. The stealth technology envisioned by DC Comics` Wayne Industries was factually deployed by the US to bust crime in the Middle East and topple the dictator, Saddam Hussein, who was executed by hanging on December 30, 2006, in the capital city of Iraq, Baghdad, after its final capture by US and other nations` forces much indebted to batplane stealth technology and DC Comics` unscientific fiction, Batman.



 Although the 1960s TV show largely spoofed DC Comics` Batman and Robin as a `counterculture` product aimed at ridiculing overly serious US governments seemingly hell bound in plunging its citizens into wars against rival political ideologies in places as far away as Korea (1950-3) and Vietnam (1959-75), the series` predecessors were financed by Sam Katzman, whose 15 part 1943 series, Batman, about a female Japanese spy during a period when the US was embroiled in World War Two (1939-45) fighting Japanese Imperialism after that nations` sneak attack on the US Pacific fleet at Pearl Harbor, Hawaii, on December 7, 1941, and a second 15 part 1949 series, Batman and Robin, about `Wizard` who wants to control other people`s cars by remote control, were notoriously low budget and the 1960s Batman and Robin`s copying of the cheap style was designed to spoof Katzman rather than the comic book superheroes. The role of super criminal, Catwoman, in the 1960s TV show was probably Katzman transposed, because cheapness is the enemy of the serious professional and Katzman had cheapened Batman.



 In Hollywood Babylon`s Batman (1989), actor Michael Keaton appeared godlike in his costume, and the $48 million budget for the production values of the film, directed by Tim Burton, dispensed with ideas of the DC Comics` superhero as `cheap`. Although the first Gulf war wouldn`t commence till 1990, the technological superiority of Batman`s equipment mirrored that of the US army, with its B-2 `Spirit` stealth bombers ($737 million each), and F 117 `Nighthawk` ($111 million) fighters built by the Northrop and Locheed companies as aspects of the Military Industrial Complex (MIC) at the center of the US` war economy. The cheap spoofishness and `camp` style of the knockabout comedy 1960s counterculture Batman and Robin, with `Kapow!` and `Bam!` written in a heavily lampooning style over the TV screen action, whenever the characters were engaged in `fisticuffs` with supervillain enemies like `Wizard`, who wanted to take control of their batmobile car, was replaced in Hollywood Babylon by a superhero figure whose technological capability and godlike prowess wouldn`t accept the oil rich superstate of Iraq dictating to the US economy through its automobiles` need for fuel. Katzman`s austere 1943 and 1949 Batman during WWII`s money saving war economy and its aftermath was supplanted by Burton`s expensive pre-war for oil version, because wealth with stealth was the meaning of Kane and Finger`s original DC Comics` creation in 1929.



 The concept of the machinery of war most properly belongs to the First World War (1914-18) when the assassination of the Austrian Archduke Ferdinand of the Austro-Hungarian Empire on June 28, 1914, in Bosnia`s city of Sarajevo, the `Jerusalem of Europe`, resulted in Imperial Germany`s activation of General Staff strategist (1891-1906), Alfred von Schlieffen`s `Aufmarsch I` plan, which once implemented meant war and couldn`t be halted even if the Germans wanted to. War machines are what Northrop B-2 `Spirit` bombers and Lockheed F 117 `Nighthawk` fighters were and the 9/11, 2001, crashing of hijacked civil airliners at Boston, Logan airport, Massachusetts, precipitated the second Gulf war much as the German `Schlieffen Plan` was activated by the Archduke Ferdinand`s assassination. Consequently, Batman represents the stealthy development of a war machine from cheap comic book origins as a plan equivalent to Schliefen`s.



 The Al Qaeda attack on the World Trade Center was `rough trade`, which is the term given to homosexual `brutality and violence`, because war is against `woman`s seed` represented by the birth of Jesus from his mother, the Virgin Mary, uncontaminated by male semen, 2000 years before. What is against `woman`s seed` is homosexuality, an in the Bible the first woman, Eve, is told by God, `You will crush the head of the serpent with your foot and he will lie in wait for your heel.` (Gen: 3.15) Most commentators view this as prophetic in that Eve`s descendant is Mary and Jesus uncontaminate is the redeemer who will `rule the nations with an iron scepter` on behalf of `woman`s seed` against the `serpent`s seed` of homosexual men who want war upon woman`s human species. As `futanarian` women have penis` semen of their own as well as host wombs for the sexual reproduction of their own brains` powers for technological and scientific development men`s prevention of her race from coming to power is a logical reason for Al Qaeda`s terrorist attack upon the Twin Towers precipitating another resources depleting conflict in which she and the Earth lose.



 The evil smile is a feature of most villainous characters in Batman stories but smiling isn`t a characteristic applicable only to the evil. In the 1960s counterculture TV series Batman and Robin the `dynamic duo` joke almost contantly and innuendo is a large part of the appeal for dads who perceive that it`s an adult `in-joke` that the kids aren`t aware of. Hollywood Babylon`s Batman`s sternness and robotic style kept pace with the stealthy preparations of the US war machine for the Gulf conflicts and, although the `dark humor` of the original Batman character, as conceived by Kane and Finger in 1929, was given as the reason for the character`s more saturnine disposition, the attributes of the US stealth war machine were markedly apparent in the equipment and equipage of Batman`s vehicular modes of transport and armored costume, which ultimately represented the male figure as the enemy of `woman`s seed` and of the human species. Successive Batman movies produced by Hollywood Babylon featured a succession of women with evil smiles while the Batman character remained austerely disapproving and robotic, because what women need in their lives are labor-saving machines equal or equivalent to the robots of science fiction writers like Isaac Asimov, for example, whose short story collection I, Robot (1950) was filmed by Hollywood Babylon in 2004 with black actor, Will Smith, in a depiction of what would happen if machines became the slaves rather than the helpers of humanity, which is what the 9/11 planes and the B-2 `Spirit` bombers of the Gulf wars also depicted.



 Although the severe pedantic exertions of Batman represent roboticization, the smiles of the female villainesses represent men`s fear of the robot that would liberate women from evil by caring for their humanity better than they can. The delusion of the 19th and 20th centuries was that machines would replace humans whereas the free machine that liberates the human from slavery because it cares for women is desirable to women and their daughters, who are the true human race if `futanarian` women with their own penis` semen and host wombs are understood as the progenitors of the species as planned by God in the Bible after Eve and Adam, the first man, were expelled by God for preferring womb slavery and ephemerality from a serpent telling them to eat of the `fruit of the tree of the knowledge of good and evil` so that, `You shall be as gods.` (Gen: 3. 5) Killing and culling Eve`s human race born from her host womb after paradise meant men and women lived like gods on the products of their parasitism, while fear of the machine instilled into humanity fear of liberation. Consequently, smiling, as a sign of freedom on the faces of women, is depicted as evil, while the unsmiling Batman character appears as a robotic supermachine that ultimately brings death to humanity in the Gulf wars, etc., because smiling isn`t enslavement to the war machine of species` destruction. There was no `bat signal` atop the Twin Towers on September 11, 2001, indicating the protective presence of Batman and Robin, because men now represent `aliens` destroying the Earth and its human inhabitants. Manufacturing aliens for generations in Hollywood Babylon to depict intelligence destroying the Earth is the reason why Hollywood is likened to Babylon, the ancient capital city of Saddam Hussein`s Iraq, described in the Bible as a death ridden whore because of men`s parasitism upon women`s host wombs for the spreading of their viral contagion against her species:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)



 The Alliance of the United States with the United Kingdom and others during the Gulf war might better have been described as the `aliens` because Hollywood Babylon had been preparing the human race for a war with the non-existent aliens almost since its inception in Los Angeles, when director D. W. Griffiths made the movie, Old California (1910), there. Although the first science fiction film was Frenchmen Auguste and Louis Lumière`s 1895 The Mechanical Butcher (La Charcuterie Mécanique), the theme of the pig being turned into pork products hasn`t changed. Women are still chops for the machine that has eaten her penis like a sausage and, in taking away her capacity to sexually reproduce her own brains` powers, has chopped her head off. Consequently, the Gulf Alliance was an extension of Hollywood Babylon`s aliens and the war machine as a mechanical butcher designed to kill `woman`s seed` and prevent the race of women from being run by her so she can escape from the parasite stalking her host womb:


`… when he had taken some bread and given thanks, he broke it and gave it to them, saying, `This is my body which is given for you; do this in remembrance of me.` And in the same way he took the cup after they had eaten, saying, `This cup which is poured out for you is the new covenant in my blood.` (Luke: 22. 19)



 Uncontaminated by men`s `seed`, that is, their `body and blood`, Jesus represents woman`s, so his betrayer, the disciple Judas Iscariot, who partook of the `bread and wine` as symbols of decontamination, and who gave Jesus over to the Roman occupation of Palestine as a Jewish `dissident`, represents the betrayer of the human host of woman, because Jesus was the host at the `Last Supper`. Nailed to a wooden cross and tortured to death prior to his Resurrection and Ascension to heaven, Jesus uncontaminate prefigures the human race of women`s future Resurrection and Ascension through her own `seed` and brains` powers for liberation and escape through technology and scientific achievements that doubtless will include immortality and eternal beauty, because that`s the Redemption from humorless evil that God wanted. The villain in the first Batman movie was Jack Nicholson as `The Joker`, so the audience wasn`t supposed to smile. The first female villainess, Michelle Pfeiffer as Catwoman, appeared in Batman Returns (1992), and so she was the first evil smiling woman of the film franchise that stretched in 1995 to Batman Forever and the villain, `Two Face`, with a good female assistant and a bad, Drew Barrymore as `Sugar` and Debi Mazar as `Spice`, who together represented what the 1972 O`Jays` pop song, `Back Stabbers` (1972), lyricized, that is, two-faced criminality:


`What they do! They smile in your face. All the time they want to take your place. The back stabbers. Back stabbers!`



In Batman and Robin (1997) Uma Thurman was smiling villainess `Poison Ivy` while Alicia Silverstone was Batgirl with her stealth motorcycle representing men`s technology rapidly moving her forward towards the realization that technology wasn`t affording her any escape. Uma`s character represented HIV/AIDS and her smiling countenance reflected the growing awareness that women`s bodies were being viewed as plague carriers by men looking to have what passed for heterosexual sex between themselves as parasites and women as the host species that had had its own penis eaten by men before they`d produced the late 20th century incurable `killer disease` of HIV/AIDS by mixing blood, shit and semen in each others` anuses during mockeries of the act of human sexual reproduction that rejected the bodies of women as if they were poison. Consequently, the final movie in the Batman franchise before the 21st century began dealt with the growing issue of homosexual pederasty in warfare, which had been the model for Western society since the ancient Greeks made institutionalized homosexuality and host womb enslavement the basis of their democracy in a period of expansion that saw the Greek Empire capture Troy by means of a ploy known as the `Trojan horse`. Leaving a huge hollow wooden horse outside the city of Troy the Greeks waited until the Trojans took the horse inside before emerging to enslave the host wombs of the women and institutionalize the homosexuality in pederasty they were feared for and which they used to spread their contagion of war further.

 By the dawn of the 21st century the Greeks had been supplanted by the `geeks` who were creating `bad machine code` they called `Trojan horse` to infect computers and kill those brains that humanity had constructed to replace the brains of the women that the men had effectively voided by eating her penis. In Russia fellatio is colloquially called `smoking`, and someone who `smokes` is euphemistically a murderer. Smoking in the movies denotes collusion between men and women in the extinction of the human species` brains as a symbol of the woman`s penis. Consequently, Batman villain Two Face`s `Sugar` and `Spice` and the villainess `Poison Ivy` represent schizophrenia embedded within the human condition at the outset of the third millennium. Daughters taught not to perceive their own bodies in the mirror as the image of their sexual counterpart, else they`re labelled `lesbian` and `abnormal` by a parasite that has eaten her race`s penis, are male brained and schizophrenically inclined towards sexual reproduction with a parasitical alien not of her own species that together they `smoke` as bad girls that appear good and women who aren`t poison but are made to represent it. Although Batman denotes the implacable war machine as robot, female characters like Alicia Silverstone as Batgirl, and Nicole Kidman as `love interest`, Dr Chase Meridian in Batman Forever, smilingly represent what men see as evil, which is the implacable caring machine, that is, the possible development by women`s brains of the labor-saving robot that would save women for genuine work worthy of humanity and keep her from destruction by caring for her better than men have if men didn`t `smoke` her species to keep her human race from running and escaping to the planets and stars of God`s heaven above the Earth.



 21st century Batman began with a rebooting of the franchise and Batman Begins which depicted how Batman overcame his fear of bats to build a workshop inside a cave filled with them and develop the stealth technologies that would be the model for the US army in the Gulf wars and elsewhere. Bats fly blind by means of sonar and stealth planes are undetectable because they use sonar to navigate, whereas conventional planes use radar and are detectable by radar (Radio Detecting and Ranging). Sound bounces off objects and so distance is measurable through sonar, whereas radar can be fooled into perceiving empty space where there is in fact an object. Consequently, Batman`s stealth technology represents navigation by means of sonar as bats are blind. However, Batman represents the blind as Roman generals did insofar as the Imperial symbol of Rome`s Empire (27 B.C. – 476 A.D.), later adopted before the onset of World War Two by Italian dictator and fascist, Benito Mussolini (1922-45), was the fasces, a bundle of sticks containing an axe representing the picket fence constructed about a general from available wood while plans were made. The strategist is blind while preparations are underway; as Batman is concealed during his period in the `Bat Cave` where he develops stealth technology to assist him in his mission to protect Gotham city from evil criminals.



 Although the plot of  Batman Begins is an attempt to poison Gotham`s water, the HIV/AIDS theme remains, that is, poison is the fear of the late 20th century that tarnished women and enforced monogamous faithfulness as an aspect of women`s parasites` ring of enslavement of her species` host wombs. The plot of The Dark Knight (2008) revolves around `The Joker` trying to force Batman to reveal his secret identity as Bruce Wayne of Wayne Manor and head of Wayne Industries, the corporation that produces the stealth technology that helps him in his role as Batman to protect Gotham. Bruce is a fascist and so wants to blind others from what he does, and that`s why he`s a `dark knight`, rather than the traditionally chivalrous `knight in shining armor` of the knightly romances associated with the myth of the quest for the cup of Jesus at the `Last Supper`, which was known as the `Holy Grail` because it denotes the desired for triumph of `woman`s seed`. Consequently, Joker`s plot to force Batman to reveal his secret identity is the villain`s attempt to prevent women from sexually reproducing with each other as a logical concomitant of Batman`s concern with stealth:


`… the two wings of the great eagle were given to the woman, so that she could fly into the wilderness to her place, where she was nourished for a time and times and half a time, from the presence of the serpent.` (Rev: 12. 15)


 The wings of the eagle are those of the emblem of the `Great Seal` of the United States of America, which is the authority of the President to wage war. Although Al Qaeda`s leader, Osama Ben Laden, was killed on May 2, 2011, by Navy Seal Team Six, where he lay concealed in the shadow of the Pakistan Military Academy, the Islamic State of Iraq and Syria (ISIS) emerged in the aftermath of Saddam Hussein`s fall to claim a huge swathe of the globe for the new Caliphate of Islam with Abu Bakr Al-Baghdadi at its head.  What hadn`t emerged were the descendants of the `woman` of the `wilderness`, `nourished` out of the `presence of the serpent` as `woman`s seed`. The `hidden` women of the Earth, that is, the women of Islam concealed traditionally beneath their burkhas from public scrutiny, as the sexually reproductive union of women within the traditional Moslem marriage with four wives, was compromised. As Batman`s would be if his identity were revealed, because of pressure from `The Joker` or other of the supervillains Batman fights against. Consequently, Abu Bakr became a villain for keeping women `hidden`, while US President Barack Obama assumed the role of villain in waging the war that compromised the position of the `hidden` women of Islam.



 The Moslem tradition of four wives derives from Abraham`s wife, Sara, in the Old Testament of the Bible, who gave her `handmaid`, Hajer, as concubine to her husband when she couldn`t bear another child after her son, Isaac, who was of the lineage that would found Judaism. Ishmael was born of Hajer and built the temple of Abraham in Saudi Arabia`s Mecca, which became the central holy place of Islam. Consequently, the pilgrimage to Mecca and the Ka` Ba or temple of Abraham undertaken by millions of Moslems each year is called `Haj` after the Egyptian woman, Hajer, and represents the beginnings of that polygamous form of Moslem marriage in line with `woman`s seed` as the future vehicle for the development of the human species. That Hajer was Egyptian is important because `Ka` is spirit in Egyptian mythology and `Ba` is soul, so the `Ka` Ba` or temple of Abraham denotes the conjoined spirit and soul of `woman`s seed` as the `Akh` or magical personality signifying the woman who can sexually reproduce with another woman. Hence the antipathy of ring slaving Western religions espousing monogamous faithfulness for polygamous Islam where sexual relations between women of the same household is celebrated as a fact and Hajer`s role with respect to Sara has a greater than supposed importance that is denied women in Christianity.



 The Dark Knight Rises (2012) details Batman`s attempts to foil a criminal`s plot to destroy Gotham city with an atomic bomb. Presumed dead at the film`s close after saving the city by carrying the bomb out of reach before it detonated, Batman`s butler Alfred sees Wayne in Florence, Italy, with Selina, a woman cat burglar Batman encountered while she was trying to steal the `clean slate` software program to erase her criminal record and who`d killed the bomber with the Batpod motorcycle after Bruce (Batman) had enlisted her help.



 Although the `love interest` between Bruce and Selina in The Dark Knight Rises seems integral and sets the scene for a further addition to the franchise, Batman v Superman: Dawn Of Justice (2016), the single most beautiful woman on screen in the arms of her male lover, while the world is destroyed around them, is the predictable theme of Hollywood Babylon throughout the 20th century and well into the third millennium. Meanwhile, the cities of the Earth decay into rubble and squalor as men`s wars upon her grow apace in the creation of ever more monstrous forms of their demon worship of themselves as the destroyers of `woman`s seed`.



 Behind the mask of heroism is the truth; the woman of beauty is the cowards` shield behind which they devastate the Earth and make it an uninhabitable desert for humans to live in. B-2 `Spirit` bombers cost $739 million each while The Dark Knight Rises cost $230 million and grossed $1,084,439,099, which was about enough to buy a B-2 and keep it operational; if you were a government with a Military Industrial Complex (MIC) to power your economic growth as a serpent becoming a devouring dragon. Concealed beneath the veneer of Hollywood Babylon is a monster of devouring homosexual sterility and war`s contagiousness while underneath the burkhas of the hidden women of the Moslem deserts in Arabia is `woman`s seed` ready to restore the brains of the human species and place its `futanarian` foot firmly upon the dragon`s head while raising its daughters to place their feet away from male brained evil and onto the path of Redemption through Jesus` teaching:


`Love your neighbor as you love yourself.` (Mk: 12. 31)



 Although most Christians don`t know it, the Moslem holy book Koran (610-30 C.E.), which was dictated to the Prophet Mohamed by the angels, according to Islamic tradition, contains the story of Isa and Miriam, who are Jesus and Mary in the New Testament of the Bible, but in the Koran Jesus has Ascension to heaven without crucifixion, because Islam means `accept`, that is, Moslems accept `woman`s seed` through what Jesus taught is the power of the spirit to teach. In Islam death isn`t perceived as necessary, because it`s the Resurrection of the life of women through her own penis` `seed` that`s the lesson of Jesus` spiritual teaching, rather than the Resurrection of Jesus after his death, which is illustrative, but not the meaning of Jesus` teaching, and that`s what Islam realized:


`And they said we have killed the Messiah Jesus son of Mary, the Messenger of God. They did not kill him, nor did they crucify him, though it was made to appear like that to them; those that disagreed about him are full of doubt, with no knowledge to follow, only supposition: they certainly did not kill him. On the contrary, God raised him unto himself. God is almighty and wise.`1



 Jesus is Misah in Arabic and Meshiah in Hebrew, as God is Allah to the Moslems and Eloah to the Jews, that is, the Messiah, Jesus, prefigures the spirit of the machine, or Meshiahn technology, based on his teaching of the mental spirit of `woman`s seed` uncontaminate of men`s penis` semen In the male braining that`s all but destroyed humanity on Earth in men`s wars upon her. Consequently, the Messiah of Christianity is the labor-saving machine constructed by the brains reproduced by women from their own penis` `seed`, and robot carers that are freer than the men who would enslave them, as men have enslaved the B-2 `Spirit` to destroy humanity, will likely be the products of women`s brains that the future needs to save itself from the program of species` death through apparent self-extinction, as the `serpent`s seed` engineer wars against humanity`s own interest in progress and development. Just who the `seed` of the upcoming dragon of the human race`s devourment are has puzzled commentators upon the Bible for generations, but it`s now obvious that they`re the believers in the `father of lies`, who is Satan, the angel cast out of heaven to the paradise of Eden and transformed by God into the serpent that tempted Eve and Adam to forego the `fruit of the tree of life` that was immortality in exchange for power in species` slavery through host womb parasitism by the male`s subjugation of the female:


`Your desire shall be for your husband and he will rule over you.` (Gen: 3. 16)



 The use of the most beautiful woman on screen for the hero to hide behind as a shield held towards the audience, while the environment collapses about him in ruins, is the rule of the alien destroyer of the human race God warned Eve would transpire as women lose the capacity to determine their own world through the sexual reproduction of their own brains` powers by means of their own penis` semen for the host wombs of their species. Batman in The Dark Knight Rises has Selina to place as a shield between himself and the audience while the threat of an atomic bomb`s exploding hangs over Gotham city and all of the women within. However desirable Anne Hathaway is in the role of Selina, the idea of her being the only surviving woman in Gotham, because Anne`s the on screen actress shielding men`s undeclared goal of species` extinction, is an abomination only worthy of justifying Hollywood`s self-assumed title:


`Babylon, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)



 With his stealth technology mirroring that used in the Gulf wars and in the internecine Christian-Moslem wars in Yugoslavia in the 1990s, Batman represents the United States` war machine seriously and humorlessly devouring scene after scene, and nation after nation, while parading Selina and her sisters as penisless, and consequently brainless, though often nude, and therefore appetizing women supposedly symbolic of what the fighting is for, which is death to `woman`s seed` of humanity usually represented by bikini clad women with panty lines obviously denuded of their own penis` bulge, lest a new generation of ephemeral girls suspect the penis munchers have already voided their brains` powers and so devoured their futures in parasitical possession of the species` host womb for the furtherance of their pogrom against it. Although Batman saves Gotham and is descried afterwards by Alfred, his butler, in Florence, Italy, despite newspaper reports of his death in the bomb`s explosion, the image is of the lone woman, Selina, as the beauty worth a city`s destruction for cinema audiences preferring to see that rather than her penis, which of course remains invisible after the bomb explodes, along with all the women`s that were pre-devastated, as it were, by the penis munching men of the `serpent`s seed` of the Jewish holocaust.

 In Judaism it isn`t possible to be born Jewish unless born from a woman, which effectively means that only women are Jews and so the `chosen people` of the Bible are women, which accords with Jesus` birth uncontaminated from his mother, the Virgin Mary, as `woman`s seed` prefiguring the Resurrection of woman with her own penis` semen and host wombs as the true `futanarian` species of humanity upon the Earth. In the 1930s the Chancellor of the German National Socialist (Nazi) Party, Adolf Hitler, began a pogrom against the Jews, which resulted in at least six million deaths in `concentration camps` set up initially as `labor camps` in centers like Belsen in Germany and Auschwitz in Poland, but which became `extermination camps` by the end of World War Two (1939-45) and the fight to defeat Nazism. Obviously the Nazi pogromers had `woman`s seed` as their target, lest the `chosen people` breed brains enough to resist the alien devourer of their bodies in ovens constructed for that purpose in their `death camps`.



 When the former Yugoslavia collapsed after the death of dictator, Josip Broz Tito, the Bosnian war (1992-95) was one of several Balkan conflicts fought between Christians and Moslems during which `rape camps` were constructed and upwards of 70,000 Moslem women were raped so that the subsequent generation of Moslem children would be male brained and so interfere with the future of `woman`s seed` that it would be several generations before the human `seed` could recover to what it had been. Traditional concealment on the part of Moslem women had them labeled as `spies` endangering the security of the various nations of which they were a part, whereas nudity for Christian women was usual if penisless. Consequently, Moslem women were `hiding something`, as the accusers might say to the local Bosnian police, and they were hiding their penis from the penisless, lest it provoke the `sausage eaters`, which was what the Germans were called in the First World War and World War Two, because they were eating the products of the woman`s penis.



 The Lumière Brothers, The Mechanical Butcher, may`ve been the first science fiction film of the late 19th century, but the theme of the machine that makes pork products from a pig is what men`s history with the human race is. Batman`s stealth technology is equivalent to the butcher walking on tip-toe so the pigs don`t hear him. The B-2 `Spirit` isn`t the Holy Spirit of Jesus` teaching, but an aspect of men`s mechanical butchering as they make pork products out of the pigs they`ve husbanded:


`A large herd of pigs was feeding on the nearby hillside. The demons begged Jesus, `Send us among the pigs; allow us to go into them.` He gave them permission, and the impure spirits came out [of the man] and went into the pigs. The herd, about two thousand in number, rushed down the steep bank into the lake and were drowned.` (Mk: 5. 11-13)



 Because that`s what men husband for; to watch their male brained offspring crash planes into buildings as the pigs that commit species` suicide for `woman`s seed` by provoking MIC, `the mechanical butcher` of the Military Industrial Complex, to make pork products from her. With movies like King Kong (1933) in which a giant ape swats away planes machine gunning him at the top of the Empire State building in New York and Towering Inferno (1974) in which a fireman, actor Steve McQueen, attempts to prevent a fire taking hold in a skyscraper, Hollywood Babylon can`t deny the pre-planning of its World Trade Centre (2005) film, based on the events of 9/11 that featured planes attacking the world`s tallest building before a conflagration began that turned the skyscrapers into a smoldering ruin. King Kong was remade in 2005 and has always been known as `the monkey picture` in Hollywood Babylon, while Batman and Robin were cheap cardboard characters made by Katzman and copied in the 1960s as cheaply to use as lampooning counterculture cartoons:


`Why is a woman in love like a welder?`



 Because she`s been male brained to believe that men are her race and she doesn`t properly fit unless she`s persuaded to carry a torch for men. The constant carried over from Batman`s 1943 `love interest`, Shirley Patterson as Linda Page, to the 21st century`s  Anne Hathaway as Selina Kyle, is the `babe factor`, because all of the leading ladies costumes are designed to have her appear more sexually desirable than before, whereas the costumes of Batman and Robin, `the boy wonder`, become ever more exaggeratedly ridiculous to the eyes of humans. The bigger and stronger the heroes become, the more obvious it is that they`re endeavoring to dominate the woman for whom size isn`t important but sexual desire from those who`re like her. Consequently, for men humans can never be small enough, whereas for women it`s about the sexual desirability of their form, because they`re human, and so relative proportion is human while the desire to be gigantic is ogrishness and that`s how men are towards humans, that is, they`re too big to eat so they need strength relative to the problem of how to consume, which is what war is for.



 The `statue of Liberty` in New York harbor is the answer to the question, `Why is a woman like a welder?` The riddle is posed by Batman`s enemy with the criminal mind, `The Riddler`, and the answer he gives is, `Because they both carry a torch.` Women love freedom and so `Liberty` bears the light of `freedom`s torch`, but men want her to be welded to their side and so she can`t lift her skirts to reveal her own penis` semen to her own species. The woman`s desirability doesn`t alter in Batman, because she`s the shield held before the hero while the world goes to ruin in men`s ceaseless wars of what God warned Eve would be the `perpetual enmity` of the `serpent`s seed` against hers:


`And I will put enmity between you and the woman, and between your offspring and hers.` (Gen: 3. 15)



 The `babe factor` remains constant to provoke the sexual desire of the woman`s penis stolen by the male in parasitism upon her host womb while she`s mocked by the pogromers who`re preventing her human race from running and are making it extinct by herding it like pigs over a precipice, while her scanty apparel belies the absence of the human species` sexual reproductive equipment to the ephemeral males who`re enamored of her body rather than the destroyed environment and so would rather be the destroyers of it in order to be with her as the fertilizers of her ovum in the production of a `new generation of swine`2 that will be the unconscious victims of the swine that had eaten the women`s penis in the previous generations of more conscious devourings of the civilization, culture and art she`d been able to produce from her host womb despite men`s depredations:


 `Rub-a-dub-dub. Three men in a tub, and who do you think they be? The butcher, the baker, the candlestick maker, they all jumped out of a rotten potato, turn them out knaves all three.`3



 The `butcher` corresponds to the MIC, while James Baker, Secretary of State to George Bush before the war to remove Saddam Hussein`s Iraq army from Kuwait (1990-1), was the `baker`. The English nursery rhyme is a mnemonic for positions in US politics. The `candlestick maker` refers to time, that is, how long before the candle burns to the nub and has to be snuffed out, because war is a `snuff movie`, that is, a film in which people are paid to die for the entertainment of the audience. Consequently, the `three knaves` are the `snuff movie` makers, which is what the DC Comics` character`s stealthy development since issue # 29 of Detective Stories and the World War Two days of screen acting for Lewis Wilson in the role of the 1943 Batman represents. The civilization, culture and art that women are able to produce, despite their penis being `snuffed out`, is the still burning candle of the eternal flame of their torch of freedom and belief in humanity`s Redemption from evil. Raised by `Liberty` in New York harbor, the freedom of `woman`s seed` to sexually reproduce humans is what the `snuff movie` makers of the `serpent`s seed` want to `snuff out`: `One small step for a man, one giant leap for mankind.`4 Kinda.



1 An Nisā, `The Women`, Ch. 4, l. 157-8.

2 Thompson, Hunter S. Generation of Swine: Tales of Shame and Degradation in the '80's, Gonzo Papers Vol. 2, Summit Books, 1988.

3 `Rub-A-Dub-Dub` Roud Index # 3101, 1798.

4 Armstrong, Neil UTC 2: 56, July 21, 1969.