The Dead Wood & Whorse

15/07/2012 13:42

The Dead Wood & Whorse


The ancient `Greek horse` before Troy was wooden and contained Greeks from a society that had enslaved the wombs of women to practice homosexual pederasty and warfare, which in biblical terms means that the wooden horse was full of faggots looking to start a fire and promulgate their disease of homosexual pederasty and warfare. The Trojans perceived that the horse was a votive offering to the goddess of Troy and took it into the city, as the Americans allowed ticket holding terrorists to hijack `civil` planes and crash them into the Twin Towers of New York, so starting a conflagration that would spread contagion.


 Sodom and Gomorrah, the `cities of the plains`, destroyed by God in the Bible, for homosexual pederasty (Gen: 18,19), suggests that New York, the `city of the planes`, is God`s 21st century `blood plague` from Revelation, an attack by the virus as `air AIDS` and a symbol and a metaphor for God`s hatred of homosexual pederasty spreading its contagion of warfare upon the Earth.



 In Revelation the `hidden` woman gives birth to the `New Redeemer`, which protects her until she leaves Earth, and the red dragon of Revelation, a symbol of the `blood virus`, that is, homosexual pederasty, waits to devour the child with warfare. In heaven, where she sows her own `seed`, as a woman with a penis of her own, and therefore not subject to the `biological warfare` of `air AIDS`, which 9/11 prefigures, she waits for the `seed` of the evil dragon to attack her in heaven and defeat him. The evil receive eternal pain as punishment, and the woman and her `seed` receive a new heaven and Earth as her eternal reward from God.


 The 9/11 conflagration is important because the planes were wooden horses, but the `dead wood` or `faggot` terrorists` conflagration consumed many people who weren`t `dead wood`, which is what faggots are for. The symbol of the woman surrounded by faggots while they burn her is a symbol of Eve`s wisdom denied, which is why the faggots chose the `Big Apple` to begin their bonfire. The renaming of `Big Ben`, the Parliament clock tower and bell of the United Kingdom, as Elizabeth II, is a sign of Woman`s refusal to be `all but dead wood`, so far as her voice is concerned. It wasn`t Adam`s apple in Eden, it was Eve`s, and although the `Adam`s apple` is a medical term for the voice box`s physical apparatus, the concept of New York as Saddam`s apple, and the voice of homosexual pederasty`s machismo of war, isn`t the voice of God and Eve`s hard won wisdom since Eden.


 The pop video Oops I Did It Again features Britneys, sand, icon, and idols. There is more than one Britney `idol` in the video, and her `icon` is found by her spaceman in the sand of her Mars, where he`s visiting, while the pop star meditates on the concept of what it means to be an `idol` for her fans.



 In the Old Testament the Jews worshipped a `golden calf` as an idol, which is a gender unspecific name for a cow, and is hermaphroditic. Idols are made for worshipping, and so Britney is a `masturbation idol` for those who aren`t able to have sexual intercourse but desire her, which may seem unproductive but it involves the realization that one could be the other person, and that`s hermaphroditically Christian insofar as Jesus` teaching is `love your neighbor as you would love yourself`.


 If women have a penis of their own, as futanarian women, then Britney `Spears` is an archetypal positing of Woman with a penis, and so she`s developmentally `iconic`. However, television is a medium that presupposes a distinction between male and female, which is construed as God wearing different clothes by the evil, who view it as a transvestite or `TV`. In other words, `TV` is their idol and, as a `gay` icon, Britney`s a perverted `idol` or `eye doll`, because pederast homosexuals want `TV` war, and the enslavement of women`s wombs by the alien parasitical viral life form, that is, men, to promote species` death for Woman with a penis of her own, and the Earth.



 Oops I Did It Again features the icon of her found in the sand, an `Open Sesame` for the spaceman to uncover Britney`s `sand idols`, or Britney`s `hand, die dolls`. An encouragement for those who murder the masturbators who desire her, and who are dying `by their own hand`, that is, at the hands of the pederast homosexuals who`ve organized `TV` wars like the Gulf (2000-2011). Saving psychological bisexuality would  allow `Mankind` to recognize themselves and `Womankind` as more than `TV`, but onanization of the desire for spiritual, and intellectual development, means the psychological and physical hermaphroditism of the future of woman as a species with her own penis is `stillborn`, or rather still being born.

 In Eastern Orthodox Christianity icons are prevalent, and Britney created herself as an icon in the Eastern tradition of Christianity when she put herself as a woman on the cross for the cover of the single Piece Of Me, which suggests an affinity with both Mary and Jesus, who represent hermaphroditic development insofar as Mary gives birth without male semen and the celibate Jesus produces the New Testament and the Holy Spirit from his side, as it were, after the Roman centurion pierced him with the spear at his death upon the cross prior to Jesus` Resurrection and Ascension. The Paraclete or Holy Spirit, effectively emerging from Jesus` side as the `Second Eve` from the `Second Adam` is the `spirit of the law`, the Shekinah of God`s Covenant, from the Old Testament, who continues the teaching of Jesus` Redemption until the birth of the `New Redeemer` in Revelation who protects the woman with a penis of her own until she leaves.


 Britney Spears biblically represents the symbolism of the omnipresent female by the side. After the Resurrection and Ascension of Jesus, the spear of Longinus became known as the Spear of Destiny, because it was instrumental in birthing the Paraclete. As a symbol of the USA`s Manifest Destiny, and the American Dream, the spear and Britney Spears symbolize the power of the religious icon, but also the danger of worshipping `false idols`, which is specifically forbidden in the Commandments of God:


`I`m Miss American Dream since I was seventeen.`


 In the psychology of Carl Gustav Jung (1875-1961), dreams, imagination and art contain archetypes, that is, psychological contents that function as developmental stimulators, and Britney Spears is such an archetypal figure. Her `icon` is not an `eye confidence trick`, although it may be used as such; as figures like Colonel Gaddafi of Libya, or Bashar Assad of Syria, promote their `icon` religiously as `eye confidence trickery`, a trick they learned from the red dragon of Russia where the images of Presidents like Leonid Brezhnev, or Mikhael Gorbachev, for example, were icons of `godless` Communism. President Assad`s orginal family name of `Wahash` means `the beast`, and is a reference to the many headed `beast` of Revelation, who is a man, because there are many such men that would have you believe in their `eye confidence trick`. The word `trick`, of course, is used to describe whores`, and the `Greek horse` was their `eye confidence trick`, that is, the evil serpent`s `seed` is not confined entirely to male homosexual pederasty`s promulgation of warfare:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)


 Women who function as enthusiastic bearers of the disease, which is homosexual pederasty and warfare, reified as `biological warfare` against women as a species with her own penis, in the shape of HIV/AIDS, were the treacherous `civil` aeroplanes of the `Greek whores` crashing into the Twin Towers of New York`s Ilium to begin the burning of Eve and her wisdom in a global conflagration. They were the `wooden whores` producing the `dead wood` of `faggots` that worship the idol of Mars, god of homosexual pederasty and warfare.


 Britney Spears Oops I Did It Again is set on Mars, and she`s an archetype, an icon, and a Hollywood `idol`. The concept of `holly wood` is significant. Many believe Jesus to have been crucified on a holly tree, and the ancient pagans believed the berries symbolize menstrual blood, which is a sign of a

woman`s body`s preparing for reproduction:


`They believed the holly would capture any evil spirits trying to get into the house`.1


 The 9/11 planes were going to attack Washington D.C., and the Whitehouse. According to tradition the holly berry was white before the blood of Jesus from the crown of thorns placed upon his head as a torment at the crucifixion turned the holly berries white. In the `Evergreen` state of Washington D.C., the Whitehouse is a symbol of the `American Dream`, which is of a prelapsarian Paradise:


 `I`m Miss American Dream since I was ... [1776].`


 The evil serpent`s `seed` wanted a `Redhouse` for their `red dragon`, which is why the `wooden whores` attacked New York`s `Big Apple`, to crush the `American Dream`, and so the name of the `red dragon` in the Middle East, Saddam, means `crusher`. Consequently, `Hollywood` is the `American Dream`, which 9/11 was meant to spoil in the shape of the aeroplanes on crashing into the Twin Towers like a `Hollywood TV movie`. From an educational perspective, TV was being told it was a reporting media for homosexual pederasty and warfare, which is mainly what the medium presents insofar as it`s concern is socio-historical depictions like Pearl Harbour, Troy, or even Armageddon, which according to the Bible hasn`t yet occurred, but almost certainly will because the education medium of TV is being told that homosexual pederasty and warfare is what it must promote.



 From the point of view of homosexual pederasty, war is TV insoafar as man and woman are God wearing different clothes, that is, a transvestite or `TV`, which is why homosexuals are evil and why God says so. Homosexuality is a perspective. Just as woman with a penis can be made to seem `Satan`, so warfare can be made to seem good, whereas it`s a manifestation of the `Greek whores`, and their desire to breed homosexuality and pederasty, which is symbolized by the devouring blood red dragon of Revelation, and reified as the disease HIV/AIDS; a metaphor for `biological warfare` and terrorism: as 9/11`s planes, functioning as `Greek horses`, showed.

 Of course, Hollywood is primarily known for movies, and `Christian legend claims that holly miraculously grew to hide the Holy Family from Herod's soldiers. As a sign of gratitude, holly has remained evergreen ever since.` In terms of the American myth, the plane that was `taken down` in the `Evergreen` state of Washington, D.C., by passengers `acting` over Arlington county, symbolic centre of the graves of the American heroes `from the halls of Moctezuma to the shores of Tripoli`, was symbolic of God`s protection from Al Qaeda`s terrorists at the Whitehouse, home of the `Holy Family`, and `New Redeemer`, `Holly` Bush. From a Hollywood standpoint, the passengers and crew of `United Airlines Flight 93`, had been taught to act and so the `bloody plane` never reached the Whitehouse.



 One member of the Bush family that didn`t make it was Robin Bush, a woman who`d died many years before as an infant, but her spirit lives on. The robin is symbolically important because it attempted to remove the largest thorn from the head of the `Holy Family`, when Christ was being crucified. A crown of thorns was placed upon Jesus` head in mockery. The Paraclete was born from the Spear of Destiny, but the robin`s efforts are symbolic of the meaning of the teachings of Jesus, which is that of Hollywood, that is, `thought before action`.



 Although Longinus` spear penetrated the side of Jesus, effectively signalling the emergence of the Paraclete, the Holy Spirit `descended from heaven`, which means the action of Longinus wasn`t instrumental, but interpretable after the event as significant. In other words, the Holy Spirit by Jesus` side was an `acting coach`, which explains Jesus` decision to accept crucifixion and death, because Resurrection and Ascension would follow from action in accordance with the `Will of God`.



 The `burning bush` was a symbol of the law of God, and so was George Snr., and George W. Bush Jnr. According to biblical commentators, God spoke from the `bush`, which also contained the female `spirit of God`, the Shekinah from the Old Testament, which dwelt in the tabernacle of the Ark of the Covenant where the tablets of the Commandments of God`s law were kept. In terms of the New Testament, the `holly bush` is the fulfillment of God`s Promise that acting, in accordance with the `Will of God`, results in Redemption, Resurrection and Ascension. Jesus was tortured and murdered, and the spear of Longinus in the side of Jesus after his death is a continuing symbol of their cowardice and mockery, a `thorn in the side`:


`Surely this was the son of God.`


 The symbol of the robin attempting to remove the largest thorn from the mocked head of Jesus is a symbol of action in accordance with the `Will of God`, who didn`t want Longinus to stick a spear in his dead son`s side, so that men could pretend that homosexual pederasty and warfare was a result of the teachings of the Holy Spirit, and that the death of Woman as a species with her own penis was just `collateral damage`, so that men could continue feasting upon the products of her `host` womb as blood-sucking leeches` for whom the `head birth` of the spears of space technology`s rockets, and for which the robin fights at the scene of Jesus` crucifixion before his death, was only an excuse to put a man on the moon and fire ICBMs at her Earth so that she`d never be able to escape.



 In Oops I Did It Again Britney Spears on Mars is a symbol of Robin Bush, in her red suit, with her white bikini-dressed alter ego representing the whiteness of the holly berry before the blood of Jesus; a pre-lapsarian symbol of Woman`s faith in the American Dream of spaceships, and escape from the blood red dragon of pederasty`s homosexual worship of the viral god of war, Mars:


`In God We Trust.`


 Britney Spears in Oops I Did It Again is prototypically `Hollywood` insofar as spears are the Holy Spirit, but the spear of Longinus didn`t have to enter into the side of Jesus for the `Spears of God` to be born. Longinus` spear represents cowardice and mockery; after Jesus` torture and murder. Traditionally Hollywood asks the question: `Which side are you on?` But the question presupposes sides, thereby creating enemies. In Hamlet Shakespeare poses the question Jesus asked:


`To be or not to be, that is the question:

Whether `tis Nobler in the mind to suffer

The Slings and Arrows of outrageous Fortune,

Or to take Arms against a Sea of troubles,

And by opposing end them...` (III, i)



 The Holy Spirit guided Jesus to the cross; the torturers, murderers, mockers and cowards. To present torture, murder, mockery and cowardice as guides to action is to invite 9/11, which is what worshippers of homosexual pederasty and Mars, god of war, do. The passengers of `United Airlines Flight 93` were Hollywood`s best, but Hollywood invited 9/11 with movies like Towering Inferno, King Kong, in which the Empire State Building is repeatedly threatened by a monkey (1933, 1976, 2005),2 The Two Towers, and other `blockbuster` movies.




2 According to scientists the HIV/AIDS virus came from monkeys, so King Kong is a `wooden horse`, that is, a deliberately concealed `viral image` designed by its creators to promote the idea of planes attacking large buildings in order to promulgate the devouring red dragon of homosexual pederasty in the shape of terrorism from, and `biological warfare` against, women`s wombs, and reified in the 21st century as 9/11`s `air AIDS`. The film of H.G. Wells War Of The Worlds (1898) is a similarly deliberately concealed `viral image` repeated (1938, Orson Wells` radio version that caused many people in the USA to suicide, 1953`s movie, Jeff Wayne`s 1978 musical version, and 2005`s movie), deceiving Woman into believing that men are her protectors against aliens, whereas they`re the parasitical alien viral life form that`s attacking her and, in reality, keeping her subjugated to prevent her escaping.