Woman cooks meat, men drink her blood.

01/01/2012 15:32

Woman cooks meat, men drink her blood


In the Bible the story of Cain and Abel is that of the first murder. Cain grows fruit and offers it to God, whereas Abel offers an animal sacrifice in what is, effectively, a cooked meal. Abel is murdered because he can cook, that is, Cain doesn`t want his simple life made complicated, which is why Cain is a murderer. It`s simpler. The Bible is, essentially, the story of bloodthirst and murder, prior to Jesus` preaching of `God`s love` and `forgiveness` in the New Testament. The symbolism of the `body and the blood` is most important, because it`s Jesus` offering in the shape of the `bread and the wine`, from the bowl he drank from at the `Last Supper`, which is known as the `Holy Grail` because of its significance. Jesus offers the `bread and the wine` to the disciples , in which the drink is of fruit but fermented, that is, a product of a developed culture, as cooking is, and then Jesus accepts his crucifixion, that is, torture and murder, from those who are, by definition, followers in the path of Cain. In short, Jesus` path is a careful acceptance of the fruit of Cain, with the added observation that men are still `bloodthirsty murderers` but haven`t yet devolved into cannibals.



 Traditionally, women cook, and Jesus on the cross represents the `body and the blood`, which appearing in the transubstantiation symbolism of the Catholic Communion Service is a symbolic acceptance of Jesus` teachings in the form of the Paraclete, the `tutelary spirit`, which effectively emerged from the side of Jesus when pierced by the spear of Longinus at the crucifixion, and is often termed the `Second Eve` because Eve emerged from the side of Adam in Eden. The `Holy Grail` and the `Holy Spirit` are closely associated, because of Revelation, in which the red dragon waits to devour the New Redeemer, which is to protect the `hidden` woman before she leaves Earth. The child would be devoured because that`s what those with the `mark of the beast`, that is, Cain, do.



 In simple terms, culture is the preparation and development of product, which is why the New Redeemer is born to the woman `clothed with the sun and with the moon at her feet`. Gestated for nine months, the child is a product of her womb, and the days of the sun and the months of the moon tell her when the child is due to be born. The participation of a man is virtually nil (a few grunts of pleasure and an ejaculation), whereas it`s commonly interpreted, erroneously, that sun and moon are symbolically the male and female parents of the New Redeemer. The dragon of Revelation is a symbol of the man who would devour the woman`s product, which is what men do in war, and it`s even called warfare because it`s the fare they consume as devourers.



 Jesus` `body and blood` is significant because men are cannibals if they devour woman`s product, that is, art, culture, and civilization. Jesus` observation that men are evil draco vampires is supported by the Bible where the serpent`s `seed`, and the `seed` of the woman, fight against each other in heaven, and the evil `seed`, represented by the red dragon of Revelation, now a serpent full grown, is defeated by the `seed` of the woman. The reward of the evil serpent`s `seed` is unendurable eternal pain because it`s cannibalism. The rationale is that men are made in the image of God and so women aren`t human, that is, art, civilization, and culture are alien, because men live as parasitical vampires from the `host` womb of woman. Consequently, because woman is definable as `alien`, it`s neither cannibalism nor vampirism to feed off her, or so goes the rationale. Jesus understood it well. In offering the `wine and the `bread`, as a symbol of his `body and blood`, he was observing, as King Arthur of the Britons observed when creating le table ronde, that eating and drinking together isn`t `bloodthirsty devouring`, and the `Holy Grail` is, effectively, the woman who cooks, and the disciples didn`t have any. Because they were about to sacrifice their equivalent.



 Jesus was murdered, because he was an `Abel` figure, and the `bloodthirsty devourers` want to eat the fruit of Eden rather than `cook`. The apple of Eden given to Eve by the serpent is the `fruit of the knowledge of the tree of good and evil`, and Eve accepts it an `eating` apple (sweet) rather than a `cooking` (sour) apple. Adam accepts the apple from Eve as a symbol of herself, that is, he is her devourer, and that`s what the serpent`s `knowledge` is.



 The wisdom of Jesus` `Holy Spirit`, that is, Eve`s and the Paraclete`s, is that the `body and the blood` are offered by Jesus, in symbolic terms, as the `bread and the wine`, but we are actually meant to see the blood as life-giving, because vampires drink a little and give life eternal, which is the `Holy Spirit`, whereas those who torture and murder, as Jesus was tortured and murdered, are `bloodthirsty devourers`.



 In ancient Egyptian mythology Set is the evil brother of Osiris, the sun god Ra, who is incarnated upon the Earth. Set tears apart the body of Osiris, and the sundered parts are taken to the four corners of the Earth. The sister-wife of Osiris, Asset (Isis), collects the disparate parts of Osiris` corpse and puts him together, but she has to fashion a new penis because the old penis can`t be found. Set is a vampire that rends in `bloodlust`, but doesn`t devour.



 Traditionally, vampires contain the memories of those from whom they drink, and so they become an immortal collective repository of stored memories. Asset `remembers`, that is, she puts together his scattered members or parts, and so she`s able to restore his memories. Symbolically, Set represents an evil that overtakes a people that have accepted God, and are living as One, and that`s why Set is depicted as `bloodthirsty` but not devouring, that is, recovery is possible for the society. The new penis that Asset fashions is for those who have recovered. They are the new Osiris, and the new society, which is represented in Egyptian mythology by the `sky god`, Horus.



  The New Testament of the Christian Bible represents the serpent of Revelation, and its `seed`, as irredeemable because, as the red dragon, it`s both `bloodthirsty` and `devouring`, which is what Jesus warns against at the `Last Supper` before his crucifixion when he offers the disciples `bread and wine` as a symbol of his `body and blood`, that is, the `little drink` that`s the giving of eternal life from a vampire that isn`t a `bloodthirsty devourer`.



 The red dragon of Revelation waits to devour the New Redeemer, and to fight against the `seed` of the `hidden` woman. She `s to be protected by the New Redeemer, while she`s on Earth, and before she leaves for heaven. The final battle will take place in heaven, in which she`ll be ultimately victorious, and the evil `seed` receive perdition as a punishment.



 The serpent`s `seed` don`t accept forgiveness, which is why it`s described in Genesis as arousing `perpetual enmity between it and the woman`s seed `, and she `crushes the serpent`s head with her heel as she leaves` Earth for heaven. Traditionally, vampires can`t be seen in mirrors, and mirroring life that can`t be seen is enmity`s producing of the vendettas that decimate  it, which is what war, plague, famine, and death, that is, men`s devouring parasite, produces.



 Revelation describes men as the embodiment of an evil draco that doesn`t want reality to be the mirror of life, and the mirror of life is woman. The `seed` of the `hidden` woman suggests that she has her own penis, which would explain why Asset, in the Egyptian myth, fashions a new penis for Osiris, who is then remembered, as the resurrected Horus, the `sky god`.



 Horus is Asset`s renewed `seed`. Her fashioning of a new penis for Osiris is the revelation that she has a penis of her own, and so Horus corresponds to the figure of the New Redeemer in Revelation who protects the woman `hidden` upon the Earth with his `scepter`, that is, the New Redeemer is, effectively, the penis of the woman `clothed with the sun and with the moon at her feet` that produces him.



 In the developmental psychology of Carl Gustav Jung (1875-1961) the self-fertilizing, self-devouring serpent is a symbol of woman with a penis, and the man who is her devourer. In other words, the woman `clothed with the sun and with the moon at her feet` is the self-fertilizing species, woman, with her own penis, and the red dragon is a symbol of men as the evil `bloodthirsty devouring` draco that would consume in flame everything that she produces from her womb upon the Earth and define her as an `alien` to continue their role as evil `beasts`:


`The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in agony 11 and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`



 The `bowl` isn`t the `Holy Grail` of Jesus` offer of `bread and wine` to his disciples in fellowship, because the serpent`s `seed` are men who refuse forgiveness and, preferring each other to the women of the Earth, have given themselves HIV/AIDS, and are murderers and torturers of the `body and the blood`, as were the followers of Cain and those who were the crucifiers of Jesus.



 The `bowls` containing the `plagues` of the angels are the consequences of men`s refusing to accept Redemption, that is, the simple teaching of Jesus that, in order to live, one must forgive one`s neighbours` minor transgressions, and eat and drink moderately, which is the `Holy Grail`, as taught by the `Holy Spirit`. In fact the `plagues` are self-inflicted curses, and the `bowls` of the angels are symbolic of that `bloodthirsty devouring`, which is antithetical to the meaning of the `Holy Grail` and the `Holy Spirit`.



 In Revelation the `hidden` woman leaves Earth and her `seed` prepares to fight and win a war for God`s heaven against the evil serpent`s `seed` of the red dragon of Revelation. God gives a new heaven and Earth for her and her `seed` to dwell in, which suggests that Redemption for mankind is difficult, because woman is a species and men aren`t. They`re incapable of reproducing independently of woman`s `host` womb, whereas she, with her own penis, isn`t. Consequently, men are sterile without woman, who doesn`t need them to further herself, and doesn`t want, as her future, men`s enslavement of her species, and the `bloodthirsty devouring` of whatever her Earth produces from her womb.


`Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?`                           William Butler Yeats` The Second Coming



 The concept of the `She-male`, in the world`s art, civilization, and culture, is almost an apologia for men, whereas woman with a penis is a logical extension of species` survival. The distinction is a plain one, and so Yeats` `rough beast` is a figure of the `beast` of Revelation, which is more pitiless than the usual form of man because it doesn`t need woman at all to reproduce itself, and so is the figure identified as `Babylon, Mother of Abominations`, the `Great Whore of the Apocalypse`, who isn`t a woman at all, but the evil serpent`s `seed` that`s self-begetting in order to be self-devouring, and so is `She-male`, because `bloodthirsty devouring` upon the Earth is what men use women for, and `She-male` are men, whereas `futanar`, that is, women with a penis, aren`t.