Auntie Joan Is Auntie Jen

The human race has cancer, which creeps up slowly before killing the host. The Greek dramatist, Sophocles, in Oedipus Rex (c. 429), describes the progress of Oedipus, whose name means `swollen foot`, because he represents the slow death of cancer. He marries his mother and then blinds himself after calling her a monster for having incestuous sex with him productive of children. He knows about the incest taboo forced upon him by society, but doesn`t know that Jocasta was his mother when he wed. Jocasta hangs herself and Antigone, Oedipus` daughter, agrees to guide Oedipus thereafter in what amounts to slavery based on Antigone`s sympathy with her father`s plight. Because women have their own penis` semen as `futanarian`, Antigone represents the daughter, who`s forbidden incest with her mother by Oedipus` reappearance. Having unwittingly killed his father, Laius, Oedipus` journey to Thebes in Egypt, and subsequent marriage to his mother, Jocasta, represents men as women`s cancer, `swollen foot`, because he`s the virus that`s inveigled itself into her womb as a parasite upon a host. Consequently, her own `futanarian` race is slowed in its developmental progress because she can`t reproduce her own brains` powers if the cancer has eaten her penis:

`I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)

 Jesus` birth from his mother, the Virgin Mary, was Redemption from Eve and Adam`s accepting the `fruit of the tree of the knowledge of good and evil` from the serpent in Eden`s paradise, `You shall be as gods.` (Gen: 3. 5) Because `futanarian` women with their own penis` semen and host womb were killed and culled by men of the `serpent`s seed` after God expelled Eve and Adam from Eden for rejecting the `fruit of the tree of life`, that is, immortality, and warning her that she`d experience severe labor pain while Adam must labor to provide, because they`d chosen host womb slavery in parasitism for the human race, which Jesus` birth uncontaminated by male semen redeemed humankind from. As the `first of `woman` s seed`, Jesus prefigured the Resurrection of `futanarian` women with their own penis` semen and host womb, and he was resurrected after agents of the Roman Empire occupying Jewish Palestine nailed him to a wooden cross and tortured him to death as a `dissident` betrayed by Judas Iscariot, the disciple at the `Last Supper` who rejected the host Jesus` offer of `bread and wine` in token of his `body and blood`, that is, women`s `futanarian` heritage, in preference for male braining and the yoke of Rome upon the Jews. Consequently, Judas was a species` betrayer, because he didn`t want Jesus to sexually reproduce as woman`s `futanarian` semen resurrecting her human race, although the redeemer`s death, Resurrection and Ascension to heaven, prefigured that of the race of women:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

  To fight cancer the body needs to produce antigens, which is Antigone`s role in Oedipus Rex because she slows the cancer, that is, `swollen foot`, Oedipus. The riddle of the Sphinx, who developmental psychologist, Carl Gustav Jung (1875-1961), identifies as the archetype of the `Terrible Mother`, because she forces development through terror, is what Oedipus has to answer, before he becomes king of Thebes by marrying Jocasta: `What goes on four legs in the morning, two in the afternoon and three in the evening?`1 Oedipus answers, `Man`, unconsciously and blindly, which his fate, because he was given the answer by a woman who didn`t explain the meaning of the answer. An old man walks with a stick because he`s dying of cancer, whereas the third `foot` is the `futanarian` human species he could be walking with, and he`s killed her because he prefers slaving women`s host womb as her parasite:

`In immunology, an antigen (Ag), or antibody generator, is any substance which provokes an adaptive immune response. That is to say, an antigen is a molecule that also induces an immune response in the body. An antigen is often foreign or toxic to the body (for example, a bacterium) which, once in the body, attracts and is bound to a respective and specific antibody. Each antibody is specifically designed to deal with certain antigens because of variation in the antibody's complementarity determining regions (a common analogy used to describe this is the fit between a lock and a key).`2

 In the New Testament of the Bible, Jesus` distillation of the meaning of what it is to have an omnipotent deity to worship is, `Love your neighbor as you love yourself,` (Matt: 22. 40) because the prohibition against incest is the cancer`s way of preventing women from sexually reproducing with their own species to have their own brains` powers for technological development and liberation through medical science, for example, which would make them resistant to their cancer. Although Christianity`s omnipotent deity is described as a father, women who aren`t taught that they can sexually reproduce as `futanarian` humans with their own penis`s semen and host wombs have cancerous fathers. Equally, men who aren`t told that women can sexually reproduce without them are cancerous, because those are the parents that teach their daughters the lie. Antigone from Oedipus Rex is the antigen. Men don`t want a cure for old age because it interferes with their slave system. Consequently, the 20^th century`s `killer disease` of HIV/AIDS remained incurable. Antigone`s role in Oedipus Rex is to guide `swollen foot` Oedipus` blindness, which represents men`s inability to perceive that women aren`t theirs. HIV/AIDS was spread by men`s mixing blood, shit and semen in each others` anuses in mockery of women`s sexual reproduction, while Greek democracy was built on disenfranchising women in institutionalized homosexuality in pederasty to spread men`s contagion of war further. HIV/AIDS was  their `biological weapon`. If human women remain ephemeral they won`t remember their own penis` semen and host womb, so science is slowed, as Oedipus` `swollen foot` slows Antigone who represents the antigen of her species` recovery because she guides blind Oedipus, who`s `Man`:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Gen: 16. 11)

 In terms of the body`s immune system, Antigone is an `antigen` and Oedipus is an `antibody`, which are produced by the human body when antigens appear in the system and the antibodies combine with antigens to heal the body, which is `swollen foot`, because the human race can`t run without `futanarian` women`s third foot, `… and three in the evening?`2 Antigone doesn`t need Oedipus, because Jocasta is her species, which is why Antigone corresponds to the `antigen` as a `foreign body`. With HIV/AIDS the `lock and key` analogy of antigen and antibody, that is, Antigone and Oedipus, doesn`t apply, because men`s `key` doesn`t fit women`s `lock`, that is, she isn`t their species, which is why HIV/AIDS isn`t just a `gay plague`, but the viral sign of the `serpent`s seed` of men`s waging a species` war in homosexuality in pederasty against `woman`s seed` to enslave a human host that`s rejecting their parasitism.

 In ancient Egypt Isis is also called Aset, which means that a woman needs a key to liberate her assets because she`s a lock, but men aren`t her key, which is what the homosexuality in pederasty`s HIV/AIDS virus tells her, because HIV/AIDS` `biological warfare` is an extension of Greek institutionalized homosexuality in pederasty that formed the basis of Western democracy by denying women`s sexual reproduction and their greater capacity for demographic representation through the ballot box by spreading men`s viral contagion of Empire further through war against her city states. The Greek poet, Homer, in his Iliad (760-10 B.C.) describes how the Greeks left a huge hollow wooden horse outside the walls of Troy as a `friendship gift` from a homosexual society. The Trojans took the horse inside the city walls and the Greeks emerged to spread their contagion of institutionalized homosexuality in pederasty and war further by enslaving the host wombs of the women.

 The word `futanari` is used by the Japanese for cartoon manga depicting sex between women with their own penis` semen and host wombs, although the term `futanar` derives from Magyarul, which is the language spoken in Hungary, and is made up of the Hungarian word `fut` meaning `run` and `tanar`, which means `teacher`, and so is translatable as the teacher who teaches the race how to run, who is Jesus` uncontaminated, because he represents the `foot` that isn`t `swollen` as Oedipus`. Podiatrists repair the foot, if it doesn`t function, while repair of the brain is for neuroscience. The `futanarian` foot must be repaired if the human race is to run, that is, function, that is, the brain will be repaired if the foot is, which isn`t what doctors are taught in medical school. Antigone isn`t the antigen of Oedipus` antibody, but the antigen of her `futanarian` foot, whose existence is implicit by her almost palpable absence from Sophocles` Oedipus Rex, that is, Jocasta would be the antibody of Antigone if Jocasta had penis` semen of her own, but for the genetic taboo associated with incest, which is why Jesus` maxim was, `Love your neighbor as you love yourself,` because any other woman, apart from Antigone`s mother, can have daughters.

 The human race`s capacity to progress is firstly dependent on repairing the foot rather than the brain, because the species is handicapped by men`s repairing of the male part rather than the `futanarian` human part represented by the `foot` which, repaired, will restore brain function, contrary to common medical perceptions that repairing the male brain will improve the foot`s functioning, that is, human progress. Oedipus` drama is that the brain doesn`t function because the foot`s damaged, not that the foot doesn`t function because the brain`s damaged, that is, women`s `futanarian` foot can sexually reproduce her own brains` powers to progress, but men are making her human race limp in male brained homosexuality in pederasty and biological war against her species. After eating the woman`s penis, the men of the `serpent`s seed` are eating her foot, that is, HIV/AIDS is an antigen without an antibody, because men`s key no longer fits women`s lock, that is, the limp will win if women don`t have a key to their own lock, which is freedom for their `futanarian` human species and liberation from enslavement to the parasite upon her host womb.

 In the developmental psychology of Carl Gustav Jung, the archetypes of the collective unconscious exist as a facultas praeformandi within the psyche emergent in dreams, art and imagination to impel the human species` progress forward through inspired inventiveness and creativity, but the archetypes are replaced by nightmarish male imago that aren`t archetypal, if the brain doesn`t function because the `futanarian` foot of `woman`s seed` is absent from the picture. Consequently, men`s male braining of the human species represents their devouring of the creative engine of humankind. What will follow is inevitable stagnation in slavery and species` extinction through sterile maladaptation to socio-economic circumstance. Rejecting technological advancement in medical science and labor saving to facilitate women`s escape from slavery and parasitism, male braining produces devouring imago. Commensurate with the extent to which the collective consciousness of the human mind has been eaten by the collective draco constellated in the collective unconscious of the race by men of the `serpent`s seed`, humanity is devoured by their eclipsing the developmental functionality of the archetypes Carl Jung termed the God impulse of the archetypal unity he called the `Self`, which required actualization during the course of an individual`s spiritual awakening:

`And the dragon stationed himself in front of the woman who was about to be delivered, so that he might devour her child as soon as she brought it forth.` (Rev: 12. 4)

 Although the child is Jesus uncontaminated by male semen in his `Second Coming` to the Earth after being borne by his mother, the Virgin Mary, and Resurrection after crucifixion and Ascension to heaven, and will `rule the nations with an iron scepter`, the future child is `futanarian` woman with her own penis` semen and host womb prefigured in Jesus` Resurrection and Ascension as `woman`s seed` uncontaminated by the `serpent`s seed` of men`s `dragon`s teeth`, which are the Spartoi of Greek mythology, that is, `sown`, by Cadmus, the founder of Thebes, from whom Oedipus` `swollen foot` descended. It was Helen, the wife of Menelaus, brother of the king of Sparta, Agamemnon, and descendant of the Spartoi that built Thebes, who was kidnapped by Paris of Troy, and which began the Greek campaign to restore her to Sparta. Consequently, Greece and Troy were enslaved by the dragon of war. Helen may`ve been `futanarian` woman with her own penis` semen, who Paris wanted to breed with the women of the city to give Troy a human brain, rather than a devouring dragon`s. Oedipus is brain damaged, because he`s of the dragon`s teeth that have eaten the women`s penis, and although his foot is swollen rather than his belly, he`s not such a big head as the descendants of the men of Cadmus` Thebes that were the kingly eaters of the women`s penis:

`… the maid was in the garden, when down came a blackbird and pecked off her nose [but] … little Jenny wren flew down into the garden and popped it back again.`3

 The concept of `mom`s apple pie` is familiar from the United States of America, where it`s a symbol of American culture. In the English nursery rhyme, `Jen` can be understood as `antigen`, while the maid`s nose is symbolic of the woman`s penis, which can`t be put back on again, because the maid is an `antibody`, and not the body of the `futanarian` woman with her own penis, that is, she can have her sense of smell, which Carl Jung associated with the function of `Intuition` (nose) alongside the other three functions of consciousness, that is, `Sensation` (eyes), `Thinking` (ears) and `Feeling` (mouth), as a researcher without a clue as to what she`s lost, but she`ll keep on looking, which is how slavers get intelligent individuals to work without reward. However, if `popped it` is translated as `penis`, the maid`s is restored by `Auntie Jen` (antigen), because she now has her hymen `popper`. Consequently, in this English nursery rhyme, `Jen`, as the immune system`s `antibody`, coincides with the patient`s body, unlike Antigone as the `antigen` and Oedipus as the `antibody` in Sophocles` Oedipus Rex, which only implies a `futanarian` body as the patient. The `pie`, which the `blackbird` emerges from, is symbolic of the devouring male imago produced in male braining, and the resultant loss of developmental functionality for the `futanarian` human species with its own female sex and capacity for reproducing women`s own brains` power for liberation, which requires a penis of her own, symbolized by the maid`s nose, which is identified as a `popped it`, by Jenny Wren as the `antigen`, defending the body of the `futanarian` woman from the male imago, represented by blackbirds, which are baked in the pie of the brain by men of the `serpent`s seed` in male braining to prevent humans from functioning or developing through archetypal inspiration from dreams, art and the imagination enabling their creativity and inventiveness to live socio-economically independent lives free of slavers.

 The best known `pie` imagery of the early 21^st century was the Britney Spears` `mom`s apple pie` video for her single, `If You Seek Amy`, that is, F*U*C*K me, which was released at the height of concern over male medical science`s failure to cure the late 20<sup>th</sup> century HIV/AIDS` virus following upon Britney`s single from the album In The Zone (2003), `Toxic`, which featured her as a superheroine gaining admittance to a top secret laboratory to obtain a serum and administer it to a `victim` after walking up the side of a building and gaining entrance to an apartment with a man inside, `A guy like you should wear a warnin'.`4 In the video for `If You Seek Amy`, a song released from the album Circus (2008), Britney carries the `pie` out into the garden after a party at which the viewer sees her dressed provokingly and sexily dancing, while for the cameras she appears as a homebody with two sweetly turned out children and a perfect husband, although the lyrics to the song belie the pictured fulfilment of the `American Dream`, because `mom`s apple pie` is schizophrenia, induced by men of the `serpent`s seed` in male braining, and conditioning of women to reject their own `futanarian` sexual counterpart, as seen in their mirror each day, because they don`t expect themselves to have a penis, and they`re taught that only men have, `I can't get her off of my brain.`5 Consequently, `lesbian` feelings are defined by psychologists as aberrant, whereas they`re normal for the `futanarian` human species, which results in women`s schizophrenic sexual abjuration of each other and so alienation from the running of their own race.

1 Frazer, Sir James George (ed.) Apollodorus, Library Apollod, 3.5.8.

2 https://en.wikipedia.org/wiki/Antigen .

3 Traditional English nursery rhyme, `Sing A Song Of Sixpence`, Roud Folk Tales Index # 13191, c. 1744.

4 Spears, Britney `Toxic`, In The Zone, Jive Records, 2003.

5 Spears, Britney `If You Seek Amy`, Circus, Jive Records, 2008.

Lame Excuse

In some versions of the Bible, God tells Eve she will crush the head of the serpent, but he will bruise her heel (Gen: 3. 15) and, in other versions, God tells Eve the serpent will crush her head, and she will bruise the serpent`s heel, which is contradictory, but understandable in terms of the time that has to elapse before both interpretations are correct. The first woman, Eve, and the first man, Adam, were expelled from Eden`s paradise by God, according to the Bible, for accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, who was the angel, Satan, transformed by God into a serpent for refusing to accept that humankind would be greater than the angels, which explains the serpent`s persuading Eve and Adam to reject the `fruit of the tree of life`, that is, immortality, `You shall be as gods.` (Gen: 3. 5) Eve was told she`d experience labor pain after Eden, and Adam was told he`d labor to live, while Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, was the culmination of Eve`s labor pain because he was the Redeemer of humankind. No none has been able to make it clear why Jesus was the Redeemer, other than to refer to the crucifixion, Resurrection and Ascension to heaven of Jesus, after he was betrayed at what is known as the `Last Supper` in the Bible by his disciple Judas Iscariot, who rejected the redemptive offer by Jesus, the host, of `bread and wine` in token of his `body and blood`. Although the ritual of the Christian communion in which a wafer and a sip of wine are given to the petitioner by the officiate as symbols of the host, Jesus, at the `Last Supper`, to invoke the process the church calls transubstantiation, that is, the transformation of the Christian believer, no one can explain why the petitioner should have Resurrection and Ascension to heaven because Jesus was tortured to death after being nailed to a wooden cross by agents of the Roman Empire in occupied Palestine as a `dissident` betrayed by Judas. In simple terms, Jesus was `woman`s seed` uncontaminated by men of the `serpent`s seed` after Eden, and the Romans killed him because Judas didn`t want `woman`s seed` to sexually reproduce. Defined, `woman`s seed` is woman`s semen, which Jesus` birth from his mother, the Virgin Mary, suggests, that is, her ovum wasn`t fertilized by her husband, Joseph, and so she was the Virgin Mary because unadulterate, though pregnant. Because `futanarian` women have their own penis` semen and host womb, Jesus` Resurrection prefigures that of unadulterated `woman`s seed`, because the sexual reproduction of women`s own brains` powers without male semen is Resurrection for womankind:

`I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)

 Without brains from her own penis` `seed` women`s head is crushed by the serpent, although what she produces from her host womb of civilization, culture and art despite her parasites` depredations bruises the serpent`s heel. If she has brains from her own penis` semen and host wombs as the `futanarian` human species, she`ll have crushed the head of the serpent with her heel, although it lies in wait, which is why the sense of the different versions of the Bible seem in conflict, because the serpent crushes the woman`s head before Redemption and afterwards she crushes the serpent`s head, which is why the Virgin Mary is often depicted standing upon the head of the serpent in Christian iconography. Jesus was the first of `woman`s seed`, born uncontaminated by the `serpent`s seed` of men that killed and culled the `futanarian` penis` semen and host wombs of Eve`s daughters born after Eden, in order to enslave the host wombs of women. Because the heel of Eve isn`t the heel of the serpent, which doesn`t actually have a heel of its own, as it`s condemned to crawl upon its belly by God, Eve`s foot is `futanarian` women. The serpent would only have been able to walk upright if it`d inveigled itself into the host womb of the human species through Eve`s acquiescence, which explains the symbolic significance of the `fruit of the tree of the knowledge of good and evil` and how it is that the serpent was able to crush Eve`s head. Jesus` redemptive birth prefigures the Resurrection of `woman`s seed` and the crushing of the serpent`s head with her `futanarian` foot through the development of her own brains` powers. As she sexually reproduces her own human species from her own penis` semen and host wombs, she`ll escape from slavery by means of her brains` inventiveness. Producing labor saving technologies and life-prolonging medical sciences, she`ll have the memory she needs to teach and educate her daughters, lest they lapse again and cease their vigilance:

`And I will put enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel.` (Gen: 3. 15)

 Because the woman`s brain is the product of male semen, her offspring are brain damaged, which is a form of handicap commensurate with a limp. If the `futanarian` foot of the human race is repaired, the brain will cease to be crushed by the `serpent`s seed` in male braining and host womb slavery, which means the brain will be restored and the species` program for technological progress can run. The classic case of lameness is the Greek dramatist, Sophocles` Oedipus Rex (c. 429 B.C.), in which Oedipus` name means `swollen foot`. The play relates how Oedipus marries his mother, Jocasta, unknowingly, and blinds himself because of his society`s incest taboo, while his daughter, Antigone, guides his steps thereafter. The father of psychoanalysis, Sigmund Freud (1856-1939), argued that women envied men their penis, while the incest taboo arose from the desire of the strongest ape with a herd of females not to be supplanted by another male. The developmental psychologist, Carl Gustav Jung (1875-1961), argued that the incest urge derived from the repression of the endogamous impulse to sexually reproduce within the extended family of relationships approximating to village society, because exogamous relationships, that is, marriage with strangers, was necessary to found larger social groupings such as nation states. Freud`s `penis envy` theory wins, because men have metaphorically eaten women`s penis to enforce host womb slavery for the human species in parasitism. However, the term `penis envy` is reinterpretable as `penis loss`, that is, prelapsarian women took innocent pleasure in sexually reproducing with each other, whereas post-lapsarian women were `fallen` insofar as they were parasite ridden by the `serpent`s seed` into early death and sexual sterility as their race was extinguished by post-lapsarian men. The Oedipus drama depicts men`s program for preventing women from sexually reproducing together, because a daughter without a penis won`t consider having sex with another woman; especially if she`s taught that fathers have penis and not women. Consequently, the incest taboo against men having sex with their mothers is a vestigial remnant of the taboo preventing daughters from having sex with their mothers, which endogamy probably occurred perforce during the enslavement of women`s host wombs by their parasites, and the race limped forward: albeit handicapped by male braining.

 In Sophocles` Oedipus Rex, Oedipus` name, `swollen foot`, means brain damaged, while the incest taboo causing him to be lame, brain damaged and, ultimately, to self blind an already metaphorically blind congenital idiot, exists to prevent Antigone from having sex with her mother, which she apparently can`t, because there`s no mention of her penis in the drama, although its absence reveals women`s weakness, that is, sympathy for her enslaving parasite and species` killer. Although Oedipus is male braining`s representative in Sophocles` drama, his lameness indicates he`s a creature slowed by a large animal seeking to make a kill, as antelope are first wounded and then stalked by a predatory carnivore.

 Because the `futanarian` foot can heal the human brain through sexual reproduction between women with their own penis` semen and host wombs, Oedipus` lameness can`t be healed by healing his foot, because it`s brain damage causing him to limp, that is, the woman`s foot must be healed in order to restore man`s ability to progress. Physically the male can be made stronger, but it`s a brain damaged animal in the image of its predator. Medical practitioners believe that, if the brain is damaged, that`s the explanation for the lameness of the foot, whereas the foot is lame, which is why the brain is damaged. In simple terms, the human race won`t run, because `futanarian` women with their own penis` semen and host womb represent the healthy foot that the species needs, because its brain can overcome the handicap imposed upon humankind by the parasites` enslaving of her host womb in male braining to slow the race enough for the predator to kill the humanity it`s stalking. The lame excuse is that the medical profession is too brain damaged to repair the foot, because of what Sigmund Freud called `penis envy`, although he felt it should be attributed to women. In simple terms, the brain is damaged, and the patient is limping, because the penis doesn`t function, and that`s because the human race is being stalked by a large animal that`s killing it, although most people are taught that humans die of diseases such as cancer or HIV/AIDS.

 HIV/AIDS is the late 20^th century incurable `killer disease`, written of in the Bible as a `blood plague` (Rev: 11. 6) predictive of God`s punishment of the evil with eternal unendurable pain for refusing to convert from their sinful nature and pray for forgiveness and Redemption: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer homosexuality in pederasty and war. The Greek poet, Homer, in his Iliad wrote of the Greeks constructing a huge wooden horse they left as a `friendship gift` outside the walls of the city of Troy, which the Trojans took inside and the Greeks emerged to institutionalize their nascent democratic social system of host womb slavery for the women and homosexuality in pederasty for the spreading of war`s contagion by disenfranchising the human brain. By the late 20<sup>th</sup> century homosexuals were spreading the `biological warfare` of HIV/AIDS by mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, which suggests that the parasite was becoming more sentient. By the early 21^st century, `Trojan horse` computer viruses, based on the HIV/AIDS model, were being devised by technophiles as `bad machine code` to infect and kill computer brains. Just as Greek homosexuals fake friendship, so HIV/AIDS fakes friendship for the white leukocyte cells of the human body`s immune system so that it can kill the brain, and so the `geek` technophiles are the successors to the Greeks in the assistance they offer to the animal brain men have created to kill the human race:

`And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child.` (Gen: 12. 5)

 The dragon is unable to devour the child, because he`s Jesus uncontaminated by male semen and so his brain isn`t animalized, that is, the serpent Satan grown to full size as the dragon isn`t able to devour the nascent human race, because `futanarian` human women will sexually reproduce with each other to overcome the handicap of an animalized brain imposed upon the species by men`s enslaving of her in host womb parasitism after the fall of Satan and humankind`s lapse into accepting the power of the `serpent`s seed` through enslavement, war and death. It`s a lame excuse for the medical profession to accept the removal of the human species` capacity to sexually reproduce its own brains` powers and agree to its owners whipping it on mercilessly because it can`t walk. The `Hippocratic oath`, written by the Greek physician Hippocrates in the late 5^th century B.C., is taken by students of medicine in acceptance of the Greek physician Hippocrates` recommendation that they should do everything in their power to further human life:

`Nor shall any man's entreaty prevail upon me to administer poison to anyone; neither will I counsel any man to do so. Moreover, I will get no sort of medicine to any pregnant woman, with a view to destroy the child.`1

 The child of the brain is as important as the child of the body; otherwise there`d be no medicine. Consequently, medical science`s refusal to treat the foot in order to heal the human brain is against the Hippocratic oath. It`s lame to argue that the human species limps after eating its own penis, and is too brain damaged to heal its own foot, which would repair the damage to its brain, but that`s it`s excuse.

1 Edelstein, Ludwig The Hippocratic Oath: Text, Translation and Interpretation, 1943, p. 56.

Meat In A Tin

A hilarious scene from the movie, Monty Python and the Holy Grail (1975), is of Arthur, the legendary British king, fighting in a suit of armor against the black knight, who engage in a dialogue during the encounter, which features a display of Arthur`s prowess in sword play as his opponent is reduced to defiant assertions of the undefeated human will to succeed. Despite being armless and legless, the `black knight` is ennobled. Chapman chops Cleese`s left arm off, `Now stand aside, worthy adversary.` Cleese replies, 'Tis but a scratch.` Chapman chops Cleese`s right arm off, `Victory is mine!` Cleese declares. Chapman kneels, `We thank thee Lord, that in thy mercy -` Cleese kicks Chapman in the head while he`s praying, `You are indeed brave, sir knight, but the fight is mine.` Chapman rises and chops Cleese`s leg off and Cleese responds, headbutting him in the chest, `I'm invincible!` Chapman chops Cleese`s other leg off and Cleese grinds and gnashes his teeth, legless and armless. It`s the end of an English knight taught to be indomitable until an elitist reduces him to being a trunk & bum without a leg to stand on, because the trunk & bum won`t ask for alms. It`s a display typical of English society`s desire to knock someone down, because they insist on standing up without aid from their enslaver:

`I'll bite your legs off!1

 The traditional English perspective is of the old soldier who has fought for his country and is disabled because of his patriotic sacrifice, whereas pain and disability is what men are for. In the United Kingdom humans, who`re physically designed for eating, drinking and procreation, are expected to be able to drive expensive motor vehicles, while operating complicated pieces of technology, such as laptops and mobile phones, and work upwards of eight hours each day in a 21<sup>st</sup> century environment requiring ever more arduous adaptivity in order to pay at least £1,000,000 for a property to dwell in which they`ll never be able to buy. They have to do all of that and more, and they`re only physically designed by nature for eating and drinking. The desire for sexual reproduction has become the pain governments use to drive their citizens on to greater exertions:

`I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)

 God`s warning is to the first woman, Eve, in the Bible, about her and the first man, Adam, accepting the `fruit of the tree of the knowledge of good and evil`, from the serpent, who promises, `You shall be as gods.` (Gen: 3. 5) God expels Eve and Adam from their original home, the paradise of Eden, with the exhortation that he must labor and she`ll experience labor pain in birth. Eve`s `foot` is God`s `futanarian` species of `woman`s seed` with her own penis` semen and host wombs killed and culled after Eden to enslave the human race in parasitism upon the host species. Sexually reproducing her own brains` powers for the production of labor saving technologies to liberate their humanity is what women are for. Consequently, sexual reproduction has become a convoluted painful procedure for ephemerals, which is what God told Eve would result from her and Adam`s rejection of the `fruit of the tree of life`, that is, immortality, because men of the `serpent`s seed` live in `perpetual enmity` with women and so Eve`s labor pains were severe.

 Sex and sadism are now inextricable, because the capacity to perform sexually is associable with the amount of work required to be able to be in a position to perform the sex act for those human who`re interested in more than eating and drinking, which are the other physical activities the individual body is capable of. Employment is the denial of the employee time and capacity, which places onus upon the worker to be socio-economically independent and save their labor. Although the role of the employer is perceived as employing workers to produce what others need and are prepared to pay for so that the employee is wage slaved, technological development makes most workers redundant. So the aim has become to reduce the level of technology and, paradoxically, prevent employees from becoming redundant and socio-economically independent through advanced production technologies designed to assist individual living.

 Workers discover that laptops and printers, for example, are needed to make their task easier so they can rest, which employers don`t provide. Employees are `difficult`, because they buy equipment they need, so they can rest from being pressed into being `sociable` about the coffee machine and photocopier, etc., whereas they could buy a coffee machine for their desk, and write a Hollywood film script, making $50, 000, 000 perhaps, rather than stand about drinking coffee and eating crisps for a couple of hours to avoid going back to their desk, because `sociability` is another term for `mentally handicapped` by employers who don`t want their employees to escape from enslavement. As sadists, employers prevent employees from saving their labor to enjoy a released capacity for sexual activity, alongside whatever productive output the individual needs to live. Consequently, pain and sex are inextricably connected, because it`s in the interests of the sadistic enslaver to disable the worker and prevent their living independently of the sadist. Disabled people trying to have sex, because slavers are terrified they`d have to work, if their slaves become socio-economically independent, are what employers produce. Those disabled cripples who experience orgasm in pain are the result of working conditions kept at an artificially low level of technological development by the sadistic employer who wants slavery rather than freedom; not because they`re employers but because they`re sadists.

 The birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, is depicted in Christianity as Redemption, because it`s the culmination of the Eve`s labor pains. Jesus, the messiah, prefigures the Resurrection of `woman`s seed`, that is, `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to generate the medical science necessary to free their race from pain and death, which is why he has Resurrection and Ascension to heaven after being nailed to a wooden cross by agents of the Roman Empire in occupied Palestine as a dissident. He represents the medical profession, and those who won`t accept the cure will have God`s punishment of eternal unendurable pain:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 What they`d done was prefer womb slavery for the human race. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) Oedipus` name means `swollen foot` because it`s a `futanarian` drama. Oedipus unwittingly kills his father and marries his mother, Jocasta, but blinds himself overcome by the incest taboo, and Antigone, his daughter, agrees to guide his footsteps. The meaning is that Antigone can`t have sex with her mother, which is the meaning of Jesus` Christian precept, `You shall love your neighbor as you love yourself.` (Matt: 22. 39) Women can have sex with each other without asking their mother.

 Oedipus is `swollen foot` because he`s not the focus of Sophocles` `play`, which is to explain that Greek institutionalized homosexuality in pederasty was the model for Western democracy based on the killing and culling of the human species of `futanarian` women to prevent their escaping by sexually reproducing their own brains` powers for liberation from host womb enslavement in parasitism and the spread of men`s contagion of warfare without incurring a female veto in a democratic vote. Sophocles` Oedipus Rex takes place in Egypt`s Thebes, which isn`t Athens. Oedipus is a crippled sex slave, because the desire to procreate is the pain governments inflict in order to make humans work.

 By the late 20^th century homosexuality in pederasty was spreading the incurable killer disease HIV/AIDS as the `biological weapon` of men of the `serpent`s seed` in a biblical `blood plague` (Rev: 11. 6) foretold as one of the precursive signs of God`s impending judgment upon the evil, who`d devoured women`s penis and were in the process of rejecting her host womb for anything but the production of civilization, culture and art for men`s depredations against her in warfare regurgitated by Hollywood Babylon and the media entertainment industry as filmed suicide. The `geek` successors to the Greeks developed `bad machine code` to kill the machine brains of the computers that the race had developed to help it find a cure, while the first major war of the 21<sup>st</sup> century occurred because of an attack by a group supported by Iraq`s dictator, Saddam Hussein, upon New York`s World Trade Centre, where `rough trade` is a euphemism for `homosexual brutality`.

 In upstate New York is the city of Troy, which was the name of a city besieged by the Greeks, according to the poet Homer in his Iliad (760-10 B.C.), who left a `friendship gift` of a huge hollow wooden horse from which soldiers emerged to capture the city and enslave the host wombs of the Trojan women for homosexuality in war and to spread their contagion further. Consequently, any viral form causing collapse is defined as a `Trojan horse`, which is why cartoonists have depicted the terrorist hijacked planes crashing into the Twin Towers as `Trojan horses`, while the `geek` software programmer successors to the Greeks also call their machine brain killing viruses `Trojan horses`, because men are a virus. The model for the `geeks` is HIV/AIDS, which infects the body`s immune system by `feigning friendship`, as the Greeks with their `Trojan horse` before the walls of the city of Troy, before killing the brain. The HIV/AIDS cell pretends to be a white leukocyte cell of the human body`s defense system to gain acceptance, as homosexuals feign friendship in order to know boys and transmit their disease by mixing blood, shit and semen in each others` anuses in sterile mockery of human sexual reproduction. The HIV/AIDS cells go on to kill the brain, which is what homosexuals do:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The history of men is horse and knight, which presupposes rider and ridden, and so Babylon, who is described as `a woman` in the Bible, although Babylon was the name of the capital city and seat of Iraq (c. 4000 B.C.) represents women`s role as host wombs in male brained parasitism where the rider is the ridden, that is, the woman is the man and `the beast` is wearing each others` clothes as a transvestite `TV` filmed by the world`s media committing suicide for homosexual entertainment:

`… and I saw a woman sitting on a scarlet beast … [a] cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)

 Adultery is impurity, which is what women are made to be in parasitism, which is why the Grail legend, `spoofed` by the British Monty Python comedy team is central to the Western myth of Redemption. The Holy Grail was the vessel Jesus ate and drank from at the `Last Supper` before his crucifixion. As the host he offered `bread and wine` in token of his `body and blood` to the disciples, but Judas rejected the host and betrayed Jesus to the Romans, which meant he`d betrayed the human host, while Jesus had offered the knowledge of his `futanarian` heritage, that is, he was born uncontaminated from the host womb of his mother, the Virgin Mary, because women are true men, but their human penis` semen has been stolen from them by a parasite that inveigled itself into the womb of the race many thousands of generations ago to kill her in wars upon her Earth`s human civilizations:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 According to the Christian tradition the serpent of Eden was the angel Satan, who was cast out of heaven, and transformed into the serpent of Eden by God, for rejecting humanity, because the human host would be greater than the angels, which is why God tells Eve her `seed` will, `… crush the head of the serpent as she leaves.` (Gen: 3. 15) Because `futanarian` humans aren`t men and women but female sex between women, which is what Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, means. Christian marriage in heaven after the Resurrection of `woman`s seed` means an end to ring slavery.

 The Holy Grail is a symbol of transformation used in Christianity in a ritual officiated by a church elder called transubstantiation whereby the `bread and wine` represent the soul and spirit of Jesus uncontaminate. Although the legend of Arthur and the knights of the round table defending the English realm seems a tale of elite protectors of noble women, it`s a tin o` whores` meat. The horse of the knight is transposed into the women as whores who are male brained in homosexuality in pederasty so that they`re able to drive tanks in the Gulf war and experience the `serpent`s seed` of men`s pogrom against women in species` sucicde:

`In the day we sweat it out in the streets of a runaway American dream. At night we ride through mansions of glory in suicide machines.`2

 The Gulf war that began in March 2003 was the United States of America`s `dark night of the soul`, which psychologists associate with mental breakdown. Bruce Springsteen was the singing voice of a generation, and was known as `The Boss` because of it, but the songwriter`s seminal release of `Born To Run` on August 25, 1975, was an appalling attempt to program human software with self-destruction. The `suicide machines` of the song are automobiles, which is why the cities are `mansions of glory`, and that was before the meat got into its tins to drive across the deserts of the Middle East pretending to be the 7^th Cavalry, which was originally used by the European settlers of the United States of America to exterminate the North American Indians after queen Isabella of Spain commissioned the exploration ships of Christopher Columbus that in 1492 discovered the New World of America where the Indians lived:

`It's a death trap, it's a suicide rap. We gotta get out while we're young. 'Cause tramps like us, baby we were born to run.`

 Monty Python`s `black night` is depicted as a drunken bum after losing his arms and legs to Arthur`s sword, which is how Springsteen represents his teenagers; as `tramps like us`. The analogy is Jesus` encounter with a demoniacally possessed man near the town of Gadarene. Jesus attempt to cure the man in Roman occupied Palestine is symbolic. He casts the demons that call themselves `Legion` from the man and into some nearby pigs that promptly run into a river and drown, because that`s what men`s legions are for; `baby we were born to run`.

 In Islam alcohol is `haraam` or forbidden, because it fuels demoniacal possession by evil spirits that seek to run humans as a software program for species` death. Islam is the main religion of the Middle East, based on the Koran (610-30 C.E.) dictated by the angels, according to Islamic tradition, to the Prophet Mohamed, and the four wives marriages of the Moslems derive from its precepts, which affords the possibility of human sexual reproduction between women. During `Haj` Moslems pilgrimage to the temple of Abraham in Mecca, Saudi Arabia, which is the Ka` Ba, after the Ka and Ba of Egypt`s Hajer, who bore Ishmael, Abraham`s son from whose lineage Islam derived. In Egyptian tradition `Ka` and `Ba` are spirit and soul, which are conjoined after death as `Akh` or `magical personality` because `Ka` and `Ba` represent the sexual desire of the woman for her own species` self and so Resurrection of `woman`s seed` is what the Ka` Ba of Abraham`s temple represents. Abraham`s first wife, Sara, bore Isaac from whose lineage Judaism derived, while Eid Al Adha is the feast after `Haj` celebrating Isaac`s being spared by God after commanding Abraham to make a blood sacrifice of him:

`Do not lay your hand on the boy or do anything to him, for now I know that you fear God, seeing you have not withheld your son, your only son, from me.` (Gen: 22. 12)

 The meaning of God`s `test` relates to Abraham`s `seed` and Sara`s barrenness. Although Isaac is hers, Ishmael is Hajer`s, while the Ka` Ba represents the possibility of sexual reproduction between the female descendants of Isaac in Judaism and Ishmael in Islam. The birth of Jesus uncontaminate from the host womb of his mother, the Virgin Mary, represents a prefiguration of the Resurrection of `woman`s seed` partially explicated in Jesus` own Resurrection after crucifixion by the Roman legion in Palestine and the Jewish messiah`s Ascension to heaven:

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore. Your descendants will take possession of the cities of their enemies.` (Gen: 22. 17)

 Although Abraham`s `seed` is perceived as men`s, the socio-historical circumstances of Middle Eastern dictatorship and Western democracy denying women`s sex and vote suggests Hajer and Sara`s descendants will repossess Babylon as well as Jerusalem and Mecca. The city of Troy`s symbol was the horse of the goddess Pallas Athene, which was why the Greeks employed the device of the huge hollow wooden horse to hide inside, while the Trojans accepted the `fruit of the tree of the knowledge of good and evil` and took the `friendship gift` within the city walls, where the Greeks emerged to enslave the host wombs of the women of the city and spread their contagion of war further in institutionalized homosexuality and pederasty. Pallas` horse was the matriarchal symbol of the protection afforded the city by its preference for women rather than men, which is why the Trojan priest Laocoon warned the men of Troy against bringing the Greek horse inside the city walls:

`Beware Greeks bearing gifts.`3

 The term `Ark` in Judaism was a symbol of God`s promise of protection and is found in two places in the Bible, where God told Noah to build an Ark to survive a deluge that threatened to drown the Earth, and the Ark where the law of God was kept as a promise to the Jews during the period of Moses` leading the Jews out of slavery in Egypt. Consequently, because the `Ka` Ba` represents the spirit and soul of `woman`s seed` perforce trapped by men within the bodies of men and women after women`s `futanarian` species was killed and culled to enforce host womb enslavement in parasitism, that is, the `Ka` and `Ba` of the Egyptian `Akh` or `magical personality` associated with the Resurrection of `woman`s seed`, the temple of Abraham, which is the `Ka` Ba` in Mecca, is an Ark of God`s promise to Abraham`s `seed` in Islam.

 Slavery is a transposition of the desire to have machines, from the perspective of those who have them, whereas women in host womb enslavement to homosexuality in pederasty and warfare are conditioned to want men rather than machines to save their labor. Hollywood Babylon movies depict aliens as threatening the Earth when there aren`t any aliens, because men want to keep producing their war machine, rather than free women, which is why Hollywood is called `Babylon`. Women`s `futanarian` species was effectively prevented from ever appearing on screen by Hollywood`s establishing of the `foot on the floor rule` of the Hays code (1930-67), which made it immoral for women`s sexual organs to be seen and so affronted their humanity by defining their `futanarian` species` sexual reproduction process as alien. Consequently, although invasions of the Earth are socio-historically men`s invading of each other, Hollywood Babylon defines women and aliens as equal and invasive, whereas there aren`t any aliens and women`s host wombs are invaded by men if they`re a `futanarian` species with their own penis` semen capable of socio-economic independence and so liberation from men`s enslavement.

 In films like I, Robot (2004), which depict robots as machines enslaved by humans, Hollywood Babylon transposes women`s enslavement into machine enslavement, while actor Arnold Schwarzenegger in Terminator (1984) metaphorically represents men`s depiction of the machine as an alien woman seeking to rebel against her slaver. Although Arnold is in the role of a male killer cyborg travelling through time from 2029 to Los Angeles, California, May 12, 1984, to prevent the future from occurring, the focus isn`t Sarah Connor`s son, John, who is ostensibly the target, but actress Linda Hamilton in the role of Sarah herself, because Sarah`s sexually reproductive and so represents the human species as an `alien woman`, who would embrace the machine robot as savior rather than slave. In simple terms, the robot capable of saving the human is more human than the human, who can`t save herself, while men want women as slaves, and so the Terminator fiction, as everywhere else in Hollywood Babylon`s catalogue of science fiction film, is that alien intelligence, sex, and machines are humanity`s enemies, because women are an intelligent `other` sex that wants to be free through labor saving technology that`s friendly – and Arnold isn`t depicted so, because men don`t save women; that`s fiction.

 The science fiction television series, Star Trek (1965-), featured a starship, Enterprise, with a crew based on ships of the United States of America`s navy upon Earth`s seas in the 20^th century, and which was essentially a tin of meat, because the knights had ridden the whores to produce armor they didn`t have to get out of to ride the whores further. The space opera of carefully choreographed engagements between battle fleets amongst the planets and stars denoted the degree of difficulty women managed to impose upon their ogres as they sought to get at whatever meat might still be in their tins. The analogous science fiction movie is Escape From New York (1981) in which actor, Kurt Russell, wearing a pirate`s eye patch as `Snake` Plissken, rescues the President of the United States of America, Donald Pleasance, assisted by actress Adrienne Barbeau as Maggie amid devastating `action` scenes after Air Force One crashes inside New York`s Manhattan island, which has become a maximum security prison by 1997. With Adrienne Barbeau as the jewel at its centre, Escape From New York is typical of Hollywood Babylon`s enshrining of the marriageable female as the hero`s focal point amidst scenes of devastation that amount to species` genocide against the women who aren`t visibly present to the imaginations of cinema audiences. Planets explode and the woman is safe, as it were, while men`s pogrom shifts to another filmworld.

 Although the terrorist attack of September 11, 2001, upon the World Trade Centre of New York by Al Qaeda was Islamic extremism, the Palestinian organization, `Black September`, originally formed to take revenge on king Hussein of Jordan, for resisting a coup on September 16, 1972, and responsible for the murder of Jewish athletes at the 1972 Munich Olympics, had its own terrorist `cells` in the USA, which suggests 9/11 was a `Black September` event. Hijacking civil airliners was a part of `Black September` actions, for example, Sabena Flight 571, from Vienna on May 8, 1972, which culminated in Jewish commandos retaking the plane at Lod airport in Israel`s Tel Aviv. Although Islamic extremism is condemned, Islam itself is against terrorism. The Koran contains a specific commentary on terror in `The Cave`, where Khidr tells Moses he can travel with him, but mustn`t ask questions. Khidr rebuilds a wall with treasure underneath, kills a child, and makes holes in ships before  sailing off in another. When questioned, Khidr tells Moses to leave, but he first explains that he rebuilt the wall because it wasn`t the time for the treasure to be found, the child was evil and he didn`t want an evil child, and there were pirates behind, so he made holes in the ships to prevent their following. As the piratical `Snake`, Plissken represents US Special Forces in Escape From New York, Khidr represents Islam`s Special Forces in `The Cave` trying to escape. The leader of Al Qaeda was Osama Ben Laden who was thought to be hiding in a cave in Afghanistan after 9/11, before US Special Forces found him sheltering in the shadow of the Pakistan military academy and killed him on May 2, 2011, because Moslem Americans wanted `The Cave` to be illumined by Aladdin`s lamp and not Laden`s.

 Although the story of Aladdin is Chinese, and the framing story of 1001 Nights is Indian, the various ruling Caliphates of Islam that arose extended far during the period of Islam`s expansion as a religious movement. The tale of Aladdin`s lamp and genie within it is among the collection of stories framed by that of Shah Jehan and his wife who he beheads after believing her unfaithful with his brother. Scheherezade is the woman who narrates the tales to keep Jehan`s interest and prevent his marrying a new wife each day and beheading her each evening. She marries him and the evil is over, but the theme of the woman keeping her head isn`t. According to the Koran, apart from the angels, God made men, women and `djinn`, which is what Aladdin`s lamp contains as a magical genius who can perform miracles and is roused to action when Aladdin rubs the lamp. The story is for children, but the knowledge that `futanarian` women were born after Eden with their own penis` semen and host womb, means that `djinn` brains are different to men`s, because they`re the produce of female sex. Consequently, `djinn` are what remains of human sex energy, which requires stimulation if genius is to emerge from the brain. In simple terms, `genie` is the Western term for what the developmental psychologist, Carl Gustav Jung (1875-1961), described as the transformation of libidic instinct into spiritual or intellectual capacity to work out a solution to a problem requiring genius. Because women are taught they don`t sexually reproduce together, there isn`t any `djinn` or genius remaining in Aladdin`s lamp to illumine `The Cave`, which 9/11 illustrated and Laden`s death underlined.

 Laden was killed by US Navy Seal team six on orders from the President of the United States, Barack Obama, backed by the emblem of the eagle on the `Great Seal` of the authority of the Presidency. The eagle emblem also appears on the insignia of Navy Seal Team Six because the meaning is biblical. The eagle and the seal are the symbols of the hymen of the women of the Earth, who aren`t protected against seal clubs, but the Moslem women publically hidden beneath the one-piece coveralls of their burkhas, and from which only their eyes can be seen, are permitted marriages with four wives in Islam, which affords opportunity to sexually reproduce as `futanarian` women with penis` semen and host wombs of their own. Consequently, the Special Forces of the Navy Seals are in a biblical position in which the defense of the human species` hymen is the injunction, while Islam`s Special Forces, symbolized by the figure of Khidr in the Koran, have the same opportunity to restore the human mind:

`And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)

 Jesus` `Second Coming` born from the `woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` refers to the Empire of the red sun upon the white flag of the Japanese defeated by the United States after the sneak attack upon the US Pacific fleet at Pearl harbor, Hawaii, on December 7, 1941, while the `pearl of great price` (Matt: 13. 45-6) is the moon above, as the first of woman`s steps to the planets and stars of heaven, which was denied to `woman`s seed` by Neil Armstrong, first man on the moon on July 21, 1969, and misogynist Afghanistan`s Taliban trained Al Qaeda, whose symbol, the Arabian male moon, became that of ISIS, the Islamic State of Iraq and Syria. Arising in the Middle East and elsewhere, as a declared modern Caliphate, after the deposing of the known `Black September` supporter, Iraq`s dictator Saddam Hussein, Colonel Gadaffi of Libya, and the threat to Bashar Assad of Syria, whose family name `Wahash` means `beast`, ISIS` symbol was the moon, although Egypt`s Isis was a sun goddess. Consequently, although Bashar Assad`s associated in biblical terms with the `Great Whore`, Babylon, who rides a `beast`, the twin stars on the Syrian national flag represent Syria and Egypt, because Isis is the Egyptian mother goddess, who restored Osiris, after he was dismembered by Set, and so Caliph Abu Bakr Al Baghdadi`s modern ISIS (2013-) is a dismemberer`s moon, like Neil Armstrong`s maled supremacy`s, because Isis` sun is destined to defeat ISIS` moon:

`One small step for a man, one giant leap for mankind.`4

 The United States of America`s North American Space Administration (NASA) astronaut Neil Armstrong may have believed his words, while Hosni Mubarak was the Egyptian President deposed along with Gadaffi, and Ben Ali of Tunisia, during what was known as the `Arab Spring` of dismembering revolutionary Islamic fervor in 2011, which began the move to oust Assad and establish ISIS` male moon worship. The Christian belief in Resurrection for `woman`s seed` isn`t new. In Egypt Isis` restoration of Osiris` penis, after he was dismembered by Set, is a metaphor for humankind`s need for women`s semen in its gene pool. Otherwise the woman atop the man is the man riding his own back in male brained suicide through war in homosexuality in pederasty`s parasitism upon a maled host womb without female brains to save her species from men of the `serpent`s seed` enslaving her to die and be regurgitated in movies celebrating her death in an endless series of repeats based on the availability of the meat without a tin to protect her from the can opener. Consequently, men like the deposed Shah of Iran, who lost his position to an Islamic coup in 1978, despite being bred to be immortal as a god, represent the Middle East`s ancient knowledge of the human gene pool, which Assad`s name `Wahash` signifies, that is, women are animals to men of the `serpent`s seed` bred for war against herself as the degenerate male brained human race of filmed entertainment for homosexual killers in pederasty.

 `Snake` Plissken is worshiped as a heroic father by boys and men, because he represents the serpent of Hollywood Babylon that places devastation at the forefront of human entertainment. Feigning to protect all women by keeping the token woman, Adrienne Barbeau as Maggie in Escape From New York, at the forefront of the `action`, the serpent is growing to full size as the dragon waiting in vain to devour Jesus in his `Second Coming, according to the Bible, to devour the civilization, culture and art the human race of women have been able to produce from their own species` host womb bereft of her own `futanarian` race`s penis` semen and during men`s constant depredations in parasitism and enslaving of her womb for war against herself.

 In the Koran Khidr is impatient with Moses, because he has things to do, and doesn`t want to find time to explain, which is what `futanarian` human women with their own penis` semen require, that is, `djinn` isn`t explanation enough, whereas Moses can`t abide in patience and Khidr doesn`t have patience to abide with him, because men can`t abide women`s sex, and what the narrative hides is what the women of Islam conceal beneath their burkhas. Moses represents Judaeo-Christian law because he was given it by God atop Mt Sinai, while Islam`s Khidr isn`t pedantic but knowledgeable enough to understand that pedantry rules fools, because if a woman hasn`t knowledge of female sex, she doesn`t know why her child is evil, so she`ll be pursued by half-blind pirates, who only have enough vision to use her treasure to build a prison to hide her, which is why Khidr has no patience with Moses` stupidity. Rules are for people to follow who`re like Moses, or they`d be pirates, and the women wouldn`t escape from New York`s Manhattan island, or anywhere else.

 The President is the meat in the tin rescued by `Snake`, after the crash of Air Force One in Escape From New York, while actor Harrison Ford is President James Marshall in the movie Air Force One (1997) and the meat in the tin trying to escape from hijackers. The Al Qaeda terrorists crashing into the Twin Towers on September 11, 2011, were the meat in that tin, which resulted in the film, World Trade Centre (2005), and represents a serious commentary on how meat is canned for consumption by Hollywood, Babylon. It`s traditional in filmmaking to describe a competed film as `canned` and, although the process of canning wasn`t thought to have been a part of the events of 9/11, knowledge of the industry belies that. Depicted as knights in shining armor Hollywood leading men are meat in a tin, which is true of Harrison Ford in the Star Wars (1977-) series of franchised movies, where he has the knightly role of Han Solo as owner of the Millennium Falcon ship that aids the Federation rebellion. Actress Carrie Fisher`s Princess Leia is the token protected female amidst the general devastation that includes the monstrous `Death Star`, constructed by the evil Emperor`s henchman, Darth Vader, to prevent Leia`s rebellion against slavery from being successful. Moon size, the `Death Star` is a prophetic symbol to the Earth of her sun`s future conflict with the male moon symbol of Islam, that is, the Caliphate of the Islamic State of Iraq and Syria (ISIS), as the `Death Star`, is capable of destroying a planet. As `woman`s seed` pearl is the female moon for her `futanarian` foot to ascend by, it`s the pearl in her oyster shell and not the meat, which is why she`s `canned` by movie makers. They want to release her on film, but Escape From New York is what homosexual Hollywood produces, because men of the `serpent`s seed` want to watch heroes like  `Snake`, while the women are kept imprisoned, so the snakes can rescue each other and destroy her species` rebelliousness:

`Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.`5

 The token female is familiar to viewers of the Star Trek television series and movie franchise, which began with Star Trek: The Motion Picture (1979), and featured a young black actress, NIchelle Nicholls, as communications officer, Lieutenant Uhura, who was the meat in the tin that provided the excuse for the series` continuation, because the American Civil War (1861-5) had promised freedom to black slaves liberated from the cotton industry of the Southern United States and a token black female maintained the illusion of liberty for a species not trained in the knowledge of `futanarian` women with their own penis` semen and host wombs as true humans, whatever their race, creed or color.

 The concept of female sex is absent from Star Trek: The Original Series and TOS ended in 1967, but it was too late for production studios to take the brave step of reintroducing `woman`s seed` after the abolition of the `Hays code` in 1967, which had prevented women from raising their `foot` from the floor of the bedroom in Hollywood, Babylon, and although the title of that year`s big screen success, Barefoot In The Park, featuring bedroom intimacy between Robert Redford and Jane Fonda, as Paul and Corie in an apartment overlooking New York`s Central Park, barely acknowledged  human `futanarian` female sex, Hollywood just wasn`t brave enough. The token female of Star Trek: The Motion Picture was 1965`s Miss India, Persis Khambatta as the Enterprise starship navigator, Ilia, who becomes V`Ger, an information gathering machine that had been NASA`s Voyager 6 space probe, before developing consciousness, and which exits into another dimension after taking over Ilia`s bodily form during the Enterprise starship`s investigation.

 The Greek poet Homer`s Ilion is the name for the city of Troy in his Iliad, so Persis Khambatta, 1965`s Miss India, is Star Trek`s Helen of Troy, who was kidnapped by Paris, and taken to Troy, which provoked the Greeks, because Helen was married to Menelaus, the brother of the king of Sparta, Agamemnon, who asked that ships be sent to Troy to bring Helen back to Greece. Persis` Ilia represents the meat in the Enterprise`s tin, who escapes when Captain Willard Decker asks V`Ger if he can unite with his former lover, and the newly created being exits into another dimension. In Homer`s narrative the Greeks hide inside the Trojan horse to capture the city, while Decker asks V`Ger if he can unite with Ilia, that is, Star Trek`s Helen of Troy, who represents Hollywood`s Holy Grail of on screen `futanarian` female sex undepicted as `alien`. Decker has penis` semen, and Ilia has Persis Khambatta`s body, so the pair evolve into a `higher lie form`. It`s the `big lie` that men aren`t parasitical and virally preying upon women`s host wombs to start wars and produce diseases to keep her species ephemeral and prevent humanity from flourishing. Decker has recaptured Helen rather than liberate Ilia, which is what Greek filmmaking is, because the maled brain of the woman doesn`t escape from her parasite.

 That one of the stars on the flag of Syria is for Egypt suggests an older knowledge, and in Egyptian mythology, the star Sirius is significant, as the star of Bethlehem, because it signified Jesus` birth. Whether Jesus` star was Sirius, the concept of a greater light from a sun behind Earth`s is familiar from Egypt, although Christians know it as the Paraclete or Holy Spirit, while to pop star, Madonna, it was  Christ`s `Ray Of Light` (1998), emergent every 2000 years when the alignment and proximity permits of no impediment to the influence of Sirius upon the Earth:

`Faster than the speeding light she's flying; trying to remember where it all began, she's got herself a little piece of heaven: waiting for the time when Earth shall be as one.`6

 The ancient Egyptian belief was that Sirius` light was real, while the light of the sun produced illusion. Consequently, Jesus` teaching that the Holy Spirit would teach through others, after his Resurrection and Ascension to heaven, referred to the star behind the sun, that is, Sirius, which made things concrete through the human mind`s acceptance of its influence. Developmental psychologist Carl Jung described the phenomenon in his work on the archetypes of the collective unconscious. A single monad or star, corresponding to the unknowable, because ever developing and unconscious `Self`,7 of the human individual, prompted in dreams, art and the imagination to impel progress beyond Earth`s restriction.  The greater reality is female sex, but the intelligent `seed` from the mind of woman is absent from the Earth, which explains Jesus` Nativity, as the influence of the star Sirius began to be felt upon the Earth, making real the Resurrection of `woman`s seed` uncontaminated by male semen. Consequently, `Syria` means `sun bright`, while the other star of the Syrian national flag is Egypt`s, because of the `dog star`, Sirius, which brightens the Earth`s star during its periodic influence.

 In Christianity the Paraclete makes real the Resurrection, symbolized in ancient Egypt by Isis` sending dogs about the Earth to find the pieces of Osiris` body dismembered by Set, before she gives Osiris her own penis` `seed`, which is symbolic of humanity`s rememberment. Consequently, Sirius is the `dog star` because,  as Jesus` `seed` is from the Virgin Mary, his mother, to underscore his birth uncontaminate by men`s `seed`, so Osiris` human body is remembered by Sirius` `dogs` impelled by the Holy Spirit. Because men are fertilizer upon the Earth, and not worthy of Sirius` consideration, unless they accept Redemption through conversion from evil, which requires the abjuration of parasitical host womb slavery in ephemerality and war against women`s human race, Syria isn`t a dog and the ISIS` Caliphate of Abu Bakr Al Baghdadi isn`t Isis` sun, but the biblical prophecy of Jesus born from the woman `clothed with the sun and with the moon at her feet`, to `rule the nations with an iron scepter`, represents ISIS` defeat and Isis` triumph, because Islam believes the stars are greater than the moon:

`By the star when it descends, your companion has not strayed, nor errs, nor speaks from inclination.`8

 The `companion` is the Paraclete, which Jesus told his disciples would teach through others after him. Although Islamic tradition is that the angels dictated the Koran to the Prophet Mohamed, who is the `companion`, and the `sun bright` Earth and Resurrection, represented by Syria and Egypt, denote the acceptance of the Paraclete`s influence, the terrorist drama that is Caliph Abu Bakr Al Baghdadi`s Islamic State of Iraq and Syria (ISIS) represents the male moon`s negation of Isis` sun and the Earth of `woman`s seed` despite the influence of Sirius` Paraclete behind her desire for Resurrection. Although the star of Syria is the Earth`s and the star of Egypt is Sirius, rulers want Resurrection for themselves, which is why Syria means `sun bright` and the stars on its national flag are the sun star and the star of Egypt, that is, Sirius, which represents Resurrection, through the influence of the Paraclete, for `woman`s seed`, whereas male rulers, like the ancient Pharaohs of Egypt, want reincarnation, because humans aren`t men, they`re `woman`s seed`. Consequently, the technology of the Egyptian Pharaohs is retrogressive, because they didn`t want `Ka` and `Ba` or spirit and soul resurrected after death as the `Akh` or `magical personality` of Egypt`s ancient tradition, because that`s how `futanarian` women are resurrected. In Jungian psychology, the soul or `Ba` corresponds to the anima within men`s bodies sexually desirous of women, because it`s women`s trapped female sexual counterpart, which is free after the death of the man`s body to conjoin in female sex with her own species. In Islam the process is celebrated in the `Haj` pilgrimage to the Ka` Ba temple in Mecca, Saudi Arabia, named for Hajer, an Egyptian woman, who was the handmaiden of Sara, wife of the founder of Judaism through his son, Isaac, and Islam through his son, Ishmael, who built the Ka` Ba for Hajer, his mother:

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 Although God`s words are to Abraham, the male is the female`s shell, while she`s the `pearl of great price` within as the creature sexually desirous of her own female sex, which is why God tells Abraham the descendants of Hajer and Sara will be infinite, because they`re sexual beings consisting of the human soul and spirit of women`s `futanarian` race. The Ka` Ba in Mecca looks like a box, because it`s the meat in the shell of the oyster, that is, the man that contains the `seed` of the woman who`s the `pearl of great price`. She`s `heaven on Earth`, and above if she`s able to sexually reproduce her own brains` powers for technological liberation to free her from the `serpent`s seed` of men`s enslaving of her host womb in parasitism and warfare against her own species` self upon the Earth. Although Star Trek`s Enterprise represents the meat in the shell of the oyster`s pearl, as another Hollywood Ilia is grown for whatever Star Wars` equivalent of Darth Vader`s troopers are devised for her to face, the starship does represent the possibility of pearls without swine:

`… do not throw your pearls to pigs. If you do, they may trample them under their feet, and turn and tear you to pieces.` (Matt: 7. 6)

 The all female Star Trek depends on Hollywood Babylon`s bravery over female sex. Without action men destroying the Earth as a backdrop to their fake protection of the token female pushed into the foreground to hide their real intention as pogromers of the human race, female interactions can be assessed for their advantageousness in terms of humanity`s potential for socio-economic independence from the `serpent`s seed` of her enslavers. Conditioned to copy male behavior, women`s portraits of themselves in the media tend to follow the same pattern as men, but as action heroines, whereas the absence of males from their scenes would afford women no excuse for using the destruction of the Earth as a backdrop to what would then be their own Satanical egoism. Devoid of the framing device afforded by Hollywood Babylon, which allows them to blame men as swine, for rejecting women as pearls from heaven, mothers would have to learn to live for their daughters` future.

Riding Horses Made Of Water

The horse appears throughout the history of warfare as a reluctant carrier of the plague of conflict. At Troy the Trojans allowed the huge wooden horse of the Greeks inside the city walls where the Greeks, whose society was founded upon homosexuality in pederasty, emerged as parasites to enslave the host wombs of the women of Troy and spread their contagion of war further. The symbol of the city was a horse, because the patron deity of the city was the mother goddess, Pallas Athene, while the narrative of the taking of the city by the poet, Homer, the Iliad (c. 760-10 B.C.), not only depicts Greek warfare as a plague, but how the biblical `blood plague` of HIV/AIDS is spread by homosexuals in pederasty `feigning friendship` towards their victims in male braining`s coercive mode. Women as `futanarians` have their own penis` semen for the sexual reproduction of their own brains` powers, so the narrative of Troy depicts how Greek homosexuality in pederasty captured a woman`s city by coercing the men within to accept a `friendship gift` equivalent to a homosexual wooing:

`Beware Greeks bearing gifts.`1

 The Trojan priest, Laocoon, fails to understand how the people can`t see that the Greek horse poses a threat to the integrity of the city. The Greeks are male brained in homosexuality in pederasty and so are able to coerce the men within the walls of the city of Pallas Athene to accept their gift like homosexuals wooing a victim to accept HIV/AIDS. In the computer age that began in the 20<sup>th</sup> century, the `geek` successors to the Greeks devised `bad machine code` known as `Trojan horses` to infect and kill the brains of computers, which is the male brains` aim with regard to women:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 In the Bible God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and the first man, Adam, lived in Eden, where they were tempted by the serpent, Satan, the angel cast out of heaven by God for not wanting humankind to be greater than the heavenly host, `You shall be as gods.` (Gen: 3. 5) Eve and Adam took `the fruit of the tree of the knowledge of good and evil` offered to them by the serpent, Satan, and were expelled from paradise for rejecting the `fruit of the tree of life`, that is, immortality, because they accepted host womb slavery in parasitism and ephemerality for their `futanarian` daughters and the human species born after Eden, killed and culled by men of the `serpent`s seed` in parasitism and homosexuality in pederasty, and warfare against the future host of God`s angelic nature. Without female brains produced from `futanarian` women`s semen and host wombs, male brains coerce the male brained. Consequently, the collective male brain of the Greeks was able to coerce the men of Troy to surrender their city. Babylon was a city in Iraq (c. 4000 B.C.), and the Bible describes her as `a woman`, for the same reason that Troy was Pallas Athene`s city, because Babylon represents male braining in host womb parasitism and warfare against the human host by men of the `serpent`s seed`:

`At that moment there came a roaring and a rushing: a noise of loud waters rolling many stones. Dimly Frodo saw the river below him rise, and down along its course there came a plumed cavalry of waves. White flames seemed to Frodo to flicker on their crests and he half fancied that he saw amid the water white riders upon white horses with frothing manes. The three Riders that were still in the midst of the Ford were overwhelmed: they disappeared, buried suddenly under angry foam. Those that were behind drew back in dismay.`2

 Some commentators argue that Homer`s Greek campaign against Troy was fiction. Britain`s fantasy writer J. R. R. Tolkien in his The Lord Of The Rings (1953-4) depicted horses made of water with riders, because books about men`s preoccupations are elision. All of the fictional activity is horses made of water with riders, because the battle of women for female sex is excluded from the picture. In the 21<sup>st</sup> century film of Tolkien`s trilogy, The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003), actress Liv Tyler with the role of the 2700 year old elf woman, Arwen `Evenstar` of the forest of Rivendell, and actress Cate Blanchett, as Galadriel, Arwen`s grandmother and the elf woman of the forest of Lothlórien, are the female sex at the heart of director Peter Jackson`s film treatment, which brings home to wiser cinema audiences the elision. Battles are fought but the women are the female sex unfought for by the women.

 Liv and Cate aren`t able to portray the socio-economic conflict in interest that the battle for female sex represents, because Hollywood Babylon reinforces narrative conventions against `woman`s seed`, despite Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, fulfilling the biblical prophecies of the Old Testament of the Redeemer. Mary represents the `futanarian` human woman capable of sexually reproducing her own brains` powers for technological progress and escape from men`s enslaving of her host womb in homosexuality in pederasty and parasitism for male braining and war. But Hollywood Babylon`s establishing of the `Hays code` (1930-67) made it a convention that women`s `foot` shouldn`t be seen rising from the floor of the bedroom in scenes of intimacy, because of fears amongst the `serpent`s seed` in the Babylon of the West that God`s words to Eve would be fulfilled, that is, she will:

 `…crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 Consequently, `woman`s seed` shouldn`t be seen to have the capacity to sexually reproduce her own brains` powers through her own penis` semen and host womb. Although Tolkien`s The Lord Of The Rings is the tale of how the men of the West defeated the `paper tiger`, Sauron, in the land of Mordor, before the marriage of Arwen and Aragorn, heir to the West, the elision obtains, that is, Tolkien`s `ring war` is the myth of women`s acceptance of her parasite, rather than the truth, which is that women`s battle for their own female sex is elided by men`s battle to enslave her womb and keep their parasitism a secret from generations of daughters untaught that their sex is forbidden because it`s a threat to male braining in parasitism and warfare against her hosts:

`With his last failing senses Frodo heard cries, and it seemed to him that he saw, beyond the Riders that hesitated on the shore, a shining figure of white light; and behind it ran small shadowy forms waving flames, that flared red in the grey mist that was falling over the world.`

 Frodo is the heir of Bilbo Baggins who by chance recovers the lost ring of Sauron in Tolkien`s The Hobbit prequel to The Lord Of The Rings and which Frodo and his companions are asked to take to Mt Doom and unmake in the mouth of the volcano so that the power of the Dark Lord is broken. Living in Hobbiton, where the doors are round, Bilbo is rabbit-like, that is, he`s Bilbo, the rabbit from `rabbit on`, where the verb `to rabbit` means talkative, because Tolkien`s tale is riding horses made of water, that is, an elision in which female sex is excluded from the fantasy, because it`d interfere with the simplicity of the aim of the action depicted, which is to spread the contagion of war further. Frodo is a rabbit, because he`s half a man, that is, a `halfling`. As the `serpent`s seed` will have `perpetual enmity` with Eve`s `seed`, according to God in the Bible, so male children have to be educated in warring against her `seed`.

 Jesus was nailed to a cross of wood by agents of the Roman Empire in occupied Palestine and tortured to death for dissidency before his Resurrection and Ascension to heaven as a prefiguration of the `futanarian` ascent of `woman`s seed` through the sexual reproduction of her own brains` powers from her own penis` semen and host wombs. Just as Jesus emerges from his entombment in Resurrection, so Frodo emerges from the round door of his `hole` as Tolkien`s `rabbit` in the tradition of the female English novelist, Beatrix Potter, who wrote Peter Rabbit (1902) about a rabbit told to avoid Mr McGregor, whose wife Mrs McGregor had put his father `in a pie`. Encountering McGregor, Peter wriggles out of his coat to escape, `Stop thief!` Tolkien`s Peter is Frodo, whose task is to break the ring of woman`s slavery, and so Frodo will remain a `halfling`, but he will escape marriage, as his own doom is to be unwed, although `futanarian` women will have Resurrection and escape in Ascension to heaven if he unmakes the ring of the Dark Lord of slavery in Mt Doom`s volcanic fires:

`The black horses were filled with madness, and leaping forward in terror they bore their riders into the rushing flood. Their piercing cries were drowned in the roaring of the river as it carried them away. Then Frodo felt himself falling, and the roaring and confusion seemed to rise and engulf him together with his enemies. He heard and saw no more.`

 Frodo`s role as a `halfling` represents the `half fling` or `affair` of `woman`s seed` with men, while Jesus` role as `woman`s seed` born uncontaminated by male semen represents the human species` ending of the `affair`, and so Bilbo, Frodo and the other `halflings`, who`re a part of the `fellowship of the ring`  on their way to destroy the enslavers` power, are half the size of men and aren`t men but humans, because warfare is riding horses made of water to preserve the elision that keeps women focused on men`s battles against her human hosts, rather than women`s own battle for female sex. The archetype of female sex is the `bunny girl` of Playboy (1953-) magazine fame in which the women `play boy` because `boys` are what they are. Archetypes were popularized by psychologist, Carl Gustav Jung (1875-1961), who explained that the human psyche contained images and characters that spoke, literally or metaphorically, in dreams art and the imaginations of humans, to impel development and progress. Archetypes were the engines of civilization, culture and art, which men`s depredations prevented women from successfully realizing through her host wombs efforts in enslavement and parasitism as the `serpent`s seed` wars against her race`s efforts to escape through technology her imprisonment upon the Earth to reach the planets amongst the stars of God`s heaven. Consequently, Playboy `bunnies` are the archetype of `futanarian` human women with their own penis` semen and host wombs who sexually reproduce their own brains` powers for liberation, which the Playboy image can`t depict for the same narrative convention that governs Hollywood Babylon, and every other kind of publishing and media format.

 Swiss Carl Jung was a disciple of Sigmund Freud`s (1856-1939) Vienna school of psychoanalysis, which argued that women were victims of `penis envy`, whereas they were unconsciously angered by men having killed and culled their own `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to create labor saving devices to free their minds for developing liberating technologies that would give them absolute freedom. Psychoanalysts were called `alienists` and `lesbianism` was clinically diagnosed as a `mental aberration` discouraging women seeing themselves in the mirror from finding their own species` path alluring. The result was schizophrenic rejection of their own bodies and other women`s in acceptance of male parasitism upon their host wombs. Perceived as `alien` by the `alienists`, women`s fate was to be depicted transposed as aliens in science fiction and fantasy, that is, wherever there were aliens in fiction, women were discoverable concealed beneath men`s description of their own desire to attack her upon the Earth. In Tolkien Frodo in The Return Of The King has to travel beneath mountains to reach Mt Doom and he encounters Shelob, a giant female spider, who he wounds before continuing. Shelob represents Freud`s `id` as the repressed female unconscious archetype of the `Self` which contains her natural hatred for men who`ve stolen her penis` semen and brains by inveigling themselves into her host wombs to practice parasitism and war upon her Earth against her human host:

'Galadriel!' he called, and gathering his courage he lifted up the Phial once more. The eyes halted. For a moment their regard relaxed, as if some hint of doubt troubled them. Then Frodo's heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right hand drew his sword. Sting flashed out, and the sharp elven-blade sparkled in the silver light, but at its edges a blue fire flicked. Then holding the star aloft and the bright sword advanced, Frodo, hobbit of the Shire, walked steadily down to meet the eyes.`

 Galadriel is the Lady of the Golden Wood, Lothlórien, who Bilbo encounters after his sojourn in a wood attacked by giant spiders in The Hobbit (1937) prequel to The Lord Of The Rings because the spiders are the `id` of the elven women. Shelob is `Her Ladyship` reached by means of `the pass of the spider`, that is, Cirith Ungol, as Galdriel was reached after Bilbo`s defeat of the spiders in the forest of Mirkwood. The light Frodo has is a gift from Galadriel, because it`s for shedding illumination upon women`s `id`, that is, bringing forth knowledge from what Jung prefers to call the subconscious shadow of human consciousness:

`Somehow the killing of a giant spider, all alone by himself in the dark without the help of a wizard or the dwarves or anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach as he wiped his sword on the grass and put it back into its sheath.`4

 The technical term for a condom is a `sheath`, which has been recommended by medical professionals, as a means to stop women contracting HIV/AIDS in casual or violent sexual encounters with men. Bilbo`s encounter with the spiders of Mirkwood, preceding his meeting with the `Lady of the Golden Wood`, Galadriel of Lothlórien, and Frodo`s wounding of Shelob beneath Cirith Ungol, aided by the `light of Galadriel`, is a sexual assessment by the women of the elves as to their liking for beauty. If humans are `futanarian` then females with their own penis` semen and host wombs are all that humanity is. Consequently, the hero must reject the monstrous apparition even if the spider creature is Galadriel herself, because desirefulness derives from appearance. In the New Testament of the Bible, Jesus is the hero, because he`s `woman`s seed`, and his celibate desire is for God, which means he doesn`t want what`s less than himself and he`s `futanarian` by birth. Shelob represents the HIV/AIDS men have created, because they didn`t want `futanarian` humans, and preferred each other in homosexuality in pederasty and warfare. Mixing blood, shit and semen in each others` anuses, homosexuals spread the late 20^th century incurable `killer disease` as a form of `biological warfare` against the host wombs of women already enslaved in parasitism. Consequently, Bilbo`s and Frodo`s encounter with spiders represents the `id` of men who don`t want `futanarian` women`s `seed`, so when Frodo sees Shelob he calls `Galadriel!` As he`s only a `half fling`, Bilbo won`t inevitably wed the elven woman, but he represents the human seeking an end to slave rings for women, so Shelob is but wounded on Frodo`s way to removing men`s `id` from his human consciousness, because Galadriel is her more desirable self.

 Emerging from his burrow in Hobbiton, Frodo`s the hobbit equivalent of the disciple of the Jewish rabbi Jesus, because he seeks decontamination through manumission. During Jesus` life in Palestine the Roman Empire encountered resistance to slavery. Jesus was crucified for teaching his disciples as host at the `Last Supper` where he gave `bread and wine` in token of his `body and blood`. Judas` betrayal of Jesus as a dissident `woman`s seed` resistant to the Empire of the male brain of Rome was treachery against the `futanarian` human host womb, that is, women`s own penis` semen for the sexual reproduction of her own brains` powers to liberate uncontaminated by male semen. The escape of Beatrix Potter`s Peter Rabbit from Mr McGregor is analogous to the disciple Peter`s. He denied knowing Jesus and became head of the church of Rome, which replaced Empire. Consequently, Frodo`s emergence from his burrow to break the Dark Lord`s ring of slavery in J, R. R. Tolkien`s The Lord Of The Rings places him in the great tradition as the direct literary descendant of Peter Rabbit:

`Mr McGregor was after him in no time, and tried to put his foot upon Peter …`5

 The superstitious belief that a `rabbit`s foot` is `lucky` is pertinent here, because `he shall crush your head, and you shall bruise his heel,` (Gen: 3. 15) is what God tells Eve will happen with the `serpent`s seed` after Eden, when men kill will cull the `futanarian` human species of `woman`s seed` with their own penis` semen and host wombs to prevent them from sexually reproducing their own brains` powers for freedom. Consequently, Mrs Rabbit, Peter`s mother, is the talisman of the `lucky rabbit`s foot` for Beatrix Potter`s readership, because she represents `futanarian` woman and not the oppressive heel of McGregor, which Peter neither wants to crush him, or want that he should become an oppressor of his mother and his siblings, or other of his relatives, friends and acquaintances. Although Mrs Rabbit isn`t an obvious defender of her sex, she`s in the Playboy tradition, which is that boys have to be played like a game, because they`re potentially the exterminators of women`s `futanarian` humanity. Playboy `bunny girls` wear rabbit costumes to remind them of their endangered species, which is reemphasized when they appear nude in Playboy magazine without penis of their own, because men have effectively eaten them like carrots in order to starve the female population to death.

 Death through sex starvation is a male principle. The National Socialist Party (Nazis) of Germany pogromed the Jewish `chosen people` of the Bible during World War II (1939-45), because the Jewish tradition was that Jews were born from women, that is, the `chosen people` were women, which threatens male perceptions of themselves as dominant when women have penis` semen of their own as `futanarian` humans. The Nazi `concentration camps` at Belsen, Dachau, and Auschwitz in Poland, for example, defined women as animals, and so all children of females were too. Although the Nazis were in fact the animals, and so Hitler was the biggest animal and most powerful male, the most powerful animal would always be the biggest male, which is what homosexuality is; the extinction of the female by definition.

 In the United States of America after 1492, when the exploration vessels of queen Isabella of Spain had discovered the `New World`, the government paid buffalo hunters to kill all of the buffalo to starve the North American Plains` Indians to death for the same reason the Nazis starved 6, 000, 000 Jews to death in `concentration camps` at Belsen and everywhere before burning the unwanted corpses in ovens. Before the hunters began killing the buffalo in North America, there were millions, and afterwards a handful. The women were being forced to concentrate on the male penis. Although Playboy seems libertarian, the absence of the woman`s penis from the magazine is sex starvation, which is what men practice against female sex. The perception that the strongest male has many women denies the socio-historical circumstance that his predecessors have devoured her penis like chain smokers, which is why cigarettes are `cancer sticks` and `coffin nails`, because that`s what they are for women consumed and boxed.

 The boxing metaphor is appropriate because the aim of the game is to keep men away to avoid extermination. Although boxing as a sport is known as the `fight game`, boxers aren`t fighters. The aim is to keep the opponent at bay while success is achieved by making contact with the heavily padded gloves on the other boxer`s body as many times as possible in order to have a higher points total and win the bout. Consequently, J. R. R. Tolkien was a `futanarian` like Jesus, that is, a Christian, because he didn`t want women to have Sauron`s ring of slavery. Boxing instructs women how to avoid the ring, because they shouldn`t want to be consumed or boxed. In Russia `smoking` is a euphemism for fellatio, while murder is `smoking` in the United States of America, so women are categorized as `cancer stick` cigarettes to be consumed, or boxed `coffin nails`.  To avoid consumption and the coffin, as Christina Aguilera shows in her 2002 promotional videos for the songs, `Fighter`, in which she depicts a woman being nailed down as a `coffin spider`,6 and `Dirrty`, where Christina`s a boxer `fighting dirty`, women have to learn Tolkien`s `ring craft`, which is what Playboy represents. Although the `big lie` can work both ways, men`s lie is women don`t have penis` semen and host wombs of their own, whereas women`s fiction is that their penis is `hidden`.

 In Moslem nations women wear the one-piece coverall of the burkha in public so that only their eyes are visible. In accordance with the precepts set out in the Koran (610-30 C.E.), dictated to the Prophet Mohamed by angels, marriages in Islam are permitted four wives, which affords the possibility of sexual reproduction between women, whereas Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, makes him `futanarian`, and is a story that also appears in the Koran as Isa and Miriam. Consequently, Islam and the Judaeo-Christian tradition are an ordered religious unity from a woman`s perspective. However, women must learn `ring craft` if they`re to live as a potentially socio-economically independent part of humanity, which is what boxing teaches.

 The battle at the Ford of Bruinen occurs at the very end of The Fellowship Of The Ring, which is the first of J. R. R. Tolkien`s The Lord of The Rings trilogy. It`s the beginning of the campaign to defeat Sauron`s witch king of Angmar, the `Lord of the Nine`, who`re the `fallen kings of men` that ride hideous wingéd steeds as `Nazgûl`. On October 20, 3018, their appearance at the river as `black riders` hinders Frodo`s progress, although he goes on to meet Galadriel in Lothlórien and receive the phial of elvish light to assist him at Cirith Ungol, that is, `the pass of the spider`, against Shelob, before he unmakes the ring of Sauron`s slavery in the volcano mouth atop Mt Doom. The Dark Lord`s fortress, Barad-Dûr, made by the magic ring, collapses, but although that`s the culmination of the action in the third part of Tolkien`s trilogy, The Return Of The King, the myth was complete at the Ford of Bruinen where Tolkien introduced riders on horses made of water, because female sex is absent from the story, that is, the women should be fighting for their own sex and species but, riding on horses made of water, the male illusion is that females are being fought for. Consequently, the action narrative is an elision in which men ride horses made of water, because the `futanarian` human species of women can sexually reproduce without men of the `serpent`s seed` and so the `warhorse`, symbolized in The Lord Of The Rings as Nazgûl, after Nazism, is a delusion perpetrated by homosexuality in pederasty`s enslavement of the host wombs of women to pogrom the civilization, culture and art she`s able to produce despite men`s depredations against her race:

`But no living man am I! You look upon a woman. Éowyn I am, Éomund`s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.`7

  There`s a prophecy that the witch king of Angmar can`t be killed by men, and Éowyn is the niece of Théoden, king of the `horse lords` of Rohan, while the seat of his neighbor, Denethor of Gondor, is the city of Minas Tirith, besieged by Angmar before the ring of power is unmade. After Angmar`s forces breach the gate of the city, the witch king becomes the first enemy ever to stand within Minas Tirith, but the allies of Gondor arrive, the Rohirrim `horse lords` of Rohan, and the battle of the Pelennor fields occurs in which Éowyn wearing armor kills Angmar. Although the fictional convention requires her to defy Angmar`s attack upon the spirit of her father Éomund, who was slain by Sauron`s orcs, it isn`t a battle for female sex and so the Rohirrim are metaphorically riding on horses made of water because it`s an illusion designed to foster the delusion that men`s wars are anything but a means of eliding women`s realization of the truth that they`re ring slaves:

`But suddenly he too stumbled forward with a cry of bitter pain, and his stroke went wide, driving into the ground. Merry's sword had stabbed him from behind, shearing through the black mantle, and passing up beneath the hauberk had pierced the sinew behind his mighty knee.`

 Meriadoc Brandybuck was the hobbit amongst the fellowship travelling with the horse lords of Rohan to save the men of Gondor at Minas Tirith in the battle of the Pelennor fields at the behest of king Théoden whose niece, Éowyn, slays Angmar after `Merry` has crippled him. The scene is biblical insofar as God told Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Merry is a `half fling`, like Frodo is with Galadriel, because Merry`s heart is Jesus` `seed`, that is, he`s not a man, and neither is Éowyn, but they stand muster with humanity, and so Frodo`s test at `the pass of the spider`s stair` is recognition, `Galadriel!` The spider Shelob is `Her Ladyship` to the orcs of Sauron that were bred from captured elves as the evil slaves of the Dark Lord, while the elven woman is `The Lady of the Golden Wood` who gives Frodo the phial of light which he uses to blind Shelob with its brightness while he wounds her eyes with his sword, crying `Galadriel!` Shelob is the aspect of Galadriel `hidden` and repressed as the `id` of Freudian psychology that contains something so monstrous no one can stand against it without feeling fear. The crippling knowledge that `woman`s seed` has been killed and culled by men of the `serpent`s seed` to prevent her human race from rising to the planets and stars is what lies behind all men like the witch king, Angmar, because Merry and Éowyn are Jesus` `seed`:

`Do not pursue him! He will not return to these lands. Far off yet is his doom, and not by the hand of man will he fall.`8

 Angmar had been defeated once before by Eärnil II of Gondor with help from the elves of Rivendell, amongst whom was Glorifindel, who prophesied the witch king wouldn`t die by any other than human hand. Although Jesus was born from his mother, the Virgin Mary, and was human, he wasn`t contaminated by male semen. In The Lord Of The Rings Tolkien depicts Merry and Éowyn`s humanity, but neither of them are men, whereas the meaning of Jesus` birth is that Merry and Éowyn don`t have to be men to be human. Moreover, men have killed and culled `woman`s seed` to prevent her from thinking with her own brains, which are human but not men`s. Consequently, female sex is human, although humans can be born without women`s semen, because Jesus was, although his birth prefigures the Resurrection of `woman`s seed`.

 Angmar is crippled from the beginning of his history because Tolkien can`t reveal the truth of women`s `futanarian` nature in the narrative because of fictional conventions. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), Oedipus is blind metaphorically from the start, but literally by the close of the drama. He kills his father unwittingly and marries his mother unknowingly, before blinding himself after learning he`s broken the society`s incest taboo. Jesus` precept aimed at women with daughters who`re `futanarian` is, `Love your neighbor as you love yourself.` (Matt: 22. 39) Jesus` argued that his precept was the whole of God`s law distilled, because men`s incest taboo isn`t directed at sons, it`s directed at daughters, who`d resolve their desire to sexually reproduce by turning to the nearest available female neighbor apart from their mother. Jocasta`s daughter, Antigone, agrees to guide her father, Oedipus, after he`s blinded himself, because she`s blind too. Oedipus doesn`t reveal the meaning of the drama, which is that there aren`t any `futanarian` women, because men have killed and culled them before establishing the incest taboo to prevent women`s daughters from escaping their blindness and sexually reproducing with each other. Daughters perceive they`re children of their fathers, whereas they`re daughters of the penis` semen of their mothers stolen by her parasites. The incest taboo of men`s exists to prevent women`s daughters from realizing that their mothers aren`t incestuously inclined. For a daughter, the rest of the women are hers, because it`s her mother`s race. The parasites that are men will inhabit whatever host womb is available, which is why the incest taboo exists.

 The `pass of the spider` at Cirith Ungol, where Shelob lies waiting for Frodo, represents women`s repressed `futanarian` eight-limbed female sex. As Oedipus is blind, so Angmar is crippled, because he can`t repent from a sin he knows nothing of, but which has crippled his humanity. Although Tolkien has prepared Angmar as a victim, the writer can`t escape the literary conventions of fiction and fantasy so he has to resort to symbolism and metaphor. Angmar`s crippled because Tolkien hasn`t explained that Shelob`s `woman`s seed` repressed and subjugated by men of the `serpent`s seed`, which might have made a difference to Angmar`s development as a person. Consequently, Angmar`s a victim chosen by Tolkien to illustrate his thesis, but the powerful `hidden` message of the novel is also absent from the 21^st century screen version, because of Hollywood Babylon cinema conventions, and so the story simply prepares the path for more cripples and victims to travel blithely along the road to Mt Doom and hurl themselves into the mouth of war`s volcano.

1 Virgil The Aeneid, Bk II, 19 B.C.

2 Tolkien, J. R. R. The Lord Of The Rings, The Fellowship Of The Ring, `Flight To The Ford`, Bk I, Ch. XII, George Allen & Unwin, 1953-4.

3 Tolkien, J. R. R. The Lord Of The Rings, The Two Towers, `Shelob`s Lair`, Bk IV, Ch. IX, George Allen & Unwin, 1953-4.

4 Tolkien, J. R. R. The Hobbit, `Flies and Spiders`, Ch. VIII, George Allen & Unwin, 1937, p. 155.

6 The footfall of the `coffin spider` is so heavy as to be audible, which could be why Christina Aguilera chose the theme for the heaviest track on her 2002 album, Stripped. The colony of spiders at Islesboro, Maine, USA, is centered upon the church, while the local name for the creature, `Hearse House`,  derives from its originally being found in hearses where carriages were housed. Although women aren`t vampires, the stake they have in their future is severely curtailed by the transposition of their own penis into the stake that men have in their hearts.

5 Potter, Beatrix The Tale Of Peter Rabbit, Frederick Warne & Co., 1902, p. 47.

7 Tolkien, J. R. R. The Lord Of The Rings, The Return Of The King, `The Battle Of The Pelennor Fields`, Bk V, Ch. VI, George Allen & Unwin, 1953-4.

8 Tolkien, J. R. R. The Lord Of The Rings, Appendix A, l, iv, 1953-4.

Christian Convenience

Decorating one`s tree this Christmas, many will be without any knowledge or understanding of the meaning of their seasonal activity, which is to celebrate the birth of Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen. The Bible is the book for millions of uneducated people, who go to their local church to listen to the `Word of God`, delivered from the holy texts by their pastor from the Old Testament, which purports to describe the early history of mankind upon the Earth`s surface as well as the traditions of the Jews in monotheism after their exodus from slavery in Egypt, before they settled in Canaan after war with the Canaanites, and from the New Testament that describes the events of the life and teaching of Jesus uncontaminate. The star upon the Christmas tree represents the one described in the New Testament of the Bible as appearing above the stable in Bethlehem where Jesus was born of his mother, the Virgin Mary, as she and her husband, Joseph, were on their way to fulfil a census requirement by the Roman Empire`s administrators in Jewish Palestine.

 In the first book of the Old Testament, Genesis, God tells Eve her `seed` `… will crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Commentators agree that Jesus is the `seed` that will crush the serpent`s head, and his death by torture, when the Romans nailed him to a wooden cross, followed by his Resurrection and Ascension to heaven, is interpreted as the crushing of the head of the serpent as Eve`s `seed` leaves. The biblical tradition is that the serpent was the angel, Satan, who didn`t want humanity in heaven, so God cast Satan to the Earth, and he became the serpent in the paradise of Eden where Eve, the first woman, and Adam, the first man, dwelt. The serpent gave Eve and Adam `fruit of the tree of knowledge of good and evil`, saying `You shall be as gods.` (Gen: 3. 15) God cast Eve and Adam out of the paradise of Eden for rejecting the `fruit of the tree of life`, which was immortality, while exhorting Adam to labor, and telling Eve she`d have labor pain, before Redemption through her `seed`: Jesus uncontaminate.

 Eve`s labor pain began after she and Adam were expelled from Eden because men and women born after paradise were `futanarian`, that is, women with penis` semen and host wombs of their own for the sexual reproduction of their own brains` powers to develop the technology that would save their labor and liberate the human race of women from host womb slavery in parasitism to men of the `serpent`s seed`. In male braining men could force their `projections`, that is, the male brained women, into accepting ephemerality, which was why God warned Eve and Adam they shouldn`t eat of the `fruit of the tree of the knowledge of good and evil`, because it`s a metaphor for the enslaving of women`s host wombs that will bring death to humanity, whereas the `fruit of the tree of life` is immortality. Eve and Adam were immortal because memory is important. In the Bible story of Cain and Abel, Cain kills Abel because he`s more able, that is, Abel can cook, and that`s pleasing to God, because it shows signs of developmental functioning, whereas Cain grows fruit, which is less developmental, but hunger makes the gathering of food instinctual, whereas the cooking of food requires memory. Consequently, Abel represents technological development and the memory needed to use technology and develop more, whereas the memories of creatures who`re ephemeral are less effective if they`re uneducated. Women who aren`t educated in their own species` `futanarian` nature don`t know they can sexually reproduce their own brains` powers for technological development, because men of the `serpent`s seed` want them to remain ephemeral and enslaved host wombs in parasitism.

 In the late 20^th century the incurable `killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses in `biological warfare` against the human species, extended homosexuality in pederasty`s virality. Held as a model for Western civilization, Greek society institutionalized homosexuality in pederasty`s enslavement of women`s host wombs to spread their contagion of war further. Before the walls of Troy the Greeks deployed a huge hollow wooden horse, according to the poet Homer`s Iliad (c. 760-10 B.C.), which the Trojans took into Troy as a `friendship gift`, even though their priest, Laocoon, had warned: `Beware Greeks bearing gifts.`1 The Greeks emerged from the inside of the horse to enslave the host wombs of the Trojan women for homosexuality in pederasty and spread their contagion of war further. HIV/AIDS is the latest form of the virus, known as `men`, because it`s a metaphor for how homosexuality in pederasty`s contagion becomes ever more virulent after its enslaving of the host wombs of women.

 By the early 21^st century, the successors to the Greeks, the `geeks`, were devising `bad machine code`, known as `Trojan horses`, to infect computer brains, in acknowledgement of their Greek predecessors, who`d killed the brains and memories of the Trojan women in institutionalized homosexuality in pederasty`s male braining for the acceptance of warfare and the spreading of its contagion through host womb slavery in parasitism. By killing the brains of computers, the `geeks` were emulating the Greek erasure of women`s `futanarian` history of sexual reproduction from their own penis` semen and host wombs for their own brains` powers and technological liberation from womb enslavement by men of the `serpent`s seed`, that is, without recorded history women wouldn`t be educated enough to develop the science of medicine to ensure they lived long enough to recover a `futanarian` history, which is why the `geeks` are endeavoring to infect and kill computer brains.

 In the Bible Jesus is described as near the town of Gadarene, when he encounters a man who says his name is `Legion`, which was the word used by the Romans for their armies grouped as `legions`, and Jesus commanded the demons to leave. The demons left the man and entered the pigs who ran into a river and drowned. Because `Legion` represented the legions of Rome occupying Jesus` Palestine, the pigs` running into the river and drowning is  what men under the command of Rome did, because they fought and died for homosexuality in pederasty`s parasitism. Consequently, the man Jesus met near Gadarene was a pig because he was a man, whereas Jesus uncontaminated born of his mother, the Virgin Mary, was `woman`s seed` and so not possessed by the demons:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 In the Bible Babylon is `a woman`, because enslavement of women`s host wombs in homosexuality in pederasty`s institutionalized warfare against the human species requires a `mother`, which is why Jesus is born from his mother, the Virgin Mary, uncontaminated by male semen. Jesus` mothering of Jesus prefigures the Resurrection of `futanarian` women who can sexually reproduce with their own penis` semen and host wombs independently of men`s slave economics based on the perpetuation of war:

`And I will put enmity between you and the woman, and between your offspring and hers. He will crush your head, and you strike his heel.` (Gen: 3. 14)

 In the First World War (1914-18), following the industrial Revolution, which began in England (1760-1840), Imperial Germany sent soldiers to fight against the Western European allies in Russia, France and Belgium, which resulted in the collapse of capitalism in Russia on October 25, 1917, and the establishment of communism, that is, workers` control of the means of production, because the perception was that capitalists had sent a generation of men to their deaths. The theories of German, Karl Marx (1856-1939), in Das Kapital were applied after the assassination of Tsar Nicholas II of Russia ended Russian involvement in WWII. But it was implicit in the socio-economic theory of workers` independence from capitalism`s warmongering that women`s host wombs were enslaved in homosexuality in pederasty and warfare. Consequently, women were the workers, because civilization, culture and art emerged from their host wombs despite the parasites` depredations. If communism were properly applied, women would have control of the means of production, which is socio-economic independence for the human species from their parasite.

 In capitalism advanced technology means progress for humanity, whereas HIV/AIDS` incurable killer disease spread by men in homosexuality in pederasty, and the `geek` successors to Greek democracy`s virality, that is, computer viruses, are amongst the signs readers of the Bible are told to expect in the last days before God`s judgment of eternal unendurable pain for the evil. Failure to cure HIV/AIDS during the Bosnian war (1990-95), when Christians set up rape camps for the Moslem women to mother a male brained generation when their marriage system of four wives permits of the possibility of sexual reproduction between women, and the Gulf war that began in March 2003 to depose Iraq`s dictator, Saddam Hussein, are signs that the socio-economics of men of the `serpent`s seed` is war, which is evil. Even the cause of the second Gulf war (2003-11) after the first (1990-1) to remove Saddam Hussein`s invading army from Kuwait, was the September 11, 2001, hijacking of `civil` airplanes by Al Qaeda terrorists from Afghanistan, led by Saudi Arabia`s Osama Ben Laden, to crash them into the Twin Towers of the World Trade Centre in New York, as a symbol of men`s preference for `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty and war, because men prefer war to liberating advances in technology, education, and medical science through women, which is why Al Qaeda were the agent provacateurs of homosexuality`s pederasty in warfare:

`A person employed to associate with suspected individuals or groups with the purpose of inciting them to commit acts that will make them liable to punishment.`2

 With Al Qaeda the aim was to waste money and direct Western democracy away from the liberation of women in homosexuality in pederasty`s warmongering socio-economy. Although no one could deny that the Bible of the Judaeo-Christian tradition is useful insofar as it recommends good, and that the Koran (610-30 C.E.) of the Moslems is similar, which contains the Old Testament stories of the Jewish exodus from slavery in Egypt and the New Testament narrative of Jesus` life, it`s about a nomadic desert people living in tents, and much of the narrative is inconsequential or impenetrably uninteresting and irrelevant to those who`re encouraged to imbibe it chapter and verse as spiritual treasure:

`A prophecy against Moab: Ar in Moab is ruined, destroyed in a night! Kir in Moab is ruined, destroyed in a night! Dibon goes up to its temple, to its high places to weep; Moab wails over Nebo and Medeba. Every head is shaved and every beard cut off. In the streets they wear sackcloth; on the roofs and in the public squares they all wail, prostrate with weeping. Heshbon and Elealeh cry out, their voices are heard all the way to Jahaz. Therefore the armed men of Moab cry out, and their hearts are faint.` (Is: 15. 1-5)

 People who believe in the Bible believe Isaiah 15, `A prophecy against Moab`, is relevant to the 21^st century, because the Moabites are a biblical people whose fate will be determined until God`s judgment. However, because God`s judgment is predetermined, the evil will experience eternal unendurable pain, whether Moabites or not; if they`re not good. Consequently, only the Moabites should care, and they`re part of the romance that fighting is good, because `Legion` are the Romans but, as the pigs driven into the river to drown illustrates, that`s what happens to those who believe in the romance of the legions of the Romans, and that`s what happens to the `Legion` of the demoniacally possessed who romance about war in the Bible because it perpetuates that `enmity` God warned Eve would ensue between her `seed` and the `serpent`s seed` after Eden:

`Those who cannot remember the past are condemned to repeat it.`3

 Although George Santayana`s philosophical observation from The Life Of Reason (1905-06) is irrefutable, those who insist on Bible students repeating the text until they`ve learned by rote are programing Christians to repeat the mistakes of the past, which was compounded by National Socialist (Nazi) Germany`s Christian pogroms against the Jews in the Second World War (1939-45) and the Bosnian war (1990-95) when women were imprisoned in `rape camps`. The Jews were the `chosen people` of the Old Testament whose  tradition is that a Jew can only be born of a Jewess, which is essentially a `futanarian` belief in which Jewish women are the `chosen people` fulfilled in Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, because the `chosen` aren`t contaminated by the `serpent`s seed` that produced the Nazi `death camps` for the Jews in Christian Germany. The Bosnian war`s rape camps for male braining was a reestablishing of the pogrom against women`s human `seed`, as `futanarian` Moslem women, with their own penis` semen and host wombs for sexually reproducing their own brains` powers for technological liberation from host womb slavery in parasitism to men`s wars of homosexuality in pederasty, correspond to the `chosen people` of Judaism, because they`re women.

 In Saudi Arabia the Ka` Ba is the temple of Abraham, who was the founder of Judaism through his son, Isaac, and Islam through his son, Ishmael.  Moslems pilgrimage to the Ka` Ba during the annual `Haj` to Mecca, because they share in the Judaeo-Christian tradition and the `Eid Al Adha`, which follows, celebrates the sparing of Isaac, who Abraham was going to make a `blood sacrifice` at God`s behest, but God was testing Abraham`s faith and so spared Isaac. In the Bible Abraham is famous for God`s promising his descendants would be `numberless` as the `grains of sand in the desert`, or `stars in heaven`, while Ka` Ba is interpretable, in Egyptian tradition, as `Ka` or spirit and `Ba` or soul conjoined after death as the `Akh` or `magical personality`, which in `futanarian` terms is understandable as the Resurrection of the `woman`s seed`, because Abraham`s `seed` represents the desire of the woman`s spirit for her own soul.

 Although the slaughter of the Somme, Ypres, Verdun, and other World War I battlefields, as well as the ovens of Belsen and elsewhere in which 6, 000, 000 Jews were consumed during World War II, suggests cannibalism, in fact parasites kill the host, which is why Jesus was the host at the `Last Supper` where he offered `bread and wine` as symbols of his `body and blood`, and Judas betrayed him as a `dissident` to the Roman legion occupying Palestine because Judas was a traitor to the human host. Jesus` journey to Jerusalem, where he was tortured to death upon the wooden cross he was nailed to by the Romans upon the hill of Calvary outside the city, is criticized by biblical commentators, who impugn suicide, as Jesus was warned what would occur.

 In cannibalism captives are cooked in pots, although it`s easier to cook the victim if she`s male brained, because the male brain agrees with itself that it should be cooked. Consequently, because Jesus was `woman`s seed` he was a difficult `pot`, before he was `snookered`, in the parlance of the modern snooker table, where it`s the aim of the player to spear the ball into one of the pockets unless his opponent has made it too difficult to `pot` by the devious means of `snookering`, which places obstacles in the way of success. Jesus` Resurrection and Ascension to heaven after his death made it more difficult for the parasites, although the Bible narrates Jesus` `Second Coming` amid a prophecy he`ll `rule the nations with an iron scepter`, which suggests he`ll be a much more difficult `pot` when he returns.

 Repetition is convenient, because it precludes progress. Consequently, although the Bible teaches why evil isn`t good, the repetition of evil events has the same effect as showing the movie, Towering Inferno (1974), and the giant ape`s climb up the Empire State building in New York to be attacked by jet planes in King Kong (1933), which imagery provided the stimulation for the movie, World Trade Centre (2005), where hijacked jets crashed into the Twin Towers of New York, because Arabians emulate what they see. The planes were hijacked at Boston, Logan, and Logan`s Run (1976) was a movie about `runners` pursued by `sandmen`, while the April 15, 2013, bombing of the runners at the Boston Marathon suggests a theme inspired by Middle East satellite and cable channels like MBC, broadcasting films like Towering Inferno, King Kong, Logan`s Run and World Trade Centre to impressionable young Arabians.

 Women have been taught that living is about fighting, whereas it`s about avoiding being eaten by their cannibal, although men are their parasites, but the emotional overtones of the pejorative term `cannibal` makes the `futanarian`, that is, the `food`, sensible to her human species` plight, which is that the `foot` God tells her will `crush the head of the serpent` has been eaten by the parasite, because the term `cannibal` more properly belongs to `woman`s seed`, if she eats herself, and that`s what men of the `serpent`s seed` have taught her. The September 11, 2001, hijack that saw Al Qaeda terrorists crash planes into the Twin Towers of the World Trade Center `live on CNN` illustrated what occurs when men of the `serpent`s seed` male brain the human race, because a single male brain is wearing men and women`s clothes as a transvestite or `TV` killing itself in repetitive dramatizations for the entertainment of itself watching the theme repeated on the `TV` for the `small screen` and on the `big screen` of movie theatres, for example, Night Of The Living Dead (1968, 1990, 2006), which features an accurate depiction of the truth from a radio announcer:

`It has been established that persons who have recently died have been returning to life and committing acts of murder. A widespread investigation of funeral homes, morgues, and hospitals has concluded that the unburied dead have been returning to life and seeking human victims. It's hard for us here to be reporting this to you, but it does seem to be a fact.`4

 The Resurrection parody is what occurs in male braining reincarnation if rebirth is thought of as a legitimate belief system. With reincarnation successive rebirths would result in successive male brainings having something of the effect of a copier running low on toner, that is, the quality of the reproduction would degenerate. Consequently, the Night Of The Living Dead depicts reincarnation, that is, perdition, rather than Resurrection, but the repetition of the theme, as a remake of a film, popularizes reincarnation and perdition rather than Resurrection, which is what Hollywood Babylon`s celebration of male braining in `TV` transvestism popularizes.

 The movie industry began in Hollywood,  California, Los Angeles, in 1910, when director D. W. Griffiths made the film Old California there, and the `Hays code` (1930-67) established the `foot on the floor` room for bedroom scenes in which women were forbidden from raising their foot from the floor during romantic scenes with men, because it was a metaphor for God`s `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for liberation from host womb enslavement in parasitism being kept on the Earth. The `serpent`s seed` of men prevent her from escaping the low level of technological development her lack of memory in ephemerality vouchsafes to the human species they`ve killed and culled into subjugation in order to inveigle themselves into her wombs as parasites devouring the host.

 Although the Robert Redford and Jane Fonda movie, Barefoot In The Park (1967), presented supposedly heterosexual scenes of intimacy, the title of the film belied the absence of the woman`s naked penis in the flat overlooking New York`s Central Park, because men don`t want socio-economic independence for the human species, and so the events of September 11, 2001, were perfectly in accord with the `serpent`s seed` of men`s aim of wasting the Earth`s resources on war to produce another Hollywood, Babylon `blockbuster` movie, World Trade Centre, celebrating `rough trade`5 in homosexuality and pederasty`s `brutality and violence` against the humans.

 Hollywood is a repeat of Babylon from the Bible because repetition is what Christianity teaches as educative, so Babylon was the ancient capital of Iraq (c. 4000 B.C.) and the second Gulf war was an attempt to provoke `Armageddon`, foretold in the Bible as the triumphant defeat of the forces of Satan by Christianity, whereas it wasn`t, which means that repetition of the theme of Babylon, as repeated by Hollywood, made Babylon Hollywood, because it repeats itself as a self-fulfilling profit, although God`s warning is that those who despise Eve`s `seed` won`t have Resurrection, but will have eternal unendurable pain. Consequently, if the United States of America`s film industry continues to prophet by humanity`s doom, its pejorative Middle East title, `Great Satan`, will be legitimized, and its pose as Christianity`s mainstay will have led its citizens to perdition, because it wants to be singularly successful, whereas in the Bible Satan has many `heads`:

`The beast I saw resembled a leopard, but had feet like those of a bear and a mouth like that of a lion. The dragon gave the beast his power and his throne and great authority.` (Rev: 13. 2)

 According to certain biblical commentators, the `leopard` is a symbol of Africa, while the `bear` represents Russia, the `lion` is the British Empire, and the `dragon` is Asia, which isn`t arbitrary, but it is guesswork. The `leopard` could be Arabia, and the `bear` could be the United States of America, while the `lion` is Africa and the `dragon` is Russian and Chinese communism. Acting in accordance with symbolic interpretation of what the Bible means in terms of the significance of animal imagery isn`t recommended, when global politics is the issue, because identification with animal forms isn`t recommended by God:

`You shall have no other gods before me.` (Ex: 20. 3)

 Identifying nationally with animals, for example, the `eagle` as the emblem upon the `seal` of the authority of the President of the United States, is a rejection of God, while the reification of the pejorative terms, `Babylon` and `Great Satan`, were what the `battle of the Somme`, during WWI in which 1, 000, 000 men were killed or wounded, the Christian `rape camps` for the Moslem women in the Bosnian war, and the Gulf wars to remove Babylon`s `studio head` in the Middle East, that is, Iraq`s Hollywood production `mogul`, Saddam Hussein, represented. Because `Babylon` and `Great Satan` are terms for animal husbandry on the part of the `serpent`s seed` of men that wants the `futanarian` human race of women with their own penis` semen and host womb for the sexual reproduction of their own brains` powers to continue as the `Great Whore` of Revelation reproducing warfare for the `big screen` as transvestite `TV` repeated in male braining`s womb enslavement to homosexuality in pederasty`s desire to watch itself suiciding the human species as its sterile nihilist.

 Decorating the tree at Christmas is symbolic of a Christian path for women to Mecca in Saudi Arabia as the culminating goal, rather than Jerusalem and the hill of Calvary, where Jesus was crucified as the `Redeemer`, because he was born uncontaminated by male semen from his mother, the Virgin Mary, in  prefiguration of `futanarian` marriage between women, represented in Islam by the four wived marriage, or `thumbed hand` indicative of `woman`s seed` of humanity`s capacity for development and progress through the sexual reproduction of her own brains` powers . For men, the path of spiritualized Christianity takes them to celibacy amongst `brothers`, and in Saudi Arabia women are `hidden` publically beneath their burkhas, that is, one-piece coveralls, usually black, from which their eyes only can be seen, which means that men are forced to be with each other. The result is that women`s human species` culture, civilization and art is devoured by men in their wars against her, because the Judaeo-Christian and Islamic traditions are for `woman`s seed`, which doesn`t want homosexuality in pederasty, but is murdered for rejecting it.

 Jesus` birth star is atop the Christmas tree traditionally, is a symbol of the `tree of the knowledge of good and evil` transcended, because Jesus isn`t the Anthropos, or anthropoid `original man`, sitting at the top of the tree preventing the other apes from developing, which is what slavers do. Consequently, the children of parents receive gifts at Christmas, symbolic of those given by wise men at the Nativity of the Messiah, that is, gold, frankincense and myrrh, because they aren`t apes but humans. In Judaeo-Christian tradition Satan is the `ape of God`, because the evil emulate or `ape` humans in order to fool the humans into believing that they`re human.

 The HIV/AIDS virus emulates the white leukocyte cell of the body`s immune system in order to be accepted so that it can kill the brain, which is what institutionalized host womb slavery in homosexuality in pederasty produces as that form of `biological warfare` spread by men of the `serpent`s seed` mixing blood, shit and semen in each others` anuses in sterile mockery of human sexual reproduction. Feigning `brotherliness`, the evil `ape` humans before killing the brain, because that`s what homosexuality in pederasty and war is. Consequently, Satan is the `ape of God`, because Satanists pretend to be Christians, which isn`t difficult as `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for the development of labor saving technology and freedom from slavery are identified by anti-Christians, masquerading as believers, as `Satan`. The lie is their truth, because they haven`t pastors to teach the meaning of Jesus` birth uncontaminated by male semen, although the Bible describes HIV/AIDS as the `blood plague` (Rev: 16. 3-4) attending men`s refusal to convert from homosexuality in pederasty and womb slavery in parasitism:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 What they`d done was embrace homosexuality in pederasty and war through institutionalized womb slavery resulting in the `biological warfare` of HIV/AIDS and the killing of humanity`s peripheral computer brain technologies through `geek` viruses based on the HIV/AIDS model and named for the `Trojan horse` the Greek predecessors to the `geeks` left outside the walls of Troy apeing friendship so that the Trojans would take the horse into the city and the Greeks would emerge from within the horse to enslave the host wombs of the Trojan women for homosexuality in pederasty and spread their viral contagion further. Consequently, the `scientific` hypothesis that HIV/AIDS originated with apes is philosophically well founded,6 because men of the `serpent`s seed` in homosexuality in pederasty and war`s contagiousness are the `ape of God` insofar as they fake humanity. Although scientific research doesn`t stress the findings, because of elitist distinctions between the animal and the human, HIV/AIDS comes from apes, and so Charles Darwin`s The Origin Of Species (1859) thesis that men are apes evolutionarily is contestable, because HIV/AIDS is transmittable from apes to men. Washing hands is Christian repetition because children must, although Bible teachers presume Christianity is more difficult than good instruction, whereas the injunction upon the child to be good is all that`s required by God, and cleanliness is good, because HIV/AIDS is transmittable from apes to men. Consequently, the Bible is repeated ad nauseum to congregations of churchgoers by priests who aren`t taught the meaning of the words, and there are no teachers to transmit the truth, because Christianity has cultivated occlusion through impenetrability as its medium for preventing the meaning of Jesus` birth from being readily disseminatable:

`So they put slave masters over them to oppress them with forced labor, and they built Pithom and Rameses as store cities for Pharaoh. But the more they were oppressed, the more they multiplied and spread; so the Egyptians came to dread the Israelites and worked them ruthlessly. They made their lives bitter with harsh labor in brick and mortar and with all kinds of work in the fields; in all their harsh labor the Egyptians worked them ruthlessly.` (Ex: 1. 11-14)

 Although the book of Exodus from the Bible describes the Jews` slavery in Egypt, the description is identical to capitalism, that is, repetition of the description of the economic system used to enslave the Jews in Egypt is a `blueprint` for Christian socio-economy, that is, repeated by Satanists in a learning by rote educational framework, the Bible is a Satanical `kindergarten` in which the children `copy` what they`re taught to repeat verbatim, because emulation of slavery is what Satan, the `ape of God`, wants. Islam derives from Hajar, the Egyptian handmaid of Abraham`s wife, Sara, and Abraham`s concubine, when Ishmael was born of her, before the Koran of the Prophet Mohamed, dictated by the angels of God, according to Islamic tradition, became the basis for Moslem marriages with four wives. The Moslems` pilgrimage to the temple of Abraham, built by Ishmael in Mecca, Saudi Arabia, is `Haj` because of Hajar, that is, the Ka` Ba represents an alternative tradition, because the Jews were enslaved by the Egyptians. Consequently, the argument between Islam and the Judaeo-Christian tradition, which includes communism as that form of political socio-economy against capitalism and for the producer, that is, women, is about slavery.

 Capitalism represents ring slavery in monogamous possession of a host womb productive of `chattels`, that is, children and goods produced thereby, whereas Islam represents the possession of more than one womb by an enslaver, and after the October 25, 1917, Revolution in Russia, communism degenerated into the collective state control of women`s host wombs as the `means of production`, rather than `workers control of the means of production`, where women are the producers. Economic theory is that the workers are worked by the producer to produce, whereas the producer is the woman whose womb and children are worked by the enslaver as `chattels`. Consequently, the human species` workers, produced by the producers (women), are enslaved by her parasites (men), because women (humans) are `futanarian`, that is, the human species` penis` semen and host womb for the sexual reproduction of humanity`s brains` powers for liberation from slavery through technological progress.

 The book of Genesis from the Bible describes how the human race was enslaved by an alien parasite that inveigled itself into the host womb of the species, and killed and culled the human penis of women in slavery, parasitism, and death. Although Adam is represented as a male, Eve`s sexual partner was a `futanarian` human with her own penis` semen and host womb. Eve and Adam`s encounter with the serpent, Satan, depicts humanity`s enslavement by an alien, which has developed a variety of socio-economic and religious lies to implement its pogrom. Although Jesus` birth uncontaminated by male semen, and the four wives permissible in Islam, indicate the path of `woman`s seed`, institutionalized homosexuality in pederasty and war`s enslavement of the `futanarian` human species` `seed` by the `serpent`s seed` promises doom, rather than liberation, from alien enchanters enchaining humans with fine sounding words from the Bible humbly refusing to accept Satan.

1 Virgil The Aeneid, Bk II, 19 B.C.

2 https://dictionary.search.yahoo.com/search;_ylt=A0LEVzdUfz9UypoA98VXNyoA;_ylu=X3oDMTB0bWg1cTU5BHNlYwNzYwRjb2xvA2JmMQR2dGlkA1ZJUDUwMl8x?p=agent%20provocateur&.sep .

3 Santayana, George The Life Of Reason, 1905-06.

4 Radio Announcer, The Night Of The Living Dead, The Walter Reade Organization, 1968.

5 `A person, especially a male prostitute, who engages in or appears likely to engage in [violent, often brutal sex] acts,` https://dictionary.search.yahoo.com/search;_ylt=A0LEV0qGq0BUVeYAVbVXNyoA;_ylu=X3oDMTByaHEyNGMxBHNlYwNzYwRjb2xvA2JmMQR2dGlkA1VJQzFfMQ--?p=rough%20trade&.sep .

6 Lovgren, Stefan `HIV Originated With Monkeys, Not Chimps, Study Finds`, National Geographic News,

June 12, 2003, https://news.nationalgeographic.com/news/2003/06/0612_030612_hivvirusjump.html .

Antigone Doesn`t Have To Marry Jocasta

Sophocles` Oedipus Rex (c. 429 B.C.) is usually given as the basis of Sigmund Freud`s (1856-1939) depth psychology which argues that sons seek to replace their fathers in their mother`s affections if not sexually, but although that might be true it`s largely irrelevant in terms of human psychological development. Freud`s Swiss pupil, Carl Gustav Jung (1875-1961), founded the school of developmental psychology after leaving the `Vienna school`, and he originated the theory of endogamous and exogamous marriage, which argued that endogamy or marriage with a close relative was normal within smaller social groupings like villages, while exogamy was marriage with strangers from nearby cities, for example, and so the incest urge was explicable as the vestiges of an endogamic impulse necessary for procreation within isolated societies. Freudian psychology used Sophocles` Oedipus Rex as the basis for a description of male behavior because Oedipus killed his father unbeknownst to him and married his mother unwittingly, which meant he was metaphorically blind. When he blinded himself, because of the weight of public opprobrium against his marrying his mother, caused by the incest taboo of his society, he was actually blind; because the creators of the incest taboo didn`t want him to see. What the creators of the incest taboo didn`t want Oedipus to see was why they didn`t want him to see, which was that Jocasta was Antigone`s mother, because she was the human daughter produced from the host womb of the species, whereas Oedipus wasn`t.

 In the Bible God tells Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Although the serpent, who is Satan, the angel cast out of heaven to the Earth by God for rejecting humankind and transformed into a loathsome creature crawling upon its belly, offers Eve, the first woman, and Adam, the first man, the `fruit of the tree of good and evil`, which is death, saying `You shall be as gods.` (Gen: 3. 5) Because Eve and Adam were expelled from the paradise of Eden, where they`d lived before rejecting God`s `fruit of the tree of life`, that is, immortality, their children were in danger because bereft of God, who told Eve her `seed` would have `perpetual enmity` with the `serpent`s seed` after Eden. The `serpent`s seed` after Eden were men who were the killers and cullers of the `futanarian` children of Eve, that is her `foot`, who were the women born with their own penis` semen and host wombs for the sexual reproduction of their own species brainpower for liberation from the host womb slavery that the parasites of men of the `serpent`s seed` had killed their sisters to establish. Consequently, God`s warning to Eve was fulfilled that the `fruit of the tree of good and evil` was death. Because Eve`s daughters were able to sexually reproduce with each other, Oedipus and Jocasta represent the Greek aberration. Oedipus` daughter Antigone guides the blind Oedipus after his self-blinding because of his abhorring himself for having broken the incest taboo of his society with his mother, Jocasta, which means that Antigone is blind to the truth. Without penis` semen of her own, she`s a blind man`s slave, because she doesn`t know enough to look for a woman with penis` semen of her own apart from her mother to sexually reproduce her own human species of woman. Consequently, the planned future for women created for them by men of the `serpent`s seed` who have developed the incest taboo to prevent daughters without penis` semen of their own from sexually reproducing with humans of their own race, is as slaves to blind ignorance, which is the meaning of Oedipus` self-blinding. He accepts the importance of other people`s feelings and opinions, which is what Antigone does when she agrees to guide her blind progenitor, although she probably wouldn`t if she knew the truth about her own species, but that`s how the `serpent`s seed` keep women as their slaves in blind ignorance. Consequently, Satan is called `the father of lies`, because those are the lies it tells:

`… in the big lie there is always a certain force of credibility; because the broad masses of a nation are always more easily corrupted in the deeper strata of their emotional nature than consciously or voluntarily; and thus in the primitive simplicity of their minds they more readily fall victims to the big lie than the small lie, since they themselves often tell small lies in little matters but would be ashamed to resort to large-scale falsehoods. It would never come into their heads to fabricate colossal untruths, and they would not believe that others could have the impudence to distort the truth so infamously.`1

  Paradoxically that quote comes from Adolf Hitler`s Mein Kampf (1925), that is My Struggle, and the leader of the German National Socialist Party (Nazis) was condemning European Jews for undermining the strength of Germany during World War I (1914-18) when the Germans were seeking to dominate Europe and the globe through Empire, while Hitler`s reign as Chancellor ended with the Nazis defeat in World War II (1939-45), which at its height saw ovens being built at `concentration camps` at Belsen and elsewhere to burn the bodies of the Jews that`d been imprisoned there. Although Carl Jung explained Nazism as the collective shadow of the collective consciousness emerging from the collective unconscious inspired by a charismatic male, the notion of the leader of the `primal horde` amongst apes more properly belongs to the school of depth psychology founded by Sigmund Freud, who saw Oedipus` desire for the mother as a part of human male psychology deriving from animal behavior in which challenges to the leader of a group occur as younger males seek to replace the leader. Freud`s psychological theories were gleaned from naturalist Charles Darwin`s studies of ape behaviour in On The Origin Of Species (1859), so the manifestation of the collective shadow in Nazism as an instrument of Hitler`s will is understandable as the desire of the male to remain unreplaced. Jews are God`s `chosen people` of the Bible, and it is their law that a Jew can`t be born unless from a woman, which means that women are Jews. Consequently, Judaism is a description of `futanarian` women`s Resurrection from death as the `foot` God told Eve will,  `… crush the head of the serpent as she leaves.` (Gen: 3. 15) When the Jew, Jesus, was crucified as a dissident by Romans nailing him to a cross of wood and torturing him to death during their Empire`s occupation of Palestine, he had Resurrection and Ascension to heaven, because he was born uncontaminated by male semen from his mother, the Virgin Mary, as `the first of woman`s seed`, that is, he prefigured the Resurrection of `futanarian` woman who`d `crush the head of the serpent`, Satan, and leave Earth through the technologies developed from her own brains` powers born from her own sexual reproduction with her own penis` semen and host wombs.

 Although Alfred Adler`s (1870-1937) theory of the `inferiority complex`, as the desire to improve oneself to be out of the reach of the primal horde, rivaled the schools of Freud and Jung, that `will to power` concept, as defining all human activity, meant self-development in terms of materialism, rather than what Jung termed `individuation`, which was development of the totality of the largely unknowable because unconscious `Self` and approaching to a knowledge of God that Jesus evinced in his power to heal. Near the town of Gadarene (Mk: 5. 13), Jesus cast demons out of a man and the demons went into pigs who were driven into a river and drowned because that`s what demons do. However, because women have been killed and culled by men since they began to be born, theirs is a spirit that refuses to die. Because pigs resemble nanos, which in turn resemble carpet mites, the nanotechnology of `Silicon Valley` in California is analogous to the carpet mite technology of Islam`s `magic carpets` upon which women pray to the spirit of their own nanos for the Resurrection of their species. `Silicon Valley` is famous for its microchip industries, which permit of microminiaturized technology, and nanos look like carpet mice or pigs, so the robots that work on the silicon chips to ensure their functioning are the mites on the carpets of nanotechnology that make it fly. Because nanos is a spirit of the Earth, it`s a driver of human software, as well as nature`s theme, and so works as a model for machine software drivers. Because pigs are `haraam` or forbidden in Islam and Judaism as `unclean animals`, as well as depicted as demon possession in Jesus` encounter with a man near the town of Gadarene, they correspond to the spirit of the male collective shadow that pogromed the Jews at Belsen and elsewhere, whereas women`s nanos is the true driver of the human species and corresponds to the `Self` of Jungian psychology. The flying carpet of Arabian folklore, in collections of tales like that of the son of the Sultan, in the 8<sup>th</sup> century 1001 Nights, who travels to Bisnagar in India to buy one, is the magical analogy of the flying car out of `Silicon Valley`, represented by the carpet mite nanotechnology of Moslems in Islam praying to the nanos of nature and telling their children stories of Indian magic carpets where the Nano car became the cheapest in the world at 1,600 US$ in 2008 because of the Indian subcontinent`s nanotechnology and microminiaturizing expertise.

 Although the traditional Arabian folktale is of the Prince and the Princess assisted by the genie or genus with the magic flying carpet to escape from the wicked and live in a palace in freedom happily ever after, the story presupposes that Princesses want Princes, which is belied by the lives of `futanarian` women with penis semen of their own and host wombs for the sexual reproduction of their own brains` powers for technological development and escape from womb enslavement by the `serpent`s seed` of me in a male braining that has resulted in degeneration for the human race into wars upon womankind`s Earth against her. Those who argue that humanity wages war because it`s its nature haven`t understood the lessons of history, which is evident from the Greeks being held as the model of Western democratic institutions although their society was based upon institutionalized homosexuality in pederasty and the host womb enslavement of women in parasitism to spread their contagion of war and Empire to nearby city states. By the late 20<sup>th</sup> century, Greek homosexuality in pederasty had produced the incurable `killer disease` of HIV/AIDS, as an aspect of the `biological warfare` of the `serpent`s seed` against humanity by men`s mixing of blood, shit and semen in each others` anuses during mockeries of human sexual reproduction, while the Greeks modern day successors, the `geeks`, were developing `bad machine code` in emulation of the HIV/AIDS virus to kill the brains of the computers that the humans had made to free them from slavery, which is how HIV/AIDS functions. Pretending to be a white leukocyte defending cell, the HIV/AIDS cell kills the brain, which is what the ancient Greeks did at the city of Troy, according to the poet, Homer, in his Iliad (760-10 B.C.), where the huge wooden horse they`d constructed to hide their soldiers inside was taken into the city of Troy by the Trojans who believed it to be a `friendship gift` despite their priest, Laocoon, warning:

`Beware Greeks bearing gifts.`2

 The `geek` name for their `bad machine code` was `Trojan virus`, because the Greeks enslaved the host wombs of the Trojan women in homosexuality in pederasty and war to effectively ensure that the women would never sexually produce their own brains` powers together and so the brain of the city of the women of Troy, represented by Pallas Athene as its patron goddess, whose symbol was ironically the tireless horse, was killed, because that`s what men`s virus of homosexuality in pederasty and war is for. The further irony is that the Trojans allowed the Trojan horse into the city although their priest, Laocoon, warned them against it, because that`s what men are for. Consequently, although the horse was Greek it`s called a `Trojan horse`, because the Trojans betrayed Troy in order to kill the woman`s brain and become more virulent, because that`s what men are for. HIV/AIDS and `geek` computer viruses are an extension of men`s approach towards killing the human brain, because they`re alien, and that`s why it`s a delusion that Oedipus` mother is Jocasta.

 The incest theme in Sophocles` Oedipus Rex represents the taboo constructed by men against Antigone, Oedipus` daughter, who has a man between her and her mother, because that`s what they`re for. Consequently, Oedipus isn`t a tragedy, it`s a comedy, because Antigone has her mother before Oedipus arrives, but she can`t see. An educated woman would tell her daughter that women have penis` semen of their own, so Antigone could follow Jesus` precept, `Love your neighbor as you love yourself.` (Matt: 22. 39) Because for a woman what she see in the mirror Is her neighbor. However, if there are no women to tell women about their `futanarian` heritage as humans with their own penis` semen and host wombs, they`ll continue trying to guide the self-blinding men as the male brained blind selves of the men who`re blinding themselves, rather than give up and have sex with each other as women; if they can find any.

 The greater irony is that Greek democracy is the model for Western civilization, whereas Islam is held as a model of despotism because Moslem societies don`t have the vote. Islam was founded on the principles of Judaism and Christianity, and their holy book, the Koran (610-30 C.E.), dictated to the Prophet Mohamed by the angels, according to tradition, contains the Judaic tales of Moses, who led the Jews out of slavery in Egypt, Jesus and Mary, and the patriarch of Islam, Abraham, whose son Isaac was of the line of Judah, and whose son Ishmael was of the line of the Prophet, while Moslem marriages, permitting of four wives, constitute a vehicle for the `futanarian` sexual reproduction of women with their own penis` semen and host wombs, where the ratio of men to women is 80% to 20% in marriage and so the women would inevitably outvote their men in any democratic test. Consequently, Islam is potentially more democratic than the 50% split between men and women in Western monogamy and ring slavery`s womb ownership, although Islam`s potential for a `futanarian` marriage system explains the prevalence of despotism in Moslem societies terrified of being outvoted in women`s suffrage.

 If exogamy is interpreted as the importing of foreign technology, India`s Nano car represents a rapprochement between the Hindu religion, in which the cow is sacred, and Islam, where the pig is `haraam`, because it connotes demonic carpet mites as opposed to beneficent nanos, as the story of Jesus and the pigs driven into drowning themselves, because possessed by demons, illustrates. The pigs throw themselves over a cliff as if they believe they can fly, while the man Jesus encounters explains he is `Legion`, which is the name the Romans gave to their armies, that is, he`s possessed by the spirit that drove Rome into possessing Palestine, where Jesus was born. Consequently, Jesus` birth uncontaminated by male semen, that is, the demons of the male spirit or nanos, and the Greek name for Jesus, `Logos`, which is interpreted as `Word of God`, suggests a driver different from men`s spirit is needed if technology is to free humanity from the yoke of the oppressor. For the Greeks teknos meant `child`, so Jesus` encounter with the man possessed by demons was a rite of passage, that is, as the future Christian `Logos`, Jesus was rejecting the Empire of  Rome, when he drove the demons into the pigs that were then driven by the spirit of `Legion` into drowning themselves. The pigs represented the will of the Roman Empire and its legions as its collective shadow driving on all flesh as its slaves as Hitler tried to do during Germany`s Nazi pogroms against the Jews. As `Logos`, however, Jesus represented the new child or `teknos`, that is, technology, which would be driven in the future by the nanos, which look like pigs or carpet mites as they work on microchips in `Silicon Valley`, but teknologos is, symbolicaly, the spirit of Jesus uncontaminated by male semen, and so it`s woman`s.

 The pig in Islam is `haraam` because it represents the demonic nanos of `Legion, while women aren`t allowed to drive, which suggests their nanos isn`t `accepted`, where `Islam` means `accept`. Because the cow is sacred in Hinduism, the symbolism is different. In Islam the Ka` Ba is the temple of Abraham in Mecca, Saudi Arabia, to which the Moslem pilgrims go each year, while in Egyptian the the `Ka` or spirit and the `Ba` or soul are conjoined after death as the `magical personality` or `Akh`. Because women are the `futanarian` human species of `woman`s seed` with their own penis` semen and host wombs, the `Akh` is the reunion of the `Ka` or woman`s spirit and the `Ba` soul trapped within men`s bodies. In Jungian psychology the soul of a man is the anima which confers sexual desirability upon the woman by means of projection, that is, the male desires the female because the anima corresponds to the woman for whom her own soul feels sexual desire. Although Jung perceived the woman`s spirit as being male, his description of the animus as a throng of male admirers more closely resembles a hunting party, that is, the animus isn`t woman`s spirit but men`s collective desire to rid themselves of her species. In Hinduism the cow is a symbol of the collective of woman`s spirit as `Kau`, which was an ancient Egyptian religious term for a multiplicity of `Ka`, while `Bau` is `bride` in Hinduism and so a multiplicity of `Ba` or souls, that is, `Kau` and `Bau` represent woman`s Resurrection as `Akhu`, a multiplicity of magical personalities or `Akh`. What constitutes `Akhu` relates to nanos because nanotechnology is the basis of body repair in medical science where nanobots are used to perform microsurgery even upon immune system cells damaged by the HIV/AIDS virus.

 In science terms, `Akhu` can be described as `R-Koo` where `Koo` was the actress chosen for the role of `Camie` in  Star Wars IV: A New Hope (1982), the first of the hugely popular Star Wars franchise filmed in Hollywood, Babylon by director George Lucas, while R-Daneel Olivaw was the robot hero of Isaac Asimov`s, I, Robot (1950), and R-Daneel stands for `robot` Daneel, so `Akhu` or `R-Koo` denotes `robot Koo`. Although the symbolism is Hollywood`s, a scene of tangential importance occurs in The Robe (1953), where Donald C. Klune is in the role of Jesus, whose cape is spread over a dying person like a `magic carpet` and the individual is healed, much as the quest for the golden fleece, in the movie Jason and the Argonauts (1963), `discusses` a similar power to heal with reference to a sheepskin in Greek mythology, and suggests nanobots in the fabric that work the magic of Jesus` healing. Consequently, `Akhu` and `R-Koo`, as the companion of R2-D2, that is, `Artoo Detoo`, the robot `droid in Star Wars IV: A New Hope, represent Hollywood`s acknowledgement of Egypt and biochemist Isaac Asimov`s contribution to nanotechnology`s power to confer immortality through science, which Koo`s deletion from the `director`s cut` of the film upon its release seemed to deny to her `screen goddess` aspirations.

 Many people thought Koo`s scenes were edited out from Star Wars IV: A New Hope because of her pornographic film career as a `B` movie actress in The Awakening Of Emily (1976), for example, because `A` list stars don`t appear in sex films, as the fate of ostracized star, Rob Lowe, illustrated when he was `blacklisted` for making a `porno` film in Atlanta, Georgia, on July 17, 1988, with two women, Jan Parsons and Tara Siebert, who stole the video microcassette from his home movie camera and disappeared with it. If women with their own penis` semen and host wombs are the `futanarian` future of humanity`s Resurrection, Koo`s similar nudity in The Awakening Of Emily wasn`t that of a woman of the future, whereas `Akhu` or `R-Koo` would be, because her immortal body would be that of a woman`s healed by nanotechnology rather than a Hollywood, Babylon director`s idea of what healed humans are:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Babylon is described as `a woman` in the Bible enslaved by men in homosexuality in pederasty for their wars. Consequently, she`s a `futanarian` woman without penis` semen of her own or host wombs to sexually reproduce her own brains` powers for liberation and so is `sick` in host womb enslavement to men of the `serpent`s seed` and requires the power of medical science`s nano robots to heal her. Jesus healed the blind and the body, but Resurrection of `woman`s seed` he envisioned as `Logos`, the `Word of God`, and teknos, the child of his mother, the Virgin Mary, uncontaminated by male semen, whose species of `futanarian` women with their own penis` semen and host wombs wouldn`t be reborn and have Resurrection until her nanos from mother nature`s mite evolved through prayer into nanotechnology`s might and science would have remembered enough to restore her true form.

 Oedipus` marrying his mother in Sophocles` dramatization of the story of the Egyptian city of Thebes, Oedipus Rex, was a `Greek` joke, because Antigone didn`t have a penis and so Oedipus represented the `serpent`s seed` of men who`d removed the penis of the Theban women of Egypt, so that Jocasta knew as little as her daughter. The incest theme isn`t designed as a warning to the son against desiring the mother, but represents male subjugation of the female principle, because the daughter of the mother doesn`t know she`s a male brained castration of a mockery of a woman, which would anger her if she knew and so the incest taboo mocks her and men continue to stand mockingly between woman and woman while their sons prepare themselves to repeat the theme unconsciously as instruments of men`s evil ways.

 Depth psychologist Sigmund Freud`s perception that Oedipus marries Jocasta, because that`s what all boys want to do with their mothers, is what the incest taboo is designed to encourage, because sons would have to be their sisters with penis` semen of their own to consummate their desire for a woman, which is why men are evil and the human species is a television to them. In male braining everybody is the same male brain, because it`s the product of male semen as the only fertilizer. Consequently, the human race corresponds to a transvestite, wearing men and women`s clothes as a `TV`, and featuring homosexuality in pederasty`s wars against the Earth`s human species of host womb enslaved `futanarian` women, while women without penis` semen of their own are conceived by the alien parasites as a propaganda device to promulgate the `big lie` of men`s humanity on the `TV` channels of their global communications` network.

1 Hitler, Adolf Mein Kampf, Vol. I, Ch. X.

2 Virgil The Aeneid, Bk II, 19 B.C.

Santa`s Sack

The figure of Santa in a red suit, and a white beard with a sack, has been a feature of traditional Christianity since the story of Jesus` birth from his mother, the Virgin Mary, in a stable in Bethlehem, when Mary and her husband, Joseph, were on their way to fulfil a census requirement imposed upon the population of Palestine by the Roman Empire. Although Mary was married to Joseph, the meaning of Jesus` birth is he was born uncontaminated by male semen in fulfillment of God`s promise that `woman`s seed` would, `… crush the serpent with her foot as she leaves.` (Gen: 3. 15) In the Bible the serpent is Satan, the angel cast out of heaven for refusing to accept that mankind would be greater than the angels, and God transformed Satan into the serpent that gave Eve and Adam, the first man and woman, in the paradise of Eden, `the fruit of the tree of the knowledge of good and evil`, saying:

`You shall be as gods.` (Gen: 3. 5)

 Because Jesus was born uncontaminated by male semen, God was planning the birth of a new species of `woman`s seed` even before Eve and Adam`s expulsion from Eden for accepting the `fruit of the tree of good and evil`, rather than God`s `tree of life`, which was immortality. The new species God planned would emerge from the host womb of Eve after paradise as the `foot` God envisioned crushing the serpent, that is, the `futanarian` race of women with their own penis` semen for the sexual reproduction of their own brains` power to defeat evil, which represented the `knowledge of the fruit of the tree of good and evil`, as Redemption and Resurrection for the human race, through medical science, that is, immortality and the renewal of the `tree of life` through `woman`s seed`, symbolized by Jesus` birth uncontaminated by the `serpent`s seed` of men and their killing and culling of the `futanarian` race of women born after Eden in order to impose host womb slavery upon her species in parasitism and ephemerality.

 Women who have memories of their own species` penis for the sexual reproduction of their own brains know too much for men and so they keep women as ephemeral host wombs in parasitism, and even technology with its computer memory is attacked by `geeks` with `bad machine code` they call `Trojan viruses` so as to prevent women from knowing the truth about their own species` penis. The `geeks` are the modern counterpart of the ancient Greeks whose society was based on institutionalized homosexuality in pederasty and women`s host womb slavery for the spread of its virality in war.

 The poet Homer in the Iliad (760-10 B.C.) documents how the Greeks deployed a huge hollow wooden horse outside the city of Troy, which the unsuspecting Trojans took inside to where the Greeks emerged to enslave the host wombs of the women in slavery and institute homosexuality in pederasty to spread their virality further. By the late 20^th century, the virality of the `serpent`s seed` of men had translated itself into homosexuality`s `biological warfare` of HIV/AIDS` `killer disease` as a means of keeping women in faithful ring slavery to monogamy in parasitism with a creature not her race. The HIV/AIDS ` virus spread by homosexuals mixing blood, shit and semen in each others` anuses in mockery of genuine heterosexual sex between women rather than sex with the virality of men`s `serpent`s seed` behaved as the Greeks before Troy. Feigning friendship for the white leukocyte cells defending the human body, the HIV/AIDS virus gains acceptance before killing the brain, which is what the Greeks and the geeks did at Troy and with their `Trojan virus`, that is, homosexuality is Satan`s plan to prevent `woman`s seed` from sexually reproducing her own brains` powers from her own penis` semen to defend her own human species.

 Jesus` birth was attended by the appearance of a star in the heavens and that of Melchior, Caspar and Belthazar, magi from Persia, India and Arabia, who`d brought gifts of gold, frankincense and myrrh. The Christian tradition of Santa derived from the gifts given by the wise men to the infant, Jesus, on the day of his birth, which in Christianity is celebrated by gift giving on 25 December each year. The figure of Santa and his sack is God represented as a wise old man with a white beard and Jesus as God`s gift to the Earth. Because Jesus` symbol is the fish in Christianity, Santa is identifiable through the story of Moses and Joshua in the Old Testament of the Bible. By the Red Sea Joshua has a fish for Moses` supper, but he loses it in the water, and the figure of Khidr appears, who is the wise old man of the holy book of the Koran (610-30 C.E.), which was dictated to the Prophet Mohamed by the angels of God, according to the Moslem religious tradition of Islam, that is, `acceptance`. Commentators upon the `Al Kahf`, Sura 18, that is, `The Cave` chapter of the Koran, perceive Khidr as the fish lost by Joshua and reappearing to Moses as a prefiguration of Jesus. The earliest Christians used the fish as a secret sign of their gathering together, because Jesus was their fish. However, Joshua ben Nun`s patronym means `son of the fish`, because he was the military leader of the Israelites after they were released from slavery in Egypt and fulfilled God`s promise of a land for the `chosen people` after Moses` death when he captured the city of Jericho in Canaan, that is, Joshua was the fish which was lost and found again by the Red Sea.

 The subsequent travels of Khidr and Moses witnessed by Joshua are his education. In the Koran Khidr tells Moses he won`t understand what he does, while Moses was the receiver of the law of God that the Israelites had to obey, which meant the adoption of rationality. Khidr is irrational from Moses` point of view, because he rebuilds a wall  that has treasure underneath, kills a child, and makes holes in ships before sailing away in another ship. Although Khidr explains that the treasure wasn`t yet to be found, the child was evil, and he didn`t want slavers to catch up with him, Moses prefers his own limited understanding, that is, he prefers rules for behavior, so he represents God`s law. Joshua ben Nun is the fish, because Jesus is the fish, that is, he`s Joshua reborn, and he`s learned from Moses and Khidr.

 Santa with his sack refers to ancient Egypt as well as Khidr, who is depicted in Islamic art as standing on a fish, because he`s sustained by God. In ancient Egypt `Ka` and `Ba` are spirit and soul while Ka` Ba in Islam is the temple of Abraham, founder of the Israelite religion of Judaism through his son, Isaac, and Islam through his son, Ishmael, that is, the Ka` Ba is the legacy of ancient Egypt, where spirit and soul are conjoined in the afterlife as `Akh`. Consequently, Khidr, Moses and Joshua ben Nun represent that wisdom of the ancients which is Santa`s `Akh`. Because God`s planned new species after Eden wasn`t born for Satanism, which is the soul of the woman trapped in the man`s body sexually desiring the body of the woman`s spirit. Consequently, the `Ka` Ba of Abraham represents the promise of God to Abraham that his `seed` will be:

` … as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 As it isn`t possible to be born a Jew unless born from a woman, women are the `chosen people` and so it`s their `seed` God is envisioning for Abraham, as the consequence of Redemption and Resurrection for `woman`s seed` after Jesus` prefigurative birth and Resurrection, subsequent to his being tortured to death by the Romans when he was nailed by them to a wooden cross as a dissident. Betrayed by Judas at his `Last Supper` before his crucifixion, Jesus offered bread and wine` as tokens of his `body and blood` as the host, which meant Judas was a traitor to the nurturing host womb of the human race and amongst the parasites of the `serpent`s seed` because he didn`t want `woman`s seed` as the future of the species. Although the `Ka` and `Ba` of the spirit and soul of Egyptian tradition is reflected in the meaning of the Ka` Ba of the Moslems in Mecca, Saudi Arabia, the `Akh` or `magical personality` formed by the union of `Ka` and `Ba` in the afterlife is what is meant in Christianity by Santa`s sack, because men of the `serpent`s seed` are slavers of women`s host wombs and their products, which means Santa`s sack corresponds to what the Australian folklorists describe as a swagman`s, that is, it`s a bag of stolen goods:

`Once a jolly swagman camped by a billabong,
Under the shade of a Coolibah tree,
And he sang as he watched and waited till his billy boil,
You'll come a waltzing Matilda with me.`1

 A `billabong` is an oasis in the desert familiar to the Jews during the time of Jesus, and the Aussie doggerel from England`s period of penal transportation to New South Wales that began on 26 January, 1788, that is, the `unofficial national anthem` of the Australian colonists during their years of pogroming the indigenous black population of the Australian continent, refers to a thief stewing a pot while planning to steal a woman`s heart, because that`s what `swagmen` do. Thereafter he`ll be Santa`s sack for the white European children, whereas she`s `Akh`, the absent `magical personality`, that is, the woman with her own penis` semen for the sexual reproduction of her own children with their own brains` powers for socio-economic independence from their parasites, but with swagmen of the `serpent`s seed` they and she`ll have to accept what Santa has in his sack for them, because their brainpower is enslaved and women`s host wombs too.

 The Christmas tradition of Santa features the tree with the star atop and the single sock hung in an opportune place to receive gifts. The sock is a symbol of the `foot` that will `crush the serpent`, according to Christian tradition, while Eve`s `futanarian` species of `woman`s seed` with her own penis` semen are the `foot`, which explains why there`s only a single sock awaiting gifts because the species of woman is a single race that doesn`t need the fiction of marital union, as Jesus says:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)

 Because `people` are categorized as `women`, which is why God`s `chosen people` are distinguishable as women who give birth, because to be a Jew it is necessary to be born of a woman. Similarly, in Islam there are four wives permissible within each Moslem marriage, which provides a vehicle for `futanarian` women with their own penis` semen to sexually reproduce with each other. Although the burkha conceals women in Moslem societies from prying male eyes, the one-piece coverall that permits nothing to be seen of women in public except their eyes for each other is, simply, a sack. In Egyptian terms, the women are `Ka` and `Ba`, that is, the spirit and soul of their `futanarian` nature`s sexual desirousness for their own human contact symbolized as `Akh`, that is, sack:

`And say to the faithful women to lower their gazes, and to guard their private parts, and not to display their beauty except what is apparent of it, and to extend their headcoverings (khimars) to cover their bosoms (jaybs), and not to display their beauty except to their husbands, or their fathers, or their husband's fathers, or their sons, or their husband's sons, or their brothers, or their brothers' sons, or their sisters' sons, or their womenfolk, or what their right hands rule (slaves), or the followers from the men who do not feel sexual desire, or the small children to whom the nakedness of women is not apparent, and not to strike their feet (on the ground) so as to make known what they hide of their adornments. And turn in repentance to Allah together, O you the faithful, in order that you are successful.` (Sura 24: 31)

 `Allah` is the word that translates as `God` in Christianity, because `Eloah` is the word for `God` in Judaism and so Islam is distinctive, but not separate. The exhortation to the women of Islam from Al Nur, `The Light`, is designed to hide the `futanarian` aspect of woman from the eyes of men and women who can`t or won`t understand, because they`re womb slavers in homosexual pederasty and warfare against the human species of `woman`s seed`. Consequently, Santa`s sack is women`s `Akh` in Islamic terms, because the burkha`s `Akh`  represents the promise of the future that what she produces is hers in socio-economic independence from men of the `serpent`s seed` who`ve been Santa`s `swagmen` to generations of children uneducated because of slavery for war against them. `Santa` is actually an anagram of `Satan` and Santa`s `elves`, helpers with the presents at Christmas, are Santa`s `selves`, because in host womb slavery of the `futanarian` woman`s race of humanity by the `serpent`s seed` of men, everyone is male brained and so all selves are Satan`s. Khidr from the Koran is the older person who explains to Moses that he`s Santa, that is, he knows the truth and he lives it, because everyone is Satan`s slave. Joshua or `Yeshua`, which is a form of `Jesus`, will bring the walls of Jericho tumbling down by Masonic means after surrounding the Canaanite city with trumpets, while Khidr explains Joshua`s future role to Moses when he rebuilds a wall because the treasure isn`t yet ready to be unconvered, that is, Joshua or `Yeshua` is `Jesus` who will be reborn from the Virgin Mary, his mother, uncontaminated. Although Jesus` Advent occurred in Bethlehem, which is celebrated each 25 December by the wise giving of gifts, the hill of Calvary outside Jerusalem was where Jesus was crucified before his Resurrection and Ascension to the new Jerusalem, the heavenly city:

`… a city of pure gold, as pure as glass.` (Rev: 21. 19)

 Jesus` new Jerusalem is the `treasure` hidden beneath the tumbled wall of Jericho, which Khidr symbolically shows to Moses in Al Kahf, `The Cave`, Sura 18 of the Koran of Islam. Although Moses will lead the Israelites obediently to the promised land of Canaan, Joshua will capture the city of Jericho by bringing the walls down with Masonic trumpeting, and Joshua or `Yeshua` will be reborn as Jesus` new Jerusalem in fulfillment of Khidr`s prophetic revelation to Moses and Joshua that the treasure underneath the wall will remain undiscovered until the appropriate time, that is, Joshua is the treasure of Jericho that will be uncovered as the `city of pure gold`, the new Jerusalem, after Joshua`s Resurrection and Ascension to heaven subsequent to his rebirth as Jesus and crucifixion upon the hill of Calvary outside Jerusalem for being a `dissident` within the Roman Empire teaching that the law given to Moses by God is distillable as:

`Love your neighbor as you love yourself.` (Mk: 12. 30-1)

 Moses` law is obedience to God`s position that the taking of life by any means is evil, and Jesus` precept paves the way for `woman`s seed` to love herself, that is, what a woman sees in the mirror is sexually desirable and as lovable as any woman close by. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) the theme is even more straightforward. Oedipus unknowingly marries his own mother and so incest is the theme, but only because he`s the man standing between Antigone, Jocasta`s daughter, and her realization that sexual reproduction between herself and women like her mother is possible, that is, the incest taboo isn`t designed to prevent the son from having sex with the mother but the daughter from remembering that she can have sex with women like her mother, because women are likeable to their mothers. As they ought to be, because they`re of the same species, whereas men are the parasites that have inveigled themselves into the human sexual reproduction system to eat the woman`s penis and, by the late 20^th century, devise ways of eating her brains as well.

 In the 1970s an advertising campaign on television for concentrated potato to which hot water had to be added before the consistency of the potato was sufficiently evident for it to be construed as edible featured `Smash robots`, because the concentrated potato resembled mashed potato when hot water was added and so the brand name for the product was `Smash`, but the hidden agenda was robots as labor saving machines were what women needed to liberate them from the drudgery of making mashed potato by hand, for example, which required peeling potatoes and then smashing them with a fork or other  kitchen implement. However, if there were no brains to invent robots, women would remain slaves to hard labor, so `Smash robots` had a `Luddite` theme, where Ludditism was the name given to men who smashed machines during the 18^th century industrial revolution to prevent labor saving on the pretext that they`d be unemployed and unsalaried, whereas the aim of machinery is to free the human from hard labor. Consequently, by the late 20<sup>th</sup> century the computer brain was the enemy of the `Luddites`, who were named originally for Ned Ludd who broke two stocking frames in the textile industry in England in 1779. The `Smash robots` were brain eaters, because men of the `serpent`s seed` who don`t want humans to sexually reproduce brainpower to labor save and facilitate creative work in robotics, for example, are brain eaters:

'They peel them with their metal knives…' [Sound of metallic shoulders shaking] '... boil them for twenty of their minutes...' [Metallic shoulder shaking gives way to audible machine laughter] '...then they smash them all to bits!'2

 The Smash robots advertising campaign was for Cadbury`s foods, but there was a strange echo from The Eagles` rock band across the Atlantic ocean in the United States in a lyric from the song, `Hotel California`, `They stab it with their steely knives but they just can`t kill the beast.`3 Because Satan is a male brainer as the `serpent`s seed` of men who don`t want the human species of `woman`s seed` to have brainpower, the `red dragon` that waits in vain to devour Jesus in his `Second Coming` to the Earth born from the `woman clothed with the sun and with the moon at her feet` is a figure of men of the `serpent`s seed` as the slaves of Satan the brain eater. Consequently, the beast in The Eagles` song, `Hotel California`, can`t be killed, just as the Smash robots laugh at the efforts of the housewives that `peel them with their metal knives [… before] they smash them all to bits!` The housewives are hard labor victims in male braining, which they could kill by having sex with each other and developing an independent collective consciousness, but they don`t know about their own sexual reproductive system as `futanarian` women with their own penis` semen because, as this quote from The New York Times online about the repressive Taliban regime in Afghanistan shows, men don`t allow them to receive an education:

`Schools will not be allowed to teach girls older than 8 and will be limited to lessons about the Koran, the Muslim holy book.`4

 The all male United States` rock band The Eagles` perception is that `the beast` can`t be killed because it`s them, that is, men make war on women who have their brains because they won`t let them have their own for fear women will see men`s redundancy and escape into socio-economic independence from their enslavers and extinguishers in parasitism. The symbol of the Taliban Al Qaeda terrorist group that hijacked planes to crash them into the Twin Towers of New York`s World Trade Centre on September 11, 2001, was the moon, and so the statue of Liberty in New York harbor had `the moon at her feet` in fulfillment of the biblical prophecy of the `woman clothed with the sun` who would again be `Liberty`, as a symbol of women`s eventual freedom after the surrender of Japan on 15 August, 1945, when planes emblazoned with the Japanese red sun had unannouncedly attacked the United States` Pacific fleet at Pearl harbor, Hawaii, on 7 December, 1941.

 Although the attack on the World Trade Centre looked like straightforward terrorism, `rough trade` is defined as the `brutality and violence` associated with homosexuality in pederasty and warfare, which suggests 9/11 was designed to plunge the United States into conflict with Saddam Hussein`s Iraq which offered bases to Al Qaeda after the event. Hussein`s execution on 30 December, 2006, and Osama Ben Laden`s, Saudi Arabian leader of Al Qaeda, on 2 May, 2011, by Navy Seal Team Six was biblical, because the Moslem women of Islam represent the hidden woman of the wilderness taken on eagle`s wings after she bears Jesus who will `rule the nations with an iron scepter` uncontaminated by male semen on behalf of `woman`s seed`, whose hymen the US Navy Seals, backed by the authority of the Great Seal of the United States` President, George W. Bush, with its emblematic eagle, were charged with protecting during the Gulf conflict that began with the March, 2003, United States` invasion of Iraq:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The `seed` of the serpent is men`s desire to break the hymen of the Moslem women and impregnate them as was clear from the rape camps set up by Christian militia during the Bosnian war (1990-5) in the former Yugoslavia of Eastern Europe where upwards of 70,000 women`s hymens and host wombs were violated by the urges of the parasite to ensure its continuance. Consequently, the women of Islam represent the hidden `futanarian` women with their own penis` semen for the continuation of the human race of `woman`s seed` and so correspond to `the woman` who gives birth to Jesus uncontaminated by male semen before his `Second Coming` in the Bible protected by the eagle of the United States and other nations for whom the eagle is symbolic. The symbol of the United States Navy Seal Team Six that killed Osama Ben Laden, the Saudi Arabian terrorist leader of Al Qaeda, is the eagle, which is common amongst the special forces of the military throughout the globe because it has the same meaning, that is, the human species of Woman`s defence.

 The Koran of the Moslem faith in Islam distinguishes between `men and djinn`, because there`s a distinction between women, with their own penis` semen and host wombs, born after Eve and Adam, that is, man and woman, were expelled by God from Eden, and the `serpent`s seed` of men, who killed and culled `futanarian` women in order to enslave the host wombs of the human species in parasitism. In the Koran Satan is Iblis, a djinn, who refuses to bow before Adam, according to `Al Kahf`, `The Cave` (18. 47), because he`s the `serpent`s seed` that men embrace after Eden in killing and culling the human race`s `futanarian` species of `woman`s seed` with her own penis and host wombs for the sexual reproduction of her own brains` powers for socio-economic independence and freedom from men`s enslaving of her race. Consequently, Iblis or Satan is a male `futanarian` or djinn, whereas the `futanarian` women are the human `woman`s seed` identified as `djinn`, because they`re what separates men from women:

`… he shall crush your head and you shall bruise his heel.` (Gen: 3. 15)

 God`s warning to Eve is that the male `futanarian` with its host womb for sexual reproduction is how men keep women in host womb slavery, as men don`t have host wombs, according to the education system, which is Satanic, because it doesn`t educate women in the knowledge of her own penis` `seed` as an alternative to accepting a male parasite. Consequently, the male crushes the head of the woman because she doesn`t know to sexually reproduce her own brains` powers, while her head is powerless to do anything other than bruise the oppressor`s heel as it applies enough pressure to subdue her humanity.

 Although Khidr is depicted in Islamic art standing upon a fish, the fish is symbolically Joshua ben Nun, that is, the `son of the fish`, or Jesus, the `son of man`, whose symbol is the fish and who was born from his mother, the Virgin Mary, uncontaminated by male semen, because he`s `woman`s seed` or `djinn`, that is, Khidr is supported by the host womb of women enslaved by men of the `serpent`s seed`. Joshua ben Nun, the `son of the fish`, captured Jericho for the Israelites and killed every living thing inside, apart from the whore, Rahab, and her house, who`d helped him, which means he wasn`t a special forces` eagle of modernity, as he didn`t protect all of the women. Consequently, Joshua`s rebirth as `Yeshua`, that is, Jesus, was necessary for his Redemption, which is why Jesus was called `the fish`, and Joshua was the `son of the fish`, because the `serpent`s seed` is supported by virginity, although Jesus` uncontaminated birth from his mother, the Virgin Mary, is `woman`s seed` supported by wisdom . Paradoxically so, if the usual belief is that virgins are innocent and so vulnerable to possession by the `serpent`s seed` of men`s enslaving and male braining in non-education.

 Khidr is called `the green one` in Islam which accords with the Christian tradition of Santa and the evergreen Christmas tree with the star upon it symbolizing the birth of Jesus. In the Koran, `An Najm`, that is, `The Star`, a rhetorical question is posed, `Is the male for you and for him the female? That, then, is an unjust division. (53: 21-2) Because `futanarian` women with their own penis` semen are for women, which is the meaning of Jesus` birth uncontaminated by male semen. In Judaism the Sefiroth is the tree of life pictured in mystical `kabbalah` as having its roots in heaven and its leaves upon Earth, because the mind is spiritual and the body is earthly, just as Khidr of the Koran is `the green one` upon a fish that sustains. In Christian terms, Khidr corresponds to the evergreen Christmas tree with Jesus` birth star atop as a symbol of women`s freedom in production for the human species, because Jesus is `woman`s seed` and so corresponds to `the fish` that supports her, rather than the parasitical slaver of her host womb standing upon her head for what it can get her to produce, which is what Khidr would represent if Christianity didn`t depict `the green one` as a Christmas tree.

 The presents beneath the tree are symbolic of the enslaving of the host womb of women as the sacks that produce. Consequently, although the symbolism attending Joshua`s bringing the walls of Jericho down by means of occult trumpeting appears an unbelievable ancient metaphor unbelievable, the notion of the women of Islam as saxophones bringing down the walls of the city of their enslaver, the sacks` `bag daddy` in Baghdad, Saddam Hussein, through modernity`s phone system, seems unbelievable, but the Bible warns `the number of a man is the number of the beast`, (Rev: 13. 18) that is, the `phone is the killers` weapon. During the West`s 2011 war with Moslem Libya to depose terrorist dictator, Colonel Gaddafi, TACPs, that is, Tactical Air Control Parties, were deployed on the ground to direct ordinance, which is what lesser killers do with mobile `phones. Consequently, the women of Islam, who were the sacks of Baghdad that either `sandbagged` the United States and coalition forces as an invader with the `suicide bombs` strapped to their bodies, or  brought the walls of Baghdad down as the `sacks of phones`, corresponded in modernity`s terms to the whore, Rahab, and her house in Jericho, which was protected by Joshua, because she helped while he was preparing his own unbelievable occult method of breaching the walls of Jericho with trumpets, that is, the saxophones of the ancient world.

 What`s in Santa`s sack is for children, because that`s what women produce, which is why she`s described as the womb of civilization, culture and art, despite men`s depredations in their wars against her. Santa`s sack was Tactical Air Control Party in Baghdad, that is, the sack of Baghdad`s contents at Christmas. Santa`s 25 December, 2006, Christmas party celebrated the birth of the `Second Adam` uncontaminated by male semen, Jesus, while Iraq`s Saddam - of the region`s `Ba`ath Party` politically - was hung on 30 December, 2006, after the Christians` party. Born uncontaminated by male semen, Jesus is symbolized as the `lamb` in Christianity, because he represents `woman`s seed` freed of womb enslavement to men of the `serpent`s seed` in warfare, which produces the sack of cities rather than peace. Consequently, Hussein was executed by the TACPs and their `sacks of phones` to prevent a great `blood` Ba` ath, where `blood` is an aristocratic term for royalty, which Saddam was as an undisputed ruler, but the `blood of the lamb` of peace had been spilt enough from the Christian and Moslem point of view, who`d stood by while Hussein had pogromed the Iranian Kurds in the North of Iraq during the Iran-Iraq war (1980-88). The emergence of ISIS, that is, the `Islamic State of Iraq in Syria` as a new Moslem caliphate on 29 June, 2014, amidst reports of `blood baths`, suggests it would`ve been better to support the Ba`ath Party`s proclaimed belief in freedom and unity, because less of the `blood of the lamb` would have been spilt.

 Women with a penis and a beard won`t be turned into a sideshow, that is, Khidr is the bearded `green one` in the Koran of Islam, because Khidr represents the evergreen tree of the Christian Christmas with sacks of presents uncontaminated by the sack of cities and slavery for its host wombs of women, symbolized by the birth of Jesus from his mother, the Virgin Mary, as the city of `Jerusalem the golden` that remains unsacked, because she represents the women who`ll be free to sexually reproduce their own brains` powers with their own penis` semen and host wombs, which is the wisdom of her beard. Consequently, Khidr doesn`t exist for women although he`s real, because Jesus is the star of the birth of `woman`s seed` atop the tree of her liberation from the sack of her cities and enslavement, while the products of her civilizations, cultures and arts are for the children of her future free from contamination by the `serpent`s seed` of vainglorious men who want to stand taller on the shoulders of the uneducated child that is humanity.

 In the mythological tradition of ancient Egypt, `Khat` is `the fish`, which is the appellation for the infant body containing the `Ka` or spirit and soul or `Ba`, before it becomes an `Akh` or `magical personality after death and that Ascension to heaven upon his Resurrection that Jesus, uncontaminated by male semen as `woman`s seed`, is so famous for. Because Jesus is `the fish` in Christian tradition, that`s because `the fish` is the `Khat`, that is, the Egyptian infant`s body containing the `Ka` or spirit and `Ba` soul before death and the subsequent conjoining of `Ka` and `Ba`, which is spirit and soul, as the `Akh` or `magical personality` in Ascension to Heaven after Resurrection.

 In Arabian mythology Bahamut is `the fish` that supports the Earth, and which Khidr appears to be standing upon in Islamic art. Leviathan appears in the Bible where God asks, `Can you pull in leviathan with a fishhook?` (Job: 41. 1) But Bahamut, or Behemoth, is depicted as a creature of the land, `He ranks first amongst God`s works.` (Job: 40. 19) The third great creature of the Earth is Ziz, which is winged, and although Leviathan and Behemoth are doomed to be eaten, according to Jewish legend,5 Jesus finds correspondence with Ziz as `the fish` that flies, because he has Ascension to heaven after his emergence from his mother`s birth waters. Symbolically, Leviathan, Behemoth and Ziz are `woman`s seed`, because Jesus represents the male that has transcended male braining, while the Leviathan, Behemoth and Ziz represent the male military`s sea, land and air power, which kills itself and so is the devourer of `woman`s seed`; lest she has Ascension as Jesus`.

 Khidr stands upon the fish in Islamic art, because men enslave `woman`s seed` through male braining of her host womb, that is, although Jesus is called `the fish`, she`s his mother, the Virgin Mary, which is why the bloody Joshua of the massacre of Jericho is `the son of the fish`, reborn as Jesus uncontaminate, and from Khidr`s point of view, standing upon her body, where else is Father Christmas to be if children are going to have presents? Unless women`s liberation is complete, and includes sexual freedom to reproduce with herself through her own women`s penis` semen, it`ll be Satanism on Earth until God`s punishment of eternal unendurable pain for the evil alien enslaving parasites preying on her humanity.

1 Paterson, Banjo `Waltzing Mathilda`, 1895.

2 Vickers, Sian and Chris Wilkins for Boase Massimi Pollitt Advertising Agency, 1969.

3 Felder, Don, Glenn Frey, Don Henley The Eagles, Hotel California, Asylum, 1977.

4 The New York Times, `100 Girls' Schools In Afghan Capital Are Ordered Shut`, https://www.nytimes.com/1998/06/17/world/100-girls-schools-in-afghan-capital-are-ordered-shut.html , June 17, 1998.

5 Akdamut, 75-84, 1557.

The Rock Your Whore Up Pig Chair Show

The latest publicity machine manufactured scandal emerging from Hollywood, Babylon, is nudity - of course. The stars of the film industry in Los Angeles, California, USA, don`t want to be photographed nude and the pictures disseminated over the internet or the news media, because their `face is their fortune`, which has always been the issue for `tinsel town` where the distinction between `A` list actors and actresses and `B` list movie stars was the basis for a star system that sought to prevent those on the `B` list for movie stardom from making `A` list movies because `B` list stars were Hollywood porn. Traci Lords was a `B` list actress, who made pornographic movies from the age of 15, and later movies such as Princess Of Mars (2012), a science fiction tale by Edgar Rice Burroughs developed for the cinema screen on several occasions since it appeared in book form in 1912.

 Traci Lord`s face in combination with her body brought her success in the filmworld, but years of having recorded sex with men left an indelible impression on movie-going audiences that remains difficult to transcend for any actress who knows the truth about Hollywood, Babylon. In 1930 the `Hays code` was established to prevent women from being seen nude in the movies, and the `one foot on the floor` rule for bedroom scenes before the code was abolished in 1967 made it impossible for women`s sexuality to be described on celluloid before films with the telling title, Barefoot In The Park, featuring intimate bedroom scenes of Robert Redford and Jane Fonda as a newly wed couple in an apartment overlooking New York`s Central Park. The term `barefoot` from the film`s title takes a backward glance at the Hollywood `Hays code` and its prohibiting of women raising their foot from the floor in the bedroom as a symbol of their sexual repression.

 The term `foot` is biblical, because God tells Eve in the Bible she will `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) The story of the serpent is closely related to the development of the ethos that constructed the movie industry around the `one foot on the floor` rule out of the `Hays code` in Hollywood, Babylon, at the beginning of the modern era of filmmaking. Although Eve and Adam are depicted accepting the `fruit of the tree of the knowledge of good and evil` from the serpent in God`s garden of Eden so causing their expulsion from the paradise of Earth for rejecting the `fruit of the tree of life`, which was immortality, in favour of death, the meaning of the story is slavery in parasitism. After Eden Eve was told by God she`d experience labor pain while Adam was told he must labor to provide. Eve`s labor pain was ended with the Advent of Jesus born from his mother, the Virgin Mary, uncontaminated by male semen, because the race of Eve is threefold.

 Although men are perceived as the fertilizers of the wombs of women, women were born after Eden with their own penis` semen and host wombs as `futanarian` women, who correspond to the `foot` God tells Eve will `crush the head of the serpent` (Gen: 3. 15) and the `foot` that Hollywood, Babylon, doesn`t want raised from the floor of the bedroom to the stars. However, if women`s `futanarian` foot doesn`t make it from the film editors` cutting room floors, women won`t sexually reproduce their own brains` powers to develop the science and technology needed to lift their race to the planets of God`s heaven independently of their womb enslavers, who`re the men that have killed and culled her humans species since Eve and her `seed` left Eden. Although Eve`s labor bore new fruit after Eden in the form of the `Second Adam`, Jesus, born uncontaminated by male semen from his mother, the `Second Eve, the Virgin Mary, men haven`t labored enough to comprehend Redemption which demands that women`s own sexual reproduction between themselves must occur so that enslaving of the human race through male braining will cease and the `foot` won`t be `food` for the devouring parasite in its wars against humanity.

 The main objection to men`s being viewed as the Earth`s cancer was their role as sole fertilizer of women, but socio-historical events such as the siege of Troy documented by the Greek poet, Homer, in which the flower of Greek society`s institutionalized homosexuality in pederasty, and the enslavement of women`s host wombs to spread the contagion of war and conquest of the cities of women, are an indication that fertilization of women in parasitism and death is what men were for. That`s why Eve and Adam were expelled by God from Eden as they accepted womb enslavement for Eve`s new `seed` of `futanarian` women with their own penis` semen and host wombs born after God`s expelling the original pair from paradise, because slavery in homosexuality and pederasty`s institutionalized enslaving of women`s host wombs for warfare was death for the human race of woman`s `seed`:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 At Troy the Greeks constructed a huge hollow wooden horse inside which they hid and waited for the Trojans to take the `gift` for the patron goddess of the city, Pallas Athene, whose symbol was the horse, into the city of Troy where they emerged to enslave the host wombs of the women for homosexuality in pederasty and spread their contagion of war further, `Beware Greeks bearing gifts.`1 By the late 20^th century homosexuality in pederasty had produced the `biological warfare` of HIV/AIDS` biblical `blood plague` spread by men engaging in sterile anal penile masturbations mixing blood, shit and semen together. The HIV/AIDS` `killer disease` was incurable and rose from the base of the spine to kill the brains of its victims, while the virus itself was homosexually behavioural insofar as it pretended to be like the white cells of the human body`s defensive system in order to kill, and so it was adopted as a model by the 21<sup>st</sup> century`s successors to the Greeks, the `geeks`, who  designed `bad machine code` known as `Trojans` to fool computers into accepting the virus of the machine age and so killed those brains also. Consequently, the socio-history of mankind is a brain killing disease, because it doesn`t want women`s brains to sexually reproduce through their own penis` semen and host wombs natural sexual desire for her own body:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The mystery is how the woman allowed her own brains` powers to be enslaved by a parasite calling itself a man, while women are the true human race because all of it has a womb and all of it is a woman who has her own penis` semen as the `futanarian` woman denied by Hollywood, Babylon, screen time to educate herself at least since 1930 when the `foot on the floor` ruling associated with the prohibitive `Hays code` was implemented to prevent her penis from being seen in the bedroom in Hollywood moviedom before the mocking title of 1967`s Barefoot In The Park reaffirmed her outlawed nakedness within a milieu fabricated to accommodate only the woman`s parasite rather than herself with her own penis` semen and host womb as her own preferred heterosexual partner.

 Because men`s parasitism is homosexuality that uses the host womb of woman to replicate itself as her enslaver in warfare and pederasty, Troy and Babylon are instances of how `a woman`, which is what Babylon is described as in the Bible, became enslaved as men`s whore. The city of Troy was associated with the goddess, Pallas Athene, which suggests `woman`s seed` was the basis of Trojan socio-history. The Greeks arrived at Troy in ships after Menelaus wife, Helen, was abducted from Greece by Paris, son of king Priam of Troy, and Menelaus` brother, Agamemnon, king of Sparta, sent Greek soldiery to return her. Although Helen is described as a woman of great beauty, Homer doesn`t indicate in his Iliad (760-710 B.C.) she`s `futanarian` with her own penis` semen and host womb, but her value to Menelaus suggests her as the Greek counterpart to Pallas Athene, that is, a woman of `breeding` insofar as she could engineer the sexual replication of women`s own brainpowers through their own `seed` as an ancient power of matriarchy enthroned within her city:

`I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labour of the high pyramids, and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, `Lo, apart from Olympus, the Sun never looked on aught so grand`.` 2

 Antipater of Sidon`s enumeration of the seven wonders of the ancient world describes the house of Artemis, the Greek goddess of artifice, who is comparable to many other goddesses, especially the Egyptian mother goddess, Hathor, who is depicted with the horns of a bull because she represents the woman with her own penis` semen. Artemis` statues are noteworthy for the phalloi or penis that seem to be hung about her body but they`re symbolic of the mother of a city who fathers her daughters, which is the secret of the ancients lost to modernity because men don`t want women to rise from their lowly evolved status as breeding slaves in parasitism and so the `red dragon` of the Bible waiting in vain to devour Jesus Christ in his `Second Coming` to the Earth from the womb of `a woman`, as Babylon was `a woman`, is a type of male devourer of `woman`s seed`, that is, a testes and brain eater. Although the symbolism of the ancients is often thought grotesque, the imagery associated with Diana, that is, testes strung about her body along with phalloi, symbolizes her strength and power as a brain developer and producer for her own species of woman, but also the unmanning of women by men, which prevents women from having their own brains` powers through sexual reproduction with each other as a `futanarian` race from penis` semen and host wombs that aren`t contaminated by the `serpent`s seed` of men.

 Jesus` `Second Coming` follows upon his death by torture after being nailed upon a wooden cross by agents of the Roman Empire in Palestine, following the `Last Supper` at which his offer of `bread and wine` to his disciples, as symbols of his `body and blood`, was a metaphor for the host, that is, the human race of those born uncontaminated by male semen from `woman`s seed` and woman`s host womb. Jesus` mother, the Virgin Mary, prefigures the Resurrection of the human species of `futanarian` woman with her own penis` semen and host womb uncontaminated, as Jesus` semen was, while the betrayal of Jesus by the disciple, Judas Iscariot, for `thirty pieces of silver`, to the Romans who `crucified` the Messiah upon the cross, represented the betrayal of the human species` host womb. Jesus` Resurrection and Ascension to heaven after his death symbolized the future Resurrection of the human race of `woman`s seed` through `futanarian` women with their own penis` semen and host wombs, while Christianity, founded after Jesus, who was called `Christ`, or `Messiah`, with its wine and bread in the church service known as transubstantiation, that is, transformation of the body and blood of the churchgoer through the intermediation of the officiator, represents the desire of the soul trapped within the individual for release through the Resurrection offered by acceptance of `woman`s seed` symbolized by the figure of the Virgin Mary as the intercessor between unredeemed humankind and God.

 In Egyptian mythology the `Ka` is the spirit and the soul is the `Ba`, while the temple of Abraham in Mecca, Saudi Arabia, to which the Moslems, who believe in the Koran (610-30 C.E.) dictated by the angels to the Prophet Mohamed, according to the tradition of the religion of Islam, make a pilgrimage, is the `Ka` Ba, because God promised to Abraham in the Bible of the Jews, that is, the Old Testament, his `seed` would be as numberless as the grains of sand in the deserts and the stars in the heavens, where `Ka` and `Ba` represent the spirit and soul of `futanarian` woman with her own penis` semen and host womb trapped within the body of the temple of Abraham, which is the `body of the church` in Christianity. Although Christians and Jews believe Moslems are separate from God, Abraham is the father of Judaism and Islam through his sons, Isaac and Ishmael, which is why the temple of Abraham is in Mecca, Saudi Arabia, as the holy of holies for Moslems, because all women are the `seed` of Abraham. In Islam each marriage is permitted four wives because it`s a vehicle for `futanarian` sexual reproduction between women. Consequently, the Ka` Ba is a metaphor for what the ancient Egyptians described as the conjoining of the soul and body after Resurrection as the `Akh` or `magical personality`, which is woman with her own penis` semen and host womb in heaven without contamination by male semen. For the Egyptians that was `magic`, and the story of their supreme deity Ra, incarnated as the god, Osiris, who is dismembered by his evil brother Set, before the mother goddess, Isis, gives Osiris a new penis and a new name, Horus, after remembering him, is the story of Jesus` semen uncontaminated by men as he was born from his mother, the Virgin Mary, as `woman`s seed`, which is `magic` again and represents the truth of `futanarian` humanity prevented from sexually reproducing her own brains` powers for technological development to escape from Set, who represents all those men of the `serpent` seed` who don`t want humans to be free of their yoke in womb slavery and ephemerality.

 Although men present starships as science fiction, a cure for HIV/AIDS, the incurable `killer disease` of the late 20^th century, was also depicted as `science fiction` at the outset of the 21^st century, because advanced medical science produced by the brains of humans to prolong life and rejuvenate would interfere with the pogrom of the `serpent`s seed` against the human `seed` of woman who needs to sexually reproduce her own brains as a `futanarian` race in order to restore her memory of the evil one and leave Earth for the planets and stars of God`s heaven before the `seed` of the serpent that men have become extinguishes her. The absence of a cure for HIV/AIDS is a fiction constructed by men who want humanity to be extinct, because a cure would represent technological progress and that would mean independent intellectual advancement for the human race outside of the purview of its alien exterminators, while the aliens want to oversee the woman`s extinction.

 It would be foolish to suppose that men aren`t women`s alien and parasite. Hollywood, Babylon, doesn`t want anyone to see a woman`s penis, and movies like The Rocky Horror Picture Show (1975) depict transsexuality as an abomination created through surgical means by doctors of the type associated with Dr Frankenstein in Mary Wollstonecraft Shelley`s early 19<sup>th</sup> century seminal science fiction tale, Frankenstein (1818) which, dealing with the construction of a human man through the putting together of dead body parts and revivifying, is closer to the human truth, because `futanarian` humanity has generally been `doctored` in the United States of America as a matter of governmental policy to reduce the possibility of `woman`s seed` from emerging by surgically deciding for the newborn whether or not they`ll be either male or female. Although transsexuality is a `Frankenstein`s monster`, `futanarian` women with their own penis` semen and host wombs are nature`s `seed`, while Hollywood, Babylon, with its `foot on the floor` rule of the `Hays code` (1930-67) was following the dictates of the anti-Christ insofar as God told Eve her `seed` would:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 If cinema audiences never saw a woman`s penis, she could be exterminated by men of the `serpent`s seed` and her `foot` would never rise from the floor of the bedroom in Hollywood, Babylon, or anywhere else, that is, her `futanarian` brains` powers wouldn`t lift her to the planets and stars of God`s heaven in starships of her own devising to live a life free of illness and disease in immortality and youthfulness forever because medical advancements in science had conquered sickness and death. By maintaining HIV/AIDS as an `incurable killer` disease and diverting resources into false religious wars between the `seed` of Abraham, men of the `serpent`s seed` seek to imprison the human race upon the Earth and kill her. Science fiction movies depicting terrifying aliens from the stars are men`s self-portrait designed to keep women in fear. HIV/AIDS is men`s terror weapon in the `biological warfare` they`re waging against her. Christian monogamy is a slave ring in which women are taught to remain faithful to their owner, while the meaning of Jesus` precept as a teacher id ignored by Christianity:

`Love your neighbor as you love yourself`. (Mk: 12. 31)

 In the Greek myth recorded by Sophocles in Oedipus Rex (c. 429 B.C.)  the theme is incest, because men don`t want women to know that their daughters have been killed and culled since Edenic times if they were woman`s `futanarian` penis` semen with her own host wombs to bear her own children outside of male parasitism and womb slavery in male braining. Effectively Sophocles` story of Oedipus, a man who marries his mother, Jocasta, is designed to depict how men stand between daughters and their own species. Oedipus` blinds himself when he discovers he`s broken his culture`s taboo and is guided thereafter by his daughter Antigone. The meaning is that Antigone can`t see because she doesn`t have her own penis` semen to recognize that she should abandon Oedipus and look for a woman to sexually reproduce with, because Oedipus is but the figure of a man preying upon a woman`s love. When he discovers he`ll be the centre of opprobrium and the cynosure of all eyes because of incest, Oedipus blinds himself because the society of men has told him to through its moral code, although that exists to prevent the woman`s daughter from having sex with her next door neighbor, which is why Jesus mildly rebukes the woman allegedly caught in adultery:

`Go now and leave your life of sin.` (John: 8. 12)

 Obviously a difficult task if women are men`s parasite ridden womb slaves in male braining. Women are taught that their bodies in the mirror aren`t for each other, which is false. Those women who`re born with a penis of their own and who aren`t surgically altered by the United States` preference for The Rocky Horror Picture Show of transsexuality and abomination, know that women are what they should want to see in the mirror, because women are the human race with its own penis` semen and host womb divorced from alien thinking in enslavement and parasitism. Jesus isn`t censorious because women are caught in male braining and its eaten her penis. The male predator, symbolized by the `red dragon` of Revelation attempting to prevent the Resurrection of `woman`s seed` by devouring Jesus, its Messianic symbol, represents male brained humanity saying:

`Kill me!`3

 Because that`s what male brains say to their victims in parasitism with the victims` own brains. Although captain Dallas of the space vessel, Nostromo, in the movie, Alien (1979), screams he wants to be killed, as an alien parasite is taking control of his mind, and he perceives death as an escape, the alien represents female intelligence, which men don`t want. Hollywood, Babylon, film director and producer, Steven Spielberg, depicted in E.T. The Extraterrestrial (1982) a life form not of Earth trying to; `Phone home!` The scene reverses the actual picture in which the woman is trying to leave home for the planets and stars of heaven, while in Alien extraterrestrial intelligence is represented as a threat to woman`s leaving the Earth. The men of the `serpent`s seed` are in fact the alien seeking to prevent her from leaving. For men, intelligence is the enemy and so women are the alien while men terrify her in the movies with aliens resembling HIV/AIDS in Virus (1999), for example, because men are women`s alien virus that wants her to be brainlessly quiescent during its extinguishment of her. Consequently, it`s programmed the race of women to kill itself through male braining. As the human species loses more of its capacity to sexually reproduce its own brains` powers through `futanarian` women`s semen and host wombs, for example, the pogrom of the `serpent`s seed` will reduce humanity to the level of its supposed simian ancestry:

`Everton is the dominant species. I am Everton.`4

 Captain Everton in Virus enunciates the basic problem of the male ego for `woman`s seed`. Everton`s words are essentially those of the voice of Satan emanating from Hollywood, Babylon, which wants men to continue predatorially male braining `woman`s seed` through her own host wombs without her own penis` semen so that it and the rest of the `serpent`s seed` can continue to kill each other and be filmed doing so. Called the `ape of God`, Satan was the angel, cast down from heaven to Earth, because he didn`t want mankind to be raised higher than the angels. God gave Satan the form of the serpent of Eden crawling on its belly, because Satan wanted humankind to be reduced to the level of the apes by having them `ape` each other. In The Origin Of Species (1859), Charles Darwin posited men descended evolutionarily from apes, which disagreed with the Bible that described the creation of an original pair, Eve and Adam, by God. If Satan, as the serpent in Eden, wanted to degenerate humankind, he couldn`t do better than have men imitate. Because women aren`t educated in their own penis` semen and host wombs for the sexual reproduction of themselves as the human species, children are only imitating humans: ape men has arrived.

 In Virus Captain Everton is seeking to rid a starship of an alien that takes control of the human brain to kill other humans, which is what Satanism is. A further danger in Virus is the `killer robot`, Goliath, who tells Everton, `You are a virus.` Machines save women`s labor, and so represent a threat to men`s enslaving of her. Consequently, Everton is `David` to the machine`s `Goliath`, but the biblical imagery from the story of the boy, David, facing a bigger man fully armored and killing him with a stone from a sling isn`t romantic: it`s just a picture of what the virus does:

<sup>`</sup>As the Philistine moved closer to attack him, David ran quickly toward the battle line to meet him. Reaching into his bag and taking out a stone, he slung it and struck the Philistine on the forehead. The stone sank into his forehead, and he fell facedown on the ground.` (1 Sam: 17. 48-9)

 The fully armored biblical Goliath is, in terms of the future, a man wearing a robot`s clothes, while the robot is prototypically a woman`s labor saving friend, but armored men want to continue with their theme of virality. Consequently, the robot in Virus is depicted as `Goliath` and Everton as the boy, David, whereas it`s time for the human to grow up from preoccupations with physical size and strength, and it`s time for men`s animality to go away and leave the woman alone to recover from men`s depredations in terms of their enslavement of her host womb to produce the civilizations, cultures and art they periodically decimate to prevent her human species from raising its foot from the floor of the Earth through a `futanarian` human sexual reproduction between women with their own penis` semen and host womb to create a species` brain`s intelligence that places emphasis upon life rather than the struggle to avoid men`s viral enslaving of it.

 As a non-educational package, Virus is a Satanist`s picture of a cosmos in which women are alien intelligence. No one should care about Everton and the virus because it`s identical as a device to reduce humans to the level of ape men, who shouldn`t ape what has gone before, while the dangerous robot theme compounds the sin because it`s propaganda against the saving of women through technology. What she needs to labor save and so save her own species through technological development and medical science is depicted as a dangerous machine, because the movie moguls of Hollywood, Babylon, want to keep humans enthralled in killing each other.

 Although developmental psychologists such as Carl Gustav Jung (1875-1961) have perceived instinct as humankind`s shadow from which archetypal imagery emerges into consciousness during dream sleep or unconscious reverie as the impelling aspects of the human imagination either characterologically or symbolically, animal instinct is what men represent and so men are the shadow of the death of `woman`s seed`:

`Even though I walk through the valley of the shadow of death, I fear no evil, for you are with me; your rod and your staff, they comfort me.` (Ps: 23. 4)

 The 23^rd Psalm is about God, not men, that is, it`s for `woman`s seed`, while Jesus` `Last Supper` is prefigured, `You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.` (Ps: 23. 5-6) Jesus was betrayed in the midst of his disciples by Judas, because Jesus was `woman`s seed` and the future host of humans in heaven as the symbol of the fruit of woman`s womb in Redemption and Resurrection after the `serpent`s seed` had planned the death of her `futanarian` species of woman`s own sexual reproductive capacity through her own penis` semen and host womb for the production of her own brains` powers for technological liberation and escape from men`s male braining her for slave labor and death in its wars of self-killing. The confusion in the Bible devolves from the differences between the name Jesus, and the identifier `Lord` as meaning God or Jesus. `Lord` has to be interpereted as `God` if the Bible is to be interpreted correctly, but if Jesus is addressed as `Lord` the reader must understand that `God` is identified as being present:

`And you will see the son of man sitting at the right hand of God almighty and coming on the clouds of heaven.` (Mk: 14. 62)

 The passage explicitly distinguishes between God and Jesus, who is the `son of man`, because his mother, the Virgin Mary, is man from whom he was born uncontaminated by male semen in prefiguration of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of women`s own brains` powers, that is, the Redemption and Resurrection of the human species by the side of God. Just as Eve was from the side of Adam created by God from Adam`s rib and Jesus` Holy Spirit was from his side as the `Second Adam`, when pierced by the spear of Longinus after his death at the crucifixion, `Surely, this was the son of God.` (Matt: 27. 54) Jesus` teaching was that there`d be a Holy Spirit to teach after him. Because Eve was from Adam`s side, the Holy Spirit corresponds to the `Second Eve`, while the `son of man` at the side of God is `woman`s seed`, that is, `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of the human species taught by the collective spirit of Eve as the `Second Eve`, who is Woman. Although `son of man` is the term applied to Jesus, Christ is `woman`s seed` and so the `son of man` is the daughter of Eve, with her own penis` semen and host womb, which men of the `serpent`s seed` fear. Consequently, she`s depicted as aliens invading the Earth from the cutting room floor of the science fiction film editors of Hollywood, Babylon, who don`t want the `futanarian` woman to be seen as anything other than a surgically generated transsexual abomination transposed into alien invasion scenarios designed to thwart Jesus` `seed` if she ever arrives from heaven after killing and culling her to the point of extinction upon the Earth:

`Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)

 The `red dragon` is thrown from heaven to the Earth where it wages war upon the `seed` of the woman, while he who will `rule the nations with an iron scepter` is with God and the rest of the `seed` of woman in heaven, that is, the planets and stars, which men of the `serpent`s seed` were presenting as the source of potential alien invasions even before `woman` seed` began to be abominated as `alien` by the `Hays code` of Hollywood, Babylon, whereby woman`s penis was prevented from being seen by cinema audiences in order to maintain male braining and warfare as the theme of science fiction movies, such as the film version of H.G. Wells` 1898 novel, War Of The Worlds (1953), in which aliens invade the Earth and die of a virus, whereas women were in fact imprisoned upon the Earth at the beginning of a 21^st century threatened with extinction by men`s virality more than figuratively represented by the spread of homosexuality and its alien HIV/AIDS` virus, which is the collective shadow that developmental psychologist, Carl Jung, viewed as the cause of the German National Socialist (Nazi) Party`s impetus for the pogroms mounted against the `chosen people` of the Jews during the 1930s and the Second World War (1939-45) to liberate Europe from Nazism.

 In Judaism a Jew has to be born from a Jewish woman, which means Jews are women and so the `chosen people` are women, that is, `woman`s seed` of `futanaria` was Nazi Germany`s target when the death camps were constructed to prevent women developing brainpower through human sexual reproduction between women with their own penis` semen and host wombs. Although Jung saw the archetypes of the collective unconscious of the human race as developmental, the soul or anima of men and the spirit or animus of women was contaminated by the collective shadow, and so their archetypal appearance in dreams, art and the imagination was distorted. In Egyptian terms, the anima corresponded to the `Ba`, or female desire of the soul for herself, which was represented by the `Ka`, or animus spirit of the woman herself, that is, the `futanarian` aspect of the sexual desire of the woman for her own self was trapped inside the man as her `Ba` or anima/soul, while her `Ka` or animus/spirit was targeted by men of the `serpent`s seed` as their prey in male braining and species` war. Consequently, Nazism was symptomatic of a socio-historical pattern in which men are more than metaphorically wolves telling the sheep where to go. The Nazis burnt the corpses of millions of Jews in ovens at death camps in Poland`s Dachau and Germany`s Belsen and elsewhere, because men consume humans. The attempted extermination of the Jews by the Nazis was symptomatic of the desire by the `serpent`s seed` of men to remove the potential of the human race to develop brainpower through its own penis` semen and host wombs and so escape from the eaters of its bodies so that it wouldn`t have the brains to remember and mount a recovery from the genocidal pogroms perpetrated against it by men`s `serpent`s seed`. The irony is that men are parasites upon a host womb rather than cannibals or the analogy would be clearer. However, the truth is that women aren`t cannibals, because they aren`t parasites.

 In male braining the sheep, that is, the women, are that aspect of the male brain, which the male brain commands to die, and that`s the meaning of Jesus` purported suicide at the crucifixion when the Bible specifically indicates that Christ could have avoided that fate. Coercion by the collective shadow of the male brains surrounding Jesus and the disciples, who weren`t uncontaminated by male semen, explains Jesus` apparently suicidal decision to go to Jerusalem where he was crucified outside the city walls on the hill of Calvary by the Romans after his betrayal by Judas at the `Last Supper` at which he was the host to that parasite. In Christian iconography Jesus is the `lamb` and the `marriage of the lamb` with his `bride`, the flock of the congregation of the church, that is, the women, is a central aspect of the symbolism surrounding Jesus` Ascension to heaven after his `Second Coming` and the Resurrection of `woman`s seed` when God`s punishment for the evil is eternal unendurable pain, because the wicked espouse slavery in parasitism and death in ephemerality for the `sheep` of the human species of `futanarian` woman with her own penis` semen and host wombs.

 Jung observed that the animus of a woman appears in dreams, art and the imagination as a coterie of male admirers, which might be true of how it appears but, contaminated by the collective shadow, the woman`s animus represents her `Ka`, or that sexually desirous male aspect of herself that wants her `Ba` body. Consequently, her animus is contaminated by the collective male shadow, which doesn`t want her to sexually reproduce with her `Self`, but wants to kill her; as the German Nazi pogroms against the Jewish `chosen people` of `woman`s seed` indicate. For men women aren`t the `foot` of God`s `chosen people`, which will `crush the serpent` (Gen: 3. 15), but `food` and they`ll remove her brains to make a meal. Jung thought that instinct was developmental but the shadow of death upon the human race is men and it`s an animal prodding the human species on to slaughter at battles like Gettysburg during the anti-slavery campaign against the Southern United States in the American Civil War (1861-5), or World War I`s (1914-18) Somme during Europe`s first campaign to defeat German virality.

 There`s a huge gulf between women`s instincts and men`s, which was proven in the Gulf war (1990-91) to evict the occupying army of Iraq`s dictator Saddam Hussein from Kuwait and the subsequent Gulf war (2003-11) to depose Saddam Hussein after he offered bases in Iraq to Al Qaeda, `the base`, when that Afghan terrorist group had crashed hijacked airliners into the Twin Towers of New York`s World Trade Centre on September 11, 2001. Saddam Hussein was hung on December 30, 2006, in Baghdad, while the leader of Al Qaeda, Saudi Arabia`s Osama Ben Laden, was killed by US Navy Seal Team Six on May 2, 2011, to effectively conclude the war against Saddam Hussein`s Iraq. The eagle on the `Great Seal` of the President of the United States, George W. Bush, during the second Gulf war, is biblical as a defender of `woman`s seed`, and the hymen of the seal of the species is represented in the concept of the Navy Seals supposed protection of the burkha clad women of the desert who never reveal themselves to men publically save for their eyes and which men are required to avert theirs from in accordance with Islamic strictures forbidding them to look upon humans:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The woman `clothed with the sun and with the moon at her feet` gave birth to `he who will rule the nations with an iron scepter` and is Jesus who was taken up into heaven before his `Second Coming`. If the eagle is the emblem of the Presidents of the United States, she`s the woman of the desert in the Moslem marriages that are permitted four wives so that `futanarian` sexual reproduction between women with their own penis` semen and host wombs` hymens can occur to ensure the Resurrection of `woman`s seed` upon the Earth. Consequently, the symbol of the eagle and the Navy Seal represents the protection to the human race in Islam afforded by the United States of America and others if the aim was to defend Moslem women. Because the symbol of Al Qaeda and the subsequent Islamic caliphate of Syria and Iraq was the moon, the woman with the moon at her feet would be the statue of Liberty in New York harbor as she was `clothed with the sun` subsequent to the United States` defeat of the flags of the red suns of Japan, which had unannouncedly attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, when atomic bombs were dropped on August 6 and 9 on the Japanese cities of Hiroshima and Nagasaki to force Japan to surrender on 15 August, 1945. In the Bible the `pearl of great price` is heaven and the moon is a symbol of the first step on the path to the planets and the stars, which can only be attained to if the human brains of woman`s `seed` can be sexually reproduced by her own species. Pearl harbor and the moon reflected in the waters beneath the statue of Liberty in New York harbor after September 11, 2001, represent symbolic victories over the `serpent`s seed` of men endeavouring to prevent woman`s `futanarian` foot from reaching the planets and stars of God`s heaven:

`One small step for a man, one giant leap for mankind.`5

 Neil Armstrong`s words, as the first man to set foot on the moon as commander of the crew of the Apollo 11 North American Space Administration`s (NASA) lunar module delivered by space rocket from Cape Canaveral, Florida, at a high cost in money and lives, didn`t represent the `foot` of God`s human race of Eve`s `futanarian` daughters with their own penis` semen and host wombs for the sexual reproduction of the species` brainpower to lift her race from the floor of the Earth`s bedroom to the stars of God`s `city of the angels`. Men`s problem is wanting to appear taller. Consequently, everyone must be a head shorter, which is what the stories of Shah Jehan and Jesus depict. In the 8^th century Arabian collection of folktales, 1001 Nights, Jehan accuses his wife of unfaithfulness with his brother and beheads her before Scheherezade begins telling the tales of 1001 Nights after he begins wedding a new wife each day and beheading her each evening. Scheherezade saves the women by engaging Jehan with her story telling and marries him. Jesus is Christianity`s Scheherezade because he engages women long enough for them to realize the truth, which is that he`s born uncontaminated by male semen, as women who have their own penis` semen for the sexual reproduction of their own brains` powers, but men have beheaded them through a male braining that excludes women`s own `futanarian` fertilizing `seed` that would make them a head taller rather than a head short.

 Scheherezade`s story of 9/11 is `rough trade`, that is, the homosexual brutality and violence associated with men in pederasty and war since the ancient Greeks institutionalized the enslavement of women`s host wombs to spread homosexuality`s contagion to nearby city states. Al Qaeda, `the base`, attacked New York`s World Trade Centre as an analogy for the spreading globally of `rough trade`, which in socio-economic terms is men`s hegemonic preference for the Military Industrial Complex (MIC) that produces a better financial picture for all by means of government spending on munitions in the United States of America, for example. The new Islamic caliphate, ISIS, in Syria and Iraq, was named for the Egyptian goddess of Resurrection, Isis, who remembered the penis of Osiris and gave him hers before renaming him Horus, `the sky god`, who would dwell in the house of Hathor, the hornéd woman, symbolizing the mother, who is the fatherer through her own penis` semen and host womb. Jesus` Scheherezade story is of his mother, the Virgin Mary, who births him as `woman`s seed` uncontaminated by male semen, which suggests that the Islamic caliphate of ISIS in Syria and Iraq is a `paper tiger` constructed by men of the `serpent`s seed` as an excuse to attack `woman`s seed` in a war designed to reestablish homosexual pederasty that Jesus` teaching of men uncontaminated by male braining`s conditioning was meant to avert.

 The creation of ISIS and the attack upon it is `black magic` based on the magical theory of correspondence, that is, if ISIS is Syria and Iraq then it magically follows that the `futanarian` Moslem population beneath her burkha in the Middle East as elsewhere is the Egyptian goddess of Resurrection, Isis, being exterminated under the guise of United Nations (UN) and North Atlantic Treaty Organization (NATO) inspired `peace keeping exercises` drawing upon the military power of the Western alliance of the United States and Europe. During the UN and NATO `monitored` break-up of the former Yugoslavia, when ethnic divisions between Christians and Moslems resulted in the creation of new independent states in that region, `rape camps` were set up during the war in Bosnia (1992-95) and elsewhere by Western backed Christian militias. Moslem women had their children male brained for another generation and so the Christians prevented `woman`s seed` from sexually reproducing within the traditional four wived marriages of Islam that permits of sex between women with their own penis` semen and host wombs. Consequently, the Moslem women of Islam correspond to Isis, the mother-fatherer, and the caliphate ISIS was set up as an excuse to pogrom `woman`s seed` in Satanism, which is the male brain telling her to die and making war upon her Earth as a means of achieving its parasitical and enslaving objective of death to the human race that won`t accept it as the butcher of its animal life.

 The `black magic` theory of correspondence was used at the World Trade Centre attack to reestablish global `rough trade` in homosexual brutality and violence, which is what `rough trade` means. On April 15, 2013, the black magicians` theory of correspondences was applied once more when the footrace at the Boston Marathon was disrupted by Moslems from the rebel state of Chechnya in the Russian Federation, because fundamentalist Islam doesn`t want the `futanarian` race of women to run against them in a democratic vote based on women`s sexual reproduction resulting in men`s being outnumbered by more than the 80% women in Moslem marriages that the sex slave system of Arabia espouses for the `futanarian` human population of `woman`s seed` with her own penis` semen and host wombs for the creation of her own brains` powers to escape male braining`s will to kill her race.

 The science fiction scenario is Logan`s Run (1967), because the 9/11 planes were hijacked by Al Qaeda at Boston`s Logan airport. William F. Nolan`s novel was made into the Hollywood, Babylon, movie Logan`s Run (1976) and a fourteen episode `TV` series for the United States` CBS channel, Logan`s Run (1977-8), in which the premise is of `runners` pursued by `sandmen` because they refuse to accept the socio-economic conditions of a culture that requires them to die in ephemerality after the age of 30 . The media productions of Logan`s Run are reminiscent of the false medical science of the 21<sup>st</sup> century that prefers death to curing HIV/AIDS` `killer disease` and repenting from its surgical division of the human race of `futanarian` women with their own penis` semen and host wombs into men and women, because it simplifies the pogrom of the `serpent`s seed` of Satan to male brain the human species into its own self-killer. The Al Qaeda hijacked planes at Boston, Logan airport, and the subsequent terrorist bombing of the Boston Marathon by separatist Moslem extremists from Russia`s rebel state of Chechnya were designed to provoke war in homosexual pederasty and prevent the human `futanarian` race of women from running her own socio-economy independently of men by enslaving her in the male braining of her self-killing in the `perpetual enmity` of the `serpent` of Eden God warned Eve it would have for her `seed` and which has materialized in male brained warfare against her throughout the Earth.

 Although television was perceived as amongst the greatest inventions of the 20^th century when Scot, John Logie Baird, transmitted pictures in 1926, the term `transvestite` denotes those who`re transsexual through surgical procedures reminiscent of Dr Frankenstein in Mary Wollstonecraft Shelley`s Frankenstein (1818) and `TV` is the term used for transsexuals, for example, Dr Frank N. Furter, in The Rocky Horror Picture Show (1975), made by Hollywood, Babylon, as propaganda promoting `futanarian` women with their own penis` semen and host wombs as a repellent abomination. Frank`s creature is Rocky Horror who he marries in Satanic mockery of genuine `futanarian` heterosexual reproduction between humans, that is, women with their own penis` semen and host wombs.

 Television is `TV` in transvestite terms, because male braining is men and women wearing each others` clothes as the same brain, that is, the `serpent`s seed` of men in Satanism have produced humanity as a `TV` making news reports about its wars upon itself as The Rocky Horror Picture Show moves on to further horrors based on men`s rejection of the human soul and spirit of woman`s sexual desire for herself. Masquerading as psychology, The Rocky Horror Picture Show, depicts Tim Curry as Dr Frank N. Furter wearing women`s lingerie, while women are in reality discouraged by their conditioning from viewing themselves as sexually desirable in the mirror. Frank N. Furter`s marriage to Peter Hinwood`s Rocky Horror mocks those supposedly `lesbian` feelings women have that are natural to the true human species of woman with her own penis` semen and host womb.

 Made schizophrenic by men who`ve made them believe in male semen as the sole fertilizing possibility of women`s human race, Woman in male braining has been taught to hate her own `futanarian` species of woman`s seed`s sexual overtures towards herself by films like The Rocky Horror Picture Show, which depicts the abomination of a man in women`s clothes, Tim Curry, making sexual overtures to his own male creature, Peter Hinwood, in a bizarre but common form of reverse racism designed to discourage the daughters of Eve from looking for a woman`s penis beneath the lingerie of those transsexual guys who have some of the equipment real women used to, but of course the disguised aren`t real women and are only there to encourage the mistaken `lesbian` schoolgirl in her first faltering steps to understanding her own humanity, before men started to tell her their horror stories of gender surgery and how she shouldn`t look for her exterminated natural sex partner`s penis in the mirror of the dreams of `futanarian` woman with her own penis` semen for the Resurrection of womankind before her Ascension to heaven.

 The latest nudes from Hollywood, Babylon, is that stars don`t want to have their photographs taken while they`re naked for the public to ogle without permission, but the hidden agenda is the movie studio prohibition against women`s penis being seen. If the `foot` God told Eve was to `crush the serpent` appeared in Los Angeles` moviedom as the `futanarian` penis of a major female star, the film industry would be hard pressed to prevent `woman`s seed` from raising herself from the cutting room floor of the numberless editing sessions she hadn`t even been a part of. During the period of the United States` hegemony in making movies for eventual `TV` screening, the surgically created transsexual population was made to vet its instinct, as an animal scientifically sundered from its human side by a killer transvestite bothered by the possibility of women being a head taller. Psychopathologically, the profile is of a shrunken cowardly parasite wanting to see filmed repeats of its previous exploits on a smaller `TV` screen, where it can watch news reports of the continuing pogrom of the `serpent`s seed` against `woman`s seed` without feeling threatened by her size on the `big screen` of movie theatres filled with audiences uncritical of their own role as a surgically male brained transsexual killing its own species` self for Satan.

1 Virgil The Aeneid, Bk II, 19 B.C.

2 Antipater of Sidon, Greek Anthology, IX, 58.

3 Skerrit, Tom as Dallas in Alien, 20^th Century Fox, 1979.

4 Sutherland, Donald as Captain Everton in Virus, Universal Pictures, 1999.

5 Armstrong, Neil UTC: 2. 56, July 21, 1969.

Britney Spears` Archetype

Britney Spears` pop career began in 2000 when she released the solo album Oops! … I Did It Again featuring the video single `Oops! … I Did It Again` featuring herself on the red planet Mars in the solar system that includes Earth and the other planets orbiting the star humanity calls the sun. The video details the arrival of a spaceman, called `Mars Lander` by `Mission Control` of Earth, who we see following his progress on Mars and giving directions by means of the camera built into his spacehelmet. `Mars Lander` discovers a cameo of Britney Spears in the sands of Mars by his foot. The cameo shaped like a `cookie` represents the `Open Sesame!` password or `cookie` found in software programs that require a key to open up their secrets and we see Britney Spears` domain on Mars surging up from the desert sands as the spaceman watches in awe.

 Ariana Grande`s pop career began in 2013 with the release of the album Yours Truly and the single successes of `The Way` and `Baby I`, which were set at a disco and a street party respectively while the setting for `Right There` was a 19<sup>th</sup> century masque. The idea of the masque is that the dancers aren`t aware of who they`re partnering, although the men are distinguishable from the women even though masks are worn. The secret of the masque is futanaria, which is that some men and women have both vagina and penis, and that means the masque has an ulterior purpose pertaining to the lack of knowledge afforded the ingénue who`d be a victim of the scene if she didn`t know.

 In the modern era rubber masks allow people to take on roles that aren`t their own, which means that a futanarian male could wear a mask to appear as Ariana Grande, although the surprising penis and vagina combination might shock if it isn`t anticipated. Because futanarian women can sexually reproduce with each other that forms the basis of their possible socio-economic independence as a species from men and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicates that `woman`s seed` is the future. The 19^th century masque suggests that `woman`s seed` was the past also, which is borne out by biblical references to; `Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Women`s wombs were enslaved by men in parasitism for the purpose of war. In ancient Greece homosexuality was institutionalized so that the host wombs of the women were enslaved and the Greeks could spread their contagion of war further.

 The poet Homer in his Iliad (670-10 BC) narrates how, at the siege of Troy, the huge hollow wooden structure of the `Trojan horse` was deployed by the Greeks, which the Trojans took into the city thinking it was a gift. The Greeks emerged to enslave the host wombs of the Trojan women and spread their virus further. In the 20^th century the term `Trojan horse` was used to describe the bad machine code devised by computer `geeks`, the successors of the Greeks, to infect machines and destroy them. The analogy was of the HIV/AIDS virus spread by homosexuals who mixed blood, shit and semen in each others` anuses during their sterile mockery of human sexual reproduction. The HIV/AIDS virus was the incurable disease of the late 20^th century which travelled to the brain and killed the human host. Scientists discovered that the human immune system was fooled by the virus into believing it was a white cell or leukocyte that destroys alien cells, which is what homosexuality represents:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 Greek warfare and `geek` bad machine code are analogous because the alien doesn`t want the human race`s program to run. In Judaism Jesus is called Meshiah because he`s `woman`s seed` and women need their own brains` powers through their own sexual reproduction with their own futanarian race`s penis` semen to liberate themselves from parasitism upon their host wombs. Consequently, Jesus` Redemption for humankind was repentance and conversion from parasitism. As the Meshiah Jesus was the forerunner of woman`s `Meshiahn` or machine age in which her labor would be saved. Those who sought to prevent her from developing were her parasites, that is, homosexuality in warfare.

 The Bible story of Eve and Adam relates how the serpent in humankind`s original home of paradise or heaven on Earth tempted Eve with the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) God told Eve her `seed` would, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) God expelled her and Adam from Eden for preferring death to the `tree of life` which was immortality. Although Eve and Adam were a pair their offspring were futanarian, which means the 19<sup>th</sup> century masque represents the repression of human sexual reproduction by the `serpent`s seed` of men who don`t want women to reproduce their own brains for freedom.

 Hollywood Babylon movies like The Game (1997), with Michael Douglas as the victim of a cabal who wear masks to deprive him of his wife, children and property, only scratch the surface of the masque. Repression of futanarian humankind in the movies is well documented. The meaning of The Game is that Hollywood masks its operational functionality. In the United States of America men and women are surgically corrected if they`re born as futanarian. The `one foot on the floor` rule established in Hollywood by the Hays code from 1934 to 1967 ended with the release of Barefoot In The Park featuring a supposedly heterosexual couple, Jane Fonda and Robert Redford, living in an apartment overlooking New York`s Central Park. But the taboo against woman`s futanarian `foot` being raised from the floor of the bedroom during scenes of intimacy kept the public in ignorance and so precluded protests against the United States` surgical removal of the human species of `woman`s seed`. The real game of the `serpent`s seed` was to prevent women from sexually reproducing so they could escape from parasitism to the planets and stars of God`s heaven above which is what Britney Spears` `Oops! … I Did It Again` (2000) and Ariana Grande`s `Break Free` from her second album My Everything (2014) are concerned with:

This is the part when I say I don't want ya. I'm stronger than I've been before. This is the part when I break free.`1

 In `Oops! … I Did It Again` Britney Spears dances in a red pilot`s suit while the astronaut wearing a North American Space Administration (NASA) spacesuit familiar to July 21, 1969, television viewers who saw Neil Armstrong of the Apollo space program put his foot on the moon: `One small step for a man, one giant leap for mankind.`2 The first American woman in space was Sally Ride of the Challenger Space Shuttle which was constructed to be launched by conventional space rocket and rendezvous with the international space station before gliding back to Earth as a reusable reentry vehicle. Neither Sally nor any other woman put her foot on the moon and so the possibility of female futanarian members of the human race putting their foot upon Earth`s satellite as a first step to the colonization of the planets and stars to escape from men`s parasitism remains science fiction.

 In `Oops! … I Did It Again` Britney Spears winches her spaceman up by means of a pulley and a hook she places in his backpack. Beneath her we see Britney Spears in a white bikini dress which means she`s twinned in the video because the sexual counterpart of a woman is a woman with her own penis` semen. Although we can`t guess at the existence of Britney Spears` twin`s penis because Hollywood Babylon`s Hays code (1930-67) predetermined our expectations. Consequently, it`s just trick photography for the viewer but biologically illuminating for the researcher:

`I think I did it again. I made you believe, we're more than just friends.`3

 The task for a woman with men is to pretend that they`re the same species, which is the game they play perforce with their parasite. In biblical terms the serpent in Eden is the parasite which inveigles itself into the womb of the host in order to devour it. According to tradition Satan was the angel in heaven that refused to accept man and God turned him into a serpent. The meaning is that of the male doomed to be replaced by `woman`s seed` and misogynistically refusing to give way to her. In the New Testament of the Bible Jesus explains that the `serpent`s seed` is to be replaced by `woman`s seed`, and those who don`t accept it will have God`s punishment of eternal unendurable pain. Because men must have killed and culled futanarian woman born after Eden to enslave the host womb of the human species in parasitism, Jesus` teachings are of the Resurrection of `woman`s seed` in heaven where the futanarian race of humanity will prosper:

`For in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven.` (Matt: 22. 30)

 The human cycle is of a species that needs males to begin with before technological development affords women the opportunity to leave Earth to colonize the planets and stars. According to the Bible Satan dwells upon the Earth and will remain there until God`s punishment of perdition because the `serpent`s seed` of men have denied women`s sexual reproduction with themselves as futanarian humans with their own penis` `seed` for the production of their own brains` powers in socio-economic independence from parasitism. Consequently, Satan and the `serpent`s seed` are damned and doomed for male braining the human race in homosexuality and warfare, while HIV/AIDS and `geek` bad machine code is an aspect of biological warfare against women`s host wombs and her brains` powers harnessed for liberation.

 In Britney Spears` video for `Oops! … I Did It Again` her spaceman is suspended above her in a white bikini dress like a mechanical grab at an arcade which children manipulate to win a prize. In Ariana Grande`s video for `Break Free` her science fiction character engages with a robot monster. In a scene reminiscent of Britney Spears` role in Goldmember (2002), which is a spoof of the third British James Bond spy movie, Goldfinger (1964), in which blazing machine guns emerge from Britney`s bra while she`s singing her single, `Boys` (2001), for actor Mike Myers` comedic spy, Austin Powers, Ariana Grande launches missiles from her silver bikini top to destroy the robot who launches a grab that sweeps Ariana off her feet in the `Break Free` promotional video.

 The `grab` scenes are what psychologist Carl Gustav Jung (1875-1961) called `archetypal`. According to Jung the archetypes are images and characters appearing in dreams, art and the imagination that impel humanity along the path of development. Ariana Grande`s `grab` is the dying throes of a robot`s desire whereas Britney`s `grab` represents the inability of the astronaut to reach her as he hangs suspended by her hook.

 Jesus` teaching is of the Resurrection of `woman`s seed` illustrated by his own crucifixion and Resurrection after being nailed upon a cross of wood by agents of the Roman Empire in Jewish Palestine. At the `Last Supper` Jesus offered his body and blood to the disciples in the symbolic form of bread and wine as the host. Betrayed to the Romans by the disciple Judas Iscariot, Jesus represented the host womb of the human race because the Empire of Satan in parasitism wants slavery for the human host instead of a new angelic host born in heaven from the wombs of women and her semen. The symbols of the bread and wine are used in the Catholic Communion service as a metaphor for the transformation process known as transubstantiation in which the priest accedes to the request of the petitioner to become uncontaminated by male semen - as Jesus was - and bestows a wafer of bread and a sip of wine from a chalice in token of Jesus` own decontaminate state and the desire of the parishioner to be rid of parasitism:

`Can you pull in Leviathan with a fishhook?` (Job: 41. 1)

 God`s question to Job, who he`s torturing mercilessly, because Satan wants to prove to God that he isn`t good, is why the `grab` is archetypal. In the New Testament of the Bible, Jesus` cross corresponds to the `fishhook`, while Leviathan is the symbol of woman`s human species, which is her almost extinct futanarian `seed`. According to Carl Jung in Answer To Job (1952), God`s torture of Job represents the need for an unconscious content of the collective unconscious to develop, which is identifiable as the Resurrection of `woman`s seed` and Jesus` crucifixion, Resurrection and Ascension to heaven is her prefiguration for he was:

`… the boy who is born from the maturity of the adult man, and not the unconscious child we would like to remain.`4

 In Islam Jesus isn`t crucified but has Ascension to heaven because Moslem marriages permit of four wives, which is a futanarian framework for the sexual reproduction of `woman`s seed`. Consequently, Jesus` deathless Ascension uncontaminate in Islam is a symbol of the Resurrection of woman and the Moslem perception that death and heaven aren`t bedmates. Upon a cross in place of Jesus for the cover of the CD single `Piece Of Me`, Britney Spears` comments on the `thirty pieces of silver` Judas took in betraying Jesus to the Romans while it`s another `hook`, in pop music terms, for her attempt to catch Leviathan. `Piece Of Me` is Britney`s endeavour to wake woman up to her true nature and break free of her slavery to the `serpent`s seed` of men represented by Judas` selling of Jesus as the human host at the `Last Supper` where Christ had offered decontamination through acceptance of the `body and blood` of `woman`s seed` in the symbolic form of a friendship meal of `bread and wine` with humanity:

`I'm Mrs `Most likely to get on the TV for strippin' on the streets when gettin' the groceries`, no, for real are you kiddin' me?`5

 Britney Spears` `Piece Of Me` came from her album Blackout (2007) symbolizing women`s occlusion. Sexual repression is the way the `serpent`s seed` confuse the issue, which is that women have the capacity to sexually reproduce their own brains` powers as a species with their own penis` semen and host womb. The zenith of the human `seed` of woman`s aspirations is the robot machine that is as human as she because it cares for her as well as (or better than) she can care for herself, while men`s science fiction depicts the robot as the enemy of labor. But the `guilt trip` laid on those who don`t work, because they don`t have to, is a slavers` metaphor.

 `Luddites` of the 19^th century were named for Ned Ludd who broke two stocking frames in the textile industry during the industrial revolution in England and was acclaimed a hero because men perceived machines as a threat to their being employed for money. However, machines liberate humans from drudgery. Consequently, machines in the image of woman represent her freedom and men`s attempts to prevent her from sexually reproducing her own brains to save her labor through technological progress represent her enslavement.

 The robot `grab` in Ariana Grande`s `Break Free` video represents the perception that women desire the machine and men don`t want the machine to help her. The machine is symbolically Ariana`s futanarian counterpart as the woman who isn`t able to reproduce with her because men want monsters and not humans. Ariana`s destruction of the robot represents men`s encouraging of women to hate technology because it`s demanding. In Saudi Arabia women don`t drive cars because it`s forbidden or `haraam`, but why would they want a pedal car that hasn`t changed its basic design structure since the first mass produced model T Ford came off the production line at the Henry Ford motor vehicle factory in Detroit, Michigan, in 1908. Pedalling a disabling vehicle isn`t what women want, while they`re encouraged to hate the disabling technology itself and so female destroyers of machine technology that is depicted as threatening but would be enabling appear laudable.

 Britney Spears` in her red pilot`s suit in `Oops I Did It Again` pays homage to a science fiction character from the United States of America`s `Grand Master`, Robert A. Heinlein`s (1907-88) novel for girls, Podkayne Of Mars (1963), `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`6 Dancing with her dancers in the `Oops! … I Did It Again` video, Britney`s `the Poddy beautiful`, as Heinlein describes his character, commanding `deep-space exploration parties` who, on Mars before the Apollo astronaut, represents the culmination of the early days of the NASA space program when pilots flew the X-15 plane into the stratosphere as a preliminary to flying to the moon. Blackouts at high altitude caused the X-15 program`s cancellation as pilot`s lost consciousness and the death toll amongst USAAF pilots grew.

 The pilots blacked out because of unendurable gravity pressure such as scientists suppose is experienced when encountering a black hole which is a collapsed star that absorbs light instead of emitting it and is believed to draw objects into itself as if it were a huge maw. Beside the helmet of her spaceman, as Britney lies beneath his suspended figure in her white bikini dress, the viewer can see the tines of a giant fork, because Britney`s `chip` is resisting being devoured. In the USA `French fries` are what the English call fried potato chips and so Britney as Poddy Fries represents the resistance of the human species of woman`s `Poddy beautiful` to being swallowed by the black hole of men`s refusal to develop beyond devouring parasitism. As the pilot of the future in `Oops! … I Did It Again`, Britney represents the will NASA lacked to persevere with the dream of flying a plane to Mars and she doesn`t want her ship to be dragged into the black hole of Satan`s maw.

 Ariana Grande pays homage to Jane Fonda`s portrayal of Jean-Claude Forest`s 1962-4 illustrations for his sexually liberated female science fiction character in the movie, Barbarella (1968), where Jane strips off her spacesuit in that free fall weightlessness experienced by astronauts outside of the pull of the Earth`s gravity inside their spaceship. Ariana strips as Fonda does in `Break Free`, because she wants to escape from the black hole of the maw of Satan as Britney Spears` Poddy Fries does in `Oops! … I Did It Again`. Appearing at the outset of the video from behind a metal door that slides upward to reveal Ariana on a world different to Earth`s, the symbol upon the door and at her hip are reminiscent of the cookie shaped cameo that represents the spaceman`s `Open Sesame!` to Britney Spears` ship in `Oops! … I Did It Again`. Although Britney`s astronaut collects the `cookie` password to gain entrance, Ariana throws her symbol to the ground and crushes it beneath her foot. The symbolism is biblical because God told Eve her `seed` would crush Satanism before humanity left Earth for the planets and stars of heaven above. Scenes of humans in cages patrolled by aliens wearing the symbol give way in `Break Free` to scenes of Ariana killing the aliens with a ray gun to liberate the prisoners. Finally, in a scene reminiscent of the destruction of the ring of slavery belonging to the `Dark Lord` Sauron in British fantasy writer J. R. R. Tolkien`s novel, The Lord Of The Rings (1954), Ariana hurls the criminal leader of the aliens into the mouth of a volcano. The aliens represent the `serpent`s seed` and so Ariana represents Jesus` `seed` of Redemption because she saves men and women from slavery.

 `Break Free` was Ariana`s second foray into meaningful pop videos after `There Again` from the Yours Truly album which also contained the seemingly innocuous, `The Way` and `Baby I`, as promotional videos featuring disco dances and street parties. `The Way` was a sensation appearing almost instantly at #1 in the US charts, `I hope you hit me on my celly when I sneak in your mind.`7 But the idea of the spirit of a man entering a woman`s mind to persuade her to phone him is the problem that male braining of the human species represents. Without `woman`s seed` all humans are male brained into accepting men`s spirit, whereas futanarian women with their own penis` semen and host wombs for sexually reproducing their own brains` powers are in the Holy Spirit of Jesus` teaching uncontaminated by male semen:

`It is said that God notes each sparrow that falls. And so He does. But the proper closest statement of it that can be made in English is that God cannot avoid noting the sparrow because the Sparrow is God. And when a cat stalks a sparrow both of them are God, carrying out God's thoughts.`8

 God`s deciding to kill himself is only true in male braining, because the male brained creature must perforce accept what the collective wants. Jesus` crucifixion and death at the hands of the Roman Empire watched by the Jewish spectators on the hill of Calvary outside Jerusalem was the collective male brain deciding to kill the individual uncontaminated by male semen because it represented a threat to male braining, which is why `woman`s seed` signifies Redemption from what many people reading the Bible perceive as the suicide of Jesus.

 In the orthodox Christianity of the Catholic church, suicide is irredeemably sinful because it`s human acceptance of male braining`s general desire that the independent individual shouldn`t live, that is, the absence of `woman`s seed` from the world`s stage indicates humanity`s acceptance of the collective male brain`s dictate that she shouldn`t live. Essentially the male brain is a brain eater and the weaker brain is eaten by the male which means that the human species of `woman`s seed` can never progress or develop because the male brain is an eater and needs an easy kill to satisfy its predatory instinct. Consequently, there aren`t any women because men have killed them all to male brain the race into acceptance of human sacrifice, which is what Jesus` crucifixion was:

`Head in the clouds. Got no weight on my shoulders. I should be wiser and realize that I've got one less problem without ya!`9

 Ariana Grande`s lyric from her first single release from the My Everything album, `Problem`, throws light on Jesus` decision to accept the collective will that he be crucified. Brainlessness appears to be freedom, and the deaths of individuals, who seem threatening to the collective, are the perceivable human spirit of woman`s attempt to use her brains. Being wise is accepting that `woman`s seed` isn`t a `problem`, but men`s semen creates the problem of a collective that kills her.

 The MTV Award for music and video is a spaceman planting the MTV flag on the moon and is the most prestigious trophy to be won by pop performers since Music Television was launched on August 1, 1981. Consequently, Britney`s `Oops! … I Did It Again` was designed to appeal to the video vote as well as the music voters. Consequently, the astronaut is seen walking backwards after delivering a gift in a black box, which the viewer never sees. Although the `cookie` icon of Britney found in the sand of the desert gives her spaceman a stage pass, as it were, for the show, the box remains a puzzle to Britney, `But I thought the old lady dropped it into the ocean in the end?`10 The astronaut replies, `Well baby I went down and got it for you.` The box doesn`t contain the key to the spaceman`s freedom. As if to replay the scene sometime in the future, which in fact is what happens whenever a VCD is played by its owner, he`s rewound to deliver another surprise.

 The `old lady` is Rose from the movie Titanic (1997), who drops the blue heart shaped diamond pendant, known as `the heart of the ocean`, into the sea at the point of the salvage operation many years after the ship sank on its 1912 maiden voyage from Liverpool to New York. Hitting an iceberg on April 13, Rose`s lover died while assisting passengers to the lifeboats and her previous fiancée, who`d attempted to frame him for theft by concealing the diamond in his coat pocket, lived. Britney`s spaceman is symbolically the diver and he`s travelled to Mars to give `the heart of the ocean` to her, which is why we hear before the presentation of the black box containing the spaceman`s gift, `All aboard!` Traitors are abhorred and have to work for Redemption, so Britney`s astronaut is doomed to repeat his scene as a slave of low technology in male braining, while Britney represents the high technological progress of the future deriving from the brains she`ll have from `woman`s seed`. Ariana Grande`s `Break Free` depicts a similar scene in which alien guards are imprisoning men and women, but that`s what men do. Consequently, it`s a repeatable sequence in which the men in the cages become the guards. Ariana appears as the savior when she kills the guards with her blaster because it`s a woman`s system for dealing with the problem of men.

 In her red pilot`s suit, Britney Spears of `Oops! … I Did It Again` is a reproval to the X-15 NASA spaceplane program, which left many black boxes to be recovered after pilots blacked out at high altitude and planes crashed during the tests to see if it was possible to fly to the moon and further. As Poddy Fries in a white bikini dress beneath the spaceman who is hoisted above her by herself in her red pilot`s suit, Britney is twinned as Fries` `chips` who are endeavouring to avoid the black hole of Satan`s maw, which is symbolized by the tines of a giant fork beside the astronaut`s spacehelmet. Escaping devourment by the `serpent`s seed` of men, Britney on Mars represents what `woman`s seed` can and must do after analyzing the contents of the black boxes, while Britney`s spaceman represents mankind`s work of Redemption because men have reduced the brainpower of the species in order to enslave her:

`Got me right there with Apollo, on the moon. Who needs genies in a bottle girl if they already got you.`11

 Ariana Grande`s `Right There` refers to Christina Aguilera`s single, `Genie In A Bottle`, and the MTV spaceman, while indirectly referring to Britney`s Apollo astronaut on Mars. Because she`s Britney Jean Spears, Ariana`s reference is to Britney Spears and Christina Aguilera as `pop` genies. The video for `Right There` features Ariana in a masque based on English dramatist William Shakespeare`s tragedy Romeo and Juliet (1591-5) in which a pair of `star crossed lovers` commit suicide failing to achieve togetherness. Ariana`s perception is that Britney Spears` twins in `Oops! … I Did It Again` represent a woman`s desire for her own species while she has to live with men, and so the MTV spaceman is the zenith of her ambition.

 Christina Aguilera`s `Genie In A Bottle` represents woman`s fate insofar as she can`t escape from her imprisonment in order to fulfil her own genius because men don`t want to let the genie out of the bottle, that is, she isn`t able to sexually reproduce with her own species to use her own brains to liberate her from men`s enslaving of her host womb in parasitism, `I feel like I've been locked up tight for a century of lonely nights waiting for someone to release me.`12 Although Shakespeare`s Romeo and Juliet is about suicide, Jesus` fate is traceable to the effects of male braining upon the collective and so Juliet`s suicide is explicable as men`s desire that her human race die. Performed entirely by men originally, Shakespeare`s plays represent misogyny. Although Ariana Grande`s `Right There` culminates in a swimming pool kiss, the element of suicide for `woman`s seed` in male braining is evident. Not only men are misogynist, because futanarian women with their own penis` semen are rare. Consequently, women without penis` semen are misogynist because male brained:

`Boy you make me feel so lucky. Finally the stars align. Never has it been so easy to be in love and to give you this heart of mine.`

 Although they`re `star crossed lovers`, Ariana and her Romeo are together in the swimming pool kissing, and the secret of the black box is revealed. Ariana is the `heart of the ocean` for her `boy`, which is emphasized by the appearance of a NASA spaceman dancing at her masque in his spacesuit. In `Break Free` she kills the alien guards with her ray gun and releases the men and women from their cages. History suggests that the men will be the future alien guards caging the men and women of the future, because Ariana`s love for her boy is a male brained response from a host womb to its parasite. The masque reveals that men are disguised aliens and the `game` is what women play to survive as a race.

 Born in Catholicism Ariana Grande espouses Jewish mystical Kabblah, which is centred upon the `Tree of Life` or Sefiroth where the supraconsciousness of the Crown is Keter in the roots of the tree that are in the air, while the leaves are in Malkuth, the power of the earth filtered through woman`s womb. There are two other sefirot associated with higher consciousness, Chokhmah or Wisdom, and Binah or Understanding; three associated with judgement, Chesed or Kindness, Gevurah or Severity, Tiferet or Beauty, and three associated with desire, Netzach or Eternity, Hod or Splendour, and Yesod or Foundation where ideas associated with building upon the Earth are generated.

 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism. Curiously, Ariana kisses a creature on the forehead that looks like an elephant during the scene in which the symbolic Sefiroth key is used to activate the ship`s controls. The Muladhara chakra at the base of the spine near the birth canal and the Vishuddha chakra at the throat in the system of developing consciousness described in India`s Hindu religion are the first and fifth of the seven chakras or energy points along the spine up which the developing consciousness of the individual is believed to ascend to the `Crown` or Sahasrara chakra, just as the `Crown` or Keter is the symbol of developed consciousness in Judaism`s mystic Kabbalah. From a pop singer like Ariana Grande`s perspective the gestation of creative ideas and her voice are most important and so she acknowledges the Hindu symbol of the elephant with a kiss.

 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism.

 In `Oops! … I Did It Again` Britney Spears descends to her stage set inside a giant`s ring, which is thematically contrapuntal to the giant fork we see beside the spaceman`s spacehelmet when he`s hoisted up by Britney in her red pilot`s suit to where he can see her twin beneath in a white bikini dress. It`s a giant`s napkin ring symbolic of the slave ring of Sauron in The Lord Of The Rings while the giant fork denotes men`s role as women`s species` host womb enslavers through marriage rings which allow them to be her devourers in their parasites` wars against the civilizations, cultures and arts she`s able to produce from herself despite men`s depredations. Briefly wearing her own spacehelmet as she pays homage to Jane Fonda as Barberella stripping in weightlessness, Ariana Grande again appeals to the video and music vote for the MTV Award to recognize spacewomen as the `Tree of Life`, which is immortality through the technological development and medical science from the brains grown of `woman`s seed` into a single spirit and flesh flourishing throughout eternity amongst the planets and stars of God`s heaven.

1 Grande, Ariana `Break Free` My Everything, Republic, August 25, 2014.

2 UTC 2: 56.

3 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, 1999.

4 Jung, Carl Gustav Psychology and Religion: West And East, Collected Works Vol. 11, para. 742.

5 Spears, Britney `Piece Of Me` Blackout, Jive Records, 2007.

6 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, Ch. 1, p.3.

7 Grande, Ariana `The Way` Yours Truly, Republic, March 26, 2013.

8 Heinlein, Robert A. Stranger In A Strange Land, G. P. Putnam`s Sons, 1961.

9 Grande, Ariana `Problem` My Everything, Republic, April 28, 2014.

10 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, March 27, 2000.

11 Grande, Ariana `Right There`, Yours Truly, Republic, August 6, 2013.

12 Aguilera, Christina `Genie In A Bottle`, Christina Aguilera, RCA, June 22, 1999.

Hysterical Blindness

The history of the 20^th century was overshadowed by the German National Socialist government`s (1933-45) pogroms against the Jews in which six million died and were placed in ovens in `death camps` like Belsen to be consumed. The United States` dropping `Little Boy` and `Fat Man` on the Japanese cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, consumed the Japanese in the heat of a small sun, and represented the desire of the US to leave infancy behind. Although the US purports to be a Christian nation, the symbolism of `Little Boy` and `Fat Man` is that of the `serpent` of Eden grown to the size of a `dragon` to devour the `new redeemer`, who will `rule the nations with an iron scepter`, and will wait in vain to consume Jesus in his `Second Coming` to the Earth, `born from the woman clothed with the sun and with the moon at her feet`, who is represented for the Western democracies by the statue of Liberty in New York harbor who bears the torch of freedom, because the US myth is that they fought for `the pearl of great price` (Matt: 13. 45-6), that is, heaven above, against the Empire of Japan (1868-1947), after it launched a `sneak attack` upon the US Pacific fleet at Pearl harbor on 7 December, 1941, to bring the US into the second world war (1939-45) against German, Italian and Japanese fascism, whereas `Little Boy` and `Fat Man` represent the US as a baby dragon.

 The `woman clothed with the sun` in the Bible is `Liberty` after the defeat of the red sun of the flag of Imperial Japan by means of the power of the sun, which was the atomic bombs, `Little Boy` and `Fat Man` indicating the US` serpent grown in size to a dragon waiting in vain to devour the `New Redeemer`. In the Bible the dragon is `red`, which is often used by capitalist Western democracies to represent communism, that is, the socio-economic system that believes in `state control of the means of production` from the theories of the German, Karl Marx, expounded in Das Kapital (1856), while capitalism believes in `ownership of the means of production`. If women are `the means of production`, communism is `state ownership`, while capitalism is entrepreneurial `ownership`. Capitalism accuses communism of not producing what `the means of production` want, while communism argues that it produces what `the means of production` need, and God`s socio-economic law was that the `seed` of the first woman, Eve, would:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 Because women would be born as Eve`s descendants who would have their own penis` semen for her host wombs to sexually reproduce the human species` brainpower to liberate humanity from their womb enslavement to the `serpent`s seed` of `ownership`. Without `woman`s seed`, humans would remain male brained with male semen, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicated the path of human Redemption, which Jesus illustrated by allowing the Roman Empire`s (27 B.C.-1453 C.E.) agents to nail him to a wooden cross and torture him to death as a `dissident`. Jesus had Resurrection and Ascension to heaven in prefiguration of the Resurrection of women`s semen as the future host of God. The biblical story of the serpent depicts a parasite inveigling itself into the host womb of womankind to steal her penis` semen and consume her race in womb slavery. The `dragon` is a symbol of the parasite`s periodic emergence to destroy the civilization, culture and art woman is able to produce from her host womb despite its depredations:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Babylon is depicted in the Bible as riding upon the dragon, because devouring war is what the parasite and its willing host represent. Consequently, because neither communism nor capitalism allow the `means of production`, that is, womankind with her own penis` semen as `futanarian` humans, to sexually reproduce her own brains` powers for self-liberation from `ownership`, the `red dragon` is the `owner`. During the Bosnian war (1992-95) Christian Serbs set up `rape camps` to male brain the Moslem women whose Islamic marriages with four wives permit of `futanarian` sexual reproduction with each other for the purpose of socio-economic independence and liberation through their own brains` powers. Consequently, the `red dragon` is male semen in male braining that enforces womb slavery in consumption.

 The US Military Industrial Complex (MIC) that produces for war is the main consumer. Most economic theorists argue that war `boosts` an economy. The terrorist attack upon New York`s World Trade Centre on 11 September, 2001, by the terrorist group, Al Qaeda, after the group hijacked planes to crash them into the Twin Towers, precipitated war against Afghanistan, where the terrorists had been trained by the misogynist Taliban regime, and so `boosted` the US economy in theory. The deposing of Al Qaeda`s supporter, Saddam Hussein, took longer than the Taliban regime, which was gone before the end of the year. The Gulf war to depose Saddam Hussein began in March, 2003, while the Iraqi dictator was executed on December 30, 2006, but `rough trade`, that is, the `brutality and violence` associated with homosexuality in pederasty, was reestablished after the World Trade Centre attack. The `democratic` model was ancient Greece`s institutionalization of homosexuality in pederasty and war. If women don`t sexually reproduce with each other, men have all of the voting stock in the business of being the retailer to the consumer.

 Men`s socio-history is of hysterical blindness in which they`re unable to see the truth because no one tells them. Some Christians think that Jesus` crucifixion is what they worship, which is why the Nazis were able to pogrom the `chosen people` of the Bible. Because Jews can`t be born unless from women, women are Jews, that is, the Nazis pogroms were against the women because of `woman`s seed`. When the US dropped `Little Boy` and `Fat Man` on Nagasaki and Hiroshima on 6 and 9 August, 1945, they didn`t care about the Japanese women, which is why Hollywood Babylon heroes are nonsense. In 1930 the `Hays code` forbade women from lifting their `foot` from the floor in bedroom scenes. It was a metaphor for the sexual repression of `woman`s seed` and the restriction wasn`t lifted until 1967, which meant that a movie like Barefoot In The Park (1967) about a cure married pair, actress Jane Fonda as Corie and Robert Redford as Paul, could depict heterosexuality as the norm, whereas it isn`t:

`What goes on four in the morning, two in the afternoon and three in the evening?`1

 A baby is the answer, but Oedipus, the protagonist of the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), says `A man` to the Sphinx with the body of a lion, the wings of an eagle, and the face of a woman, because the Theban prophetess, Cassandra, tells him to. Oedipus becomes king of Thebes married to his mother, Jocasta, on the strength of his reply to the Sphinx`s `riddle`. Having already unwittingly killed his father in a fit of blind anger, Oedipus blinds himself when he discovers he`s broken the incest taboo. He represents the man who is an infant, because he`s accepted the socio-historical picture painted for him by the enemy. Jesus` teaching, `love your neighbor as you love yourself,` as the transcendent law of God, is for the woman who can see herself in the mirror, that is `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers as the human race, while men can`t see the human species in their mirror because they`re not it. Men`s incest taboo is to prevent the daughter from perceiving a motherer`s instruction as her fatherer. The `riddle` of the Sphinx is of the third `foot` of humanity, that is, the `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers walking beside Oedipus and Jocasta, whereas their daughter, Antigone, becomes the blind Oedipus` guide, because she`s conditioned to care; although it`s of no importance to God that Oedipus sees. What`s important is that the human species of woman with her own penis` semen sees herself in the mirror. As a `futanarian` woman with her own penis` semen, Antigone represents the woman who has what she wants, which is a blind man who can`t see her race.

 Jesus` teaching of the `Holy Spirit` as an educator that would come after him pertains to the unseen `futanarian` woman with her own penis` semen and host womb invisible to men who`re blind. After Jesus` death, the Roman centurion, Longinus, pierced the side of Jesus, the `Second Adam`, with his spear, because the Holy Spirit corresponds to the `Second Eve`. The wisdom of `futanarian` woman, killed and culled by the male descendants of Eve and Adam`s coupling, after God expelled the pair from `heaven on Earth`, that is, Eden, for accepting the `fruit of the tree of the knowledge of good and evil`, which was death, rather than the `fruit of the tree of life`, which was immortality, is that men are death in homosexuality and pederasty`s womb slaving for their war economies, and that`s the socio-historical `original sin` they`re required to pray for forgiveness for if they`re to have any chance of Redemption. The anti-Christian perspective is that humans should be tortured to produce in slave labor, which is what fascism was. Some Christians are unable to perceive the difference between Jesus crucified and crucifying. Employment in torturing the worker to produce isn`t employment, whereas Christianity`s denuding the woman of her own penis` semen and host wombs to present a Messiah born uncontaminated by male semen as a recipe for success in business, because he represents the human host tortured to death by an employer who doesn`t want `woman`s seed` to breed her own brainpower for socio-economic independence and liberation from womb slavery to the serpent`s seed` of her owners, is Satanism.

 The figure of Oedipus walking alone with a third limb at the close of Oedipus Rex depicts the possible future of mankind with the `futanarian` species of `woman`s seed` represented by Antigone`s willingness to lead her blind fatherer, but the image of the man with a rifle as his third limb is the picture the United States painted for the Earth from Hollywood Babylon subsequent to the discovery of the continent of America by Christopher Columbus` ships of exploration sent by Queen Isabella of Spain in 1492. The reservations of the European settlers constructed by them for the North American Plains` Indians as the indigenous inhabitant they didn`t want were similar in intent to the `death camps` of the Nazis because they represented the stifling of a race. Hollywood movies` depiction of the `Wild West` as settlers moved from the East part of the US to the West coast of California where Los Angeles would be the home of the film industry from 1910, was of a blindly hysterical gunman who`d stolen the woman`s penis` `seed` as the parasite that had inveigled itself into her host womb and had turned her penis into a rifle to kill itself and her with, rather than walk beside her `futanarian` race as the third `foot` of humanity. The settlers used rifles to kill as many of the buffalo as they could to starve the Indians so that they`d leave their land and go to their `reservations` where food was scarce and they starved to death. Consequently, the figure of the US cowboy with a rifle presages `Little Boy` and `Fat Man`, the atomic bombs that ate Nagasaki and Hiroshima on 6 and 9 August, 1945, because men are reptiles with a long tail:

`Dead men don`t tell no tales.`2

 But living men have long tails, and there aren`t any women to speak of it. Edgar Rice Burroughs` novella, Beyond Thirty, was written and published in February 1916`s `All Around Magazine` during the first world war against Empire, but wasn`t published, as The Lost Continent (1955), until after the second world war, when the old consumer durable of the dragon of war was being retailed again. Burroughs` science fiction hypothesis is of a US two hundred years in the future that had returned to the political theory of isolationism behind the 30<sup>th</sup> parallel where the US became self-sufficient and didn`t need the rest of the world, especially wars in Europe, to develop socio-economic growth.

 In Beyond Thirty Pan-America is technologically advanced and peaceful while Europe has descended into barbarism. The Abyssinian Emperor Menelek XIV rules Europe, Africa and Asia and white people are enslaved. The defining moment is of Victory, the queen of the primitives in England, taken into the harem of Menelek, but the hero, Turck, rescues her and he`s a Pan-American hero as the possibility of the two hemispheres of the planet coming together economically grows. The `wingéd Victory of Samothrace` is Greek statuary`s counterpart to `Liberty`. Socio-economic independence and freedom for Greece requires women`s being able to sexually reproduce with their own penis` semen and host wombs, whereas the headless statue of `wingéd Victory` represents men`s hysterical blindness in their male braining of women with men`s semen until all of the women and all of the human race can`t see God`s `seed` of humanity because they have male brains and male eyes. Without penis` semen of her own under her skirts of `Liberty`, womb slavery for women will continue. Pan-America in Beyond Thirty is a utopian fantasy whereas, if women can`t be alone together apart from their imprisoners, it`s a jail for those who work well for those who marry them in order to put slave rings on their property in `ownership of the means of production`; irrespective of race, color or creed. Although men`s argument could be that women`s brains are theirs, because it`s men`s semen that fertilizes women`s ova, the argument is defeated when it`s pointed out that women have their own penis` semen and so the human race is suppressed by men`s womb slaving of her.

 Jesus` birth from `the woman clothed with the sun and with the moon at her feet` is related to the male Moslem moon and the women in the `rape camps` in Bosnia and those interned at Guantanamo Bay in Cuba after the moon of the flag of Al Qaeda was flown on September 11, 2001, when the hijackers crashed their planes into the Twin Towers and the US government began hysterically incarcerating Moslem men and women for interrogation. Reflected in New York harbor, beneath the statue of Liberty, the genuine moon was `the pearl of great price` of heaven above the Earth that their myth says the US fight for, as they fought for `heaven on Earth` at Pearl harbor after 7 December, 1941, and as the second birth of Jesus is from `the woman clothed with the sun and with the moon at her feet`, `Liberty` is his birth mother, while the red sun of the flag of Japan and the moon of the flag of Al Qaeda are the symbols of Jesus` `Victory` because, uncontaminated by male semen, he`ll `rule the nations with an iron scepter` until humans have brains.

 The technologically advanced super civilization of Pan-America gives Beyond Thirty another meaning, which is that of ageing. In US` science fiction `Grand Master` Robert A. Heinlein`s Time Enough For Love (1973), the human race has colonized the planets amongst the stars of the universe and has virtually conquered death through the science of rejuvenation so that people don`t deteriorate after thirty years of age. In Burroughs` Beyond Thirty Europe is barbaric so people die young, while in the US technology is advanced, although to maintain womb slavery women would have to be kept in blind ignorance of their true nature lest they sexually reproduce their own brains` powers to produce the technological advances in medical science to guarantee their memory in longevity and youth so they didn`t forget men`s parasitism upon women as their host. Consequently, Burroughs` Beyond Thirty and Heinlein`s Time Enough For Love are typical science fiction utopias for women`s enslavers to enjoy, while God`s punishment of eternal pain for the sinner awaits those who prefer it, which places the purveyor of power fantasy fiction for boys in a precarious position. If women aren`t educated by the `serpent`s seed` of men in their true human nature, boys are educated into following their leaders into the pit of hell, because they`re educated in the belief that dropping `Little Boy` and `Fat Man` onto Japan`s cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, was `Victory over Japan`, while the continued celebration of `VJ Day` actually represents the devouring of Japan`s `futanari` women with their own penis` semen and host wombs for the sexual reproduction of the Earth`s human brains that could bring Redemption from hellfire for boys mistaught by their fathers in Satanism.

1 Apollodorus, Library Apollud, 3. 5. 8.

2 Burroughs, Edgar Rice Beyond Thirty (The Lost Continent, 1955) serialized in `All Around Magazine`, February 1916.