Opinion Hated Friends
Opinion Hated Friends
In the developmental psychology of Carl Gustav Jung (1875-1961) a woman`s animus is the term Jung uses to discuss what he calls the `spirit` of a woman, which is characterized as a collective of men surrounding her. Jung`s hypothesis was that women are encircled by a crowd of admirers in their dreams, which appears in art and the imagination as an archetype. According to Jung the archetypes are the impulse engines of human nature impelling progress and development through the unconscious mind and the animus is an archetype characterized as a throng of male admirers. The corresponding archetype in men is the anima or soul, which acts as a `projection making factor` leading an individual into human relationships with women, that is, the individual is attracted to women, because women correspond to their anima or soul image. Consequently, `love` for women derives from love for the soul, which is an aspect of the totality of the unconscious `self`, which is built by the archetypes of the collective unconscious as the individual comes to understand, that is, become conscious, of the meaning of the projected archetypes. Jung`s description of the animus as a collective `spirit`, which affords women a view of being loved by many men, effectively denies women a soul. Although Jesus Christ`s teaching of a Holy Spirit that would teach after him suggests that men will receive a `spirit` from God that will replace the animus and be an adjunct to the soul or anima in men, Jesus` Messianic message of God`s `love` doesn`t explain Jung`s denial of a soul to women: `Love your neighbor as you love yourself.` (Mk: 12. 31) The explanation is misogyny, that is, hatred of women, although misanthropy, which is hatred of people, and especially of human nature, is a closer truthful approximation to why Jung doesn`t credit women with a soul.
In Eden, the first woman, Eve, was tempted by the angel, Satan, who`d been placed there in the paradise that was heaven on Earth by God. Satan had been turned into a serpent for rejecting God`s plan that the human host should be greater than the angelic host and told Eve she should `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, `You shall be as gods.` (Gen: 3. 5) Rejecting God`s `tree of life`, that is, immortality, Eve and Adam were expelled from Eden with the admonishment that human nature would be redeemed if Adam labored, but Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because God told Eve her `seed` would have `enmity` with the serpent`s, that is, the brainpower of the human futanarian race of `woman`s seed` would be kept in blind unconscious ignorance by a parasite on the host womb of the human species before Eve`s `seed`, Jesus, crushed it. Because women can sexually reproduce with each other as futanarian `woman`s seed`, they`re the `seed` of Jesus` mother, the Virgin Mary, and Eve`s, that is, when women`s slavery to the parasitism of their parasites on Earth is overcome through the sexual reproduction between them of their own brains` powers for the development of labor saving technologies and immortality conferring medical science, `woman`s seed` will be redeemed. Jesus was taken to the hill of Calvary outside Jerusalem in Roman occupied Palestine as a Jewish `dissident` and nailed to a cross of wood where he died, but had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` through her own brainpower to develop starships and colonize the planets and stars of heaven above. According to parasitology parasites with a host can become parasitoid and devour the host, which is what men`s armies are. They`re a many armed demon with many leggies, whereas God`s `foot` race of futanarian `woman`s seed` can`t run and escape from being hunted as a projection. From a psychological perspective `woman`s seed` is a projection of men`s semen, that is, women and children are projections.
In criminal jargon men run a `protection racket`, which is a `projection racket`, that is, `woman`s seed` is the projection that they kill in the shape of civilization, culture and art, which women perforce are still able to produce despite men`s depredations against their species` future. Periodically culled through wars against her developing the capacity to run its own race `woman`s seed` is kept in ephemeral unconsciousness of anything other than her role as a host to men`s devouring parasitoid nature. In simple terms, men are armies that don`t want `woman`s seed` to have the leggies to run away. Consequently, they produce intercontinental ballistic missiles (ICBMs) so that `woman`s seed` can be exterminated without men having to leave their chair. The late 20th century obsession with PC computer games in which the player could kill from the safety of their chair was paradigmatic. The human race couldn`t run. However, men are taught that they`re the human race, whereas the capacity of God`s `foot`, that is, futanarian `woman`s seed`, to sexually reproduce as women with each other, suggests that men`s armies are interfering with the race`s leggies, so that the race can`t run: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) Jesus` disciple John`s prophesy of Revelation explains the late 20th century `incurable killer disease`, HIV/AIDS, a `blood plague` (Rev: 11. 6) spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women`s mode of sexual reproduction, because men don`t want the human futanarian race of `woman`s seed` to run and escape from their armies, that is, they`re plague games, and by the late 20th century schizophrenic psychopaths who believed in armies to defeat the women`s leggies were training themselves on personal computers to exterminate `woman`s seed` from the safety of their chairs.
As projections of men`s semen, women and children are bred to be extinguished by those who`re `plague games`, that is, parasitoid devourers with armies who don`t want leggies for the human race to run and escape: `Upon thy belly shalt thou go.` (Gen: 3. 14) During the period of the Roman Empire amphitheaters were constructed for the people to watch killing as entertainment, which by the early twentieth century had been translated into the theaters of the movie industry. The first film in Hollywood, Los Angeles, on the west coast of the United States of America, was made by D. W. Griffith, Old California (1910), but by 1930 President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) had banned `woman`s seed` and consigned her human race to the cutting room floor of the editing studios on `moral grounds`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 Without sexual reproduction between women the human species` brainpower can`t receive the leggies it needs to defeat the armies, that is, the race is disabled to prevent it escaping by running from the parasitoid that`s now so confident of its victim`s extinction it believes it can sit at home and kill it from there. Although the Roman Empire seems primitive, Jesus` betrayal by his disciple, Judas, is illuminating. When a woman anointed Jesus` feet with expensive `spikenard` perfume, Judas was the `spy` who, known for stealing from the collection pate after a sermon by Jesus, raised the `canard` that the perfume, that is, the `spikenard`, be sold to raise money, and Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) Judas subsequently gave Jesus to the Jewish religious police, the Pharisees, as a `dissident`, because he was `woman`s seed` and Judas didn`t want the `seed` of Eve and Mary to sexually reproduce the brainpower humans need to escape from their slaver in parasitism and parasitoid devouring. Jesus` dissidency was his opposition to the Romans` manufacturing of the human species as a single male brained creature wearing each others` clothes in `TV` transvestism. When John Logie Baird invented the `TV` machine in 1926, it was used by men`s sinful parasitoid nature to watch itself kill `woman`s seed` in its wars against her. In short, men are taught that they protect women, whereas they kill `woman`s seed` and the art, civilization and culture she perforce produces under slave conditions as a projection of men`s semen, that is, she`s a host womb devoured by a parasitoid, which humanity has to escape from or it can`t live: `And the dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 27) Jesus` mother, the Virgin Mary, is God`s futanarian `foot` crushing the male brained head of Satanist `TV` through `woman`s seed`, which was the teaching of her own `woman`s seed`, Jesus, who was killed by Satan, Judas, the Pharisees, and the Roman Empire, because men preferred to kill the human race with its armies and watch it die before it developed leggies to escape.
Although `schizophrenic psychopath` is the clinical psychological definition for what men have manufactured the human race as, it`s explicable in simple terms as women`s inability to see themselves in the mirror. Kept in blind unconscious ignorance by the Earth`s media Empire of male braining `TV`, women can`t see their own penis. Consequently, the human species can`t produce a balanced brain, so that `woman`s seed` can run its own race and escape from the alien parasitoid sinful nature of the devouring enslaver of the host. As the human host at the `Last Supper`, Jesus Christ gave `bread and wine`, as symbols of his `body and blood`, to the disciples, because he wanted the disciples to accept `woman`s seed` and the `human host, which is why Christian officials give `bread and wine` as a wafer and a sip of wine from a chalice to the petitioner in the ritual of transubstantiation, or the metanoia of brain transformation. Repentance and conversion from parasitoid devouring`s sinful parasitical nature is Redemption for the host womb and the human species of `woman`s seed`, so men and women in Christianity have to accept the `body and blood` of the human host, that is, Jesus`. In Satanism women are kept in blind ignorant unconsciousness of their own species` `seed`, that is, the penis` semen of futanarian `woman`s seed`, which is a form of race castration. As the slang term for penis is `snake`, the inference is that humanity will crawl on its belly, as God told the serpent to, because the enslaving armies of the parasitoid devourer won`t allow the species leggies to run and escape from its ICBMs delivered from its chair where it doesn`t need leggies to run after her.
All of literature describes women`s supposed adulterous nature which is described as redeemably sinful, for example, Hester Prynne in Nathaniel Hawthorne`s novel, The Scarlet Letter (1850) set in Boston, Massachusetts, in the 1640s is of a woman with the letter `A` embroidered to the front of her dress so that the people can see that she`s in public opprobrium for the sin of adultery. Because purity is associated with adulterate, that is, the pure is adulterated by the impure, men`s building the human species of futanarian `woman`s seed` as a single male brained creature wearing each others` clothes in `TV` transvestism is an adulteration, that is, men are women`s adulterers, whereas adult women know that they`re a single species that doesn`t marry, because marriage is slavery as a host womb to the sinful devouring parasitoid nature of men: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) The angels were told by God that the human host would be greater than the angelic, although Jesus` teaching is that the human host will be like the angelic host, because `woman`s seed` isn`t contaminated by male semen, although Redemption for the male is possible if men accept Jesus` Holy Spirit. Upon his death the Roman guard, Longinus, pierced the side of Jesus, who was known as the `Second Adam`, after the first man, Adam, in Eden, whose side Eve emerged from, according to the Bible, and so the `Second Eve` was expected to emerge gynecologically from the side of Jesus by Longinus` `caesarian section`, that is, the futanarian spirit of `woman`s seed` was Eve`s as the Holy Spirit that would teach after Jesus.
Although Satan is depicted as a `fallen angel` along with the angels of Satan, `woman`s seed` and the angels of God aren`t rivals, so God`s position that the human host will be greater than the angelic presupposes that there won`t be war between the human host and the angelic, although men`s history is of warfare against `woman`s seed`, so in the Bible it is written as a fact that there`s `war in heaven` (Rev: 12. 7-17) between Satan`s angels with their evil supporters - and God`s – because humans are the slaves of an alien parasitoid nature defined as `sinful` without Redemption. Though presented as almost inhumanly benign Christ`s teaching is actually humanity`s preparation for a war in which the head of Satanism was to be crushed by the brainpower of the human race. However, parasitism upon the human host by men rejecting `woman`s seed` and use of the `incurable killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses to use as a `biological weapon` keeping women in fearful faithfulness to men`s ring slavery for parasitoid devouring in warfare against humanity, is war against God, rather than war against Satanism, which Christianity doesn`t seem to have understood. Jung`s perception of women`s animus as a crowd of men surrounding each individual woman isn`t that of a protector but a projector of women as a projection of men`s semen at the center of a `snuff movie` in which `woman`s seed` is murdered: `Your candle burned out long before your legend ever did.`2 Although sex symbol Marilyn Monroe was a penisless movie star in Hollywood, the lyric to pop star Elton John`s song, `Candle In The Wind` (1973), suggests that she was found dead nude in 1962 because `snuffing out` is what penisless women are for: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Ancient Greece is held to be the model of Western democracy although host womb enslavement for women for homosexuality in pederasty for war against `woman`s seed` was institutionalized because men`s democracy denies women`s `seed` and so disenfranchises the humans. Called `Babylon` after `a woman` of the Bible and the capital city of the male brained Persian Empire, Babylon (c. 4000 B.C.), Hollywood represents the mass media propaganda of the Empire of the west keeping `woman`s seed` in blind ignorant unconsciousness of her species` killer, whose opinion it is that women`s human species shouldn`t live, so its `spirit` surrounds her in dreams, art and the imagination as her male killer. Although Jungian psychology denies a soul to women, but identifies men`s anima image of a woman as a soul, because women correspond to the anima, they`re the species` soul, and the futanarian Holy Spirit of Eve`s emergent from the side of Jesus as the `Second Adam` is women`s too, that is, men`s spirit is Jesus` Holy Spirit if they accept the teaching of Redemption through acceptance of `woman`s seed`, but men don`t have a soul, because the soul and spirit of human nature is what women are.
Opinion is what a `snuff film` is based on. At least since the Greco-Roman Empire built its huge amphitheaters to watch people being killed, humans have been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism, and the late 20th century saw the invention of the video cassette recorder (VCR) for `home entertainment` in which killings could be watched as instantaneously replayable, so fostering the illusion that recording real killings to entertain the sinful evil nature of the parasitoid devourer was `TV`. Jung`s observation that women are surrounded in dreams, art and the imagination by a collective male figure corresponding to her animus is a developmental psychologist`s inabiity to penetrate the occlusion generated by the media propagandists of his era and define it as a `made for TV` snuff movie. In movies `smoking` is a euphemism for killing, because guns produce smoke after a bullet has been fired to kill someone. Consequently, cigarette smoking is a euphemism for the extinguishing of the human penis by homosexuality in pederasty for war against `woman`s seed`. Although `smoking` is a euphemism for fellatio, it`s a euphemism for killing, that is, cigarette smoking is a euphemism for the snuffing out of the human race upon the Earth, which is why ground tobacco is called `snuff`, although it`s snorted nasally because men have thought of producing a smoker`s haven from the olfactory system:
`Smell-O-Vision was a system that released odor during the projection of a film so that the viewer could `smell` what was happening in the movie. The technique was created by Hans Laube and made its only appearance in the 1960 film Scent of Mystery, produced by Mike Todd, Jr., son of film producer Mike Todd. The process injected 30 odors into a movie theater's seats when triggered by the film's soundtrack.`3
Making the spiritual realm produce movies by means of the olfactory system through snuff or ground tobacco so that the futanarian Holy Spirit of `woman`s seed` can be snuffed there too is the vampire of British American Tobacco (BAT). Women can`t see their own penis in the mirror of the `silver screen` because men have a stake in their hearts, although it`s traditional that vampires that obtain immortality by drinking the blood of humans parasitically can`t be seen in the mirror but can be killed by a wooden stake driven into their hearts. However, novels like Bram Stoker`s Dracula (1897) depict a woman`s inability to sexually reproduce the brainpower she needs to develop medical science to confer permanence upon her mental powers so she can maintain her technological ascendancy to live independently of men`s slaving of her race as an ephemeral in ignorance, that is, women`s stake in their future is the penis` semen that the parasite somehow inveigled itself into the species` host womb millennia ago to steal, whereas her stake in the heart of the parasitoid devouring draco is the brainpower she`ll make from her own penis` `seed`. Although the `Hays code` established in 1930 on `moral grounds` to prevent women`s mode of sexual reproduction being graphically depicted in public theaters seems `Christian`, filmmakers preference for male centered drama is murderous, which is immoral. All of literature denies women`s futanarian human nature, which is 100% human, and because women can sexually reproduce with each other, whereas men can`t, women are the legitimate vote in men`s anti-democracies. Moreover, because `woman`s seed` doesn`t receive education about women sexually reproducing with women, graphic depictions of lesbian and futanarian sex, which are labeled by moralists as `pornographic`, are in fact moral and educational for her. Either that, or men`s dramas continue to dominate the bookshelves, and screens where woman is surrounded by killers pretending to protect her, whereas she`s conceived as a projection, that is, a protection, behind which they hide their parasitoid killers` nature.
Jung accused women of being `opinionated` and described the relationship between a man`s soul image or anima, and a woman`s animus or spirit, as the anima ejecting her poison of illusion, while the animus drew his sword of power. In fact the soul or anima figure deceives the predator by deluding the alien invasive parasite into believing in a love relationship, while the woman`s spirit or animus isn`t characterized by a crowd of male admiration, but what Jesus represents: `Coming out of his mouth is a sharp sword with which to strike down the nations. `He will rule them with an iron scepter.` He treads the winepress of the fury of the wrath of God Almighty.` (Rev: 19. 15) Women`s animus speaks for `woman`s seed`, as Jesus does on her behalf, before God`s judgement of perdition, that is, eternal unendurable pain, on the evil, who`ve conceived the human race as a single male brained creature wearing each others` clothes as a `TV` transvestite schizophrenically snuffing its sundered self in unbalanced psychopathic self-loathing for its own species, while entertaining a parasitoid killer that has induced psychosis in the human race by making sexual reproduction taboo. If humans were eternally young, which is possible through medical advances in rejuvenation techniques, babies wouldn`t be made so that people could look at the young hopefully, which is what the hidden killer wants, because then the intentions of the murderer of the human race is concealed behind people`s misplaced optimism in the future. In Christianity, Jesus` teaching is depicted as an infant`s, because men want brainless acceptance to maintain blind ignorant unconsciousness for their slaves in ephemerality. In short, grown men are expected to be infantile, because Jesus` teaching of God`s love is simplistic for those who aren`t taught `woman`s seed`. Pop music, for example, sounds like love, but it isn`t, because the substance and the content is war against `woman`s seed`, rather than genuine love for what`s good through understanding it is:
`And I would liked to have known you,
But I was just a kid.
Your candle burned out long before
Your legend ever did.`
1 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
2 John, Elton (music), and Bernie Taupin (lyrics) `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
The Hungarian word for `fool` is `hujer`, which suggests that Max Martin and Rami Yacoub, the writers of Britney Spears` single release, `Oops! ... I Did It Again`, from the album Oops! ... I Did It Again (2000) knew, that is, Britney Spears` lyric `intro` is a homonym, `Hujer yeah yeah yeah yeah.` It`s important for the meaning of the song, because `The Fool` is a character in the Tarot deck of cards, which is believed to have been a portable Jewish Torah depicting the journey of the soul through life. The Tarot is amongst the few books to survive accidental fire at the library at Alexandria in Egypt, which was built by Greek Alexander`s Empire, before Egypt`s conquest by the later Romans. In the Tarot deck, which is used to divinate what life`s path might conceivably hold for the journeyer through meditation on the meaning of the cards as they appear when dealt during what skryers call a `reading`, `The Fool` is 0 of 22 Major Arcana cards, which indicates the beginning of the journey of the soul through life and its possibilities. Consequently, the lyrics to Britney Spears` `Oops! ... I Did It Again` contain a reference to `The Fool` in the few words available to the singer outside of the video material, which has a more extensive interpretation, and suggests that the writers of the lyrics worked together with the director, Nigel Dick. Either that, or it was a telepathic collaboration that either involved Britney Spears` announced Hungarians, or otherwise: `Can't you see I'm a fool in so many ways.` In Hungarian `ful` is `ear`, so Britney`s descent inside what appears to be a giant`s ring at the commencement of the video for the song, `Oops! ... I Did It Again`, translates as `The Fool` heard by the earring, who`re the circle of listeners, that is, the ear ring, now admitted to the cinema theater of the screened video to watch the encounter between the spaceman, who`s just arrived as an unexpected visitor to the Mars` setting, where Spears` science fiction film of the meaning of the content of the lyrics is performed by the actress.
Called `Mars Lander` by what appears to be `Mission Control`, and in an environment similar to that familiar to audiences of the North American Space Administration`s (NASA`s) Apollo Space Program that put a man on the moon successfully `live` on television for viewing audiences on July 21, 1969, Britney Spears` astronaut is guided by his mission controllers by means of the camera attached to the side of his spacesuit`s helmet ostensibly transmitted back to Earth, although closer inspection suggests that the science fiction content of the video involves the hypothesis that the controllers are inside the spaceman`s head using his eyes to see with, while the video camera is an angle on the scene for the `final director`s cut`. As `angol` in Hungarian means `English`, the angle of the camera is linguistic, that is, the pictures are read mainly in US English, while the director, Nigel Dick, was English, but the meaning is Hungarian, which is a transcending language for the reader, who can understand more from the material.
Wearing a red pilot`s suit Britney`s putting a hook into the spaceman`s backpack before winching him up to where he can look down upon her avatar in white singing about the fool is an allusion to the `hook` of the song`s lyric. Because `ful` is `ear` in Hungarian, the `fool` is `hooked`, although the progress of `The Hanged Man`, which is 12 of the soul`s journey through the 22 Major Arcana of the deck of the Tarot, is the character alluded to, `Let him be drug on a plank at a horse’s tail to the place of execution, and there be suspended by one foot to the gallows, and be left there until he is dead.`1 Although `The Hanged Man` is associated with the punishment of traitors, as in this 1393 Milanese sentence, treachery isn`t the general interpretation, which is suspension of belief in one`s own judging powers in wonder at being confronted by the unknowable majesty of the infinite wisdom of God`s judgement. According to the Bible God`s punishment on the evil is `eternal unendurable pain`, that is, perdition, whereas the good receive a `new heaven and Earth` as their reward, which is represented in Britney Spears` `Oops! ... I Did It Again` as the cosmos of the colonizable planets and stars of heaven above seen from the red planet, Mars, god of war, but from the perspective of a woman, who prefers peace. In `Piece of Me` (2007), from the album Blackout, Britney`s lyrics reflect the cover of the compact disk, which shows her on a cross. In Christianity a `piece` is the term used to describe a relic of Jesus` cross, who was the Jewish Messiah taken to the hill of Calvary by the Romans in occupied Palestine, after betrayal by his disciple, Judas. Nailed to a cross of wood, Jesus was left there to die as a `dissident`, because of his rabbinical teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Depictions of Judas` hanging, after his giving over of Jesus to the Jewish religious police, the Pharisees, who gave him to the Romans to be crucified, show him upside down with the `thirty pieces of silver` paid by the Pharisees weighing upon his hands. Consequently, `Piece Of Me` contains lyrics complaining of Britney`s crucifixion by the media, which confiscated her fortune and her two and one year old sons, Sean Preston and Jayden James, around the time of the Blackout album`s release:
`I`m Mrs 'You want a piece of me?'
Tryin' and pissin' me off.
Well get in line with the paparazzi
Who's flippin' me off,
Hopin' I'll resort to some havoc
And end up settlin' in court.`
Media `blackout` is what occurs when no one is to know. Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was representative of futanarian `woman`s seed`, that is, women who can sexually reproduce with women from their own penis` semen, which is why Mary is depicted crushing the head of the serpent with her `foot` in Christian iconography. The serpent is Satan`s brainpower, which is men`s. In Eden Eve is told her `seed` will have `enmity` with the `serpent`s seed` and she`ll experience labor pain before Redemption: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Satan is the `angel` transformed into a `serpent` by God for rejecting God`s plan that the human host be greater than the angelic, and placed in Eden, the `paradise` of `heaven on Earth`, where he tempted Eve with the `fruit of the tree of the knowledge of good and evil`, that is, death, saying `You shall be as gods.` (Gen: 3. 5) Gods, because ephemerality is the basis of men`s being able to enslave the host womb of the human species in parasitism, and `the fruit of the tree of life`, which is immortality, is what Eve and the first man, Adam, rejected in exchange for power in parasitism from Satanism. Britney`s `Piece Of Me` from the Blackout album laments the absence of education about `woman`s seed` from a supposedly democratic Christian media that ignores women`s capacity to sexually reproduce without men as being basic to its propaganda media blackout maintaining alien dictatorship over futanarian women`s disenfranchised 100% human race.
In her red pilot`s suit Britney`s alluding to the original X-15 plane program to fly to the moon, which was abandoned because pilots experienced blackout at high altitudes and their planes crashed, so efforts to reach the moon were concentrated on a lunar module detachable from a Saturn V rocket orbiter: `One small step for a man, one giant leap for mankind.`1 Neil Armstrong`s words on being the first man to set foot on the moon are ironic given the fact that futanarian `woman`s seed` is represented in the Bible as crushing the head of the serpent, Satan, whereas mass media blackout on the existence of humans brainpower for their liberation from imprisonment upon the Earth is what the United States of America produce in its media Empire centered on Hollywood, Los Angeles, known as Babylon after `a woman` of the Bible who gave her name to the capital city of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The first movie made in California, Hollywood, was Old California (1910) by director, D.W. Griffith, and by 1930 Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA) had established the `Hays code` blacking out knowledge of `woman`s seed` from the `big screen` of cinema theaters: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 No loves scenes between `woman`s seed` for the sexual reproduction of human brainpower conferring immortality through medical science, and the permanent maintenance of labor saving technologies for the building of spaceships to take humanity to colonize the planets and stars of heaven above:
In her red pilot`s suit, Britney isn`t an Apollo astronaut, from a lander detached from the final stage of a rocket propelled Mars orbiting module, but a spaceship pilot, while the lyrics suggest the Apollo Space Program was abhorred by all because it represented an attempt to abort `woman`s seed`: `Oops! ... I did it again, I played with your heart, got lost in the game.` US President Ronald Reagan`s `Strategic Defense Initiative` (SDI) of March 23, 1983, was for a `ground and space based missile system` to keep `woman`s seed` on Earth as a prisoner unable to escape across the board deployment of nuclear weapons. Imagery of a woman breathing fire together with Britney in red suggests the `red dragon` of the Bible, who is Satan, the serpent grown to full size in the prophetic Revelation of Jesus` disciple John: `And the dragon was wroth with the woman and went to make war with the remnant of her seed.` (Rev: 12. 17) In biblical terms, John is the equivalent of the skryer who reads the Tarot, which is the Torah in pictorial form, and `The Devil`, that is, card 15 in the journey of the progress of the soul, is depicted as a fire breathing dragon. Consequently, the spaceman winched above her on a hook placed in his backpack by Britney in her red pilot`s suit to where he can look down on her in a white bikini dress alludes to the Edgar Allen Poe story, `The Pit And The Pendulum`,3 which features a scene of an axe blade swinging as it descends lower to cut a sacrificial human victim in two. As Britney in her red pilot`s suit winches up her astronaut by means of the hook she`s placed in his backpack, he can see her white below, as the camera lens figuratively cuts her in two: `Wishing that heroes, they truly exist, I cry, watching the days.` The imagery relates to the sundering of `woman`s seed` by `The Devil`, because the serpent, Satan, is the creature that millions of years ago inveigled itself into the host womb of the human race to steal futanarian women`s semen and subsequently sunder her species in the madness of a schizophrenia that denies her own desireful image in favor of the draco, that is, a vampire. Legendary creatures that consume others` flesh by drinking their blood and making themselves an immortal collective vampire s too, vampires can`t traditionally be seen in the mirror. Representing men`s mass media `blackout` of knowledge about `woman`s seed` to prevent women from sexually reproducing the brainpower to escape host womb slavery in parasitism for the devourers` parasitoid wars against her human species` nature, vampires are invisible to women in the mirror.
Hollywood Babylon`s `Hays code` of 1930 banned `woman`s seed` being seen educatively for women on the `big screen` of cinema theaters while preparing the way for the `small screen` of `home entertainment`, that is, the new medium of television invented by John Logie Baird in 1926, which repeated the propaganda of the movie goers` experience for a new generation. Manufacturing a single male brained creature wearing each others` clothes as a transvestite `TV`, men watched the human race die in networked news` reports of their wars `live` against the `remnant of her seed` (Rev: 12. 17). `Oops! ... I Did It Again` depicts the future of what might have been without men`s blackout on `woman`s seed`. The appearance of the Apollo astronaut is an anachronism for Britney in her red pilot`s suit, who doesn`t need a spacesuit. She suggests women`s brainpower is impervious to blackout, because women`s futanarian brainpower is human, whereas men`s isn`t, that is, the `serpent`s seed` is damned through male braining, which is why the X-15 spaceplane program failed through blackouts that caused crashes. Consequently, men`s mass media blackout on `woman`s seed` is because they`re jealous of women`s escape capability and so have imprisoned the human race in a `death camp` on Earth. In the Hollywood Babylon movie Star Wars (1977), which was used as a metaphor for US President Ronald `Ray Gun` Reagan`s `SDI`, the evil Empire construct a `Death Star` that orbits planets to kill them, which is why SDI was labeled `Star Wars` by its proponents, because Hollywood Babylon maintains an Evil Empire on the Earth for the United States of America.
Although Islam`s label for the US is `the Great Satan`, few Christians give credence to it, but Moslem women`s tradition of covering themselves publically in the one-piece coverall of the burka is in striking contrast to the ubiquitous nudity of women in the US where monogamous ring slavery through marriage obtains, whereas Moslem marriages are permitted four wives. Four, because the Koran (610-30 C.E.), dictated by the angels of God, who wanted the human host to be greater than the angelic, was received by Mohamed, the descendant of Ishmael, born from Hajer, who was the maid of Sara, Abraham`s wife, who bore Isaac, the founder of Judaism. Barren after the birth of Ishmael, Sara gave Hajer to Abraham, who bore Ishmael, that is, the founder of Islam through Mohamed. Consequently, the four wives of Moslem marriages legitimize Ishmael`s birth, while affording the possibility of sexual reproduction within the families of Islam between futanarian `woman`s seed`, whereas women`s penisless nudity in Hollywood Babylon is a blackout, that is, `woman`s seed` is human whereas brainlessness is the curse upon those women who don`t have penis` semen of their own. The X-15 spaceplane pilots experienced blackouts and crashed because, without `woman`s seed`, male braining is damnation, which `woman`s seed` in Islam doesn`t want. Although Judaism is often represented as opposed to Islam, the truth is that Jewish tradition is closer to the Moslems, because it`s a futanarian tradition amongst the `chosen people` of the Bible that Jews are born from women, that is, Jews are women. Consequently, Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is typically Jewish. It`s the futanarian women that are the Jews, which is why the Jews are described as `chosen` by God, because they`re Eve`s `seed` for the crushing of the brainpower of Satanists in Satanism with her futanarian `foot`. Appearing in her red pilot`s suit, alongside a `copy` of herself in white, Britney `twinned` represents both the weakening of the human gene pool in male braining, which is the equivalent of a photocopying machine producing faded tonerless copies, and the possibility of reproduction within the single species of futanarian `woman`s seed`, which produces herself.
Although German economics` philosopher, Karl Marx, was criticized for advocating `workers control of the means of production` as the basis for society, his `communism` is Christian, because women are the human workers, whose wombs are enslaved in parasitism for the parasitoid nature of men to devour in expensive wars against `woman`s seed` to ensure her ephemerality in blind unconscious ignorance, while spreading their `biological weapon` of HIV/AIDS to keep women in fearful faithfulness as ring slaves. HIV/AIDS was the late 20th century `incurable killer disease spread by men`s mixing of blood, shit and semen in each others` anuses in mocking rejection of `woman`s seed` as the serpent, Satan, rejected God`s plan for the human host to be greater than the angelic. Before Jesus` crucifixion his disciple, Judas, who was known for stealing from the collection plate after a sermon, spied Jesus being anointed with expensive perfume by a woman, and suggested the perfume be sold to raise money, which received a rebuke from Jesus: `Leave her alone.` (Mk: 14. 6) At the `Last Supper` before his crucifixion, Jesus was the human host giving `bread and wine` as symbols of the `body and blood` of the fellowship of the human host, that is, `woman`s seed`, which Judas betrayed by giving Jesus over to the Jewish religious police, the Pharisees, who gave Jesus over to the Romans that took him to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and died, but had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` through her own brainpower`s capacity to build starships and develop the medical science to confer upon themselves immortality as God`s promised Redemption, rather than spend billions of dollars US $ on improving B1 into B2 `spirit` bombers: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The images of war are `TV` propaganda promoting war, that is, the second B2 `spirit` bomber`s improvement was because of `TV` images representing the power of the first B1 in worship of the god, war.
Although Babylon was the label applied to Hollywood Babylon for its production of abominations, ancient Greece is held to be the model of democracy, whereas host womb slavery of women for the institutionalization of homosexuality in pederasty for warfare against `woman`s seed` was the basis of the Greek Empire before Rome`s. Consequently, democracy in which futanarian women are 100% human, while men can`t sexually produce with each other, and so represent 0% of human productivity, is a lie favoring host womb slavery`s dictatorship of the parasitical, which is what Karl Mark criticized in Das Kapital (1867). The Greek poet Homer`s Iliad (760-10 B.C.) relates how the Greeks gained entry to the city of Troy through constructing a huge hollow wooden horse, which they hid inside before emerging to enslave the host wombs of the Trojan women, and spread the `Greek` contagion further. The late 20th century used the paradigm of the `Trojan horse` to describe how computer brains were infected by viruses developed by `geeks`, the successors of the Greeks, whose viruses functioned as HIV/AIDS does in killing the brain. Consequently, there`s a correlation between homosexuality in pederasty`s waging war on `woman`s seed` to ensure blind unconscious ignorance in brainless ephemeral humanity, and attacks on computer brains, which are the tools of humans in desperate need of memory storage capacity to store the knowledge of how to maintain and operate that level of technology needed to be free from slave labor. After Britney`s spaceman`s arrival on Mars in `Oops! ... I Did It Again`, he exclaims upon finding a cameo of Britney in the sterile desert landscape: `Whoah there horsey!` The picture of the singer, whimsically shaped like a cookie with her picture painted on it, functions as a `cookie` for a computer affording access to a `website`. Britney`s stage set emerges majestically from below the surface of the red planet, Mars. The astronaut is a `Trojan horse` virus from the perspective of Britney `twinned`, because she represents the capacity of `woman`s seed` to produce herself. Descending to her stage inside what seems to be a giant`s ring emphasizes her role as representing women`s futanarian single species rather than the ring of slavery.
Although `Oops! ... I Did It Again` was released before the terrorist hijack attack in which civil airliners were crashed into the Twin Towers of the World Trade Center in New York city, as a symbol of `rough trade`, that is, homosexuality in pederasty for war against `woman`s seed`, the twinning of the Twin Towers with Britney in her red pilot`s suit, and white two-piece dress, is an example of what the poet T. S. Eliot called `the objective correlative` in The Sacred Wood (1920), wherein events separate in time and space are meaningfully connected: `... a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.`4 `Oops! ... I Did It Again` proves the cogency of skrying the future through the deck of the Tarot and provides an `objective correlative`, the twin Britneys, as a `formula` for an emotion linked to a `chain of events`, that is, the attack on the Twin Towers on September 11, 2001, symbolizing an attack on `woman`s seed` through `rough trade` promoting Greek homosexuality in pederasty and war. That Britney`s director, Nigel Dick, knew T. S. Eliot`s The Sacred Wood seems evident from Britney`s progress in the video, where she runs from the scene with the suspended spaceman around a tree before somersaulting through the air to land transformed, wearing a white top and black skirt and boots in front of the astronaut, who gives her a gift, `But I thought the old lady dropped it into the ocean in the end?` In terms of the Tarot deck, Britney in her red pilot`s suit is `The Hierophant`, who explains the mysteries, while her movement through the air represents `The Chariot`, which has black and white sphinxes accompanying its progress in the most common Rider-Waite-Smith (1909) deck, so Britney lands in front of the spaceman wearing black and white ready to solve the `riddle` of the `gift`.
Critics have associated the undisclosed item in the box, given her by the spaceman, with the `heart of the ocean` diamond pendant dropped into the ocean at the beginning of the Titanic (1997) movie by 100 year old Rose in memory of her escape from the sinking of the ship after it hit an iceberg on April 15, 1912, enroute to New York city, `Well, baby, I went down and got it for you.` The virus wants to be a brainless penis so that it will live forever as a virus, which is why Britney`s director in `Oops! ... I Did It Again`, Nigel Dick, adopts the baby-like form of the astronaut as a motif. Scientists believe that viruses are space borne, and the ocean is a metaphor for space, that is, the virus` plague game is for Britney to accept that she`s loved, whereas the plague aim of the virus is to enslave her in ephemerality for the virus` continuation, which is `the game` that the lyrics to Britney`s song imply she`ll lose when the plague came to play its games, although she was only 17 years old when the video was made at Universal city, California. Rose`s story is of betrayal because Cal, affianced to her when she goes aboard the Titanic, puts the diamond in the pocket of her new beau, Jack, and accuses him of theft, a metaphor for the universal betrayal of `woman`s seed` by men, who`ve stolen her penis` semen as a space borne virus seeking to go further, which is why the writers, Max Martin and Rami Yacoub, and director, Nigel Dick chose the Titanic story to illustrate `Oops! ... I Did It Again`, although invoking defeat in the song`s lyrics before the girl had begun to make a single recording isn`t playing for the music side of the woman`s CD.
Although that might appear a small canard the criticism is anticipated in the lyric: `You think that I'm sent from above. I'm not that innocent.` In Hungarian the word `Szentlélek` means `Holy Spirit`, which was the teacher Jesus said would teach after him, while the perfume Jesus was crucified for, because his betrayer, Judas, wanted to prevent `woman`s seed` from producing brainpower enough to crush male braining in Satanism, was `spikenard`, which is an oil produced from crushed flowers. However, Britney isn`t in a scent, that is, she isn`t a crushed spirit, although retailers might think of Britney Jean as a genie`s essence to be bottled and sold. The canard is against the spy, that is, the camera at the side of the spaceman`s helmet hanging suspended above her, as `The Hanged Man` in the place of Judas, has the `spy`, which is the critical issue, or `spy canard`. Jesus had Resurrection and Ascension to heaven, after Judas` betrayal, so from a Hungarian perspective she`s not in a Szent ... lélek, that is, she needs the Holy Spirit to protect her from those who`d persuade her that Jesus was Judas` betrayer, because it`s the spaceman that has the `spy` and, as the camera, he is Jesus filmed by Judas.
1 Armstrong, Neil July 21, 1969, UTC: 2. 56.
2 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
3 Poe, Edgar Allan, The Gift: A Christmas and New Year's Present for 1843, 1842.
4 Eliot, T. S. `Hamlet` in The Sacred Wood: Essays on Poetry and Criticism, 1920.
The metaphor of `the worm in the apple` derives from the Judeo-Christian tradition of a paradisal garden in which the first man, Adam, and the first woman, Eve, were tempted by the serpent, that is, the angel Satan, who`d been transformed into a serpent by God for rejecting God`s plan that the human host would be greater than the angelic. Eve accepted the `fruit of the tree of the knowledge of good and evil` from the serpent, Satan, and the fruit is traditionally depicted as an apple with a worm in it because, in succumbing to temptation, Eve rejected God`s `fruit of the tree of life`, which was immortality, as she preferred ephemerality and death for herself, Adam, and their children: `You shall be as gods.` (Gen: 3. 5) Although the meaning isn`t explicit, Eve and Adam`s descendants are effectively sold into blind ignorant unconscious slavery, because they`ll never be able to live long enough to make permanent that wisdom affording access to the planets and stars through the human mind`s technological development. God expels Eve and Adam, who Eve gave some fruit too also, from the paradisal garden of Eden where God had placed the pair. Telling Eve she and her `seed` would have Redemption, although her `seed` would have `enmity` with the serpent`s, God explained: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) In accordance with Judeo-Christian tradition, Jesus` mother, the Virgin Mary, is depicted iconographically crushing the head of the serpent, that is, Satan, with her `foot`, because Jesus, born uncontaminated by male semen, had miraculous powers for healing from the host womb of his mother, and his teaching, as a Jewish Messiah, obliquely reflected upon that birth: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because human futanarian women can sexually reproduce with women, the birth of Jesus uncontaminated by male semen isn`t a prefiguration of `woman`s seed`, but of Resurrection and Ascension to heaven through that permanent brainpower for the development of technology that Eve`s descendants lost in Eden when she accepted death in ephemerality and enslavement for the host womb of the human race in exchange for power for Satan.
As the human host at the `Last Supper` for his disciples, Jesus gave `bread and wine` as symbols of his `body and blood`, but Judas rejected the host and betrayed Jesus to the Jewish religious police, the Pharisees, who gave Jesus over to the representatives of the Roman Empire then occupying Jewish Palestine as a `dissident`, and Jesus was taken to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and tortured until he died. Afterwards Jesus had Resurrection and Ascension to heaven because he was the redeemer of `woman`s seed` prefiguring the sexual reproduction of human brainpower amongst the futanarian race of women. Judas had seen Jesus` feet being anointed by a woman with expensive spikenard perfume and, being used to stealing from the collection plate, suggested that the oil be sold to raise money. Jesus` rebuke showed that he was wise to his betrayer: `Leave her alone.` (Mk: 14. 6) Judas betrayed Jesus, because he didn`t want `woman`s seed` to sexually reproduce, because God`s futanarian `foot` race would rival that slavery in Satanism which Rome represented for Judaism.
The symbol of Rome was the fasces, a bundle of wood with an ax in the center, because Roman generals would employ an ax to construct a blind made of wood, behind which they would remain unseen while they planned. When the Christian nation Germany elected Chancellor Adolf Hitler in 1933, his National Socialist (Nazi) Party, which had adopted the fasces as its symbol, from the 1922 elected Roman Italian `fascist` government of dictator, Benito Mussolini, began a pogrom against the Jews that developed from camps with wooden fences, behind which the `chosen people` of the Bible were exterminated. As Jews can only be born from women, women are Jews, because the `chosen people` are `woman`s seed`. Consequently, Adolf Hitler was equal to Satan and Judas in treachery, because he didn`t want women to sexually reproduce human brainpower to escape from Satanism. The Judeo-Christian tradition properly began with Abraham, whose wife, Sara, begat Isaac, who founded Judaism, while Sara`s barrenness after Isaac led her to give Abraham her Egyptian maid, Hajer, who begat Ishmael, who was the founder of Islam through his descendant, Mohamed, who according to tradition received the Koran (610-30 C.E.) from the angels. Because Moslem marriages have four wives, futanarian sexual reproduction between women within families in Islam is affordable. Consequently, when the Al Qaeda terrorist group operating out of Afghanistan, and led by the Saudi Arabian, Osama Ben Laden, hijacked `civil` airliners to crash into the World Trade Centre in New York city on September 11, 2001, fascism`s axe was at the center of `a bundle` of skyscrapers worth US $ billions, because the fasces are a symbol of `rough trade`. To precipitate ruinous expenditure on that `brutality and violence` associated with homosexuality in pederasty for misogynyst warfare against `woman`s seed`, Al Qaeda chose Manhattan for their attack.
Although the West is associated with democracy, ancient Greece institutionalized host womb enslavement of women in homosexuality and pederasty for warfare against `woman`s seed`, that is, women`s futanarian human race were permanently disenfranchised, while in Moslem Islam religious dictatorship similarly denied the franchise to humans, which is why Al Qaeda arose where misogyny was practised, and before the United States of America`s army invaded and deposed the misogynist Taliban government that denied education to women in December, 2001. After Saddam Hussein, dictator of Iraq, was deposed for supporting Al Qaeda `live` on television after the US army`s March 2003 invasion resulted in his execution on December 30, 2006, the Independent State of Iraq and Syria arose to maintain misogyny in Islam, while the Bosnian war (1992-5), during the break-up of the former Russian controlled Yugoslavia into independent nation states, saw Serbian Christian militia constructing `rape camps` after the fashion of German fascism, where upwards of 70, 000 women were forced into bearing male brained children. The Taliban regime were installed originally by the United States in opposition to a Russian backed government in Afghanistan`s capital city, Kabul, while Russia had been responsible for large swathes of Moslem populations during Moscow`s control of Eastern Europe after their army defeated Nazism in the East. After the USA installed the misogynist Taliban regime in Afghanistan, and the Russians began to withdraw from the East, misogyny`s growth precipitated that `brutality and violence` which is associated with `rough trade`,1 that is, homosexuality in pederasty for warfare against `woman`s seed` and the re-enforcing of host womb enslavement for the human host. Consequently, the enemy of humanity was misogyny, which in the United States of America was celebrated in the ubiquity of nude images of penisless women born outside of their human futanarian species and into host womb enslavement in parasitism. Despite the male braining collective`s depredations, women`s host wombs were still able to produce civilization, culture and art, which the parasitoid creature devoured in its wars against `woman`s seed`.
Although Christianity`s espousal of monogamous faithfulness between men and women appeared heterosexual, the male braining of the Moslem women of Islam in the Bosnian war revealed that heterosexuality was a form of transvestism in which a single male brained creature wearing each others` clothes masqueraded as the human race. As transvestites were described as TVs, so the television featuring reports and dramas about the transvestite`s wars upon itself as a parasitoid creature that emerged form the human futanarian host womb of `woman`s seed` to devour itself and its host was an aptly titled `TV` medium. When the `incurable killer disease`, HIV/AIDS, began to emerge in the late 20th century spread by homosexuals` mixing blood, shit and semen in each others` anuses in mockery and rejection of human sexual intercourse between the human futanarian species of women, transvestite monogamy`s ring slavery was being maintained by its `biological weapon` keeping women`s host womb in fearful faithfulness to its parasitoid devourer: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The growth of misogyny in Moslem Islam was a sign of a further pogrom against women`s futanarian humanity; lest the human race develop brainpower for the inventing of labor saving technologies and a permanent mind`s knowledge through immortality conferring medical science. The world was at war, and the enemies couldn`t be divorced from the allies: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) From his summer palace at Hillah in Iraq, Saddam Hussein could see the ruins of ancient Babylon (c. 4000 BC), the capital city of the Persian Empire, while Hollywood Babylon had been programing the abomination of misogyny`s pogroms at least since the fascist 1930s when the `Hays code` banned futanarian `woman`s seed` from movies: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 The relaxing in 1967 of the enforceable `moral code` governing film production, which was devised by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), coincided with the popularity of the new `small screen` medium of `TV` television that was essentially a mass media propaganda device designed to promote the parasitoid activities of a single male brained transvestite `TV` creature preparing for misogyny`s war against `woman`s seed`.
The worm in the apple is death in slavery to the parasitoid `serpent`s seed`, whereas the `fruit of the tree of life` is immortality conferring human brainpower, which the devourer consumes, lest the brain develop labor saving technologies, and the human mind permanent wisdom to maintain its knowledge of technology through advanced medical science, rather than experience ephemeral death in blind ignorant unconscious slavery to parasitism, bereft of liberating technology and the knowledge of its maintenance. Names for vampires are `worm` and draco, which suggests the serpent of the Bible that grows to full size as a `red dragon` in Revelation is a parasitical leech feeding off the host womb of the human species in parasitism. The prototype for Bram Stoker`s vampire novel, Dracula (1897), and which provides the basis for all Hollywood Babylon movies on the theme of vampires; for example, actor Christopher Lee`s vampire in Horror Of Dracula (1958), was Prince Vlad III (1436-76/7) of Wallachia, whose family name was Dracul, and who impaled those he captured in warfare on stakes. The vampire is depicted as having a stake driven through its heart in order to kill it, which is a transposition of the woman`s penis, that is, men`s parasitism on the host womb of the human futanarian species would be overcome if sexual reproduction between women occurred.
Although the worm is in the apple in Eden, that is, the serpent is host womb slavery for ephemerality in parasitism for the human species of futanarian `woman`s seed`, Redemption is sexual reproduction of human brainpower between women, which neatly removes the worm from the apple and gives Eve`s `seed` the means to confer the immortality upon her race through technological advancement that God had intended. When actress Sarah Michelle Gellar took the role of Buffy Summers in the television show, Buffy The Vampire Slayer (1997-2003), the stake she used to pierce the hearts of the vampires she slayed was a symbol of woman`s penis, whereas men`s penis had been a stake in the heart of women. Although Jesus was known as `the son of man`, he was the child of the Virgin Mary, which means that she was `man` of the futanarian future whose investment was God`s `foot`, rather than a vampire`s stake in the human heart.
In Christianity Jesus is called `the Sacred Heart`, because he had nails put into his feet and hands during what is euphemistically described as his `Passion`. For Jesus, the law of God wasn`t prohibitive but loving. Whereas the law of the Jews before Jesus was based on punishment for theft, that is, dispossessing others of possessions and, therefore, life, Jesus` transcendent law of love for others as a means of dispelling selfish hatred for the fortunate and goodly was Christian Gospel. When the Romans put Jesus onto a wooden cross with nails in his hands and feet they were making a `puppet ruler`, which is what their Emperors were for the Praetorian Guard that ruled through them. Longinus, the guard at Jesus` crucifixion indicated as much when he speared Jesus` side with his spear after his death to see if the Holy Spirit, as the `Second Eve` born from the `Second Adam`, that is, Jesus, would be born from the Jewish Messiah`s ribs through this abrupt `caesarian` section: `Surely, this was the son of God.` (Matt: 27. 54) Christ`s `Passion` was the Roman legions` for a new Emperor, who would subsequently be each successive Pope of the Christian church in Rome. The holes in Jesus` hands and feet were for the strings that would be attached therein, because that`s what they assumed Jesus wanted, who they even labeled `king of the Jews`. The lengths of string depending from the holes in Jesus` hands and feet would be passed through the holes in the cross and knotted there, so that an invisibly manipulative giant puppeteer, that is, an Emperor, could work the mannequin from above, which is what the Roman legions understood by the Holy Spirit, the Emperor. Rather than the birth of the human race of futanarian women, as a third `foot` from Jesus` teaching about `woman`s seed`, and his Resurrection and Ascension to heaven as a prefiguration of that of futanarian women through the sexual reproduction of human brainpower`s capacity for the development of labor saving technology and immortality conferring medical science, the Roman legions saw Jesus as a `puppet ruler` of their Emperor`s in Jewish Palestine, which was the subsequent history of Christianity in Satanism.
Unable to escape from the vampirism of their leeches in parasitism and its parasitoid devourings of civilization, culture and art to maintain death, and so slavery in ephemerality, Christians became the puppets of Satan, who the Roman church worshipped. Because Jesus was born from his mother, the Virgin Mary, he wasn`t a man. Consequently, he represented xenophobic racism, that is, men`s hatred for a species not their own, which is what women are. As the `Sacred Heart` of `Passion` for the Resurrection of `woman`s seed`, Jesus was the `body and blood` for the vampires of Rome, that is, he was a model for how the leeches would feed from the human body and brain as it aspired to escape from the draco and leave Earth for the planets and stars where humanity could be free of the parasitoid devourer. When Jesus` gave `bread and wine` as symbols of his `body and blood`, he was asking that humans aspire to use their minds for the development of liberating technology, whereas for wage slavers in capitalism humans are bodies and brains, that is, the `body and blood` from which they feed as tormenting parasites.
Christianity is a `cargo cult`, which was a term used for the phenomenon observed amongst the islanders of the South Pacific during the United States of America`s war with fascist Japan after that nation launched a pre-emptive assault on the US Pacific fleet on December 7, 1941, at Pearl Harbor, Hawaii. Islanders were observed to construct replicas of airplanes they`d seen, although they didn`t understand how they worked. As leeches in Satanism men observed that humans would work with low grade materials in order to produce what they believed was new and improved, so that`s what they do. Generations of humanity live and die working at projects men have already seen bear fruit, and are living as parasitical leeches from that earlier technological progression, while newborn humans labor as slaves to produce copies of what the species` memory tells them is achievable, but can`t tell them has already been achieved, because Christianity`s `cargo cult` slavers in capitalist wage slavery kill the aged to ensure that the race remains in a permanent state of blind ignorance and nascent undevelopable consciousness.
Although the Japanese fascists were an extension of their misogynist culture in which women`s feet were bound so that they couldn`t move quickly enough to escape from the creatures preying upon their host wombs in parasitism, after the United States dropped the atomic bombs, `Little Boy` and `Fat Man`, from airplanes, Enola Gay and Bokscar, on the cities of Hiroshima and Nagasaki on August 6 and 9, 1945, the war against fascism in the Pacific theater was over. Pacified Japan, whose Emperor Hirohito had constructed `death camps` of the type of Italy`s and Germany`s fascist dictators for prisoners of war (POWs), began to produce `futanari` in the late 20th century, that is, cartoon images of women`s futanarian capacity for sexually reproducing humanity`s brainpower for technological development and medical science, because misogyny had been in retreat in Japan, although a routine mix of `futanari` imagery and sadistic torture suggested that the United States` declared victory over fascism was all-but `cosmetic` there too. Women`s futanarian human race had been the Redemption God had planned through the Advent of Jesus born from his mother, the Virgin Mary, as the `foot` that would sexually reproduce humanity`s brainpower to crush the head of the male braining serpent for war against `woman`s seed`, Satan, but Babylon, Hollywood, had birthed worman.
1 https://www.merriam-webster.com/dictionary/rough%20trade .
Christianity is a religion for torturers, whose victims are their murderers` Salvation and Redemption, because they pity and forgive their tormentor: `What Jesus blatantly fails to appreciate is that it's the meek who are the problem.`1 That`s the scripted opinion of Reg, who was former BBC TV series` comic writer and performer, John Cleese, in the satirical review, Monty Python`s Flying Circus (1969-74). In the Hollywood, Babylon film, Life Of Brian (1979), a spoof on Jesus` life`s history, Cleese`s `Reg` dramatizes Christianity `s subversion by Satanism. Believers are taught that torturing humans in order to be pitied and forgiven by the victimized is Redemption, but that isn`t Christianity it`s overblown capitalism imposing slavery on the human who`s made to work by inflicting pain and unnecessary suffering on individuals who`re able to live independently, that is, outside of capitalist wage slavery. Brain damage is the human condition, because Jesus was God`s `foot`. According to the Bible, God told Eve her `seed` would have `enmity` with the `serpent`s seed`:
`You will crush the head of the serpent with your foot, although he will bruise your heel.` (Gen: 3. 15)
Eve was the first woman, and the serpent in humanity`s original home, the garden of Eden, which was paradise, that is, heaven on Earth, was the angel, Satan, who didn`t accept God`s plan that the human host would be greater than the angelic, and so Satan was expelled from heaven amongst the planets and stars, and God transformed Satan into a serpent, who tempted Eve and the first man, Adam, with power through ephemerality, `You will be as gods.` (Gen: 3. 5) Men, who live in host womb parasitism upon women, are Satan`s `gods`, who was the worm in the apple he gave to Eve as the `fruit of the tree of the knowledge of good and evil`, which was ephemerality. God had given Eve the `fruit of the tree of life`, which was immortality, but Eve accepted the serpent`s offer. Expelling Eve and Adam from Eden, God told Adam he must labor, while Eve would experience labor pain before Redemption.
In Christian iconography Jesus` mother is depicted crushing the head of the serpent, Satan, with her `foot`, because Jesus is her `foot`, that is, Jesus represents the `seed` of Eve`s brainpower, which is stronger than the `serpent`s seed`, Satan`s. Jesus is Mary`s `foot`, because she represents women`s futanarian humanity, that is, women have penis` semen of their own as futanarian humans for the sexual reproduction of their own brains` powers, and Jesus` death, Resurrection and Ascension to heaven after his betrayal by his disciple, Judas, prefigures that of `woman`s seed`. Jesus` teaching was chewed thoughtfully by Judas, `Love your neighbor as you love yourself.` (Mk: 12. 31) Judas was Jesus` disciple at the `Last Supper`, when the Messiah offered `bread and wine`, as symbols of his `body and blood`, to the disciples, but Judas` betrayal of Jesus to the Roman Empire then occupying Jewish Palestine as a `dissident`, which resulted in his being taken to the hill of Calvary outside Jerusalem. There he was nailed to a cross of wood and tortured to death. Jesus` Ascension prefigures that of `woman`s seed` through the sexual reproduction of futanarian brainpower, whereas men`s Redemption is their repentance and conversion from the `sin` of host womb slavery in parasitism, which requires acceptance of God`s futanarian `foot`, that is, `woman`s seed`, which is sexual reproduction between women. Those who don`t accept `woman`s seed` are host womb enslavers in parasitism, which is wage slavery in ephemerality, that is, overblown capitalism, unless the individual is able to liberate themselves through brainpower, which the slaver denies `woman`s seed` by rejecting her humanity`s sexual reproduction.
In betraying the human host at the `Last Supper`, Judas was betraying the human host womb, that is, God`s futanarian `foot`, to the male brained Roman Empire of homosexuality in pederasty for war. In ancient Greece host womb slavery for the spread of war`s contagions was institutionalized, while the `Greek model of democracy` was adopted by Western capaitalism. Although women in Islam are afforded the opportunity of futanarian sexual reproduction in the four wife Moslem marriage, Western Christianity`s capitalism wages war on `woman`s seed` there, because women`s sexual reproduction threatens slavery masquerading as democracy. As men can`t sexually reproduce with each other, according to their own culture, and women can, futanarian humans are the humans. Consequently, the humans are disenfranchised by the `serpent`s seed`, so Christianity is Satanism`s slave ring. Kept in fearful faithfulness by the late 20th century `incurable killer disease`, the HIV/AIDS` virus, spread by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, women are the ring slaves of Christian monogamy.
Moslem women in Islam, however, are `the faithful` because they represent women`s human futanarian path of sexual reproduction for liberation through the brainpower of `woman`s seed`. Satanism is the slaving of God`s `seed` in ephemerality, whereas women`s futanarian brainpower for labor saving technologies, and immortality conferring medical science, is Salvation and Redemption, which is Resurrection and Ascension to the planets and stars for humanity. Christianity`s support for overblown capitalism`s wage slavery is Satanism, that is, the murder of God`s `seed` is how Satan is worshipped. whether slow or fast. whereas German economist, Karl Marx`s maxim in Das Kapital (1867) that `workers control the means of production` is closer to an understanding that women are the producers and so should be the owners rather than the wage slavers and war wagers. Women are still able to produce from their host wombs, civilization, culture and art, despite men`s depredations in their wars against `woman`s seed`, which suggests that communist humanism is closer to Christianity than the Satanism that Christians are tortured in. Satan is known as `the father of lies`, because Jews can`t be born unless from women, that is, women are the `chosen people` of the Bible as they`re futanarian humanity. Consequently, Islam`s futanarian `seed` and Judeo-Christianity`s are antagonists, because Satan is a strong liar who`s convinced humans that they live in friendship with an alien racist.
Jesus` fate is typical of Western society, whereby someone is tortured until that individual accepts dying for someone else`s benefit, which is murder. Although the society would have the individual understand that they`re cowardly and unheroic, because they want to live, rather than die. Because `woman`s seed` can`t be men`s, the socio-economic history of the Earth is of the human host womb in enslavement to a parasitical alien that devours its host as a `parasitoid`, which is depicted in Revelation as the `red dragon` grown in size since its days as a serpent in Eden. Consequently, men`s wars are an alien parasitoid`s, whose goals are extrinsic to the human race`s progress, that is, parasitoids devour the host species, which dies, because it`s deluded into believing that it`s being defended. Judeo-Christianity believes itself separate from Moslem Islam, whereas they`re identical. Consequently, wars are expressions of the lies that the parasitoid promulgates in order to devour the human host, which is why humans aren`t able to discern the continuity of religious thinking in terms of socio-economic and historical development in Judeo-Christianity through Islam, and accept `woman`s seed`, so they can live, because the alien propagandist doesn`t want her to. Jesus` teaching was that he believed he could sexually reproduce as a human, whereas men didn`t want him to, because he was `woman`s seed`, so they killed him as they sought to kill it.
Whether Eden is a myth, or truth, the Bible narrative depicts a pre-futanarian pair, without daughters with penis` semen of their own for the sexual reproduction of human brainpower through the `woman`s seed` of Eve, who God told would have `enmity` with the parasitoid, after paradise on Earth was rejected by Eve and Adam for the power to slave ephemeral humans. Although the type of murder was depicted as that of Abel by his brother, Cain, because he was able to cook, which was pleasing to God, whereas Cain`s fruit picking wasn`t, the absence of women`s futanarian humanity from the world`s stage and mass media `edutainment` means that the woman, Eve, and her daughters, were murdered to prevent humanity`s brainpower from liberating the Earth from the alien racist. Cain and Abel`s story is that those who cook, can, and Cain is jealous because he can`t cook, so he kills Abel to steal his invention, whereas capitalism wants the other to be able enough to be a slave, and die after inventing the microwave oven, because it`s a more economic form of jealousy and murder.
For those who are used to living in the 21st century, and are used to personal space, because of headsets and portable music players, it`s easy to understand Jesus` fate. His trousers were too loud for him to be left in peace, so he was made to take them off. Murdering the peaceful is what capitalism is, whereas communism was `from each according to their ability, to each according to his needs`, which is a socialist principle applied to the creative, and the needy`s relationship with the able within the community. Socialism advocates peace, because it promotes care, and so societal well being, whereas capitalism promulgates `political correctness`, which is a mode enforcing politeness from animals towards females.
Although `pc` is based on the perception of equality between men and women, futanarian women`s humanity is 100% human, so men who can`t sexually reproduce with each other are 0% without `woman`s seed`. Consequently, `pc` is the desire to repress, through politeness, women`s awakening to inequality, which is that they`re 100% human. The politically corrected may be human, but they`re taught that they`re animals with women, which is why `pc` is enforceable. The enslaved host wombs of the human species of `woman`s seed` is taught that they`re the superior animal by `the father of lies`, Satan. Because women can`t sexually reproduce with each other, without women`s futanarian humans, they`re a husbanded race without brainpower, because the Satanists masquerading as capitalists want slave animals.
Jesus, born uncontaminated by male semen, from his mother, the Virgin Mary, was `woman`s seed` tortured to death without trousers, because slavers don`t want women`s futanarian humanity to resurrect and ascend to heaven. Slavers want brainless animals, who can be tortured to death to produce or invent, which is what the story of Cain and Abel represents for capitalism. Abel had invented cooking, but Cain killed Abel, because he was murderously jealous, and so capitalism is Cain to the able individual. The slaver tortures to death the ephemeral human bereft of immortality conferring medical science, that is, developed from the brainpower of `woman`s seed`, to produce or invent. That could mean Resurrection and Ascension to the stars and planets of heaven; if the human animals weren`t husbanded as brain damaged ephemerals for the `edutainment` of alien racist warmongers promoting the human race as a togetherness fight, rather than a planned extinction by an alien parasitoid.
1 Cleese, John as Reg in The Life Of Brian, HandMade Films, Python (Monty) Pictures, 1979 .
Puzzle The Mule
Puzzle The Mule
Isaac Asimov`s (1920-92) science fiction series of Foundation (1942-93) novels posit a science of Psycho-History, which predicts what will occur in socio-historical terms from how people`s minds are observed to react. The premise is based on the notion of objective criteria, that is, people will react in this way because the objective world is defined by parameters that can be measurably identified as unchangeable. Asimov`s character, `the Mule` of Foundation and Empire (1952), is able to obviate the `Seldon Plan` of Hari Seldon, the developer of the science of Psycho-History, who prepared steps to be taken in the event of crises in the course of human development foreseen by psycho-historians. The `Seldon Plan` assumed that no single individual could have a measurable effect on galactic socio-historical trends, which demanded collective effort, but the birth of `the Mule`, that is, a `mentilac` able to influence the subconscious minds of people so that they became allied to the Mule`s controlling of the galaxy, refuted that.
In socio-historical terms, Jesus Christ is similar to Asimov`s Mule, because he was born uncontaminated by male semen from his mother, the Virgin Mary, in fulfilment of a promise God made to Eve in the garden of Eden from which she and the first man, Adam, were expelled for accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, rather than the `fruit of the tree of life`, which was God`s gift of immortality, from the serpent, who was the angel, Satan, transformed by God for refusing to accept that the human host would be greater than the angelic, `You shall be as gods.` (Gen: 3. 5) Telling Adam he must labor while Eve would experience labor pain before Redemption would occur, God explained to Eve:
`You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15)
In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because she gave birth to Jesus Christ, the redeemer, uncontaminated by male semen. Mary`s `foot` is `futanarian` human women with penis` semen of their own. When Jesus was taken to the hill of Calvary outside Jerusalem by agents of the Empire of Rome and nailed to a cross of wood, he died but had Resurrection and Ascension to heaven, because he was the prefiguration of the Resurrection and Ascension to heaven of futanarian women with their own penis` semen for the sexual reproduction of their own brains` powers for the development of labor-saving devices and immortality conferring medical science that would free women from slavery in host womb parasitism to men of the `serpent`s seed` who`d subjugated their race since Eden.
Trapped within a fiction in which women don`t sexually reproduce their own brains` powers with each other for the liberation of their own species, Asimov`s Mule is occluded. And that`s true for all readers. Science fiction writer, Robert Anson Heinlein (1907-88), presents a similar scenario in his short story, `They` (1941), which postulates a character kept a prisoner by men who don`t want him to remember who he really is, because that would change things: `They never would let him alone. He realized that that was part of the plot against him – never to leave him in peace, never to give him a chance to mull over the lies they had told him, time enough to pick out the flaws, and to figure out the truth for himself.`1 The protagonist is a metaphor for the truth, which is that the human race would change if women sexually reproduced futanarian humanity, because each and every human scene would be transformed unrecognizably. He is explicitly a Christ figure, because he doesn`t accept the Empire of the male brain: `All of these creatures have been set up to look like me in order to prevent me from realizing that I was the center of the arrangements.`2 He has to be like Jesus in order to perceive that he`s being occluded. Without arriving at the truth that ephemeral humanity is enslaved by men of the `serpent`s seed` in host womb parasitism, he experiences that Christ-like certainty that he`s the center, which is what Christ crucified represents:
`Memory ... may be tampered with and possibly destroyed.`3
His observation relates to the absence of a medical science of longevity, which would allow human individual memory to approach immortality and the maintaining of knowledge that would prevent women`s re-enslaving as ephemerals in host womb parasitism: `I infer that they are preparing me for some sort of major change.`4 History teaches that men don`t want immortality through medical science, because that would liberate `woman`s seed`: `... if we understood his motives, we would be part of him.`5 The creature in charge of the prisoner, `the Glaroon`, represents the `serpent`s seed` of men`s fear of Jesus uncontaminated by male semen, because the resurrected and ascended Christ prefigures the reemergence of `woman`s seed` and brainpower, which men didn`t want and so they killed him. The Glaroon orders a cosmetic, rather than a genuine change: `Leave structures standing until adjournment. New York city and Harvard University are now dismantled. Divert him from those sectors. Move!` If the meaning of Jesus` crucifixion, Resurrection and Ascension to heaven, and God`s promise of Redemption were understood, it`d be the beginning of the end for `the Glaroon` and the enslaving of humanity in ephemerality, which is why the fiction is maintained.
In Clive Staples Lewis` (1898-1963) high fantasy, The Chronicles Of Narnia (1950-56), the lion Aslan is a figure of Christ. In the first novel of the series of seven, The Lion, The Witch And The Wardrobe (1950), Edmund Pevensie, accepting `Turkish delight` from the witch queen, Jadis, betrays his siblings, Peter, Lucy and Susan, but the lion Aslan, ruler of Narnia, redeems Edmund from his sister Susan`s demand that Edmund be killed as a punishment for his giving them over to the witch queen, Jadis. Aslan accepts death in Edmund`s stead from the knife of Jadis upon a stone table; as there is `deeper magic from before the dawn of time`6 to resurrect an innocent killed in place of a traitor. Judas, of course, is the traitor in the story of the redeemer, Jesus, who is the human host presiding over the table at the `Last Supper`, giving `bread and wine` as symbols of his `body and blood` to the disciples, who find correspondence with Peter, Lucy and Susan in The Lion, The Witch And The Wardrobe as the traitor`s victims; despite Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Rejecting the human host, as Satan and Edmund also reject the human host, the traitor amongst the disciples, Judas, gives Jesus over to agents of the Empire of the male brain of Rome. Crucified for `thirty pieces of silver`, Jesus` own Resurrection and Ascension to heaven, after Judas` betrayal of the human host at his own table, prefigures God`s promised Redemption for women and the repentant converted, despite men`s treachery against the human host womb of futanarian humanity in parasitism and slavery.
The donkey, Puzzle, in Lewis` seventh and final novel of The Chronicles of Narnia series, The Last Battle (1956), represents the conundrum posed by Jesus` mission, which is elaborated upon in Isaac Asimov`s Foundation and Empire through his character, `the Mule`. Although the `Seldon Plan` predicts how the collective mind will react through the science of Psycho-History, the historical figure of Jesus presupposes the fictional role of the Mule, that is, the importance of the individual, while the role of the donkey, Puzzle, who is made to wear an old lion skin by Shift, to convince Narnia that the ape speaks for Aslan, represents the occluding fiction, which is that men believe in Jesus, whereas `woman`s seed` couldn`t possibly believe in men, and the Narnians shouldn`t believe in the ape, even if the lion was Aslan, and not the donkey, Puzzle, who symbolizes the occluding simian fiction.
In Robert A. Heinlein`s novel, Double Star (1956), the Expansionist politician, Bonforte, is secretly replaced, when he becomes ill, by `The Great Lorenzo` who, after Bonforte`s unannounced demise, becomes President of the Earth without deleterious consequences, largely because of the star qualities of the experienced actor who, though he shares the general prejudice of Earthmen against Martians,7 finds himself responsible for getting them the vote. Although the collection of tales loosely conceived as Heinlein`s `Future History` isn`t the Psycho-History of Asimov`s Foundation novels, Lorenzo`s enfranchising of the Martians is Heinlein`s confirmation of the viability of the `Seldon Plan`, that is, the socio-historical movement of collectives are predictable, because individuals within the Empire of the male brain won`t differ so much as to produce a measurable difference. Although the socio-historical phenomenon of the Mule can produce differences measurably in contradiction to the `Seldon Plan` for human progress, those differences are well within the fictional Empire constructed by the occluding male brain for the Mule to rule over, because men want the dictatorship of the male brain, which is why Asimov`s Mule, like Lewis` Puzzle, signifies the stubbornness of the occluding simian fiction. If the Mule understood, he`d be Jesus, rather than like other men, which is why he`s a character in a simian male fiction, because the apes are terrified of losing the host wombs of their parasitism, and so the blind are educated.
Although Robert A. Heinlein`s `They` seems to be about the Glaroon, who effectively is running the Earth as a mental hospital in which the protagonist and all of the other humans are occluded to prevent their brains functioning, the prisoner`s wife, Alice, is the heroine of the tale, because she`s the Virgin Mary to her husband`s Jesus: `You can tell me to go away, but you can`t make me stop loving you and trying to help you.`8 As Alice represents the possibilities for love, she`s futanarian human women`s occluded path of sexual reproduction between women for the production of their own liberating brainpower, which the Glaroon seeks to prevent. Although Heinlein`s protagonist isn`t Jesus born uncontaminated by male semen, he represents the desire for that brain functioning which futanarian women could give to humanity:
`The early morning sounds from the adjacent ward penetrated the sleep-laden body which served him here and gradually recalled him to awareness of the hospital room. The transition was so gentle that he carried over full recollection of what he had been doing and why. He lay still, a gentle smile on his face, and savored the uncouth, but not unpleasant, languor of the body he wore. Strange that he had ever forgotten despite their tricks and stratagems. Well, now that he had recalled the key; he would quickly set things right in this odd place. He would call them in at once and announce the new order. It would be amusing to see old Glaroon`s expression when he realized that the cycle had ended -`9
The power of the collective mind to occlude is too strong for Heinlein`s awoken protagonist: `Morning, sir. Nice, bright day - want it in bed, or will you get up?`10 The mundanity of the appearance of the hospital orderly with breakfast returns him to being a part of the collective unconsciousness once more: `He felt himself slipping, falling, wrenched from reality back into the fraud world in which they had kept him.`11 The new order is futanarian humanity, `The creature known as Alice spoke up, `Could he not have the Taj Mahal next sequence?``12 The tomb of Mumtaz Mahal in India`s city of Agra is a part of the story of Shah Jehan in the 8th century collection of tales known as the One Thousand And One Nights, where she`s beheaded because her husband believes her to be unfaithful. The woman, Scheherezade, tells him stories each evening to stop his practice of marrying a new wife every day and beheading her each evening, which is a metaphor for how men occlude futanarian human women and prevent their sexually reproducing their own brainpower from their own penis` semen. The Glaroon`s response to Alice`s request that he be given the Taj Mahal is:
`You are being assimilated!`13
The tomb of Mumtaz Mahal is a symbol of human love and faithfulness, which men don`t want. Between the species of futanarian human women with their own penis` semen, love would result in the sexual reproduction of liberating brainpower that would free the occluded from men`s enslaving through host womb parasitism in ephemerality. Heinlein`s Glaroon has kinship with `the Mule` in Isaac Asimov`s Foundation and Empire, and C. S. Lewis` Puzzle, the Narnian donkey controlled by the ape Shift, because they represent the Empire of the male brain, which Jesus fought as a `dissident` Jew crucified by the Romans during their occupation of conquered Palestine:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Although `Babylon` is described as `a woman` in the Bible, it was also the name of the capital city of the Persian Empire, because host womb enslaving of women in parasitism makes `harlots` of them. In ancient Greece host womb enslavement in parasitism for homosexuality in pederasty for war was institutionalized. Consequently, the Empire of the male brain is the conquering and Machiavellian enemy represented by Isaac Asimov`s `the Mule` and C. S. Lewis` Shift, the ape, whose brain control of the donkey, Puzzle, is a metaphor for men`s befuddling of humanity. By the 21st century men`s mixing of blood, shit and semen in each others` anus spread the incurable killer disease of HIV/AIDS as a `biological weapon` maintaining women in fearful faithfulness to enslaving monogamy, while the virus metaphor was applied by computer experts as `bad machine code` to infect machine brains and kill them to prevent lame brained humanity from remembering `woman`s seed`. Although the Mule isn`t planned for by Hari Seldon in Isaac Asimov`s Psycho-History, neither is Jesus, because Foundation and Empire is an occluded and occluding male brained fiction. Like the Mule, the telepathic psycho-historians of the Foundation make their adjustments to the subconscious minds of humans, so that women accept men of the `serpent`s seed` enslaving the host wombs of humanity for ephemerality in parasitism and warfare against them: the Empire of the male brain maintained against the plan of God restated by the Messiah, Jesus Christ, the redeemer.
1 Heinlein, Robert A., `They`, Unknown, John W. Campbell (ed.), Street & Smith, April, 1941, pp 84-95, p. 84.
2 Heinlein, `They`, p. 87.
3 Heinlein, `They`, p. 91.
4 Heinlein, `They`, p. 91.
5 Heinlein, `They`, p. 95.
6 Lewis, Clive Staples, The Lion, The Witch And The Wardrobe, Geoffrey Bles, 1950, Ch. 15.
7 Heinlein, Robert A., Double Star, Doubleday, 1956, Ch. 10.
8 Heinlein, `They`, p. 94.
9 Heinlein, `They`, p. 93.
10 Heinlein, `They`, p. 93.
11 Heinlein, `They`, p. 93.
12 Heinlein, `They`, p. 95.
13 Heinlein, `They`, p. 95.
As the human host at the `Last Supper`, Jesus shared `bread and wine` as symbols of his `body and blood` with the disciples of his teaching, `Love your neighbor as you love yourself.` (Mk: 12. 31) The sharing principle was the basis of the communes of the 1960s in which Westerners shared what they had amongst each other in communities based on fellowship rather than family. When Russia, China, and other nations throughout the globe embraced the idea of communal sharing, German economist Karl Marx`s principle of `collective ownership of the means of production` outlined in Das Kapital (1856) had been implemented insofar as everything was held to be shared in common:
`Mary then took a pound of very costly perfume of pure nard, and anointed the feet of Jesus and wiped His feet with her hair; and the house was filled with the fragrance of the perfume.` (John: 12. 3)
Jesus` role as the human host at what was known as the `Last Supper` before his crucifixion is illustrated by Judas` rejection of fellowship. Used to stealing from the collection plate passed amongst the people as Jesus spoke to them, Judas remarks to the woman anointing Jesus` feet with expensive perfume are revealing. He suggests that the perfume be sold for money, `Why was this perfume not sold for three hundred denarii and given to poor people?` (John: 2. 4) Jesus` sharing what food he has with the disciples isn`t enough for Judas who, jealous of Jesus` relationship with Mary, who seems unlikely to share her with him, or even with the other disciples, decides Jesus` usefulness as a `babe magnet` is of dubious viability to his `pimp` sensibilities, and so betrays the Messiah to the Roman occupying Empire in Jewish Palestine. Taken to the hill of Calvary outside Jerusalem, Jesus is nailed to a cross of wood where he dies before experiencing Resurrection and Ascension to heaven. Judas` role shifts from communist sharing amongst the workers what they have to capitalism in which Jesus` worth as a slave is established as `thirty pieces of silver` and Judas sells him to the Romans who kill him.
The principle of ephemerality in slavery appears early in the Bible, where Eve and Adam, the first man and woman, encounter Satan, the angel who refused to accept that the human host would be greater than the angelic, and who God turned into a serpent that tempts Eve and Adam with the `fruit of the tree of the knowledge of good and evil`, that is, death, in exchange for power through slavery in ephemerality, so God expels Eve and Adam from the paradisal original Eden where they`d dwelt for rejecting the `fruit of the tree of life`, which is immortality, for death. `You shall be as gods.` (Gen: 3. 5) God tells Adam he must labor and Eve will have labor pain before Redemption, which will occur when Eve`s descendant, the Virgin Mary, mother of Jesus, gives birth:
`You shall crush the head of the serpent with your foot although he shall bruise your heel.` (Gen: 3. 15)
Jesus uncontaminated by male semen means that he isn`t a man like other men. Consequently, his brainpower is that of `woman`s seed` rather than men`s, which is the `serpent`s seed`. Because futanarian women have their own penis` semen for the sexual reproduction of the brainpower of the species of women, women are the true humans, which is why Jesus born uncontaminated by male semen from his mother, the Virgin Mary, is the redemptive messiah of Christianity. When he has Resurrection and Ascension to heaven, Jesus prefigures the Resurrection and Ascension to heaven of `woman`s seed` through the sexual reproduction of the human species` brainpower damned by men`s enslaving of the human race through host womb enslavement to parasitism and ephemerality. In Christian iconography Mary`s foot is depicted crushing the head of the serpent because Jesus` `seed` is futanarian, which is why he was killed by the Roman Empire. Like Satan, Judas didn`t want the human host to be greater than the `serpent`s seed` of the rebel angels, who preferred slavery in ephemerality for lame brained humans:
`One small step for a man, one giant leap for mankind.`1
Having reached the moon, Earth`s satellite, as declared by the North American Space Administration (NASA) Apollo 11 astronaut Neil Armstrong on July 21, 1969, United States` President, Ronald Reagan, declared on March 23, 1983, the `Strategic Defense Initiative` (SDI), a `ground and space based missile system` affectionately known as `star wars` that would effectively imprison humanity upon the Earth as the `death star` of the movie Star Wars (1977) killed the planets it was placed in orbit around. Consequently, Armstrong`s `foot` wasn`t Jesus` mother`s, that is, the Virgin Mary`s futanarian `foot`, which represents the human brainpower of `woman`s seed` uncontaminated by male semen`s lame brained excuses for waging the war of the `serpent`s seed` against the humans upon their own Earth.
Capitalism`s mistake is to presuppose that humans should be enslaved in ephemerality, whereas futanarian brainpower is needed to prevent humanity from remaining lame brained with lame excuses for refusing to cure itself of its own diseases. Labor-saving technologies are damned by men because they represent redundancy for slavery, while HIV/AIDS remains an incurable killer disease spread by men`s mixing of blood, shit and semen in each others` anus in mockery of human sexual reproduction between women, because immortality for women would end host womb slavery in parasitism to men of the `serpent`s seed` in Satanism.
Called the `blood plague` (Rev: 11.6) after the prophetically apocalyptic revelations of Jesus` disciple John, HIV/AIDS was in development as a `biological` weapon of the `serpent`s seed` against `woman`s seed` at least as long ago as ancient Greece in the West, and Babylon in the East: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) She`s `a woman` initially although Babylon was the name of the capital city of the Persian Empire. In the West institutionalized homosexuality in pederasty for war through host womb enslavement of women explains why Babylon is depicted as abominable. Men were a plague equivalent to a virus. The Greek poet Homer narrates in his Iliad (760-10 B.C.) how the Greeks constructed a huge hollo wooden horse which they left outside the city of Troy. When the Trojans took the horse inside the Greeks emerged to enslave the host wombs of the Trojan women for homosexuality in pederasty and warfare to spread their viral contagion further.
The horse was the symbol of the goddess, Pallas Athene. Because units of power are traditionally measured as `horse power`, Pallas` horse symbolizes women`s brainpower, which by the 21st century was represented by the computer as the most that the remnants of `woman`s seed` could muster to lift humanity. The successors to the Greeks were the geeks, whose symbol was the Trojan horse. The geeks devised `bad machine code` known as computer viruses designed to infect and kill computer brains, much as HIV/AIDS infected and killed human brains. Although `geek` was a generic term applied to computer experts, originally it was applied to circus sideshow freaks who ate chickens` heads as an entertainment before the main program. The term `circus` originated with the Roman successor to the Greek Empire. Amphitheaters were built where bloody entertainments were staged known as `circus` in which Christians were devoured by lions; for instance. Metaphorically, the Christians correspond to chickens` heads from the `geek` perspective, that is, male brained Empires that thrive on slavery in ephemerality don`t want brainpower for humans. Computer memory storage capacity would be at least equal to the memory storage capacity of immortal humans. With the brainpower to develop labor-saving devices conferring freedom, and the medical science of longevity, such humans could be the enemies of the slavers of ephemerals, or be `geeks` preventing humans from maintaining knowledge systems that would give them a chance against the `serpent`s seed` devouring their brains. Because the Greek `Trojan horse` was used to infect and kill Troy, the `geek` Trojan horse virus is designed to infect and kill also.
As Troy is a city in upstate New York, the Al Qaeda terrorist group that hijacked civil airliners and crashed them into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, was a `Trojan horse` spreading contagion. Because `rough trade` is a euphemism for the `brutality and violence`2 associated with homosexuality in pederasty and war, the choice of the World Trade Centre was symbolic. When Saddam Hussein, President of Iraq, offered bases to Al Qaeda, the United States` army invaded in March 2003 to depose the dictator, whose summer palace at Hillah symbolically oversaw the ruins of the ancient Persian capital city of Babylon. Although Saddam Hussein, whose name means `crusher` and `small handsome man`, was associated with Babylon, Hollywood Babylon had prepared his role since the `Hays code` (1930-67) of President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) made it a rule that women shouldn`t raise their foot from the floor in bedroom scenes on `moral grounds`. Beneath their burkas the Moslem women of Islam had learned that the futanarian penis` semen of women was suppressed in the West. Wearing the one-piece coverall of the burka in public so the eyes of repressive Westerners couldn`t perceive them, the four wife marriages of Islam that afforded the possibility of human brainpower`s sexual reproduction between women observed that the raising of the futanarian `foot` of human `woman`s seed` from the bedroom floor wasn`t immoral. Consequently, Saddam Hussein was `crusher` and Hollywood Babylon`s `small handsome man` because he didn`t accept the `Hays code` that kept women in subjection in the West and so was a `foot` of the Virgin Mary, Jesus` mother, who Christianity depicts crushing the head of the serpent, Satan, with hers.
Whereas sharing is akin to possession, that is, those who share what another has are the demons that possess him, which is the flaw in communism that Judas` betrayal of Jesus illustrated when he rejected the human host at the Last Supper, capitalism is what the ephemeral slave is worth to the slaver, and `thirty pieces of silver` was Judas` price for Jesus. Christianity, however, is husbanding, that is, home economics. Although the Bible is the Talmud and Torah of the Jews, that is, their history and law, Christianity perceives Judaism as its ally, whereas the Jews don`t accept the New Testament of the Bible, which is Jesus` teaching as the distillation of Jewish law, `Love your neighbor as you love yourself.` Because a Jew can only be born of a Jewish woman, Jews are effectively women, which is why the Bible describes them as the `chosen people`, that is, they`re futanarian humanity before Jesus` birth from his mother, the Virgin Mary.
As Jesus said that a Holy Spirit would teach after him, the Prophet Mohamed`s divinely inspired Koran (610-30 C.E.) is the Holy Spirit`s husbandry. Although Abraham`s wife, Sara, bore Isaac, who was the founder of Israel, Sarah was barren after her birthing of her son and gave Hajer, her maid, to Abraham, and she gave birth to Ishmael, whose descendant was the Prophet Mohamed of Islam. The four wife marriages of Islam derive from the husbandry of Sara, wife of Abraham, and Hajer, the concubine, that is, the possibility of futanarian sexual reproduction between women derives from the history of Abraham as narrated in the Koran, which was divinely revealed to the Prophet Mohamed by the Holy Spirit Jesus promised would teach husbandry after him. Jesus` Jewish heritage husbands his futanarian birth, and Islam`s four wife marriages are the fulfilment of his own husbandry, `Love your neighbor as you love yourself.` Christianity is closer to Islam, because futanarian husbanding is what Moslems in Islam represent, that is, species` brainpower as the basic human resource.
The terrorist attack upon the World Trade Centre as a global symbol of `rough trade`, that is, the `brutality and violence` of homosexuality in pederasty`s warfare against `woman`s seed`, drew attention to the basic flaw in human socio-economic theory based upon rejection of futanarian human brainpower reproduced sexually between women of the same species. Moslem marriages have four wives, that is, theoretically 80% human futanarian women capable of sexually reproducing with each other, whereas men can`t. Consequently, human futanarian sexual reproduction is enfranchising for women, which helps explain why there are so many dictatorships in Islam. Enfranchising a futanarian human population of women would take away political power from men in any democracy including all of the Western powers.
Because futanarian human society represents socio-economic independence for women, that is, freedom from slavery in ephemerality through labor-saving machines devised by their own brainpower, home economics isn`t what men want. Although `Homeland Defense` was criticized after 9/11, criticism should more properly have been directed at home economics, because homosexuality in pederasty and war doesn`t husband human resources; it destroys the civilization, culture and art of what `woman`s seed` is still able to produce despite the depredations of men of the `serpent`s seed`. Men`s socio-economics is `alien`, because women are the humans killed by the aliens, who don`t belong in the home. Consequently, `Homeland Defense` is a misnomer, because aliens don`t defend the home. The home economics of husbandry is the genuine issue for the future of humanity, where women are the husbanders of their own resources.
In the Hollywood, Babylon, movie, Independence Day (1996), the alien ship manoeuvers into a position above the Whitehouse in Washington D.C., that is, the official residence of the President of the United States of America, and a beam of energy coming from the alien ship through the roof of the Whitehouse destroys the building and whoever or whatever is within. In stark contrast to the Al Qaeda hijacked airliner taken down by passengers at Shanksville, Pennsylvania, on its way to crash into the Whitehouse during the Presidency of George W. Bush, the alien ship destroys the Whitehouse in a prime instance of Hollywood Babylon`s abominable agenda to promote acceptance of the movie industry`s suicidal vision of a species alienated even from herself.
1 Armstrong, Neil, July 21, 1969, UTC: 2. 56.
2 `A male homosexual prostitute who engages in brutality or sadism, or such homosexuals collectively.` https://dictionary.reference.com/browse/rough+trade .
The current prognosis from the smallest screen, which is that of the mobile telephone connected to the internet, is that `political correctness` has won. By the end of the 20th century, the PC personal computer was a symbol of freedom of information for the new generation of students and householders liberated into a research facility that afforded almost limitless possibilities for education and employment. Apart from education for employability as workers, the internet offered the opportunity for many to work from home as individual entrepeneurs who could make a living from their creative inventiveness by providing services to other users. Although the PC personal computer and `PC` as a label meaning `politically correct` seem unrelated, the personal computer (PC) terminal, and its mobile phone or laptop and notebook derivative, represent a terminal report on the human race`s struggle against its `policeman` (PC), which is how medicos describe cancer when it functions as an ignored warning of system collapse if the patient is impolitical enough to reject treatment.
As the chances of the human patient surviving its cancer diminishes, so the size of the terminal monitor reporting on the patient`s progress has decreased until the expiring victim has but a ten square centimeter mobile telephone screen to reassure them that life continues elsewhere. Anyone who`s looked at their environment perceives the discrepancy between the internet imagery available to the surfer through their mobile phone and the collapsed and degenerate inner city scenes through which the phone internet user surfs, but that isn`t an indicator of the death of the human patient through cancer, and the doctors haven`t told the patient they`re in danger of imminent extinction. The patient is hooked up to the `PC` terminal to measure `political correctness` (PC) and the cancer, which is the `policeman` (PC), becomes active if the patient shows signs of being impolitic enough to seek to know what`s being measured as `politically incorrect` (PC), and why that`s dangerous enough to warrant extermination.
In Eden the first woman and man, Adam and Eve, were tempted by the serpent, who was the angel Satan transformed by God for refusing to accept that the human host would be greater than the angelic. Satan gave Eve and Adam the `fruit of the tree of the knowledge of god and evil`, that is, death, saying `You shall be as gods.` (Gen: 3. 5) God expelled Eve and Adam from the paradise of Eden for rejecting the `fruit of the tree of life`, which is immortality, and God told Adam he must labor and Eve would experience labor pain but she and her `seed` would have Redemption from the enmity of the serpent`s `seed`:
`You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15)
In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because Jesus uncontaminated by male semen was born to her as the futanarian redeemer of humanity. After Eden men enslaved the futanarian human host of women with their own penis` semen and host wombs for the sexual reproduction of humanity`s brainpower to liberate women from slavery in ephemerality. Men prevented women from inventing labor-saving devices, and the medical science to give them longevity and preserve their knowledge so they wouldn`t be enslaved by men of the `serpent`s seed` by suppressing the human futanarian penis` semen of women. As the human host at the `Last Supper` Jesus offered `bread and wine` to his disciples as symbols of his `body and blood`, but Judas Iscariot betrayed the human host and Jesus was taken by agents of Rome to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and left there until he died, but he experienced Resurrection and Ascension to heaven in prefiguration of the Resurrection and Ascension of women`s futanarian penis` semen for the sexual reproduction of the humans` brainpower that would save her from slavery in ephemerality. The absence of the woman`s penis from the world`s information superhighway is a measure of the extent to which humans haven`t been impolitical enough to ask where their brains are.
The monitoring equipment is sensitively diminishing in scale from that of the `big picture` in the movie theaters of Hollywood, Babylon, where the implementation of the `Hays code` (1930-67) of the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, made it a rule that a woman shouldn`t raise her foot from the floor in bedroom scenes to ensure that the futanarian human race of women would be absent from the world`s stage and thence extinguished as a species during pogroms such as those run by the German National Socialist Party of Chancellor Adolf Hitler in the Second World War (1939-45) to enslave Europe and the world pursuant to the First World War (1914-18) as the German Empire`s first attempt. Although the United States of America is perceived as the harbinger of freedom, the `Hays code` was a propagandist move equivalent to the Italian, German and Japanese fascist construction of labor camps that ultimately became death camps for those incarcerated therein. Effectively, what the Western democracies and the fascists did was build a picture that didn`t have any women or humans in it.
According to the Bible, which is the Old Testament, that is, the Talmud and Torah as the history and law of the Jews, and the New Testament of the teachings of Jesus Christ, the Jews are the `chosen people`. Because it isn`t possible to be born a Jew unless from a woman, Jews are women, which is why Jesus was a Jew born uncontaminated by male semen from his mother, the Virgin Mary, as the perfect man. Because futanarian women need a vehicle for sexual reproduction with each other, the Islamic marriage in which four wives are permitted is a sign that the Holy Spirit Jesus said would teach after him was present when the Prophet Mohamed received the Koran (610-30 C.E.) by divine inspiration, and which contains a history of Old Testament Abraham, and a history of New Testament Jesus. Islam derives from the line of Ishmael, who was the son of Hajer, the maid of Sara, who gave Hajer to Abraham after she bore Isaac, who was of the line of Israel, and was thereafter barren and unable to conceive. The four wives of Moslem marriages derive from Sara and Hajer, that is, the possibility of futanarian sexual reproduction between women is prepared for in Islam, which means Judaism is continued in Islam through Jesus` teaching:
`Love your neighbor as you love yourself.` (Mk: 12. 31)
When American writer, Mark Twain, heard rumors of his decease, he told listeners, ‘The report of my death was an exaggeration.`1 The terminal reports on the extinction of the human species of `woman`s seed` isn`t exaggerated so much as secreted. Beginning with the mass media removal of women`s penis` semen from the `big picture` of Hollywood, Babylon, followed by the male brained wearing of each others` clothes in the transvestism of `TV` watching, women perforce now watch a few centimeters of mobile phone screen for reports of the progressive consuming of the human race by the `serpent`s seed` of their enslavers in host womb parasitism. Kept in fearful faithfulness to their monogamous devouring parasite by the `biological weapon of men`s incurable killer disease of HIV/AIDS spread by homosexuality in pederasty`s mixing of blood, shit and semen in each others` anuses, the absence of humans and women from the ever diminishing screening is an indication of men`s determination to maintain slavery in ephemerality for the species:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
The problem is homosexuality in pederasty for war, which is why `Babylon` is described initially as `a woman` in the Bible, while later she`s the foremost city of the Persian Empire. In ancient Greece women`s host wombs were enslaved for homosexuality in pederasty and warfare against `woman`s seed`, and the Greek poet Homer detailed the spread of the viral contagion in his history of the fall of the Trojan city of Troy, the Iliad (710-60 B.C.). Using the device of a huge hollow wooden horse, the Greeks emerged, when the Trojans unwittingly took the horse into the city of Troy, to enslave the host wombs of the women for homosexuality in pederasty and so spread the brain disease further. Although Greece is held as the model for Western democracy, the absence of women`s penis` semen from its culture suggests that democratic institutions in the West are a sham that hides the progressive extinguishment of the human race. Moreover, although Islam is depicted as a conglomerate of dictatorships, the ratio of at least 80% women to 20% men within Moslem marriages is more humanly democratic.
Saddam Hussein was the Iraqi dictator whose summer palace at Hillah overlooked the ancient ruins of the city of Babylon, while his name, meaning `crusher` and `small handsome man`, denotes his role within Hollywood, Babylon, movie propaganda. What he represented was the opponent of the Babylon of the West, which had eaten the penis of women. That`s clear from the absence of women`s penis, and so of humans, from the mass media created by Hollywood, Babylon. As a Moslem amongst futanarian women, hidden beneath the one-piece coverall of their burkas in public to prevent the evil eyes of Western men from seeing the penis they`d eat more of, the women of Islam believed that Saddam was the prophesied `crusher`, who would defeat `the Great Satan`, that is, the United States of America as the suppressor of `woman`s seed`.
Men argue that they`re men like Jesus, whereas Jesus was a human born uncontaminated by male semen, and so a man unlike other men. The distinction illustrated by Jesus` birth from his mother, the Virgin Mary, is between Jesus as the human, and men as the `serpent`s seed`, that is, the devils of Satan, who `re host womb enslavers of ephemeral futanarian humanity for the power that confers. Although Jesus says it`s possible for men to experience conversion after repentance from their sinful nature through metanoia, that is, brain transformation, in order to have Redemption, Resurrection and Ascension to heaven, Jesus` birth indicates he`s not a man like other men, because he has the penis` semen of his mother, the Virgin Mary, who is representative of the futanarian penis` semen of women as the humans upon the Earth. Consequently, men who reject the futanarian penis` semen of women are denying the human species` permission to live, which makes them devils in Satanism.
The movie World Trade Centre (2006) was filmed in Hollywood after the Al Qaeda September 11, 2001, terrorist hijacking of civil airliners to crash them into the Twin Towers of the WTC in New York, which resulted in the March 2003 US army`s invasion of Iraq to depose Saddam Hussein for offering Al Qaeda bases there. A direct consequence of Hollywood`s denial of breathing space to the futanarian species of women with their own penis` semen, World Trade Centre and Jarhead (2005), which owed its whimsical title to the Nazi style headgear worn by the US marines, represent the `brutality and violence` associated with men engaged in the `rough trade` for which the World Trade Centre was chosen by Al Qaeda as the symbolic pyre for a reestablishing of homosexuality in pederasty and war against the human race, and is what Hollywood`s rejection of futanarian humanity predicates will happen, because that`s why Babylon is.
1 Twain, Mark New York Journal, June 2, 1897, https://oupacademic.tumblr.com/post/48310773463/misquotation-reports-of-my-death-have-been#sthash.WqzdW90l.dpuf .
Britney Spears` `Oops! ... I Did It Again` and Captain Hook
Britney Spears` `Oops! ... I Did It Again` and Captain Hook
Britney Spears` video single to promote the song, `Oops! ... I Did It Again` (2000) features her wearing a red pilot`s suit to place a hook in the back of what is apparently a North America Space Administration (NASA) astronaut wearing a spacesuit identical to the one worn on July 21, 1969, by Apollo 11`s Neil Armstrong as he became the first man to set foot on Earth`s lunar satellite. Winched up by Britney in red, the astronaut gazes down upon a second Britney lying beneath in a white bikini dress while the camera attached to the spaceman`s helmet presumably relays pictures of her back to `Mission Control` on Earth, who are also featured in the video speaking to the astronaut as `Mars Lander`, which suggests that the setting for the action is the red planet of Mars and, as Neil Armstrong was the Commander of the Apollo 11 moon landing, he`s captain hooked by Britney Spears.
Captain Hook is a pirate character in the children`s play, Peter Pan (1904), written by J.M. Barrie, about the Darling children at the home of Mrs Mary Darling, that is, Wendy, John and Michael, taken to Neverland by Peter Pan, who wants Wendy to be mother to The Lost Boys once lost in Kensington Gardens, London. When Britney Spears` astronaut discovers her on Mars, she`s with her dancers, who correspond to The Lost Boys, now with John and Michael, who have built a house for `Wendy`, that is Britney Spears, and is what occurs in Barrie`s play. Britney` stage set for `Oops! ... I Did It Again` is her `Wendy House`, and is what English children call their `play house` after Barrie`s drama. Consequently, Britney Spears` musical drama `Oops! ... I Did It Again` is set in her `playhouse`, which is the term given to the theater in English, where the dramatic performance, Peter Pan, centering upon the conflict that The Lost Boys and the Darlings have with the pirate, Captain Hook, recurs each time the play is enacted, and as the video events of `Oops! ... I Did It Again` recur when there are players.
Although Barrie is specific about The Lost Boys needing a mother, that is, Wendy Darling, the female dancers correspond to successive generations of Darling daughters. Wendy takes The Lost Boys back to London, where Mary Darling adopts them, but not Peter, who`s afraid he`ll be caught by those who will `make him a man`. Peter feels `betrayed` that Wendy prefers adulthood, but takes Wendy`s daughter, Jane, to Neverland as his new mother, and in a cycle depicted as never ending, he takes Jane`s daughter, Margaret, after Jane`s return, which means the Darling daughters remain eternally young in Neverland if they don`t return, and so Britney is the mothers of The Lost Boys, and The Lost Girls, which is why she`s twinned in red and white in `Oops! ... I Did It Again` as mother and daughter, while presumably there are those who continue the struggle to make a man of Peter, who wants something else.
In her flying suit Britney Spears is technologically removed from her spaceman, who wears a NASA Apollo astronaut suit, which seems an anachronism as Britney and her dance troupe don`t wear them. Winches and pulleys are a phenomenon of stage performances in Peter Pan, as the wires and hooks attached to the actor in the role are employed to give the illusion of flying, so in her red flying suit Britney winches the astronaut above herself until she lies beneath in her white bikini dress `captured` on camera. Her iconic role derives from the science fiction novel for adolescent girls, written by Robert A. Heinlein, Podkayne Of Mars (1963), about a girl who wants to be a spaceplane pilot:
`Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`1
In Barrie`s drama, Peter Pan can fly, like his fairy friend, Tinkerbell, and it`s Poddy`s concerns for a `baby fairy` that results in the two endings Heinlein was persuaded by readers to write for the novel, because in the original kidnapped Poddy dies in an explosive denouement as she delays her escape from her captors to care for a Venusian `fairy`, and Robert Heinlein rewrote the ending so she survives. The two versions explain why there are two Britneys in the `Oops! ... I Did It Again` video. Each has a `timeline`, as Robert A. Heinlein called it, that is, an `alternative reality`, because different people have separate lives.
When Captain Hook and the pirates kidnap Wendy and The Lost Boys, and the pirate attempts to poison Peter, Tinkerbell drinks the poison, rather than that Peter should, and a significant part of the drama is the actor playing Peter`s request to the audience to clap their hands together to save Tinkerbell from the poison, which invariably occurs. In Podkayne Of Mars, the `baby fairy` corresponds to Tinkerbell, and Poddy dies shielding the Venusian with her body in the original ending whereas, in the rewritten narrative, Poddy`s brother Clarke, who`d been responsible for the explosion that killed the kidnappers, and almost Poddy too, anticipates her recovery while he himself cares for her `baby fairy`:
`So I`m up a lot in the night – I guess it thinks I`m its mother. I don`t mind, I don`t have much else to do.`2
Effectively Poddy and the `baby fairy` are saved because the audience refuse to applaud unless the characters are immortalized, which is what happens when the audience of Peter Pan are invited to applaud in order to save the fairy Tinkerbell in the course of the dramatization. When Wendy asks Peter what his feelings are towards her, he detects a move to make a man of him, and says he`ll be like a `faithful son`. Britney`s theme in `Oops! ... I Did It Again` is love, and like Peter Pan she flies through the air somersaulting to stand before the astronaut to receive a gift in a black box:
`But I thought the old lady dropped it into the ocean in the end.`3
In modern culture the `old lady` is actress Kate Winslet, as Rose, who drops the `heart of the ocean` diamond blue pendant into the sea at the point at which the Titanic ocean liner sank when it hit an ice berg on its maiden voyage from Southampton to New York on April 13, 1911, in the movie, Titanic (1996), because the fiancée she`d jilted had planted the diamond on her new lover before the ship sank and, disillusioned, she drops it into the sea as a memorial to her love who drowned helping people to the lifeboats. Heinlein`s Poddy character almost dies saving the `baby fairy`, while Tinkerbell in Peter Pan risks her life by drinking the poison meant for Peter, which is what heroism is for Britney:
`You see my problem is this,
I'm dreaming away;
Wishing that heroes, they truly exist.`
All it takes to resurrect the character in the modern age is to replay the video, which is the applause from the audience that conferred immortality on Tinkerbell as a reward for her heroism, and that observers want to see repeated. When Peter and The Lost Boys save Tiger Lily, the Indian Princess, from Captain Hook and the pirate ship, they`re heroes. The red Indian Princess, Tiger Lily, corresponds to Britney Spears in her red pilot`s suit, who is immortalized by the applause she wins with The Lost Boys, and The Lost Girls of her popular dance troupe. During the rescue of the red Indian Princess, Barrie`s audience become aware that a crocodile follows Hook, who lost a hand in its jaws, to finish its meal. Hook isn`t immortalized, because the audience wants to see the red Indian Princess, Tiger Lily, and doesn`t want to see Hook again. Peter kicks Hook into the jaws of the crocodile, which finishes its much anticipated meal. Britney`s spaceman is Captain Hook, because young women want to be space pilots and not astronauts, that is, they want to escape the heroes of the past, and pilot their own destiny to the stars and planets.
1 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, p. 2
2 Heinlein, Robert A. Podkayne Of Mars, Baen, Riverdale, New York, 1995, p. 282.
3 Martin, Max, Rami, `Oops! ... I Did It Again`, Britney Spears Oops! ... I Did It Again, Jive, 2000.