Riding Horses Made Of Water
The horse appears throughout the history of warfare as a reluctant carrier of the plague of conflict. At Troy the Trojans allowed the huge wooden horse of the Greeks inside the city walls where the Greeks, whose society was founded upon homosexuality in pederasty, emerged as parasites to enslave the host wombs of the women of Troy and spread their contagion of war further. The symbol of the city was a horse, because the patron deity of the city was the mother goddess, Pallas Athene, while the narrative of the taking of the city by the poet, Homer, the Iliad (c. 760-10 B.C.), not only depicts Greek warfare as a plague, but how the biblical `blood plague` of HIV/AIDS is spread by homosexuals in pederasty `feigning friendship` towards their victims in male braining`s coercive mode. Women as `futanarians` have their own penis` semen for the sexual reproduction of their own brains` powers, so the narrative of Troy depicts how Greek homosexuality in pederasty captured a woman`s city by coercing the men within to accept a `friendship gift` equivalent to a homosexual wooing:
`Beware Greeks bearing gifts.`1
The Trojan priest, Laocoon, fails to understand how the people can`t see that the Greek horse poses a threat to the integrity of the city. The Greeks are male brained in homosexuality in pederasty and so are able to coerce the men within the walls of the city of Pallas Athene to accept their gift like homosexuals wooing a victim to accept HIV/AIDS. In the computer age that began in the 20th century, the `geek` successors to the Greeks devised `bad machine code` known as `Trojan horses` to infect and kill the brains of computers, which is the male brains` aim with regard to women:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
In the Bible God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and the first man, Adam, lived in Eden, where they were tempted by the serpent, Satan, the angel cast out of heaven by God for not wanting humankind to be greater than the heavenly host, `You shall be as gods.` (Gen: 3. 5) Eve and Adam took `the fruit of the tree of the knowledge of good and evil` offered to them by the serpent, Satan, and were expelled from paradise for rejecting the `fruit of the tree of life`, that is, immortality, because they accepted host womb slavery in parasitism and ephemerality for their `futanarian` daughters and the human species born after Eden, killed and culled by men of the `serpent`s seed` in parasitism and homosexuality in pederasty, and warfare against the future host of God`s angelic nature. Without female brains produced from `futanarian` women`s semen and host wombs, male brains coerce the male brained. Consequently, the collective male brain of the Greeks was able to coerce the men of Troy to surrender their city. Babylon was a city in Iraq (c. 4000 B.C.), and the Bible describes her as `a woman`, for the same reason that Troy was Pallas Athene`s city, because Babylon represents male braining in host womb parasitism and warfare against the human host by men of the `serpent`s seed`:
`At that moment there came a roaring and a rushing: a noise of loud waters rolling many stones. Dimly Frodo saw the river below him rise, and down along its course there came a plumed cavalry of waves. White flames seemed to Frodo to flicker on their crests and he half fancied that he saw amid the water white riders upon white horses with frothing manes. The three Riders that were still in the midst of the Ford were overwhelmed: they disappeared, buried suddenly under angry foam. Those that were behind drew back in dismay.`2
Some commentators argue that Homer`s Greek campaign against Troy was fiction. Britain`s fantasy writer J. R. R. Tolkien in his The Lord Of The Rings (1953-4) depicted horses made of water with riders, because books about men`s preoccupations are elision. All of the fictional activity is horses made of water with riders, because the battle of women for female sex is excluded from the picture. In the 21st century film of Tolkien`s trilogy, The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003), actress Liv Tyler with the role of the 2700 year old elf woman, Arwen `Evenstar` of the forest of Rivendell, and actress Cate Blanchett, as Galadriel, Arwen`s grandmother and the elf woman of the forest of Lothlórien, are the female sex at the heart of director Peter Jackson`s film treatment, which brings home to wiser cinema audiences the elision. Battles are fought but the women are the female sex unfought for by the women.
Liv and Cate aren`t able to portray the socio-economic conflict in interest that the battle for female sex represents, because Hollywood Babylon reinforces narrative conventions against `woman`s seed`, despite Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, fulfilling the biblical prophecies of the Old Testament of the Redeemer. Mary represents the `futanarian` human woman capable of sexually reproducing her own brains` powers for technological progress and escape from men`s enslaving of her host womb in homosexuality in pederasty and parasitism for male braining and war. But Hollywood Babylon`s establishing of the `Hays code` (1930-67) made it a convention that women`s `foot` shouldn`t be seen rising from the floor of the bedroom in scenes of intimacy, because of fears amongst the `serpent`s seed` in the Babylon of the West that God`s words to Eve would be fulfilled, that is, she will:
`…crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Consequently, `woman`s seed` shouldn`t be seen to have the capacity to sexually reproduce her own brains` powers through her own penis` semen and host womb. Although Tolkien`s The Lord Of The Rings is the tale of how the men of the West defeated the `paper tiger`, Sauron, in the land of Mordor, before the marriage of Arwen and Aragorn, heir to the West, the elision obtains, that is, Tolkien`s `ring war` is the myth of women`s acceptance of her parasite, rather than the truth, which is that women`s battle for their own female sex is elided by men`s battle to enslave her womb and keep their parasitism a secret from generations of daughters untaught that their sex is forbidden because it`s a threat to male braining in parasitism and warfare against her hosts:
`With his last failing senses Frodo heard cries, and it seemed to him that he saw, beyond the Riders that hesitated on the shore, a shining figure of white light; and behind it ran small shadowy forms waving flames, that flared red in the grey mist that was falling over the world.`
Frodo is the heir of Bilbo Baggins who by chance recovers the lost ring of Sauron in Tolkien`s The Hobbit prequel to The Lord Of The Rings and which Frodo and his companions are asked to take to Mt Doom and unmake in the mouth of the volcano so that the power of the Dark Lord is broken. Living in Hobbiton, where the doors are round, Bilbo is rabbit-like, that is, he`s Bilbo, the rabbit from `rabbit on`, where the verb `to rabbit` means talkative, because Tolkien`s tale is riding horses made of water, that is, an elision in which female sex is excluded from the fantasy, because it`d interfere with the simplicity of the aim of the action depicted, which is to spread the contagion of war further. Frodo is a rabbit, because he`s half a man, that is, a `halfling`. As the `serpent`s seed` will have `perpetual enmity` with Eve`s `seed`, according to God in the Bible, so male children have to be educated in warring against her `seed`.
Jesus was nailed to a cross of wood by agents of the Roman Empire in occupied Palestine and tortured to death for dissidency before his Resurrection and Ascension to heaven as a prefiguration of the `futanarian` ascent of `woman`s seed` through the sexual reproduction of her own brains` powers from her own penis` semen and host wombs. Just as Jesus emerges from his entombment in Resurrection, so Frodo emerges from the round door of his `hole` as Tolkien`s `rabbit` in the tradition of the female English novelist, Beatrix Potter, who wrote Peter Rabbit (1902) about a rabbit told to avoid Mr McGregor, whose wife Mrs McGregor had put his father `in a pie`. Encountering McGregor, Peter wriggles out of his coat to escape, `Stop thief!` Tolkien`s Peter is Frodo, whose task is to break the ring of woman`s slavery, and so Frodo will remain a `halfling`, but he will escape marriage, as his own doom is to be unwed, although `futanarian` women will have Resurrection and escape in Ascension to heaven if he unmakes the ring of the Dark Lord of slavery in Mt Doom`s volcanic fires:
`The black horses were filled with madness, and leaping forward in terror they bore their riders into the rushing flood. Their piercing cries were drowned in the roaring of the river as it carried them away. Then Frodo felt himself falling, and the roaring and confusion seemed to rise and engulf him together with his enemies. He heard and saw no more.`
Frodo`s role as a `halfling` represents the `half fling` or `affair` of `woman`s seed` with men, while Jesus` role as `woman`s seed` born uncontaminated by male semen represents the human species` ending of the `affair`, and so Bilbo, Frodo and the other `halflings`, who`re a part of the `fellowship of the ring` on their way to destroy the enslavers` power, are half the size of men and aren`t men but humans, because warfare is riding horses made of water to preserve the elision that keeps women focused on men`s battles against her human hosts, rather than women`s own battle for female sex. The archetype of female sex is the `bunny girl` of Playboy (1953-) magazine fame in which the women `play boy` because `boys` are what they are. Archetypes were popularized by psychologist, Carl Gustav Jung (1875-1961), who explained that the human psyche contained images and characters that spoke, literally or metaphorically, in dreams art and the imaginations of humans, to impel development and progress. Archetypes were the engines of civilization, culture and art, which men`s depredations prevented women from successfully realizing through her host wombs efforts in enslavement and parasitism as the `serpent`s seed` wars against her race`s efforts to escape through technology her imprisonment upon the Earth to reach the planets amongst the stars of God`s heaven. Consequently, Playboy `bunnies` are the archetype of `futanarian` human women with their own penis` semen and host wombs who sexually reproduce their own brains` powers for liberation, which the Playboy image can`t depict for the same narrative convention that governs Hollywood Babylon, and every other kind of publishing and media format.
Swiss Carl Jung was a disciple of Sigmund Freud`s (1856-1939) Vienna school of psychoanalysis, which argued that women were victims of `penis envy`, whereas they were unconsciously angered by men having killed and culled their own `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to create labor saving devices to free their minds for developing liberating technologies that would give them absolute freedom. Psychoanalysts were called `alienists` and `lesbianism` was clinically diagnosed as a `mental aberration` discouraging women seeing themselves in the mirror from finding their own species` path alluring. The result was schizophrenic rejection of their own bodies and other women`s in acceptance of male parasitism upon their host wombs. Perceived as `alien` by the `alienists`, women`s fate was to be depicted transposed as aliens in science fiction and fantasy, that is, wherever there were aliens in fiction, women were discoverable concealed beneath men`s description of their own desire to attack her upon the Earth. In Tolkien Frodo in The Return Of The King has to travel beneath mountains to reach Mt Doom and he encounters Shelob, a giant female spider, who he wounds before continuing. Shelob represents Freud`s `id` as the repressed female unconscious archetype of the `Self` which contains her natural hatred for men who`ve stolen her penis` semen and brains by inveigling themselves into her host wombs to practice parasitism and war upon her Earth against her human host:
'Galadriel!' he called, and gathering his courage he lifted up the Phial once more. The eyes halted. For a moment their regard relaxed, as if some hint of doubt troubled them. Then Frodo's heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right hand drew his sword. Sting flashed out, and the sharp elven-blade sparkled in the silver light, but at its edges a blue fire flicked. Then holding the star aloft and the bright sword advanced, Frodo, hobbit of the Shire, walked steadily down to meet the eyes.`
Galadriel is the Lady of the Golden Wood, Lothlórien, who Bilbo encounters after his sojourn in a wood attacked by giant spiders in The Hobbit (1937) prequel to The Lord Of The Rings because the spiders are the `id` of the elven women. Shelob is `Her Ladyship` reached by means of `the pass of the spider`, that is, Cirith Ungol, as Galdriel was reached after Bilbo`s defeat of the spiders in the forest of Mirkwood. The light Frodo has is a gift from Galadriel, because it`s for shedding illumination upon women`s `id`, that is, bringing forth knowledge from what Jung prefers to call the subconscious shadow of human consciousness:
`Somehow the killing of a giant spider, all alone by himself in the dark without the help of a wizard or the dwarves or anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach as he wiped his sword on the grass and put it back into its sheath.`4
The technical term for a condom is a `sheath`, which has been recommended by medical professionals, as a means to stop women contracting HIV/AIDS in casual or violent sexual encounters with men. Bilbo`s encounter with the spiders of Mirkwood, preceding his meeting with the `Lady of the Golden Wood`, Galadriel of Lothlórien, and Frodo`s wounding of Shelob beneath Cirith Ungol, aided by the `light of Galadriel`, is a sexual assessment by the women of the elves as to their liking for beauty. If humans are `futanarian` then females with their own penis` semen and host wombs are all that humanity is. Consequently, the hero must reject the monstrous apparition even if the spider creature is Galadriel herself, because desirefulness derives from appearance. In the New Testament of the Bible, Jesus is the hero, because he`s `woman`s seed`, and his celibate desire is for God, which means he doesn`t want what`s less than himself and he`s `futanarian` by birth. Shelob represents the HIV/AIDS men have created, because they didn`t want `futanarian` humans, and preferred each other in homosexuality in pederasty and warfare. Mixing blood, shit and semen in each others` anuses, homosexuals spread the late 20th century incurable `killer disease` as a form of `biological warfare` against the host wombs of women already enslaved in parasitism. Consequently, Bilbo`s and Frodo`s encounter with spiders represents the `id` of men who don`t want `futanarian` women`s `seed`, so when Frodo sees Shelob he calls `Galadriel!` As he`s only a `half fling`, Bilbo won`t inevitably wed the elven woman, but he represents the human seeking an end to slave rings for women, so Shelob is but wounded on Frodo`s way to removing men`s `id` from his human consciousness, because Galadriel is her more desirable self.
Emerging from his burrow in Hobbiton, Frodo`s the hobbit equivalent of the disciple of the Jewish rabbi Jesus, because he seeks decontamination through manumission. During Jesus` life in Palestine the Roman Empire encountered resistance to slavery. Jesus was crucified for teaching his disciples as host at the `Last Supper` where he gave `bread and wine` in token of his `body and blood`. Judas` betrayal of Jesus as a dissident `woman`s seed` resistant to the Empire of the male brain of Rome was treachery against the `futanarian` human host womb, that is, women`s own penis` semen for the sexual reproduction of her own brains` powers to liberate uncontaminated by male semen. The escape of Beatrix Potter`s Peter Rabbit from Mr McGregor is analogous to the disciple Peter`s. He denied knowing Jesus and became head of the church of Rome, which replaced Empire. Consequently, Frodo`s emergence from his burrow to break the Dark Lord`s ring of slavery in J, R. R. Tolkien`s The Lord Of The Rings places him in the great tradition as the direct literary descendant of Peter Rabbit:
`Mr McGregor was after him in no time, and tried to put his foot upon Peter …`5
The superstitious belief that a `rabbit`s foot` is `lucky` is pertinent here, because `he shall crush your head, and you shall bruise his heel,` (Gen: 3. 15) is what God tells Eve will happen with the `serpent`s seed` after Eden, when men kill will cull the `futanarian` human species of `woman`s seed` with their own penis` semen and host wombs to prevent them from sexually reproducing their own brains` powers for freedom. Consequently, Mrs Rabbit, Peter`s mother, is the talisman of the `lucky rabbit`s foot` for Beatrix Potter`s readership, because she represents `futanarian` woman and not the oppressive heel of McGregor, which Peter neither wants to crush him, or want that he should become an oppressor of his mother and his siblings, or other of his relatives, friends and acquaintances. Although Mrs Rabbit isn`t an obvious defender of her sex, she`s in the Playboy tradition, which is that boys have to be played like a game, because they`re potentially the exterminators of women`s `futanarian` humanity. Playboy `bunny girls` wear rabbit costumes to remind them of their endangered species, which is reemphasized when they appear nude in Playboy magazine without penis of their own, because men have effectively eaten them like carrots in order to starve the female population to death.
Death through sex starvation is a male principle. The National Socialist Party (Nazis) of Germany pogromed the Jewish `chosen people` of the Bible during World War II (1939-45), because the Jewish tradition was that Jews were born from women, that is, the `chosen people` were women, which threatens male perceptions of themselves as dominant when women have penis` semen of their own as `futanarian` humans. The Nazi `concentration camps` at Belsen, Dachau, and Auschwitz in Poland, for example, defined women as animals, and so all children of females were too. Although the Nazis were in fact the animals, and so Hitler was the biggest animal and most powerful male, the most powerful animal would always be the biggest male, which is what homosexuality is; the extinction of the female by definition.
In the United States of America after 1492, when the exploration vessels of queen Isabella of Spain had discovered the `New World`, the government paid buffalo hunters to kill all of the buffalo to starve the North American Plains` Indians to death for the same reason the Nazis starved 6, 000, 000 Jews to death in `concentration camps` at Belsen and everywhere before burning the unwanted corpses in ovens. Before the hunters began killing the buffalo in North America, there were millions, and afterwards a handful. The women were being forced to concentrate on the male penis. Although Playboy seems libertarian, the absence of the woman`s penis from the magazine is sex starvation, which is what men practice against female sex. The perception that the strongest male has many women denies the socio-historical circumstance that his predecessors have devoured her penis like chain smokers, which is why cigarettes are `cancer sticks` and `coffin nails`, because that`s what they are for women consumed and boxed.
The boxing metaphor is appropriate because the aim of the game is to keep men away to avoid extermination. Although boxing as a sport is known as the `fight game`, boxers aren`t fighters. The aim is to keep the opponent at bay while success is achieved by making contact with the heavily padded gloves on the other boxer`s body as many times as possible in order to have a higher points total and win the bout. Consequently, J. R. R. Tolkien was a `futanarian` like Jesus, that is, a Christian, because he didn`t want women to have Sauron`s ring of slavery. Boxing instructs women how to avoid the ring, because they shouldn`t want to be consumed or boxed. In Russia `smoking` is a euphemism for fellatio, while murder is `smoking` in the United States of America, so women are categorized as `cancer stick` cigarettes to be consumed, or boxed `coffin nails`. To avoid consumption and the coffin, as Christina Aguilera shows in her 2002 promotional videos for the songs, `Fighter`, in which she depicts a woman being nailed down as a `coffin spider`,6 and `Dirrty`, where Christina`s a boxer `fighting dirty`, women have to learn Tolkien`s `ring craft`, which is what Playboy represents. Although the `big lie` can work both ways, men`s lie is women don`t have penis` semen and host wombs of their own, whereas women`s fiction is that their penis is `hidden`.
In Moslem nations women wear the one-piece coverall of the burkha in public so that only their eyes are visible. In accordance with the precepts set out in the Koran (610-30 C.E.), dictated to the Prophet Mohamed by angels, marriages in Islam are permitted four wives, which affords the possibility of sexual reproduction between women, whereas Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, makes him `futanarian`, and is a story that also appears in the Koran as Isa and Miriam. Consequently, Islam and the Judaeo-Christian tradition are an ordered religious unity from a woman`s perspective. However, women must learn `ring craft` if they`re to live as a potentially socio-economically independent part of humanity, which is what boxing teaches.
The battle at the Ford of Bruinen occurs at the very end of The Fellowship Of The Ring, which is the first of J. R. R. Tolkien`s The Lord of The Rings trilogy. It`s the beginning of the campaign to defeat Sauron`s witch king of Angmar, the `Lord of the Nine`, who`re the `fallen kings of men` that ride hideous wingéd steeds as `Nazgûl`. On October 20, 3018, their appearance at the river as `black riders` hinders Frodo`s progress, although he goes on to meet Galadriel in Lothlórien and receive the phial of elvish light to assist him at Cirith Ungol, that is, `the pass of the spider`, against Shelob, before he unmakes the ring of Sauron`s slavery in the volcano mouth atop Mt Doom. The Dark Lord`s fortress, Barad-Dûr, made by the magic ring, collapses, but although that`s the culmination of the action in the third part of Tolkien`s trilogy, The Return Of The King, the myth was complete at the Ford of Bruinen where Tolkien introduced riders on horses made of water, because female sex is absent from the story, that is, the women should be fighting for their own sex and species but, riding on horses made of water, the male illusion is that females are being fought for. Consequently, the action narrative is an elision in which men ride horses made of water, because the `futanarian` human species of women can sexually reproduce without men of the `serpent`s seed` and so the `warhorse`, symbolized in The Lord Of The Rings as Nazgûl, after Nazism, is a delusion perpetrated by homosexuality in pederasty`s enslavement of the host wombs of women to pogrom the civilization, culture and art she`s able to produce despite men`s depredations against her race:
`But no living man am I! You look upon a woman. Éowyn I am, Éomund`s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.`7
There`s a prophecy that the witch king of Angmar can`t be killed by men, and Éowyn is the niece of Théoden, king of the `horse lords` of Rohan, while the seat of his neighbor, Denethor of Gondor, is the city of Minas Tirith, besieged by Angmar before the ring of power is unmade. After Angmar`s forces breach the gate of the city, the witch king becomes the first enemy ever to stand within Minas Tirith, but the allies of Gondor arrive, the Rohirrim `horse lords` of Rohan, and the battle of the Pelennor fields occurs in which Éowyn wearing armor kills Angmar. Although the fictional convention requires her to defy Angmar`s attack upon the spirit of her father Éomund, who was slain by Sauron`s orcs, it isn`t a battle for female sex and so the Rohirrim are metaphorically riding on horses made of water because it`s an illusion designed to foster the delusion that men`s wars are anything but a means of eliding women`s realization of the truth that they`re ring slaves:
`But suddenly he too stumbled forward with a cry of bitter pain, and his stroke went wide, driving into the ground. Merry's sword had stabbed him from behind, shearing through the black mantle, and passing up beneath the hauberk had pierced the sinew behind his mighty knee.`
Meriadoc Brandybuck was the hobbit amongst the fellowship travelling with the horse lords of Rohan to save the men of Gondor at Minas Tirith in the battle of the Pelennor fields at the behest of king Théoden whose niece, Éowyn, slays Angmar after `Merry` has crippled him. The scene is biblical insofar as God told Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Merry is a `half fling`, like Frodo is with Galadriel, because Merry`s heart is Jesus` `seed`, that is, he`s not a man, and neither is Éowyn, but they stand muster with humanity, and so Frodo`s test at `the pass of the spider`s stair` is recognition, `Galadriel!` The spider Shelob is `Her Ladyship` to the orcs of Sauron that were bred from captured elves as the evil slaves of the Dark Lord, while the elven woman is `The Lady of the Golden Wood` who gives Frodo the phial of light which he uses to blind Shelob with its brightness while he wounds her eyes with his sword, crying `Galadriel!` Shelob is the aspect of Galadriel `hidden` and repressed as the `id` of Freudian psychology that contains something so monstrous no one can stand against it without feeling fear. The crippling knowledge that `woman`s seed` has been killed and culled by men of the `serpent`s seed` to prevent her human race from rising to the planets and stars is what lies behind all men like the witch king, Angmar, because Merry and Éowyn are Jesus` `seed`:
`Do not pursue him! He will not return to these lands. Far off yet is his doom, and not by the hand of man will he fall.`8
Angmar had been defeated once before by Eärnil II of Gondor with help from the elves of Rivendell, amongst whom was Glorifindel, who prophesied the witch king wouldn`t die by any other than human hand. Although Jesus was born from his mother, the Virgin Mary, and was human, he wasn`t contaminated by male semen. In The Lord Of The Rings Tolkien depicts Merry and Éowyn`s humanity, but neither of them are men, whereas the meaning of Jesus` birth is that Merry and Éowyn don`t have to be men to be human. Moreover, men have killed and culled `woman`s seed` to prevent her from thinking with her own brains, which are human but not men`s. Consequently, female sex is human, although humans can be born without women`s semen, because Jesus was, although his birth prefigures the Resurrection of `woman`s seed`.
Angmar is crippled from the beginning of his history because Tolkien can`t reveal the truth of women`s `futanarian` nature in the narrative because of fictional conventions. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), Oedipus is blind metaphorically from the start, but literally by the close of the drama. He kills his father unwittingly and marries his mother unknowingly, before blinding himself after learning he`s broken the society`s incest taboo. Jesus` precept aimed at women with daughters who`re `futanarian` is, `Love your neighbor as you love yourself.` (Matt: 22. 39) Jesus` argued that his precept was the whole of God`s law distilled, because men`s incest taboo isn`t directed at sons, it`s directed at daughters, who`d resolve their desire to sexually reproduce by turning to the nearest available female neighbor apart from their mother. Jocasta`s daughter, Antigone, agrees to guide her father, Oedipus, after he`s blinded himself, because she`s blind too. Oedipus doesn`t reveal the meaning of the drama, which is that there aren`t any `futanarian` women, because men have killed and culled them before establishing the incest taboo to prevent women`s daughters from escaping their blindness and sexually reproducing with each other. Daughters perceive they`re children of their fathers, whereas they`re daughters of the penis` semen of their mothers stolen by her parasites. The incest taboo of men`s exists to prevent women`s daughters from realizing that their mothers aren`t incestuously inclined. For a daughter, the rest of the women are hers, because it`s her mother`s race. The parasites that are men will inhabit whatever host womb is available, which is why the incest taboo exists.
The `pass of the spider` at Cirith Ungol, where Shelob lies waiting for Frodo, represents women`s repressed `futanarian` eight-limbed female sex. As Oedipus is blind, so Angmar is crippled, because he can`t repent from a sin he knows nothing of, but which has crippled his humanity. Although Tolkien has prepared Angmar as a victim, the writer can`t escape the literary conventions of fiction and fantasy so he has to resort to symbolism and metaphor. Angmar`s crippled because Tolkien hasn`t explained that Shelob`s `woman`s seed` repressed and subjugated by men of the `serpent`s seed`, which might have made a difference to Angmar`s development as a person. Consequently, Angmar`s a victim chosen by Tolkien to illustrate his thesis, but the powerful `hidden` message of the novel is also absent from the 21st century screen version, because of Hollywood Babylon cinema conventions, and so the story simply prepares the path for more cripples and victims to travel blithely along the road to Mt Doom and hurl themselves into the mouth of war`s volcano.
1 Virgil The Aeneid, Bk II, 19 B.C.
2 Tolkien, J. R. R. The Lord Of The Rings, The Fellowship Of The Ring, `Flight To The Ford`, Bk I, Ch. XII, George Allen & Unwin, 1953-4.
3 Tolkien, J. R. R. The Lord Of The Rings, The Two Towers, `Shelob`s Lair`, Bk IV, Ch. IX, George Allen & Unwin, 1953-4.
4 Tolkien, J. R. R. The Hobbit, `Flies and Spiders`, Ch. VIII, George Allen & Unwin, 1937, p. 155.
6 The footfall of the `coffin spider` is so heavy as to be audible, which could be why Christina Aguilera chose the theme for the heaviest track on her 2002 album, Stripped. The colony of spiders at Islesboro, Maine, USA, is centered upon the church, while the local name for the creature, `Hearse House`, derives from its originally being found in hearses where carriages were housed. Although women aren`t vampires, the stake they have in their future is severely curtailed by the transposition of their own penis into the stake that men have in their hearts.
5 Potter, Beatrix The Tale Of Peter Rabbit, Frederick Warne & Co., 1902, p. 47.
7 Tolkien, J. R. R. The Lord Of The Rings, The Return Of The King, `The Battle Of The Pelennor Fields`, Bk V, Ch. VI, George Allen & Unwin, 1953-4.
8 Tolkien, J. R. R. The Lord Of The Rings, Appendix A, l, iv, 1953-4.
Decorating one`s tree this Christmas, many will be without any knowledge or understanding of the meaning of their seasonal activity, which is to celebrate the birth of Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen. The Bible is the book for millions of uneducated people, who go to their local church to listen to the `Word of God`, delivered from the holy texts by their pastor from the Old Testament, which purports to describe the early history of mankind upon the Earth`s surface as well as the traditions of the Jews in monotheism after their exodus from slavery in Egypt, before they settled in Canaan after war with the Canaanites, and from the New Testament that describes the events of the life and teaching of Jesus uncontaminate. The star upon the Christmas tree represents the one described in the New Testament of the Bible as appearing above the stable in Bethlehem where Jesus was born of his mother, the Virgin Mary, as she and her husband, Joseph, were on their way to fulfil a census requirement by the Roman Empire`s administrators in Jewish Palestine.
In the first book of the Old Testament, Genesis, God tells Eve her `seed` `… will crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Commentators agree that Jesus is the `seed` that will crush the serpent`s head, and his death by torture, when the Romans nailed him to a wooden cross, followed by his Resurrection and Ascension to heaven, is interpreted as the crushing of the head of the serpent as Eve`s `seed` leaves. The biblical tradition is that the serpent was the angel, Satan, who didn`t want humanity in heaven, so God cast Satan to the Earth, and he became the serpent in the paradise of Eden where Eve, the first woman, and Adam, the first man, dwelt. The serpent gave Eve and Adam `fruit of the tree of knowledge of good and evil`, saying `You shall be as gods.` (Gen: 3. 15) God cast Eve and Adam out of the paradise of Eden for rejecting the `fruit of the tree of life`, which was immortality, while exhorting Adam to labor, and telling Eve she`d have labor pain, before Redemption through her `seed`: Jesus uncontaminate.
Eve`s labor pain began after she and Adam were expelled from Eden because men and women born after paradise were `futanarian`, that is, women with penis` semen and host wombs of their own for the sexual reproduction of their own brains` powers to develop the technology that would save their labor and liberate the human race of women from host womb slavery in parasitism to men of the `serpent`s seed`. In male braining men could force their `projections`, that is, the male brained women, into accepting ephemerality, which was why God warned Eve and Adam they shouldn`t eat of the `fruit of the tree of the knowledge of good and evil`, because it`s a metaphor for the enslaving of women`s host wombs that will bring death to humanity, whereas the `fruit of the tree of life` is immortality. Eve and Adam were immortal because memory is important. In the Bible story of Cain and Abel, Cain kills Abel because he`s more able, that is, Abel can cook, and that`s pleasing to God, because it shows signs of developmental functioning, whereas Cain grows fruit, which is less developmental, but hunger makes the gathering of food instinctual, whereas the cooking of food requires memory. Consequently, Abel represents technological development and the memory needed to use technology and develop more, whereas the memories of creatures who`re ephemeral are less effective if they`re uneducated. Women who aren`t educated in their own species` `futanarian` nature don`t know they can sexually reproduce their own brains` powers for technological development, because men of the `serpent`s seed` want them to remain ephemeral and enslaved host wombs in parasitism.
In the late 20th century the incurable `killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses in `biological warfare` against the human species, extended homosexuality in pederasty`s virality. Held as a model for Western civilization, Greek society institutionalized homosexuality in pederasty`s enslavement of women`s host wombs to spread their contagion of war further. Before the walls of Troy the Greeks deployed a huge hollow wooden horse, according to the poet Homer`s Iliad (c. 760-10 B.C.), which the Trojans took into Troy as a `friendship gift`, even though their priest, Laocoon, had warned: `Beware Greeks bearing gifts.`1 The Greeks emerged from the inside of the horse to enslave the host wombs of the Trojan women for homosexuality in pederasty and spread their contagion of war further. HIV/AIDS is the latest form of the virus, known as `men`, because it`s a metaphor for how homosexuality in pederasty`s contagion becomes ever more virulent after its enslaving of the host wombs of women.
By the early 21st century, the successors to the Greeks, the `geeks`, were devising `bad machine code`, known as `Trojan horses`, to infect computer brains, in acknowledgement of their Greek predecessors, who`d killed the brains and memories of the Trojan women in institutionalized homosexuality in pederasty`s male braining for the acceptance of warfare and the spreading of its contagion through host womb slavery in parasitism. By killing the brains of computers, the `geeks` were emulating the Greek erasure of women`s `futanarian` history of sexual reproduction from their own penis` semen and host wombs for their own brains` powers and technological liberation from womb enslavement by men of the `serpent`s seed`, that is, without recorded history women wouldn`t be educated enough to develop the science of medicine to ensure they lived long enough to recover a `futanarian` history, which is why the `geeks` are endeavoring to infect and kill computer brains.
In the Bible Jesus is described as near the town of Gadarene, when he encounters a man who says his name is `Legion`, which was the word used by the Romans for their armies grouped as `legions`, and Jesus commanded the demons to leave. The demons left the man and entered the pigs who ran into a river and drowned. Because `Legion` represented the legions of Rome occupying Jesus` Palestine, the pigs` running into the river and drowning is what men under the command of Rome did, because they fought and died for homosexuality in pederasty`s parasitism. Consequently, the man Jesus met near Gadarene was a pig because he was a man, whereas Jesus uncontaminated born of his mother, the Virgin Mary, was `woman`s seed` and so not possessed by the demons:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
In the Bible Babylon is `a woman`, because enslavement of women`s host wombs in homosexuality in pederasty`s institutionalized warfare against the human species requires a `mother`, which is why Jesus is born from his mother, the Virgin Mary, uncontaminated by male semen. Jesus` mothering of Jesus prefigures the Resurrection of `futanarian` women who can sexually reproduce with their own penis` semen and host wombs independently of men`s slave economics based on the perpetuation of war:
`And I will put enmity between you and the woman, and between your offspring and hers. He will crush your head, and you strike his heel.` (Gen: 3. 14)
In the First World War (1914-18), following the industrial Revolution, which began in England (1760-1840), Imperial Germany sent soldiers to fight against the Western European allies in Russia, France and Belgium, which resulted in the collapse of capitalism in Russia on October 25, 1917, and the establishment of communism, that is, workers` control of the means of production, because the perception was that capitalists had sent a generation of men to their deaths. The theories of German, Karl Marx (1856-1939), in Das Kapital were applied after the assassination of Tsar Nicholas II of Russia ended Russian involvement in WWII. But it was implicit in the socio-economic theory of workers` independence from capitalism`s warmongering that women`s host wombs were enslaved in homosexuality in pederasty and warfare. Consequently, women were the workers, because civilization, culture and art emerged from their host wombs despite the parasites` depredations. If communism were properly applied, women would have control of the means of production, which is socio-economic independence for the human species from their parasite.
In capitalism advanced technology means progress for humanity, whereas HIV/AIDS` incurable killer disease spread by men in homosexuality in pederasty, and the `geek` successors to Greek democracy`s virality, that is, computer viruses, are amongst the signs readers of the Bible are told to expect in the last days before God`s judgment of eternal unendurable pain for the evil. Failure to cure HIV/AIDS during the Bosnian war (1990-95), when Christians set up rape camps for the Moslem women to mother a male brained generation when their marriage system of four wives permits of the possibility of sexual reproduction between women, and the Gulf war that began in March 2003 to depose Iraq`s dictator, Saddam Hussein, are signs that the socio-economics of men of the `serpent`s seed` is war, which is evil. Even the cause of the second Gulf war (2003-11) after the first (1990-1) to remove Saddam Hussein`s invading army from Kuwait, was the September 11, 2001, hijacking of `civil` airplanes by Al Qaeda terrorists from Afghanistan, led by Saudi Arabia`s Osama Ben Laden, to crash them into the Twin Towers of the World Trade Centre in New York, as a symbol of men`s preference for `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty and war, because men prefer war to liberating advances in technology, education, and medical science through women, which is why Al Qaeda were the agent provacateurs of homosexuality`s pederasty in warfare:
`A person employed to associate with suspected individuals or groups with the purpose of inciting them to commit acts that will make them liable to punishment.`2
With Al Qaeda the aim was to waste money and direct Western democracy away from the liberation of women in homosexuality in pederasty`s warmongering socio-economy. Although no one could deny that the Bible of the Judaeo-Christian tradition is useful insofar as it recommends good, and that the Koran (610-30 C.E.) of the Moslems is similar, which contains the Old Testament stories of the Jewish exodus from slavery in Egypt and the New Testament narrative of Jesus` life, it`s about a nomadic desert people living in tents, and much of the narrative is inconsequential or impenetrably uninteresting and irrelevant to those who`re encouraged to imbibe it chapter and verse as spiritual treasure:
`A prophecy against Moab: Ar in Moab is ruined, destroyed in a night! Kir in Moab is ruined, destroyed in a night! Dibon goes up to its temple, to its high places to weep; Moab wails over Nebo and Medeba. Every head is shaved and every beard cut off. In the streets they wear sackcloth; on the roofs and in the public squares they all wail, prostrate with weeping. Heshbon and Elealeh cry out, their voices are heard all the way to Jahaz. Therefore the armed men of Moab cry out, and their hearts are faint.` (Is: 15. 1-5)
People who believe in the Bible believe Isaiah 15, `A prophecy against Moab`, is relevant to the 21st century, because the Moabites are a biblical people whose fate will be determined until God`s judgment. However, because God`s judgment is predetermined, the evil will experience eternal unendurable pain, whether Moabites or not; if they`re not good. Consequently, only the Moabites should care, and they`re part of the romance that fighting is good, because `Legion` are the Romans but, as the pigs driven into the river to drown illustrates, that`s what happens to those who believe in the romance of the legions of the Romans, and that`s what happens to the `Legion` of the demoniacally possessed who romance about war in the Bible because it perpetuates that `enmity` God warned Eve would ensue between her `seed` and the `serpent`s seed` after Eden:
`Those who cannot remember the past are condemned to repeat it.`3
Although George Santayana`s philosophical observation from The Life Of Reason (1905-06) is irrefutable, those who insist on Bible students repeating the text until they`ve learned by rote are programing Christians to repeat the mistakes of the past, which was compounded by National Socialist (Nazi) Germany`s Christian pogroms against the Jews in the Second World War (1939-45) and the Bosnian war (1990-95) when women were imprisoned in `rape camps`. The Jews were the `chosen people` of the Old Testament whose tradition is that a Jew can only be born of a Jewess, which is essentially a `futanarian` belief in which Jewish women are the `chosen people` fulfilled in Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, because the `chosen` aren`t contaminated by the `serpent`s seed` that produced the Nazi `death camps` for the Jews in Christian Germany. The Bosnian war`s rape camps for male braining was a reestablishing of the pogrom against women`s human `seed`, as `futanarian` Moslem women, with their own penis` semen and host wombs for sexually reproducing their own brains` powers for technological liberation from host womb slavery in parasitism to men`s wars of homosexuality in pederasty, correspond to the `chosen people` of Judaism, because they`re women.
In Saudi Arabia the Ka` Ba is the temple of Abraham, who was the founder of Judaism through his son, Isaac, and Islam through his son, Ishmael. Moslems pilgrimage to the Ka` Ba during the annual `Haj` to Mecca, because they share in the Judaeo-Christian tradition and the `Eid Al Adha`, which follows, celebrates the sparing of Isaac, who Abraham was going to make a `blood sacrifice` at God`s behest, but God was testing Abraham`s faith and so spared Isaac. In the Bible Abraham is famous for God`s promising his descendants would be `numberless` as the `grains of sand in the desert`, or `stars in heaven`, while Ka` Ba is interpretable, in Egyptian tradition, as `Ka` or spirit and `Ba` or soul conjoined after death as the `Akh` or `magical personality`, which in `futanarian` terms is understandable as the Resurrection of the `woman`s seed`, because Abraham`s `seed` represents the desire of the woman`s spirit for her own soul.
Although the slaughter of the Somme, Ypres, Verdun, and other World War I battlefields, as well as the ovens of Belsen and elsewhere in which 6, 000, 000 Jews were consumed during World War II, suggests cannibalism, in fact parasites kill the host, which is why Jesus was the host at the `Last Supper` where he offered `bread and wine` as symbols of his `body and blood`, and Judas betrayed him as a `dissident` to the Roman legion occupying Palestine because Judas was a traitor to the human host. Jesus` journey to Jerusalem, where he was tortured to death upon the wooden cross he was nailed to by the Romans upon the hill of Calvary outside the city, is criticized by biblical commentators, who impugn suicide, as Jesus was warned what would occur.
In cannibalism captives are cooked in pots, although it`s easier to cook the victim if she`s male brained, because the male brain agrees with itself that it should be cooked. Consequently, because Jesus was `woman`s seed` he was a difficult `pot`, before he was `snookered`, in the parlance of the modern snooker table, where it`s the aim of the player to spear the ball into one of the pockets unless his opponent has made it too difficult to `pot` by the devious means of `snookering`, which places obstacles in the way of success. Jesus` Resurrection and Ascension to heaven after his death made it more difficult for the parasites, although the Bible narrates Jesus` `Second Coming` amid a prophecy he`ll `rule the nations with an iron scepter`, which suggests he`ll be a much more difficult `pot` when he returns.
Repetition is convenient, because it precludes progress. Consequently, although the Bible teaches why evil isn`t good, the repetition of evil events has the same effect as showing the movie, Towering Inferno (1974), and the giant ape`s climb up the Empire State building in New York to be attacked by jet planes in King Kong (1933), which imagery provided the stimulation for the movie, World Trade Centre (2005), where hijacked jets crashed into the Twin Towers of New York, because Arabians emulate what they see. The planes were hijacked at Boston, Logan, and Logan`s Run (1976) was a movie about `runners` pursued by `sandmen`, while the April 15, 2013, bombing of the runners at the Boston Marathon suggests a theme inspired by Middle East satellite and cable channels like MBC, broadcasting films like Towering Inferno, King Kong, Logan`s Run and World Trade Centre to impressionable young Arabians.
Women have been taught that living is about fighting, whereas it`s about avoiding being eaten by their cannibal, although men are their parasites, but the emotional overtones of the pejorative term `cannibal` makes the `futanarian`, that is, the `food`, sensible to her human species` plight, which is that the `foot` God tells her will `crush the head of the serpent` has been eaten by the parasite, because the term `cannibal` more properly belongs to `woman`s seed`, if she eats herself, and that`s what men of the `serpent`s seed` have taught her. The September 11, 2001, hijack that saw Al Qaeda terrorists crash planes into the Twin Towers of the World Trade Center `live on CNN` illustrated what occurs when men of the `serpent`s seed` male brain the human race, because a single male brain is wearing men and women`s clothes as a transvestite or `TV` killing itself in repetitive dramatizations for the entertainment of itself watching the theme repeated on the `TV` for the `small screen` and on the `big screen` of movie theatres, for example, Night Of The Living Dead (1968, 1990, 2006), which features an accurate depiction of the truth from a radio announcer:
`It has been established that persons who have recently died have been returning to life and committing acts of murder. A widespread investigation of funeral homes, morgues, and hospitals has concluded that the unburied dead have been returning to life and seeking human victims. It's hard for us here to be reporting this to you, but it does seem to be a fact.`4
The Resurrection parody is what occurs in male braining reincarnation if rebirth is thought of as a legitimate belief system. With reincarnation successive rebirths would result in successive male brainings having something of the effect of a copier running low on toner, that is, the quality of the reproduction would degenerate. Consequently, the Night Of The Living Dead depicts reincarnation, that is, perdition, rather than Resurrection, but the repetition of the theme, as a remake of a film, popularizes reincarnation and perdition rather than Resurrection, which is what Hollywood Babylon`s celebration of male braining in `TV` transvestism popularizes.
The movie industry began in Hollywood, California, Los Angeles, in 1910, when director D. W. Griffiths made the film Old California there, and the `Hays code` (1930-67) established the `foot on the floor` room for bedroom scenes in which women were forbidden from raising their foot from the floor during romantic scenes with men, because it was a metaphor for God`s `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for liberation from host womb enslavement in parasitism being kept on the Earth. The `serpent`s seed` of men prevent her from escaping the low level of technological development her lack of memory in ephemerality vouchsafes to the human species they`ve killed and culled into subjugation in order to inveigle themselves into her wombs as parasites devouring the host.
Although the Robert Redford and Jane Fonda movie, Barefoot In The Park (1967), presented supposedly heterosexual scenes of intimacy, the title of the film belied the absence of the woman`s naked penis in the flat overlooking New York`s Central Park, because men don`t want socio-economic independence for the human species, and so the events of September 11, 2001, were perfectly in accord with the `serpent`s seed` of men`s aim of wasting the Earth`s resources on war to produce another Hollywood, Babylon `blockbuster` movie, World Trade Centre, celebrating `rough trade`5 in homosexuality and pederasty`s `brutality and violence` against the humans.
Hollywood is a repeat of Babylon from the Bible because repetition is what Christianity teaches as educative, so Babylon was the ancient capital of Iraq (c. 4000 B.C.) and the second Gulf war was an attempt to provoke `Armageddon`, foretold in the Bible as the triumphant defeat of the forces of Satan by Christianity, whereas it wasn`t, which means that repetition of the theme of Babylon, as repeated by Hollywood, made Babylon Hollywood, because it repeats itself as a self-fulfilling profit, although God`s warning is that those who despise Eve`s `seed` won`t have Resurrection, but will have eternal unendurable pain. Consequently, if the United States of America`s film industry continues to prophet by humanity`s doom, its pejorative Middle East title, `Great Satan`, will be legitimized, and its pose as Christianity`s mainstay will have led its citizens to perdition, because it wants to be singularly successful, whereas in the Bible Satan has many `heads`:
`The beast I saw resembled a leopard, but had feet like those of a bear and a mouth like that of a lion. The dragon gave the beast his power and his throne and great authority.` (Rev: 13. 2)
According to certain biblical commentators, the `leopard` is a symbol of Africa, while the `bear` represents Russia, the `lion` is the British Empire, and the `dragon` is Asia, which isn`t arbitrary, but it is guesswork. The `leopard` could be Arabia, and the `bear` could be the United States of America, while the `lion` is Africa and the `dragon` is Russian and Chinese communism. Acting in accordance with symbolic interpretation of what the Bible means in terms of the significance of animal imagery isn`t recommended, when global politics is the issue, because identification with animal forms isn`t recommended by God:
`You shall have no other gods before me.` (Ex: 20. 3)
Identifying nationally with animals, for example, the `eagle` as the emblem upon the `seal` of the authority of the President of the United States, is a rejection of God, while the reification of the pejorative terms, `Babylon` and `Great Satan`, were what the `battle of the Somme`, during WWI in which 1, 000, 000 men were killed or wounded, the Christian `rape camps` for the Moslem women in the Bosnian war, and the Gulf wars to remove Babylon`s `studio head` in the Middle East, that is, Iraq`s Hollywood production `mogul`, Saddam Hussein, represented. Because `Babylon` and `Great Satan` are terms for animal husbandry on the part of the `serpent`s seed` of men that wants the `futanarian` human race of women with their own penis` semen and host womb for the sexual reproduction of their own brains` powers to continue as the `Great Whore` of Revelation reproducing warfare for the `big screen` as transvestite `TV` repeated in male braining`s womb enslavement to homosexuality in pederasty`s desire to watch itself suiciding the human species as its sterile nihilist.
Decorating the tree at Christmas is symbolic of a Christian path for women to Mecca in Saudi Arabia as the culminating goal, rather than Jerusalem and the hill of Calvary, where Jesus was crucified as the `Redeemer`, because he was born uncontaminated by male semen from his mother, the Virgin Mary, in prefiguration of `futanarian` marriage between women, represented in Islam by the four wived marriage, or `thumbed hand` indicative of `woman`s seed` of humanity`s capacity for development and progress through the sexual reproduction of her own brains` powers . For men, the path of spiritualized Christianity takes them to celibacy amongst `brothers`, and in Saudi Arabia women are `hidden` publically beneath their burkhas, that is, one-piece coveralls, usually black, from which their eyes only can be seen, which means that men are forced to be with each other. The result is that women`s human species` culture, civilization and art is devoured by men in their wars against her, because the Judaeo-Christian and Islamic traditions are for `woman`s seed`, which doesn`t want homosexuality in pederasty, but is murdered for rejecting it.
Jesus` birth star is atop the Christmas tree traditionally, is a symbol of the `tree of the knowledge of good and evil` transcended, because Jesus isn`t the Anthropos, or anthropoid `original man`, sitting at the top of the tree preventing the other apes from developing, which is what slavers do. Consequently, the children of parents receive gifts at Christmas, symbolic of those given by wise men at the Nativity of the Messiah, that is, gold, frankincense and myrrh, because they aren`t apes but humans. In Judaeo-Christian tradition Satan is the `ape of God`, because the evil emulate or `ape` humans in order to fool the humans into believing that they`re human.
The HIV/AIDS virus emulates the white leukocyte cell of the body`s immune system in order to be accepted so that it can kill the brain, which is what institutionalized host womb slavery in homosexuality in pederasty produces as that form of `biological warfare` spread by men of the `serpent`s seed` mixing blood, shit and semen in each others` anuses in sterile mockery of human sexual reproduction. Feigning `brotherliness`, the evil `ape` humans before killing the brain, because that`s what homosexuality in pederasty and war is. Consequently, Satan is the `ape of God`, because Satanists pretend to be Christians, which isn`t difficult as `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for the development of labor saving technology and freedom from slavery are identified by anti-Christians, masquerading as believers, as `Satan`. The lie is their truth, because they haven`t pastors to teach the meaning of Jesus` birth uncontaminated by male semen, although the Bible describes HIV/AIDS as the `blood plague` (Rev: 16. 3-4) attending men`s refusal to convert from homosexuality in pederasty and womb slavery in parasitism:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
What they`d done was embrace homosexuality in pederasty and war through institutionalized womb slavery resulting in the `biological warfare` of HIV/AIDS and the killing of humanity`s peripheral computer brain technologies through `geek` viruses based on the HIV/AIDS model and named for the `Trojan horse` the Greek predecessors to the `geeks` left outside the walls of Troy apeing friendship so that the Trojans would take the horse into the city and the Greeks would emerge from within the horse to enslave the host wombs of the Trojan women for homosexuality in pederasty and spread their viral contagion further. Consequently, the `scientific` hypothesis that HIV/AIDS originated with apes is philosophically well founded,6 because men of the `serpent`s seed` in homosexuality in pederasty and war`s contagiousness are the `ape of God` insofar as they fake humanity. Although scientific research doesn`t stress the findings, because of elitist distinctions between the animal and the human, HIV/AIDS comes from apes, and so Charles Darwin`s The Origin Of Species (1859) thesis that men are apes evolutionarily is contestable, because HIV/AIDS is transmittable from apes to men. Washing hands is Christian repetition because children must, although Bible teachers presume Christianity is more difficult than good instruction, whereas the injunction upon the child to be good is all that`s required by God, and cleanliness is good, because HIV/AIDS is transmittable from apes to men. Consequently, the Bible is repeated ad nauseum to congregations of churchgoers by priests who aren`t taught the meaning of the words, and there are no teachers to transmit the truth, because Christianity has cultivated occlusion through impenetrability as its medium for preventing the meaning of Jesus` birth from being readily disseminatable:
`So they put slave masters over them to oppress them with forced labor, and they built Pithom and Rameses as store cities for Pharaoh. But the more they were oppressed, the more they multiplied and spread; so the Egyptians came to dread the Israelites and worked them ruthlessly. They made their lives bitter with harsh labor in brick and mortar and with all kinds of work in the fields; in all their harsh labor the Egyptians worked them ruthlessly.` (Ex: 1. 11-14)
Although the book of Exodus from the Bible describes the Jews` slavery in Egypt, the description is identical to capitalism, that is, repetition of the description of the economic system used to enslave the Jews in Egypt is a `blueprint` for Christian socio-economy, that is, repeated by Satanists in a learning by rote educational framework, the Bible is a Satanical `kindergarten` in which the children `copy` what they`re taught to repeat verbatim, because emulation of slavery is what Satan, the `ape of God`, wants. Islam derives from Hajar, the Egyptian handmaid of Abraham`s wife, Sara, and Abraham`s concubine, when Ishmael was born of her, before the Koran of the Prophet Mohamed, dictated by the angels of God, according to Islamic tradition, became the basis for Moslem marriages with four wives. The Moslems` pilgrimage to the temple of Abraham, built by Ishmael in Mecca, Saudi Arabia, is `Haj` because of Hajar, that is, the Ka` Ba represents an alternative tradition, because the Jews were enslaved by the Egyptians. Consequently, the argument between Islam and the Judaeo-Christian tradition, which includes communism as that form of political socio-economy against capitalism and for the producer, that is, women, is about slavery.
Capitalism represents ring slavery in monogamous possession of a host womb productive of `chattels`, that is, children and goods produced thereby, whereas Islam represents the possession of more than one womb by an enslaver, and after the October 25, 1917, Revolution in Russia, communism degenerated into the collective state control of women`s host wombs as the `means of production`, rather than `workers control of the means of production`, where women are the producers. Economic theory is that the workers are worked by the producer to produce, whereas the producer is the woman whose womb and children are worked by the enslaver as `chattels`. Consequently, the human species` workers, produced by the producers (women), are enslaved by her parasites (men), because women (humans) are `futanarian`, that is, the human species` penis` semen and host womb for the sexual reproduction of humanity`s brains` powers for liberation from slavery through technological progress.
The book of Genesis from the Bible describes how the human race was enslaved by an alien parasite that inveigled itself into the host womb of the species, and killed and culled the human penis of women in slavery, parasitism, and death. Although Adam is represented as a male, Eve`s sexual partner was a `futanarian` human with her own penis` semen and host womb. Eve and Adam`s encounter with the serpent, Satan, depicts humanity`s enslavement by an alien, which has developed a variety of socio-economic and religious lies to implement its pogrom. Although Jesus` birth uncontaminated by male semen, and the four wives permissible in Islam, indicate the path of `woman`s seed`, institutionalized homosexuality in pederasty and war`s enslavement of the `futanarian` human species` `seed` by the `serpent`s seed` promises doom, rather than liberation, from alien enchanters enchaining humans with fine sounding words from the Bible humbly refusing to accept Satan.
1 Virgil The Aeneid, Bk II, 19 B.C.
3 Santayana, George The Life Of Reason, 1905-06.
4 Radio Announcer, The Night Of The Living Dead, The Walter Reade Organization, 1968.
5 `A person, especially a male prostitute, who engages in or appears likely to engage in [violent, often brutal sex] acts,` https://dictionary.search.yahoo.com/search;_ylt=A0LEV0qGq0BUVeYAVbVXNyoA;_ylu=X3oDMTByaHEyNGMxBHNlYwNzYwRjb2xvA2JmMQR2dGlkA1VJQzFfMQ--?p=rough%20trade&.sep .
6 Lovgren, Stefan `HIV Originated With Monkeys, Not Chimps, Study Finds`, National Geographic News,
Antigone Doesn`t Have To Marry Jocasta
Sophocles` Oedipus Rex (c. 429 B.C.) is usually given as the basis of Sigmund Freud`s (1856-1939) depth psychology which argues that sons seek to replace their fathers in their mother`s affections if not sexually, but although that might be true it`s largely irrelevant in terms of human psychological development. Freud`s Swiss pupil, Carl Gustav Jung (1875-1961), founded the school of developmental psychology after leaving the `Vienna school`, and he originated the theory of endogamous and exogamous marriage, which argued that endogamy or marriage with a close relative was normal within smaller social groupings like villages, while exogamy was marriage with strangers from nearby cities, for example, and so the incest urge was explicable as the vestiges of an endogamic impulse necessary for procreation within isolated societies. Freudian psychology used Sophocles` Oedipus Rex as the basis for a description of male behavior because Oedipus killed his father unbeknownst to him and married his mother unwittingly, which meant he was metaphorically blind. When he blinded himself, because of the weight of public opprobrium against his marrying his mother, caused by the incest taboo of his society, he was actually blind; because the creators of the incest taboo didn`t want him to see. What the creators of the incest taboo didn`t want Oedipus to see was why they didn`t want him to see, which was that Jocasta was Antigone`s mother, because she was the human daughter produced from the host womb of the species, whereas Oedipus wasn`t.
In the Bible God tells Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Although the serpent, who is Satan, the angel cast out of heaven to the Earth by God for rejecting humankind and transformed into a loathsome creature crawling upon its belly, offers Eve, the first woman, and Adam, the first man, the `fruit of the tree of good and evil`, which is death, saying `You shall be as gods.` (Gen: 3. 5) Because Eve and Adam were expelled from the paradise of Eden, where they`d lived before rejecting God`s `fruit of the tree of life`, that is, immortality, their children were in danger because bereft of God, who told Eve her `seed` would have `perpetual enmity` with the `serpent`s seed` after Eden. The `serpent`s seed` after Eden were men who were the killers and cullers of the `futanarian` children of Eve, that is her `foot`, who were the women born with their own penis` semen and host wombs for the sexual reproduction of their own species brainpower for liberation from the host womb slavery that the parasites of men of the `serpent`s seed` had killed their sisters to establish. Consequently, God`s warning to Eve was fulfilled that the `fruit of the tree of good and evil` was death. Because Eve`s daughters were able to sexually reproduce with each other, Oedipus and Jocasta represent the Greek aberration. Oedipus` daughter Antigone guides the blind Oedipus after his self-blinding because of his abhorring himself for having broken the incest taboo of his society with his mother, Jocasta, which means that Antigone is blind to the truth. Without penis` semen of her own, she`s a blind man`s slave, because she doesn`t know enough to look for a woman with penis` semen of her own apart from her mother to sexually reproduce her own human species of woman. Consequently, the planned future for women created for them by men of the `serpent`s seed` who have developed the incest taboo to prevent daughters without penis` semen of their own from sexually reproducing with humans of their own race, is as slaves to blind ignorance, which is the meaning of Oedipus` self-blinding. He accepts the importance of other people`s feelings and opinions, which is what Antigone does when she agrees to guide her blind progenitor, although she probably wouldn`t if she knew the truth about her own species, but that`s how the `serpent`s seed` keep women as their slaves in blind ignorance. Consequently, Satan is called `the father of lies`, because those are the lies it tells:
`… in the big lie there is always a certain force of credibility; because the broad masses of a nation are always more easily corrupted in the deeper strata of their emotional nature than consciously or voluntarily; and thus in the primitive simplicity of their minds they more readily fall victims to the big lie than the small lie, since they themselves often tell small lies in little matters but would be ashamed to resort to large-scale falsehoods. It would never come into their heads to fabricate colossal untruths, and they would not believe that others could have the impudence to distort the truth so infamously.`1
Paradoxically that quote comes from Adolf Hitler`s Mein Kampf (1925), that is My Struggle, and the leader of the German National Socialist Party (Nazis) was condemning European Jews for undermining the strength of Germany during World War I (1914-18) when the Germans were seeking to dominate Europe and the globe through Empire, while Hitler`s reign as Chancellor ended with the Nazis defeat in World War II (1939-45), which at its height saw ovens being built at `concentration camps` at Belsen and elsewhere to burn the bodies of the Jews that`d been imprisoned there. Although Carl Jung explained Nazism as the collective shadow of the collective consciousness emerging from the collective unconscious inspired by a charismatic male, the notion of the leader of the `primal horde` amongst apes more properly belongs to the school of depth psychology founded by Sigmund Freud, who saw Oedipus` desire for the mother as a part of human male psychology deriving from animal behavior in which challenges to the leader of a group occur as younger males seek to replace the leader. Freud`s psychological theories were gleaned from naturalist Charles Darwin`s studies of ape behaviour in On The Origin Of Species (1859), so the manifestation of the collective shadow in Nazism as an instrument of Hitler`s will is understandable as the desire of the male to remain unreplaced. Jews are God`s `chosen people` of the Bible, and it is their law that a Jew can`t be born unless from a woman, which means that women are Jews. Consequently, Judaism is a description of `futanarian` women`s Resurrection from death as the `foot` God told Eve will, `… crush the head of the serpent as she leaves.` (Gen: 3. 15) When the Jew, Jesus, was crucified as a dissident by Romans nailing him to a cross of wood and torturing him to death during their Empire`s occupation of Palestine, he had Resurrection and Ascension to heaven, because he was born uncontaminated by male semen from his mother, the Virgin Mary, as `the first of woman`s seed`, that is, he prefigured the Resurrection of `futanarian` woman who`d `crush the head of the serpent`, Satan, and leave Earth through the technologies developed from her own brains` powers born from her own sexual reproduction with her own penis` semen and host wombs.
Although Alfred Adler`s (1870-1937) theory of the `inferiority complex`, as the desire to improve oneself to be out of the reach of the primal horde, rivaled the schools of Freud and Jung, that `will to power` concept, as defining all human activity, meant self-development in terms of materialism, rather than what Jung termed `individuation`, which was development of the totality of the largely unknowable because unconscious `Self` and approaching to a knowledge of God that Jesus evinced in his power to heal. Near the town of Gadarene (Mk: 5. 13), Jesus cast demons out of a man and the demons went into pigs who were driven into a river and drowned because that`s what demons do. However, because women have been killed and culled by men since they began to be born, theirs is a spirit that refuses to die. Because pigs resemble nanos, which in turn resemble carpet mites, the nanotechnology of `Silicon Valley` in California is analogous to the carpet mite technology of Islam`s `magic carpets` upon which women pray to the spirit of their own nanos for the Resurrection of their species. `Silicon Valley` is famous for its microchip industries, which permit of microminiaturized technology, and nanos look like carpet mice or pigs, so the robots that work on the silicon chips to ensure their functioning are the mites on the carpets of nanotechnology that make it fly. Because nanos is a spirit of the Earth, it`s a driver of human software, as well as nature`s theme, and so works as a model for machine software drivers. Because pigs are `haraam` or forbidden in Islam and Judaism as `unclean animals`, as well as depicted as demon possession in Jesus` encounter with a man near the town of Gadarene, they correspond to the spirit of the male collective shadow that pogromed the Jews at Belsen and elsewhere, whereas women`s nanos is the true driver of the human species and corresponds to the `Self` of Jungian psychology. The flying carpet of Arabian folklore, in collections of tales like that of the son of the Sultan, in the 8th century 1001 Nights, who travels to Bisnagar in India to buy one, is the magical analogy of the flying car out of `Silicon Valley`, represented by the carpet mite nanotechnology of Moslems in Islam praying to the nanos of nature and telling their children stories of Indian magic carpets where the Nano car became the cheapest in the world at 1,600 US$ in 2008 because of the Indian subcontinent`s nanotechnology and microminiaturizing expertise.
Although the traditional Arabian folktale is of the Prince and the Princess assisted by the genie or genus with the magic flying carpet to escape from the wicked and live in a palace in freedom happily ever after, the story presupposes that Princesses want Princes, which is belied by the lives of `futanarian` women with penis semen of their own and host wombs for the sexual reproduction of their own brains` powers for technological development and escape from womb enslavement by the `serpent`s seed` of me in a male braining that has resulted in degeneration for the human race into wars upon womankind`s Earth against her. Those who argue that humanity wages war because it`s its nature haven`t understood the lessons of history, which is evident from the Greeks being held as the model of Western democratic institutions although their society was based upon institutionalized homosexuality in pederasty and the host womb enslavement of women in parasitism to spread their contagion of war and Empire to nearby city states. By the late 20th century, Greek homosexuality in pederasty had produced the incurable `killer disease` of HIV/AIDS, as an aspect of the `biological warfare` of the `serpent`s seed` against humanity by men`s mixing of blood, shit and semen in each others` anuses during mockeries of human sexual reproduction, while the Greeks modern day successors, the `geeks`, were developing `bad machine code` in emulation of the HIV/AIDS virus to kill the brains of the computers that the humans had made to free them from slavery, which is how HIV/AIDS functions. Pretending to be a white leukocyte defending cell, the HIV/AIDS cell kills the brain, which is what the ancient Greeks did at the city of Troy, according to the poet, Homer, in his Iliad (760-10 B.C.), where the huge wooden horse they`d constructed to hide their soldiers inside was taken into the city of Troy by the Trojans who believed it to be a `friendship gift` despite their priest, Laocoon, warning:
`Beware Greeks bearing gifts.`2
The `geek` name for their `bad machine code` was `Trojan virus`, because the Greeks enslaved the host wombs of the Trojan women in homosexuality in pederasty and war to effectively ensure that the women would never sexually produce their own brains` powers together and so the brain of the city of the women of Troy, represented by Pallas Athene as its patron goddess, whose symbol was ironically the tireless horse, was killed, because that`s what men`s virus of homosexuality in pederasty and war is for. The further irony is that the Trojans allowed the Trojan horse into the city although their priest, Laocoon, warned them against it, because that`s what men are for. Consequently, although the horse was Greek it`s called a `Trojan horse`, because the Trojans betrayed Troy in order to kill the woman`s brain and become more virulent, because that`s what men are for. HIV/AIDS and `geek` computer viruses are an extension of men`s approach towards killing the human brain, because they`re alien, and that`s why it`s a delusion that Oedipus` mother is Jocasta.
The incest theme in Sophocles` Oedipus Rex represents the taboo constructed by men against Antigone, Oedipus` daughter, who has a man between her and her mother, because that`s what they`re for. Consequently, Oedipus isn`t a tragedy, it`s a comedy, because Antigone has her mother before Oedipus arrives, but she can`t see. An educated woman would tell her daughter that women have penis` semen of their own, so Antigone could follow Jesus` precept, `Love your neighbor as you love yourself.` (Matt: 22. 39) Because for a woman what she see in the mirror Is her neighbor. However, if there are no women to tell women about their `futanarian` heritage as humans with their own penis` semen and host wombs, they`ll continue trying to guide the self-blinding men as the male brained blind selves of the men who`re blinding themselves, rather than give up and have sex with each other as women; if they can find any.
The greater irony is that Greek democracy is the model for Western civilization, whereas Islam is held as a model of despotism because Moslem societies don`t have the vote. Islam was founded on the principles of Judaism and Christianity, and their holy book, the Koran (610-30 C.E.), dictated to the Prophet Mohamed by the angels, according to tradition, contains the Judaic tales of Moses, who led the Jews out of slavery in Egypt, Jesus and Mary, and the patriarch of Islam, Abraham, whose son Isaac was of the line of Judah, and whose son Ishmael was of the line of the Prophet, while Moslem marriages, permitting of four wives, constitute a vehicle for the `futanarian` sexual reproduction of women with their own penis` semen and host wombs, where the ratio of men to women is 80% to 20% in marriage and so the women would inevitably outvote their men in any democratic test. Consequently, Islam is potentially more democratic than the 50% split between men and women in Western monogamy and ring slavery`s womb ownership, although Islam`s potential for a `futanarian` marriage system explains the prevalence of despotism in Moslem societies terrified of being outvoted in women`s suffrage.
If exogamy is interpreted as the importing of foreign technology, India`s Nano car represents a rapprochement between the Hindu religion, in which the cow is sacred, and Islam, where the pig is `haraam`, because it connotes demonic carpet mites as opposed to beneficent nanos, as the story of Jesus and the pigs driven into drowning themselves, because possessed by demons, illustrates. The pigs throw themselves over a cliff as if they believe they can fly, while the man Jesus encounters explains he is `Legion`, which is the name the Romans gave to their armies, that is, he`s possessed by the spirit that drove Rome into possessing Palestine, where Jesus was born. Consequently, Jesus` birth uncontaminated by male semen, that is, the demons of the male spirit or nanos, and the Greek name for Jesus, `Logos`, which is interpreted as `Word of God`, suggests a driver different from men`s spirit is needed if technology is to free humanity from the yoke of the oppressor. For the Greeks teknos meant `child`, so Jesus` encounter with the man possessed by demons was a rite of passage, that is, as the future Christian `Logos`, Jesus was rejecting the Empire of Rome, when he drove the demons into the pigs that were then driven by the spirit of `Legion` into drowning themselves. The pigs represented the will of the Roman Empire and its legions as its collective shadow driving on all flesh as its slaves as Hitler tried to do during Germany`s Nazi pogroms against the Jews. As `Logos`, however, Jesus represented the new child or `teknos`, that is, technology, which would be driven in the future by the nanos, which look like pigs or carpet mites as they work on microchips in `Silicon Valley`, but teknologos is, symbolicaly, the spirit of Jesus uncontaminated by male semen, and so it`s woman`s.
The pig in Islam is `haraam` because it represents the demonic nanos of `Legion, while women aren`t allowed to drive, which suggests their nanos isn`t `accepted`, where `Islam` means `accept`. Because the cow is sacred in Hinduism, the symbolism is different. In Islam the Ka` Ba is the temple of Abraham in Mecca, Saudi Arabia, to which the Moslem pilgrims go each year, while in Egyptian the the `Ka` or spirit and the `Ba` or soul are conjoined after death as the `magical personality` or `Akh`. Because women are the `futanarian` human species of `woman`s seed` with their own penis` semen and host wombs, the `Akh` is the reunion of the `Ka` or woman`s spirit and the `Ba` soul trapped within men`s bodies. In Jungian psychology the soul of a man is the anima which confers sexual desirability upon the woman by means of projection, that is, the male desires the female because the anima corresponds to the woman for whom her own soul feels sexual desire. Although Jung perceived the woman`s spirit as being male, his description of the animus as a throng of male admirers more closely resembles a hunting party, that is, the animus isn`t woman`s spirit but men`s collective desire to rid themselves of her species. In Hinduism the cow is a symbol of the collective of woman`s spirit as `Kau`, which was an ancient Egyptian religious term for a multiplicity of `Ka`, while `Bau` is `bride` in Hinduism and so a multiplicity of `Ba` or souls, that is, `Kau` and `Bau` represent woman`s Resurrection as `Akhu`, a multiplicity of magical personalities or `Akh`. What constitutes `Akhu` relates to nanos because nanotechnology is the basis of body repair in medical science where nanobots are used to perform microsurgery even upon immune system cells damaged by the HIV/AIDS virus.
In science terms, `Akhu` can be described as `R-Koo` where `Koo` was the actress chosen for the role of `Camie` in Star Wars IV: A New Hope (1982), the first of the hugely popular Star Wars franchise filmed in Hollywood, Babylon by director George Lucas, while R-Daneel Olivaw was the robot hero of Isaac Asimov`s, I, Robot (1950), and R-Daneel stands for `robot` Daneel, so `Akhu` or `R-Koo` denotes `robot Koo`. Although the symbolism is Hollywood`s, a scene of tangential importance occurs in The Robe (1953), where Donald C. Klune is in the role of Jesus, whose cape is spread over a dying person like a `magic carpet` and the individual is healed, much as the quest for the golden fleece, in the movie Jason and the Argonauts (1963), `discusses` a similar power to heal with reference to a sheepskin in Greek mythology, and suggests nanobots in the fabric that work the magic of Jesus` healing. Consequently, `Akhu` and `R-Koo`, as the companion of R2-D2, that is, `Artoo Detoo`, the robot `droid in Star Wars IV: A New Hope, represent Hollywood`s acknowledgement of Egypt and biochemist Isaac Asimov`s contribution to nanotechnology`s power to confer immortality through science, which Koo`s deletion from the `director`s cut` of the film upon its release seemed to deny to her `screen goddess` aspirations.
Many people thought Koo`s scenes were edited out from Star Wars IV: A New Hope because of her pornographic film career as a `B` movie actress in The Awakening Of Emily (1976), for example, because `A` list stars don`t appear in sex films, as the fate of ostracized star, Rob Lowe, illustrated when he was `blacklisted` for making a `porno` film in Atlanta, Georgia, on July 17, 1988, with two women, Jan Parsons and Tara Siebert, who stole the video microcassette from his home movie camera and disappeared with it. If women with their own penis` semen and host wombs are the `futanarian` future of humanity`s Resurrection, Koo`s similar nudity in The Awakening Of Emily wasn`t that of a woman of the future, whereas `Akhu` or `R-Koo` would be, because her immortal body would be that of a woman`s healed by nanotechnology rather than a Hollywood, Babylon director`s idea of what healed humans are:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Babylon is described as `a woman` in the Bible enslaved by men in homosexuality in pederasty for their wars. Consequently, she`s a `futanarian` woman without penis` semen of her own or host wombs to sexually reproduce her own brains` powers for liberation and so is `sick` in host womb enslavement to men of the `serpent`s seed` and requires the power of medical science`s nano robots to heal her. Jesus healed the blind and the body, but Resurrection of `woman`s seed` he envisioned as `Logos`, the `Word of God`, and teknos, the child of his mother, the Virgin Mary, uncontaminated by male semen, whose species of `futanarian` women with their own penis` semen and host wombs wouldn`t be reborn and have Resurrection until her nanos from mother nature`s mite evolved through prayer into nanotechnology`s might and science would have remembered enough to restore her true form.
Oedipus` marrying his mother in Sophocles` dramatization of the story of the Egyptian city of Thebes, Oedipus Rex, was a `Greek` joke, because Antigone didn`t have a penis and so Oedipus represented the `serpent`s seed` of men who`d removed the penis of the Theban women of Egypt, so that Jocasta knew as little as her daughter. The incest theme isn`t designed as a warning to the son against desiring the mother, but represents male subjugation of the female principle, because the daughter of the mother doesn`t know she`s a male brained castration of a mockery of a woman, which would anger her if she knew and so the incest taboo mocks her and men continue to stand mockingly between woman and woman while their sons prepare themselves to repeat the theme unconsciously as instruments of men`s evil ways.
Depth psychologist Sigmund Freud`s perception that Oedipus marries Jocasta, because that`s what all boys want to do with their mothers, is what the incest taboo is designed to encourage, because sons would have to be their sisters with penis` semen of their own to consummate their desire for a woman, which is why men are evil and the human species is a television to them. In male braining everybody is the same male brain, because it`s the product of male semen as the only fertilizer. Consequently, the human race corresponds to a transvestite, wearing men and women`s clothes as a `TV`, and featuring homosexuality in pederasty`s wars against the Earth`s human species of host womb enslaved `futanarian` women, while women without penis` semen of their own are conceived by the alien parasites as a propaganda device to promulgate the `big lie` of men`s humanity on the `TV` channels of their global communications` network.
1 Hitler, Adolf Mein Kampf, Vol. I, Ch. X.
2 Virgil The Aeneid, Bk II, 19 B.C.
The figure of Santa in a red suit, and a white beard with a sack, has been a feature of traditional Christianity since the story of Jesus` birth from his mother, the Virgin Mary, in a stable in Bethlehem, when Mary and her husband, Joseph, were on their way to fulfil a census requirement imposed upon the population of Palestine by the Roman Empire. Although Mary was married to Joseph, the meaning of Jesus` birth is he was born uncontaminated by male semen in fulfillment of God`s promise that `woman`s seed` would, `… crush the serpent with her foot as she leaves.` (Gen: 3. 15) In the Bible the serpent is Satan, the angel cast out of heaven for refusing to accept that mankind would be greater than the angels, and God transformed Satan into the serpent that gave Eve and Adam, the first man and woman, in the paradise of Eden, `the fruit of the tree of the knowledge of good and evil`, saying:
`You shall be as gods.` (Gen: 3. 5)
Because Jesus was born uncontaminated by male semen, God was planning the birth of a new species of `woman`s seed` even before Eve and Adam`s expulsion from Eden for accepting the `fruit of the tree of good and evil`, rather than God`s `tree of life`, which was immortality. The new species God planned would emerge from the host womb of Eve after paradise as the `foot` God envisioned crushing the serpent, that is, the `futanarian` race of women with their own penis` semen for the sexual reproduction of their own brains` power to defeat evil, which represented the `knowledge of the fruit of the tree of good and evil`, as Redemption and Resurrection for the human race, through medical science, that is, immortality and the renewal of the `tree of life` through `woman`s seed`, symbolized by Jesus` birth uncontaminated by the `serpent`s seed` of men and their killing and culling of the `futanarian` race of women born after Eden in order to impose host womb slavery upon her species in parasitism and ephemerality.
Women who have memories of their own species` penis for the sexual reproduction of their own brains know too much for men and so they keep women as ephemeral host wombs in parasitism, and even technology with its computer memory is attacked by `geeks` with `bad machine code` they call `Trojan viruses` so as to prevent women from knowing the truth about their own species` penis. The `geeks` are the modern counterpart of the ancient Greeks whose society was based on institutionalized homosexuality in pederasty and women`s host womb slavery for the spread of its virality in war.
The poet Homer in the Iliad (760-10 B.C.) documents how the Greeks deployed a huge hollow wooden horse outside the city of Troy, which the unsuspecting Trojans took inside to where the Greeks emerged to enslave the host wombs of the women in slavery and institute homosexuality in pederasty to spread their virality further. By the late 20th century, the virality of the `serpent`s seed` of men had translated itself into homosexuality`s `biological warfare` of HIV/AIDS` `killer disease` as a means of keeping women in faithful ring slavery to monogamy in parasitism with a creature not her race. The HIV/AIDS ` virus spread by homosexuals mixing blood, shit and semen in each others` anuses in mockery of genuine heterosexual sex between women rather than sex with the virality of men`s `serpent`s seed` behaved as the Greeks before Troy. Feigning friendship for the white leukocyte cells defending the human body, the HIV/AIDS virus gains acceptance before killing the brain, which is what the Greeks and the geeks did at Troy and with their `Trojan virus`, that is, homosexuality is Satan`s plan to prevent `woman`s seed` from sexually reproducing her own brains` powers from her own penis` semen to defend her own human species.
Jesus` birth was attended by the appearance of a star in the heavens and that of Melchior, Caspar and Belthazar, magi from Persia, India and Arabia, who`d brought gifts of gold, frankincense and myrrh. The Christian tradition of Santa derived from the gifts given by the wise men to the infant, Jesus, on the day of his birth, which in Christianity is celebrated by gift giving on 25 December each year. The figure of Santa and his sack is God represented as a wise old man with a white beard and Jesus as God`s gift to the Earth. Because Jesus` symbol is the fish in Christianity, Santa is identifiable through the story of Moses and Joshua in the Old Testament of the Bible. By the Red Sea Joshua has a fish for Moses` supper, but he loses it in the water, and the figure of Khidr appears, who is the wise old man of the holy book of the Koran (610-30 C.E.), which was dictated to the Prophet Mohamed by the angels of God, according to the Moslem religious tradition of Islam, that is, `acceptance`. Commentators upon the `Al Kahf`, Sura 18, that is, `The Cave` chapter of the Koran, perceive Khidr as the fish lost by Joshua and reappearing to Moses as a prefiguration of Jesus. The earliest Christians used the fish as a secret sign of their gathering together, because Jesus was their fish. However, Joshua ben Nun`s patronym means `son of the fish`, because he was the military leader of the Israelites after they were released from slavery in Egypt and fulfilled God`s promise of a land for the `chosen people` after Moses` death when he captured the city of Jericho in Canaan, that is, Joshua was the fish which was lost and found again by the Red Sea.
The subsequent travels of Khidr and Moses witnessed by Joshua are his education. In the Koran Khidr tells Moses he won`t understand what he does, while Moses was the receiver of the law of God that the Israelites had to obey, which meant the adoption of rationality. Khidr is irrational from Moses` point of view, because he rebuilds a wall that has treasure underneath, kills a child, and makes holes in ships before sailing away in another ship. Although Khidr explains that the treasure wasn`t yet to be found, the child was evil, and he didn`t want slavers to catch up with him, Moses prefers his own limited understanding, that is, he prefers rules for behavior, so he represents God`s law. Joshua ben Nun is the fish, because Jesus is the fish, that is, he`s Joshua reborn, and he`s learned from Moses and Khidr.
Santa with his sack refers to ancient Egypt as well as Khidr, who is depicted in Islamic art as standing on a fish, because he`s sustained by God. In ancient Egypt `Ka` and `Ba` are spirit and soul while Ka` Ba in Islam is the temple of Abraham, founder of the Israelite religion of Judaism through his son, Isaac, and Islam through his son, Ishmael, that is, the Ka` Ba is the legacy of ancient Egypt, where spirit and soul are conjoined in the afterlife as `Akh`. Consequently, Khidr, Moses and Joshua ben Nun represent that wisdom of the ancients which is Santa`s `Akh`. Because God`s planned new species after Eden wasn`t born for Satanism, which is the soul of the woman trapped in the man`s body sexually desiring the body of the woman`s spirit. Consequently, the `Ka` Ba of Abraham represents the promise of God to Abraham that his `seed` will be:
` … as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)
As it isn`t possible to be born a Jew unless born from a woman, women are the `chosen people` and so it`s their `seed` God is envisioning for Abraham, as the consequence of Redemption and Resurrection for `woman`s seed` after Jesus` prefigurative birth and Resurrection, subsequent to his being tortured to death by the Romans when he was nailed by them to a wooden cross as a dissident. Betrayed by Judas at his `Last Supper` before his crucifixion, Jesus offered bread and wine` as tokens of his `body and blood` as the host, which meant Judas was a traitor to the nurturing host womb of the human race and amongst the parasites of the `serpent`s seed` because he didn`t want `woman`s seed` as the future of the species. Although the `Ka` and `Ba` of the spirit and soul of Egyptian tradition is reflected in the meaning of the Ka` Ba of the Moslems in Mecca, Saudi Arabia, the `Akh` or `magical personality` formed by the union of `Ka` and `Ba` in the afterlife is what is meant in Christianity by Santa`s sack, because men of the `serpent`s seed` are slavers of women`s host wombs and their products, which means Santa`s sack corresponds to what the Australian folklorists describe as a swagman`s, that is, it`s a bag of stolen goods:
`Once a jolly swagman camped by a billabong,
Under the shade of a Coolibah tree,
And he sang as he watched and waited till his billy boil,
You'll come a waltzing Matilda with me.`1
A `billabong` is an oasis in the desert familiar to the Jews during the time of Jesus, and the Aussie doggerel from England`s period of penal transportation to New South Wales that began on 26 January, 1788, that is, the `unofficial national anthem` of the Australian colonists during their years of pogroming the indigenous black population of the Australian continent, refers to a thief stewing a pot while planning to steal a woman`s heart, because that`s what `swagmen` do. Thereafter he`ll be Santa`s sack for the white European children, whereas she`s `Akh`, the absent `magical personality`, that is, the woman with her own penis` semen for the sexual reproduction of her own children with their own brains` powers for socio-economic independence from their parasites, but with swagmen of the `serpent`s seed` they and she`ll have to accept what Santa has in his sack for them, because their brainpower is enslaved and women`s host wombs too.
The Christmas tradition of Santa features the tree with the star atop and the single sock hung in an opportune place to receive gifts. The sock is a symbol of the `foot` that will `crush the serpent`, according to Christian tradition, while Eve`s `futanarian` species of `woman`s seed` with her own penis` semen are the `foot`, which explains why there`s only a single sock awaiting gifts because the species of woman is a single race that doesn`t need the fiction of marital union, as Jesus says:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)
Because `people` are categorized as `women`, which is why God`s `chosen people` are distinguishable as women who give birth, because to be a Jew it is necessary to be born of a woman. Similarly, in Islam there are four wives permissible within each Moslem marriage, which provides a vehicle for `futanarian` women with their own penis` semen to sexually reproduce with each other. Although the burkha conceals women in Moslem societies from prying male eyes, the one-piece coverall that permits nothing to be seen of women in public except their eyes for each other is, simply, a sack. In Egyptian terms, the women are `Ka` and `Ba`, that is, the spirit and soul of their `futanarian` nature`s sexual desirousness for their own human contact symbolized as `Akh`, that is, sack:
`And say to the faithful women to lower their gazes, and to guard their private parts, and not to display their beauty except what is apparent of it, and to extend their headcoverings (khimars) to cover their bosoms (jaybs), and not to display their beauty except to their husbands, or their fathers, or their husband's fathers, or their sons, or their husband's sons, or their brothers, or their brothers' sons, or their sisters' sons, or their womenfolk, or what their right hands rule (slaves), or the followers from the men who do not feel sexual desire, or the small children to whom the nakedness of women is not apparent, and not to strike their feet (on the ground) so as to make known what they hide of their adornments. And turn in repentance to Allah together, O you the faithful, in order that you are successful.` (Sura 24: 31)
`Allah` is the word that translates as `God` in Christianity, because `Eloah` is the word for `God` in Judaism and so Islam is distinctive, but not separate. The exhortation to the women of Islam from Al Nur, `The Light`, is designed to hide the `futanarian` aspect of woman from the eyes of men and women who can`t or won`t understand, because they`re womb slavers in homosexual pederasty and warfare against the human species of `woman`s seed`. Consequently, Santa`s sack is women`s `Akh` in Islamic terms, because the burkha`s `Akh` represents the promise of the future that what she produces is hers in socio-economic independence from men of the `serpent`s seed` who`ve been Santa`s `swagmen` to generations of children uneducated because of slavery for war against them. `Santa` is actually an anagram of `Satan` and Santa`s `elves`, helpers with the presents at Christmas, are Santa`s `selves`, because in host womb slavery of the `futanarian` woman`s race of humanity by the `serpent`s seed` of men, everyone is male brained and so all selves are Satan`s. Khidr from the Koran is the older person who explains to Moses that he`s Santa, that is, he knows the truth and he lives it, because everyone is Satan`s slave. Joshua or `Yeshua`, which is a form of `Jesus`, will bring the walls of Jericho tumbling down by Masonic means after surrounding the Canaanite city with trumpets, while Khidr explains Joshua`s future role to Moses when he rebuilds a wall because the treasure isn`t yet ready to be unconvered, that is, Joshua or `Yeshua` is `Jesus` who will be reborn from the Virgin Mary, his mother, uncontaminated. Although Jesus` Advent occurred in Bethlehem, which is celebrated each 25 December by the wise giving of gifts, the hill of Calvary outside Jerusalem was where Jesus was crucified before his Resurrection and Ascension to the new Jerusalem, the heavenly city:
`… a city of pure gold, as pure as glass.` (Rev: 21. 19)
Jesus` new Jerusalem is the `treasure` hidden beneath the tumbled wall of Jericho, which Khidr symbolically shows to Moses in Al Kahf, `The Cave`, Sura 18 of the Koran of Islam. Although Moses will lead the Israelites obediently to the promised land of Canaan, Joshua will capture the city of Jericho by bringing the walls down with Masonic trumpeting, and Joshua or `Yeshua` will be reborn as Jesus` new Jerusalem in fulfillment of Khidr`s prophetic revelation to Moses and Joshua that the treasure underneath the wall will remain undiscovered until the appropriate time, that is, Joshua is the treasure of Jericho that will be uncovered as the `city of pure gold`, the new Jerusalem, after Joshua`s Resurrection and Ascension to heaven subsequent to his rebirth as Jesus and crucifixion upon the hill of Calvary outside Jerusalem for being a `dissident` within the Roman Empire teaching that the law given to Moses by God is distillable as:
`Love your neighbor as you love yourself.` (Mk: 12. 30-1)
Moses` law is obedience to God`s position that the taking of life by any means is evil, and Jesus` precept paves the way for `woman`s seed` to love herself, that is, what a woman sees in the mirror is sexually desirable and as lovable as any woman close by. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) the theme is even more straightforward. Oedipus unknowingly marries his own mother and so incest is the theme, but only because he`s the man standing between Antigone, Jocasta`s daughter, and her realization that sexual reproduction between herself and women like her mother is possible, that is, the incest taboo isn`t designed to prevent the son from having sex with the mother but the daughter from remembering that she can have sex with women like her mother, because women are likeable to their mothers. As they ought to be, because they`re of the same species, whereas men are the parasites that have inveigled themselves into the human sexual reproduction system to eat the woman`s penis and, by the late 20th century, devise ways of eating her brains as well.
In the 1970s an advertising campaign on television for concentrated potato to which hot water had to be added before the consistency of the potato was sufficiently evident for it to be construed as edible featured `Smash robots`, because the concentrated potato resembled mashed potato when hot water was added and so the brand name for the product was `Smash`, but the hidden agenda was robots as labor saving machines were what women needed to liberate them from the drudgery of making mashed potato by hand, for example, which required peeling potatoes and then smashing them with a fork or other kitchen implement. However, if there were no brains to invent robots, women would remain slaves to hard labor, so `Smash robots` had a `Luddite` theme, where Ludditism was the name given to men who smashed machines during the 18th century industrial revolution to prevent labor saving on the pretext that they`d be unemployed and unsalaried, whereas the aim of machinery is to free the human from hard labor. Consequently, by the late 20th century the computer brain was the enemy of the `Luddites`, who were named originally for Ned Ludd who broke two stocking frames in the textile industry in England in 1779. The `Smash robots` were brain eaters, because men of the `serpent`s seed` who don`t want humans to sexually reproduce brainpower to labor save and facilitate creative work in robotics, for example, are brain eaters:
'They peel them with their metal knives…' [Sound of metallic shoulders shaking] '... boil them for twenty of their minutes...' [Metallic shoulder shaking gives way to audible machine laughter] '...then they smash them all to bits!'2
The Smash robots advertising campaign was for Cadbury`s foods, but there was a strange echo from The Eagles` rock band across the Atlantic ocean in the United States in a lyric from the song, `Hotel California`, `They stab it with their steely knives but they just can`t kill the beast.`3 Because Satan is a male brainer as the `serpent`s seed` of men who don`t want the human species of `woman`s seed` to have brainpower, the `red dragon` that waits in vain to devour Jesus in his `Second Coming` to the Earth born from the `woman clothed with the sun and with the moon at her feet` is a figure of men of the `serpent`s seed` as the slaves of Satan the brain eater. Consequently, the beast in The Eagles` song, `Hotel California`, can`t be killed, just as the Smash robots laugh at the efforts of the housewives that `peel them with their metal knives [… before] they smash them all to bits!` The housewives are hard labor victims in male braining, which they could kill by having sex with each other and developing an independent collective consciousness, but they don`t know about their own sexual reproductive system as `futanarian` women with their own penis` semen because, as this quote from The New York Times online about the repressive Taliban regime in Afghanistan shows, men don`t allow them to receive an education:
`Schools will not be allowed to teach girls older than 8 and will be limited to lessons about the Koran, the Muslim holy book.`4
The all male United States` rock band The Eagles` perception is that `the beast` can`t be killed because it`s them, that is, men make war on women who have their brains because they won`t let them have their own for fear women will see men`s redundancy and escape into socio-economic independence from their enslavers and extinguishers in parasitism. The symbol of the Taliban Al Qaeda terrorist group that hijacked planes to crash them into the Twin Towers of New York`s World Trade Centre on September 11, 2001, was the moon, and so the statue of Liberty in New York harbor had `the moon at her feet` in fulfillment of the biblical prophecy of the `woman clothed with the sun` who would again be `Liberty`, as a symbol of women`s eventual freedom after the surrender of Japan on 15 August, 1945, when planes emblazoned with the Japanese red sun had unannouncedly attacked the United States` Pacific fleet at Pearl harbor, Hawaii, on 7 December, 1941.
Although the attack on the World Trade Centre looked like straightforward terrorism, `rough trade` is defined as the `brutality and violence` associated with homosexuality in pederasty and warfare, which suggests 9/11 was designed to plunge the United States into conflict with Saddam Hussein`s Iraq which offered bases to Al Qaeda after the event. Hussein`s execution on 30 December, 2006, and Osama Ben Laden`s, Saudi Arabian leader of Al Qaeda, on 2 May, 2011, by Navy Seal Team Six was biblical, because the Moslem women of Islam represent the hidden woman of the wilderness taken on eagle`s wings after she bears Jesus who will `rule the nations with an iron scepter` uncontaminated by male semen on behalf of `woman`s seed`, whose hymen the US Navy Seals, backed by the authority of the Great Seal of the United States` President, George W. Bush, with its emblematic eagle, were charged with protecting during the Gulf conflict that began with the March, 2003, United States` invasion of Iraq:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
The `seed` of the serpent is men`s desire to break the hymen of the Moslem women and impregnate them as was clear from the rape camps set up by Christian militia during the Bosnian war (1990-5) in the former Yugoslavia of Eastern Europe where upwards of 70,000 women`s hymens and host wombs were violated by the urges of the parasite to ensure its continuance. Consequently, the women of Islam represent the hidden `futanarian` women with their own penis` semen for the continuation of the human race of `woman`s seed` and so correspond to `the woman` who gives birth to Jesus uncontaminated by male semen before his `Second Coming` in the Bible protected by the eagle of the United States and other nations for whom the eagle is symbolic. The symbol of the United States Navy Seal Team Six that killed Osama Ben Laden, the Saudi Arabian terrorist leader of Al Qaeda, is the eagle, which is common amongst the special forces of the military throughout the globe because it has the same meaning, that is, the human species of Woman`s defence.
The Koran of the Moslem faith in Islam distinguishes between `men and djinn`, because there`s a distinction between women, with their own penis` semen and host wombs, born after Eve and Adam, that is, man and woman, were expelled by God from Eden, and the `serpent`s seed` of men, who killed and culled `futanarian` women in order to enslave the host wombs of the human species in parasitism. In the Koran Satan is Iblis, a djinn, who refuses to bow before Adam, according to `Al Kahf`, `The Cave` (18. 47), because he`s the `serpent`s seed` that men embrace after Eden in killing and culling the human race`s `futanarian` species of `woman`s seed` with her own penis and host wombs for the sexual reproduction of her own brains` powers for socio-economic independence and freedom from men`s enslaving of her race. Consequently, Iblis or Satan is a male `futanarian` or djinn, whereas the `futanarian` women are the human `woman`s seed` identified as `djinn`, because they`re what separates men from women:
`… he shall crush your head and you shall bruise his heel.` (Gen: 3. 15)
God`s warning to Eve is that the male `futanarian` with its host womb for sexual reproduction is how men keep women in host womb slavery, as men don`t have host wombs, according to the education system, which is Satanic, because it doesn`t educate women in the knowledge of her own penis` `seed` as an alternative to accepting a male parasite. Consequently, the male crushes the head of the woman because she doesn`t know to sexually reproduce her own brains` powers, while her head is powerless to do anything other than bruise the oppressor`s heel as it applies enough pressure to subdue her humanity.
Although Khidr is depicted in Islamic art standing upon a fish, the fish is symbolically Joshua ben Nun, that is, the `son of the fish`, or Jesus, the `son of man`, whose symbol is the fish and who was born from his mother, the Virgin Mary, uncontaminated by male semen, because he`s `woman`s seed` or `djinn`, that is, Khidr is supported by the host womb of women enslaved by men of the `serpent`s seed`. Joshua ben Nun, the `son of the fish`, captured Jericho for the Israelites and killed every living thing inside, apart from the whore, Rahab, and her house, who`d helped him, which means he wasn`t a special forces` eagle of modernity, as he didn`t protect all of the women. Consequently, Joshua`s rebirth as `Yeshua`, that is, Jesus, was necessary for his Redemption, which is why Jesus was called `the fish`, and Joshua was the `son of the fish`, because the `serpent`s seed` is supported by virginity, although Jesus` uncontaminated birth from his mother, the Virgin Mary, is `woman`s seed` supported by wisdom . Paradoxically so, if the usual belief is that virgins are innocent and so vulnerable to possession by the `serpent`s seed` of men`s enslaving and male braining in non-education.
Khidr is called `the green one` in Islam which accords with the Christian tradition of Santa and the evergreen Christmas tree with the star upon it symbolizing the birth of Jesus. In the Koran, `An Najm`, that is, `The Star`, a rhetorical question is posed, `Is the male for you and for him the female? That, then, is an unjust division. (53: 21-2) Because `futanarian` women with their own penis` semen are for women, which is the meaning of Jesus` birth uncontaminated by male semen. In Judaism the Sefiroth is the tree of life pictured in mystical `kabbalah` as having its roots in heaven and its leaves upon Earth, because the mind is spiritual and the body is earthly, just as Khidr of the Koran is `the green one` upon a fish that sustains. In Christian terms, Khidr corresponds to the evergreen Christmas tree with Jesus` birth star atop as a symbol of women`s freedom in production for the human species, because Jesus is `woman`s seed` and so corresponds to `the fish` that supports her, rather than the parasitical slaver of her host womb standing upon her head for what it can get her to produce, which is what Khidr would represent if Christianity didn`t depict `the green one` as a Christmas tree.
The presents beneath the tree are symbolic of the enslaving of the host womb of women as the sacks that produce. Consequently, although the symbolism attending Joshua`s bringing the walls of Jericho down by means of occult trumpeting appears an unbelievable ancient metaphor unbelievable, the notion of the women of Islam as saxophones bringing down the walls of the city of their enslaver, the sacks` `bag daddy` in Baghdad, Saddam Hussein, through modernity`s phone system, seems unbelievable, but the Bible warns `the number of a man is the number of the beast`, (Rev: 13. 18) that is, the `phone is the killers` weapon. During the West`s 2011 war with Moslem Libya to depose terrorist dictator, Colonel Gaddafi, TACPs, that is, Tactical Air Control Parties, were deployed on the ground to direct ordinance, which is what lesser killers do with mobile `phones. Consequently, the women of Islam, who were the sacks of Baghdad that either `sandbagged` the United States and coalition forces as an invader with the `suicide bombs` strapped to their bodies, or brought the walls of Baghdad down as the `sacks of phones`, corresponded in modernity`s terms to the whore, Rahab, and her house in Jericho, which was protected by Joshua, because she helped while he was preparing his own unbelievable occult method of breaching the walls of Jericho with trumpets, that is, the saxophones of the ancient world.
What`s in Santa`s sack is for children, because that`s what women produce, which is why she`s described as the womb of civilization, culture and art, despite men`s depredations in their wars against her. Santa`s sack was Tactical Air Control Party in Baghdad, that is, the sack of Baghdad`s contents at Christmas. Santa`s 25 December, 2006, Christmas party celebrated the birth of the `Second Adam` uncontaminated by male semen, Jesus, while Iraq`s Saddam - of the region`s `Ba`ath Party` politically - was hung on 30 December, 2006, after the Christians` party. Born uncontaminated by male semen, Jesus is symbolized as the `lamb` in Christianity, because he represents `woman`s seed` freed of womb enslavement to men of the `serpent`s seed` in warfare, which produces the sack of cities rather than peace. Consequently, Hussein was executed by the TACPs and their `sacks of phones` to prevent a great `blood` Ba` ath, where `blood` is an aristocratic term for royalty, which Saddam was as an undisputed ruler, but the `blood of the lamb` of peace had been spilt enough from the Christian and Moslem point of view, who`d stood by while Hussein had pogromed the Iranian Kurds in the North of Iraq during the Iran-Iraq war (1980-88). The emergence of ISIS, that is, the `Islamic State of Iraq in Syria` as a new Moslem caliphate on 29 June, 2014, amidst reports of `blood baths`, suggests it would`ve been better to support the Ba`ath Party`s proclaimed belief in freedom and unity, because less of the `blood of the lamb` would have been spilt.
Women with a penis and a beard won`t be turned into a sideshow, that is, Khidr is the bearded `green one` in the Koran of Islam, because Khidr represents the evergreen tree of the Christian Christmas with sacks of presents uncontaminated by the sack of cities and slavery for its host wombs of women, symbolized by the birth of Jesus from his mother, the Virgin Mary, as the city of `Jerusalem the golden` that remains unsacked, because she represents the women who`ll be free to sexually reproduce their own brains` powers with their own penis` semen and host wombs, which is the wisdom of her beard. Consequently, Khidr doesn`t exist for women although he`s real, because Jesus is the star of the birth of `woman`s seed` atop the tree of her liberation from the sack of her cities and enslavement, while the products of her civilizations, cultures and arts are for the children of her future free from contamination by the `serpent`s seed` of vainglorious men who want to stand taller on the shoulders of the uneducated child that is humanity.
In the mythological tradition of ancient Egypt, `Khat` is `the fish`, which is the appellation for the infant body containing the `Ka` or spirit and soul or `Ba`, before it becomes an `Akh` or `magical personality after death and that Ascension to heaven upon his Resurrection that Jesus, uncontaminated by male semen as `woman`s seed`, is so famous for. Because Jesus is `the fish` in Christian tradition, that`s because `the fish` is the `Khat`, that is, the Egyptian infant`s body containing the `Ka` or spirit and `Ba` soul before death and the subsequent conjoining of `Ka` and `Ba`, which is spirit and soul, as the `Akh` or `magical personality` in Ascension to Heaven after Resurrection.
In Arabian mythology Bahamut is `the fish` that supports the Earth, and which Khidr appears to be standing upon in Islamic art. Leviathan appears in the Bible where God asks, `Can you pull in leviathan with a fishhook?` (Job: 41. 1) But Bahamut, or Behemoth, is depicted as a creature of the land, `He ranks first amongst God`s works.` (Job: 40. 19) The third great creature of the Earth is Ziz, which is winged, and although Leviathan and Behemoth are doomed to be eaten, according to Jewish legend,5 Jesus finds correspondence with Ziz as `the fish` that flies, because he has Ascension to heaven after his emergence from his mother`s birth waters. Symbolically, Leviathan, Behemoth and Ziz are `woman`s seed`, because Jesus represents the male that has transcended male braining, while the Leviathan, Behemoth and Ziz represent the male military`s sea, land and air power, which kills itself and so is the devourer of `woman`s seed`; lest she has Ascension as Jesus`.
Khidr stands upon the fish in Islamic art, because men enslave `woman`s seed` through male braining of her host womb, that is, although Jesus is called `the fish`, she`s his mother, the Virgin Mary, which is why the bloody Joshua of the massacre of Jericho is `the son of the fish`, reborn as Jesus uncontaminate, and from Khidr`s point of view, standing upon her body, where else is Father Christmas to be if children are going to have presents? Unless women`s liberation is complete, and includes sexual freedom to reproduce with herself through her own women`s penis` semen, it`ll be Satanism on Earth until God`s punishment of eternal unendurable pain for the evil alien enslaving parasites preying on her humanity.
1 Paterson, Banjo `Waltzing Mathilda`, 1895.
2 Vickers, Sian and Chris Wilkins for Boase Massimi Pollitt Advertising Agency, 1969.
3 Felder, Don, Glenn Frey, Don Henley The Eagles, Hotel California, Asylum, 1977.
4 The New York Times, `100 Girls' Schools In Afghan Capital Are Ordered Shut`, https://www.nytimes.com/1998/06/17/world/100-girls-schools-in-afghan-capital-are-ordered-shut.html , June 17, 1998.
5 Akdamut, 75-84, 1557.
The Rock Your Whore Up Pig Chair Show
The latest publicity machine manufactured scandal emerging from Hollywood, Babylon, is nudity - of course. The stars of the film industry in Los Angeles, California, USA, don`t want to be photographed nude and the pictures disseminated over the internet or the news media, because their `face is their fortune`, which has always been the issue for `tinsel town` where the distinction between `A` list actors and actresses and `B` list movie stars was the basis for a star system that sought to prevent those on the `B` list for movie stardom from making `A` list movies because `B` list stars were Hollywood porn. Traci Lords was a `B` list actress, who made pornographic movies from the age of 15, and later movies such as Princess Of Mars (2012), a science fiction tale by Edgar Rice Burroughs developed for the cinema screen on several occasions since it appeared in book form in 1912.
Traci Lord`s face in combination with her body brought her success in the filmworld, but years of having recorded sex with men left an indelible impression on movie-going audiences that remains difficult to transcend for any actress who knows the truth about Hollywood, Babylon. In 1930 the `Hays code` was established to prevent women from being seen nude in the movies, and the `one foot on the floor` rule for bedroom scenes before the code was abolished in 1967 made it impossible for women`s sexuality to be described on celluloid before films with the telling title, Barefoot In The Park, featuring intimate bedroom scenes of Robert Redford and Jane Fonda as a newly wed couple in an apartment overlooking New York`s Central Park. The term `barefoot` from the film`s title takes a backward glance at the Hollywood `Hays code` and its prohibiting of women raising their foot from the floor in the bedroom as a symbol of their sexual repression.
The term `foot` is biblical, because God tells Eve in the Bible she will `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) The story of the serpent is closely related to the development of the ethos that constructed the movie industry around the `one foot on the floor` rule out of the `Hays code` in Hollywood, Babylon, at the beginning of the modern era of filmmaking. Although Eve and Adam are depicted accepting the `fruit of the tree of the knowledge of good and evil` from the serpent in God`s garden of Eden so causing their expulsion from the paradise of Earth for rejecting the `fruit of the tree of life`, which was immortality, in favour of death, the meaning of the story is slavery in parasitism. After Eden Eve was told by God she`d experience labor pain while Adam was told he must labor to provide. Eve`s labor pain was ended with the Advent of Jesus born from his mother, the Virgin Mary, uncontaminated by male semen, because the race of Eve is threefold.
Although men are perceived as the fertilizers of the wombs of women, women were born after Eden with their own penis` semen and host wombs as `futanarian` women, who correspond to the `foot` God tells Eve will `crush the head of the serpent` (Gen: 3. 15) and the `foot` that Hollywood, Babylon, doesn`t want raised from the floor of the bedroom to the stars. However, if women`s `futanarian` foot doesn`t make it from the film editors` cutting room floors, women won`t sexually reproduce their own brains` powers to develop the science and technology needed to lift their race to the planets of God`s heaven independently of their womb enslavers, who`re the men that have killed and culled her humans species since Eve and her `seed` left Eden. Although Eve`s labor bore new fruit after Eden in the form of the `Second Adam`, Jesus, born uncontaminated by male semen from his mother, the `Second Eve, the Virgin Mary, men haven`t labored enough to comprehend Redemption which demands that women`s own sexual reproduction between themselves must occur so that enslaving of the human race through male braining will cease and the `foot` won`t be `food` for the devouring parasite in its wars against humanity.
The main objection to men`s being viewed as the Earth`s cancer was their role as sole fertilizer of women, but socio-historical events such as the siege of Troy documented by the Greek poet, Homer, in which the flower of Greek society`s institutionalized homosexuality in pederasty, and the enslavement of women`s host wombs to spread the contagion of war and conquest of the cities of women, are an indication that fertilization of women in parasitism and death is what men were for. That`s why Eve and Adam were expelled by God from Eden as they accepted womb enslavement for Eve`s new `seed` of `futanarian` women with their own penis` semen and host wombs born after God`s expelling the original pair from paradise, because slavery in homosexuality and pederasty`s institutionalized enslaving of women`s host wombs for warfare was death for the human race of woman`s `seed`:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
At Troy the Greeks constructed a huge hollow wooden horse inside which they hid and waited for the Trojans to take the `gift` for the patron goddess of the city, Pallas Athene, whose symbol was the horse, into the city of Troy where they emerged to enslave the host wombs of the women for homosexuality in pederasty and spread their contagion of war further, `Beware Greeks bearing gifts.`1 By the late 20th century homosexuality in pederasty had produced the `biological warfare` of HIV/AIDS` biblical `blood plague` spread by men engaging in sterile anal penile masturbations mixing blood, shit and semen together. The HIV/AIDS` `killer disease` was incurable and rose from the base of the spine to kill the brains of its victims, while the virus itself was homosexually behavioural insofar as it pretended to be like the white cells of the human body`s defensive system in order to kill, and so it was adopted as a model by the 21st century`s successors to the Greeks, the `geeks`, who designed `bad machine code` known as `Trojans` to fool computers into accepting the virus of the machine age and so killed those brains also. Consequently, the socio-history of mankind is a brain killing disease, because it doesn`t want women`s brains to sexually reproduce through their own penis` semen and host wombs natural sexual desire for her own body:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
The mystery is how the woman allowed her own brains` powers to be enslaved by a parasite calling itself a man, while women are the true human race because all of it has a womb and all of it is a woman who has her own penis` semen as the `futanarian` woman denied by Hollywood, Babylon, screen time to educate herself at least since 1930 when the `foot on the floor` ruling associated with the prohibitive `Hays code` was implemented to prevent her penis from being seen in the bedroom in Hollywood moviedom before the mocking title of 1967`s Barefoot In The Park reaffirmed her outlawed nakedness within a milieu fabricated to accommodate only the woman`s parasite rather than herself with her own penis` semen and host womb as her own preferred heterosexual partner.
Because men`s parasitism is homosexuality that uses the host womb of woman to replicate itself as her enslaver in warfare and pederasty, Troy and Babylon are instances of how `a woman`, which is what Babylon is described as in the Bible, became enslaved as men`s whore. The city of Troy was associated with the goddess, Pallas Athene, which suggests `woman`s seed` was the basis of Trojan socio-history. The Greeks arrived at Troy in ships after Menelaus wife, Helen, was abducted from Greece by Paris, son of king Priam of Troy, and Menelaus` brother, Agamemnon, king of Sparta, sent Greek soldiery to return her. Although Helen is described as a woman of great beauty, Homer doesn`t indicate in his Iliad (760-710 B.C.) she`s `futanarian` with her own penis` semen and host womb, but her value to Menelaus suggests her as the Greek counterpart to Pallas Athene, that is, a woman of `breeding` insofar as she could engineer the sexual replication of women`s own brainpowers through their own `seed` as an ancient power of matriarchy enthroned within her city:
`I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labour of the high pyramids, and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, `Lo, apart from Olympus, the Sun never looked on aught so grand`.` 2
Antipater of Sidon`s enumeration of the seven wonders of the ancient world describes the house of Artemis, the Greek goddess of artifice, who is comparable to many other goddesses, especially the Egyptian mother goddess, Hathor, who is depicted with the horns of a bull because she represents the woman with her own penis` semen. Artemis` statues are noteworthy for the phalloi or penis that seem to be hung about her body but they`re symbolic of the mother of a city who fathers her daughters, which is the secret of the ancients lost to modernity because men don`t want women to rise from their lowly evolved status as breeding slaves in parasitism and so the `red dragon` of the Bible waiting in vain to devour Jesus Christ in his `Second Coming` to the Earth from the womb of `a woman`, as Babylon was `a woman`, is a type of male devourer of `woman`s seed`, that is, a testes and brain eater. Although the symbolism of the ancients is often thought grotesque, the imagery associated with Diana, that is, testes strung about her body along with phalloi, symbolizes her strength and power as a brain developer and producer for her own species of woman, but also the unmanning of women by men, which prevents women from having their own brains` powers through sexual reproduction with each other as a `futanarian` race from penis` semen and host wombs that aren`t contaminated by the `serpent`s seed` of men.
Jesus` `Second Coming` follows upon his death by torture after being nailed upon a wooden cross by agents of the Roman Empire in Palestine, following the `Last Supper` at which his offer of `bread and wine` to his disciples, as symbols of his `body and blood`, was a metaphor for the host, that is, the human race of those born uncontaminated by male semen from `woman`s seed` and woman`s host womb. Jesus` mother, the Virgin Mary, prefigures the Resurrection of the human species of `futanarian` woman with her own penis` semen and host womb uncontaminated, as Jesus` semen was, while the betrayal of Jesus by the disciple, Judas Iscariot, for `thirty pieces of silver`, to the Romans who `crucified` the Messiah upon the cross, represented the betrayal of the human species` host womb. Jesus` Resurrection and Ascension to heaven after his death symbolized the future Resurrection of the human race of `woman`s seed` through `futanarian` women with their own penis` semen and host wombs, while Christianity, founded after Jesus, who was called `Christ`, or `Messiah`, with its wine and bread in the church service known as transubstantiation, that is, transformation of the body and blood of the churchgoer through the intermediation of the officiator, represents the desire of the soul trapped within the individual for release through the Resurrection offered by acceptance of `woman`s seed` symbolized by the figure of the Virgin Mary as the intercessor between unredeemed humankind and God.
In Egyptian mythology the `Ka` is the spirit and the soul is the `Ba`, while the temple of Abraham in Mecca, Saudi Arabia, to which the Moslems, who believe in the Koran (610-30 C.E.) dictated by the angels to the Prophet Mohamed, according to the tradition of the religion of Islam, make a pilgrimage, is the `Ka` Ba, because God promised to Abraham in the Bible of the Jews, that is, the Old Testament, his `seed` would be as numberless as the grains of sand in the deserts and the stars in the heavens, where `Ka` and `Ba` represent the spirit and soul of `futanarian` woman with her own penis` semen and host womb trapped within the body of the temple of Abraham, which is the `body of the church` in Christianity. Although Christians and Jews believe Moslems are separate from God, Abraham is the father of Judaism and Islam through his sons, Isaac and Ishmael, which is why the temple of Abraham is in Mecca, Saudi Arabia, as the holy of holies for Moslems, because all women are the `seed` of Abraham. In Islam each marriage is permitted four wives because it`s a vehicle for `futanarian` sexual reproduction between women. Consequently, the Ka` Ba is a metaphor for what the ancient Egyptians described as the conjoining of the soul and body after Resurrection as the `Akh` or `magical personality`, which is woman with her own penis` semen and host womb in heaven without contamination by male semen. For the Egyptians that was `magic`, and the story of their supreme deity Ra, incarnated as the god, Osiris, who is dismembered by his evil brother Set, before the mother goddess, Isis, gives Osiris a new penis and a new name, Horus, after remembering him, is the story of Jesus` semen uncontaminated by men as he was born from his mother, the Virgin Mary, as `woman`s seed`, which is `magic` again and represents the truth of `futanarian` humanity prevented from sexually reproducing her own brains` powers for technological development to escape from Set, who represents all those men of the `serpent` seed` who don`t want humans to be free of their yoke in womb slavery and ephemerality.
Although men present starships as science fiction, a cure for HIV/AIDS, the incurable `killer disease` of the late 20th century, was also depicted as `science fiction` at the outset of the 21st century, because advanced medical science produced by the brains of humans to prolong life and rejuvenate would interfere with the pogrom of the `serpent`s seed` against the human `seed` of woman who needs to sexually reproduce her own brains as a `futanarian` race in order to restore her memory of the evil one and leave Earth for the planets and stars of God`s heaven before the `seed` of the serpent that men have become extinguishes her. The absence of a cure for HIV/AIDS is a fiction constructed by men who want humanity to be extinct, because a cure would represent technological progress and that would mean independent intellectual advancement for the human race outside of the purview of its alien exterminators, while the aliens want to oversee the woman`s extinction.
It would be foolish to suppose that men aren`t women`s alien and parasite. Hollywood, Babylon, doesn`t want anyone to see a woman`s penis, and movies like The Rocky Horror Picture Show (1975) depict transsexuality as an abomination created through surgical means by doctors of the type associated with Dr Frankenstein in Mary Wollstonecraft Shelley`s early 19th century seminal science fiction tale, Frankenstein (1818) which, dealing with the construction of a human man through the putting together of dead body parts and revivifying, is closer to the human truth, because `futanarian` humanity has generally been `doctored` in the United States of America as a matter of governmental policy to reduce the possibility of `woman`s seed` from emerging by surgically deciding for the newborn whether or not they`ll be either male or female. Although transsexuality is a `Frankenstein`s monster`, `futanarian` women with their own penis` semen and host wombs are nature`s `seed`, while Hollywood, Babylon, with its `foot on the floor` rule of the `Hays code` (1930-67) was following the dictates of the anti-Christ insofar as God told Eve her `seed` would:
`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
If cinema audiences never saw a woman`s penis, she could be exterminated by men of the `serpent`s seed` and her `foot` would never rise from the floor of the bedroom in Hollywood, Babylon, or anywhere else, that is, her `futanarian` brains` powers wouldn`t lift her to the planets and stars of God`s heaven in starships of her own devising to live a life free of illness and disease in immortality and youthfulness forever because medical advancements in science had conquered sickness and death. By maintaining HIV/AIDS as an `incurable killer` disease and diverting resources into false religious wars between the `seed` of Abraham, men of the `serpent`s seed` seek to imprison the human race upon the Earth and kill her. Science fiction movies depicting terrifying aliens from the stars are men`s self-portrait designed to keep women in fear. HIV/AIDS is men`s terror weapon in the `biological warfare` they`re waging against her. Christian monogamy is a slave ring in which women are taught to remain faithful to their owner, while the meaning of Jesus` precept as a teacher id ignored by Christianity:
`Love your neighbor as you love yourself`. (Mk: 12. 31)
In the Greek myth recorded by Sophocles in Oedipus Rex (c. 429 B.C.) the theme is incest, because men don`t want women to know that their daughters have been killed and culled since Edenic times if they were woman`s `futanarian` penis` semen with her own host wombs to bear her own children outside of male parasitism and womb slavery in male braining. Effectively Sophocles` story of Oedipus, a man who marries his mother, Jocasta, is designed to depict how men stand between daughters and their own species. Oedipus` blinds himself when he discovers he`s broken his culture`s taboo and is guided thereafter by his daughter Antigone. The meaning is that Antigone can`t see because she doesn`t have her own penis` semen to recognize that she should abandon Oedipus and look for a woman to sexually reproduce with, because Oedipus is but the figure of a man preying upon a woman`s love. When he discovers he`ll be the centre of opprobrium and the cynosure of all eyes because of incest, Oedipus blinds himself because the society of men has told him to through its moral code, although that exists to prevent the woman`s daughter from having sex with her next door neighbor, which is why Jesus mildly rebukes the woman allegedly caught in adultery:
`Go now and leave your life of sin.` (John: 8. 12)
Obviously a difficult task if women are men`s parasite ridden womb slaves in male braining. Women are taught that their bodies in the mirror aren`t for each other, which is false. Those women who`re born with a penis of their own and who aren`t surgically altered by the United States` preference for The Rocky Horror Picture Show of transsexuality and abomination, know that women are what they should want to see in the mirror, because women are the human race with its own penis` semen and host womb divorced from alien thinking in enslavement and parasitism. Jesus isn`t censorious because women are caught in male braining and its eaten her penis. The male predator, symbolized by the `red dragon` of Revelation attempting to prevent the Resurrection of `woman`s seed` by devouring Jesus, its Messianic symbol, represents male brained humanity saying:
Because that`s what male brains say to their victims in parasitism with the victims` own brains. Although captain Dallas of the space vessel, Nostromo, in the movie, Alien (1979), screams he wants to be killed, as an alien parasite is taking control of his mind, and he perceives death as an escape, the alien represents female intelligence, which men don`t want. Hollywood, Babylon, film director and producer, Steven Spielberg, depicted in E.T. The Extraterrestrial (1982) a life form not of Earth trying to; `Phone home!` The scene reverses the actual picture in which the woman is trying to leave home for the planets and stars of heaven, while in Alien extraterrestrial intelligence is represented as a threat to woman`s leaving the Earth. The men of the `serpent`s seed` are in fact the alien seeking to prevent her from leaving. For men, intelligence is the enemy and so women are the alien while men terrify her in the movies with aliens resembling HIV/AIDS in Virus (1999), for example, because men are women`s alien virus that wants her to be brainlessly quiescent during its extinguishment of her. Consequently, it`s programmed the race of women to kill itself through male braining. As the human species loses more of its capacity to sexually reproduce its own brains` powers through `futanarian` women`s semen and host wombs, for example, the pogrom of the `serpent`s seed` will reduce humanity to the level of its supposed simian ancestry:
`Everton is the dominant species. I am Everton.`4
Captain Everton in Virus enunciates the basic problem of the male ego for `woman`s seed`. Everton`s words are essentially those of the voice of Satan emanating from Hollywood, Babylon, which wants men to continue predatorially male braining `woman`s seed` through her own host wombs without her own penis` semen so that it and the rest of the `serpent`s seed` can continue to kill each other and be filmed doing so. Called the `ape of God`, Satan was the angel, cast down from heaven to Earth, because he didn`t want mankind to be raised higher than the angels. God gave Satan the form of the serpent of Eden crawling on its belly, because Satan wanted humankind to be reduced to the level of the apes by having them `ape` each other. In The Origin Of Species (1859), Charles Darwin posited men descended evolutionarily from apes, which disagreed with the Bible that described the creation of an original pair, Eve and Adam, by God. If Satan, as the serpent in Eden, wanted to degenerate humankind, he couldn`t do better than have men imitate. Because women aren`t educated in their own penis` semen and host wombs for the sexual reproduction of themselves as the human species, children are only imitating humans: ape men has arrived.
In Virus Captain Everton is seeking to rid a starship of an alien that takes control of the human brain to kill other humans, which is what Satanism is. A further danger in Virus is the `killer robot`, Goliath, who tells Everton, `You are a virus.` Machines save women`s labor, and so represent a threat to men`s enslaving of her. Consequently, Everton is `David` to the machine`s `Goliath`, but the biblical imagery from the story of the boy, David, facing a bigger man fully armored and killing him with a stone from a sling isn`t romantic: it`s just a picture of what the virus does:
`As the Philistine moved closer to attack him, David ran quickly toward the battle line to meet him. Reaching into his bag and taking out a stone, he slung it and struck the Philistine on the forehead. The stone sank into his forehead, and he fell facedown on the ground.` (1 Sam: 17. 48-9)
The fully armored biblical Goliath is, in terms of the future, a man wearing a robot`s clothes, while the robot is prototypically a woman`s labor saving friend, but armored men want to continue with their theme of virality. Consequently, the robot in Virus is depicted as `Goliath` and Everton as the boy, David, whereas it`s time for the human to grow up from preoccupations with physical size and strength, and it`s time for men`s animality to go away and leave the woman alone to recover from men`s depredations in terms of their enslavement of her host womb to produce the civilizations, cultures and art they periodically decimate to prevent her human species from raising its foot from the floor of the Earth through a `futanarian` human sexual reproduction between women with their own penis` semen and host womb to create a species` brain`s intelligence that places emphasis upon life rather than the struggle to avoid men`s viral enslaving of it.
As a non-educational package, Virus is a Satanist`s picture of a cosmos in which women are alien intelligence. No one should care about Everton and the virus because it`s identical as a device to reduce humans to the level of ape men, who shouldn`t ape what has gone before, while the dangerous robot theme compounds the sin because it`s propaganda against the saving of women through technology. What she needs to labor save and so save her own species through technological development and medical science is depicted as a dangerous machine, because the movie moguls of Hollywood, Babylon, want to keep humans enthralled in killing each other.
Although developmental psychologists such as Carl Gustav Jung (1875-1961) have perceived instinct as humankind`s shadow from which archetypal imagery emerges into consciousness during dream sleep or unconscious reverie as the impelling aspects of the human imagination either characterologically or symbolically, animal instinct is what men represent and so men are the shadow of the death of `woman`s seed`:
`Even though I walk through the valley of the shadow of death, I fear no evil, for you are with me; your rod and your staff, they comfort me.` (Ps: 23. 4)
The 23rd Psalm is about God, not men, that is, it`s for `woman`s seed`, while Jesus` `Last Supper` is prefigured, `You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.` (Ps: 23. 5-6) Jesus was betrayed in the midst of his disciples by Judas, because Jesus was `woman`s seed` and the future host of humans in heaven as the symbol of the fruit of woman`s womb in Redemption and Resurrection after the `serpent`s seed` had planned the death of her `futanarian` species of woman`s own sexual reproductive capacity through her own penis` semen and host womb for the production of her own brains` powers for technological liberation and escape from men`s male braining her for slave labor and death in its wars of self-killing. The confusion in the Bible devolves from the differences between the name Jesus, and the identifier `Lord` as meaning God or Jesus. `Lord` has to be interpereted as `God` if the Bible is to be interpreted correctly, but if Jesus is addressed as `Lord` the reader must understand that `God` is identified as being present:
`And you will see the son of man sitting at the right hand of God almighty and coming on the clouds of heaven.` (Mk: 14. 62)
The passage explicitly distinguishes between God and Jesus, who is the `son of man`, because his mother, the Virgin Mary, is man from whom he was born uncontaminated by male semen in prefiguration of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of women`s own brains` powers, that is, the Redemption and Resurrection of the human species by the side of God. Just as Eve was from the side of Adam created by God from Adam`s rib and Jesus` Holy Spirit was from his side as the `Second Adam`, when pierced by the spear of Longinus after his death at the crucifixion, `Surely, this was the son of God.` (Matt: 27. 54) Jesus` teaching was that there`d be a Holy Spirit to teach after him. Because Eve was from Adam`s side, the Holy Spirit corresponds to the `Second Eve`, while the `son of man` at the side of God is `woman`s seed`, that is, `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of the human species taught by the collective spirit of Eve as the `Second Eve`, who is Woman. Although `son of man` is the term applied to Jesus, Christ is `woman`s seed` and so the `son of man` is the daughter of Eve, with her own penis` semen and host womb, which men of the `serpent`s seed` fear. Consequently, she`s depicted as aliens invading the Earth from the cutting room floor of the science fiction film editors of Hollywood, Babylon, who don`t want the `futanarian` woman to be seen as anything other than a surgically generated transsexual abomination transposed into alien invasion scenarios designed to thwart Jesus` `seed` if she ever arrives from heaven after killing and culling her to the point of extinction upon the Earth:
`Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)
The `red dragon` is thrown from heaven to the Earth where it wages war upon the `seed` of the woman, while he who will `rule the nations with an iron scepter` is with God and the rest of the `seed` of woman in heaven, that is, the planets and stars, which men of the `serpent`s seed` were presenting as the source of potential alien invasions even before `woman` seed` began to be abominated as `alien` by the `Hays code` of Hollywood, Babylon, whereby woman`s penis was prevented from being seen by cinema audiences in order to maintain male braining and warfare as the theme of science fiction movies, such as the film version of H.G. Wells` 1898 novel, War Of The Worlds (1953), in which aliens invade the Earth and die of a virus, whereas women were in fact imprisoned upon the Earth at the beginning of a 21st century threatened with extinction by men`s virality more than figuratively represented by the spread of homosexuality and its alien HIV/AIDS` virus, which is the collective shadow that developmental psychologist, Carl Jung, viewed as the cause of the German National Socialist (Nazi) Party`s impetus for the pogroms mounted against the `chosen people` of the Jews during the 1930s and the Second World War (1939-45) to liberate Europe from Nazism.
In Judaism a Jew has to be born from a Jewish woman, which means Jews are women and so the `chosen people` are women, that is, `woman`s seed` of `futanaria` was Nazi Germany`s target when the death camps were constructed to prevent women developing brainpower through human sexual reproduction between women with their own penis` semen and host wombs. Although Jung saw the archetypes of the collective unconscious of the human race as developmental, the soul or anima of men and the spirit or animus of women was contaminated by the collective shadow, and so their archetypal appearance in dreams, art and the imagination was distorted. In Egyptian terms, the anima corresponded to the `Ba`, or female desire of the soul for herself, which was represented by the `Ka`, or animus spirit of the woman herself, that is, the `futanarian` aspect of the sexual desire of the woman for her own self was trapped inside the man as her `Ba` or anima/soul, while her `Ka` or animus/spirit was targeted by men of the `serpent`s seed` as their prey in male braining and species` war. Consequently, Nazism was symptomatic of a socio-historical pattern in which men are more than metaphorically wolves telling the sheep where to go. The Nazis burnt the corpses of millions of Jews in ovens at death camps in Poland`s Dachau and Germany`s Belsen and elsewhere, because men consume humans. The attempted extermination of the Jews by the Nazis was symptomatic of the desire by the `serpent`s seed` of men to remove the potential of the human race to develop brainpower through its own penis` semen and host wombs and so escape from the eaters of its bodies so that it wouldn`t have the brains to remember and mount a recovery from the genocidal pogroms perpetrated against it by men`s `serpent`s seed`. The irony is that men are parasites upon a host womb rather than cannibals or the analogy would be clearer. However, the truth is that women aren`t cannibals, because they aren`t parasites.
In male braining the sheep, that is, the women, are that aspect of the male brain, which the male brain commands to die, and that`s the meaning of Jesus` purported suicide at the crucifixion when the Bible specifically indicates that Christ could have avoided that fate. Coercion by the collective shadow of the male brains surrounding Jesus and the disciples, who weren`t uncontaminated by male semen, explains Jesus` apparently suicidal decision to go to Jerusalem where he was crucified outside the city walls on the hill of Calvary by the Romans after his betrayal by Judas at the `Last Supper` at which he was the host to that parasite. In Christian iconography Jesus is the `lamb` and the `marriage of the lamb` with his `bride`, the flock of the congregation of the church, that is, the women, is a central aspect of the symbolism surrounding Jesus` Ascension to heaven after his `Second Coming` and the Resurrection of `woman`s seed` when God`s punishment for the evil is eternal unendurable pain, because the wicked espouse slavery in parasitism and death in ephemerality for the `sheep` of the human species of `futanarian` woman with her own penis` semen and host wombs.
Jung observed that the animus of a woman appears in dreams, art and the imagination as a coterie of male admirers, which might be true of how it appears but, contaminated by the collective shadow, the woman`s animus represents her `Ka`, or that sexually desirous male aspect of herself that wants her `Ba` body. Consequently, her animus is contaminated by the collective male shadow, which doesn`t want her to sexually reproduce with her `Self`, but wants to kill her; as the German Nazi pogroms against the Jewish `chosen people` of `woman`s seed` indicate. For men women aren`t the `foot` of God`s `chosen people`, which will `crush the serpent` (Gen: 3. 15), but `food` and they`ll remove her brains to make a meal. Jung thought that instinct was developmental but the shadow of death upon the human race is men and it`s an animal prodding the human species on to slaughter at battles like Gettysburg during the anti-slavery campaign against the Southern United States in the American Civil War (1861-5), or World War I`s (1914-18) Somme during Europe`s first campaign to defeat German virality.
There`s a huge gulf between women`s instincts and men`s, which was proven in the Gulf war (1990-91) to evict the occupying army of Iraq`s dictator Saddam Hussein from Kuwait and the subsequent Gulf war (2003-11) to depose Saddam Hussein after he offered bases in Iraq to Al Qaeda, `the base`, when that Afghan terrorist group had crashed hijacked airliners into the Twin Towers of New York`s World Trade Centre on September 11, 2001. Saddam Hussein was hung on December 30, 2006, in Baghdad, while the leader of Al Qaeda, Saudi Arabia`s Osama Ben Laden, was killed by US Navy Seal Team Six on May 2, 2011, to effectively conclude the war against Saddam Hussein`s Iraq. The eagle on the `Great Seal` of the President of the United States, George W. Bush, during the second Gulf war, is biblical as a defender of `woman`s seed`, and the hymen of the seal of the species is represented in the concept of the Navy Seals supposed protection of the burkha clad women of the desert who never reveal themselves to men publically save for their eyes and which men are required to avert theirs from in accordance with Islamic strictures forbidding them to look upon humans:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
The woman `clothed with the sun and with the moon at her feet` gave birth to `he who will rule the nations with an iron scepter` and is Jesus who was taken up into heaven before his `Second Coming`. If the eagle is the emblem of the Presidents of the United States, she`s the woman of the desert in the Moslem marriages that are permitted four wives so that `futanarian` sexual reproduction between women with their own penis` semen and host wombs` hymens can occur to ensure the Resurrection of `woman`s seed` upon the Earth. Consequently, the symbol of the eagle and the Navy Seal represents the protection to the human race in Islam afforded by the United States of America and others if the aim was to defend Moslem women. Because the symbol of Al Qaeda and the subsequent Islamic caliphate of Syria and Iraq was the moon, the woman with the moon at her feet would be the statue of Liberty in New York harbor as she was `clothed with the sun` subsequent to the United States` defeat of the flags of the red suns of Japan, which had unannouncedly attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, when atomic bombs were dropped on August 6 and 9 on the Japanese cities of Hiroshima and Nagasaki to force Japan to surrender on 15 August, 1945. In the Bible the `pearl of great price` is heaven and the moon is a symbol of the first step on the path to the planets and the stars, which can only be attained to if the human brains of woman`s `seed` can be sexually reproduced by her own species. Pearl harbor and the moon reflected in the waters beneath the statue of Liberty in New York harbor after September 11, 2001, represent symbolic victories over the `serpent`s seed` of men endeavouring to prevent woman`s `futanarian` foot from reaching the planets and stars of God`s heaven:
`One small step for a man, one giant leap for mankind.`5
Neil Armstrong`s words, as the first man to set foot on the moon as commander of the crew of the Apollo 11 North American Space Administration`s (NASA) lunar module delivered by space rocket from Cape Canaveral, Florida, at a high cost in money and lives, didn`t represent the `foot` of God`s human race of Eve`s `futanarian` daughters with their own penis` semen and host wombs for the sexual reproduction of the species` brainpower to lift her race from the floor of the Earth`s bedroom to the stars of God`s `city of the angels`. Men`s problem is wanting to appear taller. Consequently, everyone must be a head shorter, which is what the stories of Shah Jehan and Jesus depict. In the 8th century Arabian collection of folktales, 1001 Nights, Jehan accuses his wife of unfaithfulness with his brother and beheads her before Scheherezade begins telling the tales of 1001 Nights after he begins wedding a new wife each day and beheading her each evening. Scheherezade saves the women by engaging Jehan with her story telling and marries him. Jesus is Christianity`s Scheherezade because he engages women long enough for them to realize the truth, which is that he`s born uncontaminated by male semen, as women who have their own penis` semen for the sexual reproduction of their own brains` powers, but men have beheaded them through a male braining that excludes women`s own `futanarian` fertilizing `seed` that would make them a head taller rather than a head short.
Scheherezade`s story of 9/11 is `rough trade`, that is, the homosexual brutality and violence associated with men in pederasty and war since the ancient Greeks institutionalized the enslavement of women`s host wombs to spread homosexuality`s contagion to nearby city states. Al Qaeda, `the base`, attacked New York`s World Trade Centre as an analogy for the spreading globally of `rough trade`, which in socio-economic terms is men`s hegemonic preference for the Military Industrial Complex (MIC) that produces a better financial picture for all by means of government spending on munitions in the United States of America, for example. The new Islamic caliphate, ISIS, in Syria and Iraq, was named for the Egyptian goddess of Resurrection, Isis, who remembered the penis of Osiris and gave him hers before renaming him Horus, `the sky god`, who would dwell in the house of Hathor, the hornéd woman, symbolizing the mother, who is the fatherer through her own penis` semen and host womb. Jesus` Scheherezade story is of his mother, the Virgin Mary, who births him as `woman`s seed` uncontaminated by male semen, which suggests that the Islamic caliphate of ISIS in Syria and Iraq is a `paper tiger` constructed by men of the `serpent`s seed` as an excuse to attack `woman`s seed` in a war designed to reestablish homosexual pederasty that Jesus` teaching of men uncontaminated by male braining`s conditioning was meant to avert.
The creation of ISIS and the attack upon it is `black magic` based on the magical theory of correspondence, that is, if ISIS is Syria and Iraq then it magically follows that the `futanarian` Moslem population beneath her burkha in the Middle East as elsewhere is the Egyptian goddess of Resurrection, Isis, being exterminated under the guise of United Nations (UN) and North Atlantic Treaty Organization (NATO) inspired `peace keeping exercises` drawing upon the military power of the Western alliance of the United States and Europe. During the UN and NATO `monitored` break-up of the former Yugoslavia, when ethnic divisions between Christians and Moslems resulted in the creation of new independent states in that region, `rape camps` were set up during the war in Bosnia (1992-95) and elsewhere by Western backed Christian militias. Moslem women had their children male brained for another generation and so the Christians prevented `woman`s seed` from sexually reproducing within the traditional four wived marriages of Islam that permits of sex between women with their own penis` semen and host wombs. Consequently, the Moslem women of Islam correspond to Isis, the mother-fatherer, and the caliphate ISIS was set up as an excuse to pogrom `woman`s seed` in Satanism, which is the male brain telling her to die and making war upon her Earth as a means of achieving its parasitical and enslaving objective of death to the human race that won`t accept it as the butcher of its animal life.
The `black magic` theory of correspondence was used at the World Trade Centre attack to reestablish global `rough trade` in homosexual brutality and violence, which is what `rough trade` means. On April 15, 2013, the black magicians` theory of correspondences was applied once more when the footrace at the Boston Marathon was disrupted by Moslems from the rebel state of Chechnya in the Russian Federation, because fundamentalist Islam doesn`t want the `futanarian` race of women to run against them in a democratic vote based on women`s sexual reproduction resulting in men`s being outnumbered by more than the 80% women in Moslem marriages that the sex slave system of Arabia espouses for the `futanarian` human population of `woman`s seed` with her own penis` semen and host wombs for the creation of her own brains` powers to escape male braining`s will to kill her race.
The science fiction scenario is Logan`s Run (1967), because the 9/11 planes were hijacked by Al Qaeda at Boston`s Logan airport. William F. Nolan`s novel was made into the Hollywood, Babylon, movie Logan`s Run (1976) and a fourteen episode `TV` series for the United States` CBS channel, Logan`s Run (1977-8), in which the premise is of `runners` pursued by `sandmen` because they refuse to accept the socio-economic conditions of a culture that requires them to die in ephemerality after the age of 30 . The media productions of Logan`s Run are reminiscent of the false medical science of the 21st century that prefers death to curing HIV/AIDS` `killer disease` and repenting from its surgical division of the human race of `futanarian` women with their own penis` semen and host wombs into men and women, because it simplifies the pogrom of the `serpent`s seed` of Satan to male brain the human species into its own self-killer. The Al Qaeda hijacked planes at Boston, Logan airport, and the subsequent terrorist bombing of the Boston Marathon by separatist Moslem extremists from Russia`s rebel state of Chechnya were designed to provoke war in homosexual pederasty and prevent the human `futanarian` race of women from running her own socio-economy independently of men by enslaving her in the male braining of her self-killing in the `perpetual enmity` of the `serpent` of Eden God warned Eve it would have for her `seed` and which has materialized in male brained warfare against her throughout the Earth.
Although television was perceived as amongst the greatest inventions of the 20th century when Scot, John Logie Baird, transmitted pictures in 1926, the term `transvestite` denotes those who`re transsexual through surgical procedures reminiscent of Dr Frankenstein in Mary Wollstonecraft Shelley`s Frankenstein (1818) and `TV` is the term used for transsexuals, for example, Dr Frank N. Furter, in The Rocky Horror Picture Show (1975), made by Hollywood, Babylon, as propaganda promoting `futanarian` women with their own penis` semen and host wombs as a repellent abomination. Frank`s creature is Rocky Horror who he marries in Satanic mockery of genuine `futanarian` heterosexual reproduction between humans, that is, women with their own penis` semen and host wombs.
Television is `TV` in transvestite terms, because male braining is men and women wearing each others` clothes as the same brain, that is, the `serpent`s seed` of men in Satanism have produced humanity as a `TV` making news reports about its wars upon itself as The Rocky Horror Picture Show moves on to further horrors based on men`s rejection of the human soul and spirit of woman`s sexual desire for herself. Masquerading as psychology, The Rocky Horror Picture Show, depicts Tim Curry as Dr Frank N. Furter wearing women`s lingerie, while women are in reality discouraged by their conditioning from viewing themselves as sexually desirable in the mirror. Frank N. Furter`s marriage to Peter Hinwood`s Rocky Horror mocks those supposedly `lesbian` feelings women have that are natural to the true human species of woman with her own penis` semen and host womb.
Made schizophrenic by men who`ve made them believe in male semen as the sole fertilizing possibility of women`s human race, Woman in male braining has been taught to hate her own `futanarian` species of woman`s seed`s sexual overtures towards herself by films like The Rocky Horror Picture Show, which depicts the abomination of a man in women`s clothes, Tim Curry, making sexual overtures to his own male creature, Peter Hinwood, in a bizarre but common form of reverse racism designed to discourage the daughters of Eve from looking for a woman`s penis beneath the lingerie of those transsexual guys who have some of the equipment real women used to, but of course the disguised aren`t real women and are only there to encourage the mistaken `lesbian` schoolgirl in her first faltering steps to understanding her own humanity, before men started to tell her their horror stories of gender surgery and how she shouldn`t look for her exterminated natural sex partner`s penis in the mirror of the dreams of `futanarian` woman with her own penis` semen for the Resurrection of womankind before her Ascension to heaven.
The latest nudes from Hollywood, Babylon, is that stars don`t want to have their photographs taken while they`re naked for the public to ogle without permission, but the hidden agenda is the movie studio prohibition against women`s penis being seen. If the `foot` God told Eve was to `crush the serpent` appeared in Los Angeles` moviedom as the `futanarian` penis of a major female star, the film industry would be hard pressed to prevent `woman`s seed` from raising herself from the cutting room floor of the numberless editing sessions she hadn`t even been a part of. During the period of the United States` hegemony in making movies for eventual `TV` screening, the surgically created transsexual population was made to vet its instinct, as an animal scientifically sundered from its human side by a killer transvestite bothered by the possibility of women being a head taller. Psychopathologically, the profile is of a shrunken cowardly parasite wanting to see filmed repeats of its previous exploits on a smaller `TV` screen, where it can watch news reports of the continuing pogrom of the `serpent`s seed` against `woman`s seed` without feeling threatened by her size on the `big screen` of movie theatres filled with audiences uncritical of their own role as a surgically male brained transsexual killing its own species` self for Satan.
1 Virgil The Aeneid, Bk II, 19 B.C.
2 Antipater of Sidon, Greek Anthology, IX, 58.
3 Skerrit, Tom as Dallas in Alien, 20th Century Fox, 1979.
4 Sutherland, Donald as Captain Everton in Virus, Universal Pictures, 1999.
5 Armstrong, Neil UTC: 2. 56, July 21, 1969.
Britney Spears` Archetype
Britney Spears` pop career began in 2000 when she released the solo album Oops! … I Did It Again featuring the video single `Oops! … I Did It Again` featuring herself on the red planet Mars in the solar system that includes Earth and the other planets orbiting the star humanity calls the sun. The video details the arrival of a spaceman, called `Mars Lander` by `Mission Control` of Earth, who we see following his progress on Mars and giving directions by means of the camera built into his spacehelmet. `Mars Lander` discovers a cameo of Britney Spears in the sands of Mars by his foot. The cameo shaped like a `cookie` represents the `Open Sesame!` password or `cookie` found in software programs that require a key to open up their secrets and we see Britney Spears` domain on Mars surging up from the desert sands as the spaceman watches in awe.
Ariana Grande`s pop career began in 2013 with the release of the album Yours Truly and the single successes of `The Way` and `Baby I`, which were set at a disco and a street party respectively while the setting for `Right There` was a 19th century masque. The idea of the masque is that the dancers aren`t aware of who they`re partnering, although the men are distinguishable from the women even though masks are worn. The secret of the masque is futanaria, which is that some men and women have both vagina and penis, and that means the masque has an ulterior purpose pertaining to the lack of knowledge afforded the ingénue who`d be a victim of the scene if she didn`t know.
In the modern era rubber masks allow people to take on roles that aren`t their own, which means that a futanarian male could wear a mask to appear as Ariana Grande, although the surprising penis and vagina combination might shock if it isn`t anticipated. Because futanarian women can sexually reproduce with each other that forms the basis of their possible socio-economic independence as a species from men and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicates that `woman`s seed` is the future. The 19th century masque suggests that `woman`s seed` was the past also, which is borne out by biblical references to; `Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Women`s wombs were enslaved by men in parasitism for the purpose of war. In ancient Greece homosexuality was institutionalized so that the host wombs of the women were enslaved and the Greeks could spread their contagion of war further.
The poet Homer in his Iliad (670-10 BC) narrates how, at the siege of Troy, the huge hollow wooden structure of the `Trojan horse` was deployed by the Greeks, which the Trojans took into the city thinking it was a gift. The Greeks emerged to enslave the host wombs of the Trojan women and spread their virus further. In the 20th century the term `Trojan horse` was used to describe the bad machine code devised by computer `geeks`, the successors of the Greeks, to infect machines and destroy them. The analogy was of the HIV/AIDS virus spread by homosexuals who mixed blood, shit and semen in each others` anuses during their sterile mockery of human sexual reproduction. The HIV/AIDS virus was the incurable disease of the late 20th century which travelled to the brain and killed the human host. Scientists discovered that the human immune system was fooled by the virus into believing it was a white cell or leukocyte that destroys alien cells, which is what homosexuality represents:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
Greek warfare and `geek` bad machine code are analogous because the alien doesn`t want the human race`s program to run. In Judaism Jesus is called Meshiah because he`s `woman`s seed` and women need their own brains` powers through their own sexual reproduction with their own futanarian race`s penis` semen to liberate themselves from parasitism upon their host wombs. Consequently, Jesus` Redemption for humankind was repentance and conversion from parasitism. As the Meshiah Jesus was the forerunner of woman`s `Meshiahn` or machine age in which her labor would be saved. Those who sought to prevent her from developing were her parasites, that is, homosexuality in warfare.
The Bible story of Eve and Adam relates how the serpent in humankind`s original home of paradise or heaven on Earth tempted Eve with the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) God told Eve her `seed` would, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) God expelled her and Adam from Eden for preferring death to the `tree of life` which was immortality. Although Eve and Adam were a pair their offspring were futanarian, which means the 19th century masque represents the repression of human sexual reproduction by the `serpent`s seed` of men who don`t want women to reproduce their own brains for freedom.
Hollywood Babylon movies like The Game (1997), with Michael Douglas as the victim of a cabal who wear masks to deprive him of his wife, children and property, only scratch the surface of the masque. Repression of futanarian humankind in the movies is well documented. The meaning of The Game is that Hollywood masks its operational functionality. In the United States of America men and women are surgically corrected if they`re born as futanarian. The `one foot on the floor` rule established in Hollywood by the Hays code from 1934 to 1967 ended with the release of Barefoot In The Park featuring a supposedly heterosexual couple, Jane Fonda and Robert Redford, living in an apartment overlooking New York`s Central Park. But the taboo against woman`s futanarian `foot` being raised from the floor of the bedroom during scenes of intimacy kept the public in ignorance and so precluded protests against the United States` surgical removal of the human species of `woman`s seed`. The real game of the `serpent`s seed` was to prevent women from sexually reproducing so they could escape from parasitism to the planets and stars of God`s heaven above which is what Britney Spears` `Oops! … I Did It Again` (2000) and Ariana Grande`s `Break Free` from her second album My Everything (2014) are concerned with:
This is the part when I say I don't want ya. I'm stronger than I've been before. This is the part when I break free.`1
In `Oops! … I Did It Again` Britney Spears dances in a red pilot`s suit while the astronaut wearing a North American Space Administration (NASA) spacesuit familiar to July 21, 1969, television viewers who saw Neil Armstrong of the Apollo space program put his foot on the moon: `One small step for a man, one giant leap for mankind.`2 The first American woman in space was Sally Ride of the Challenger Space Shuttle which was constructed to be launched by conventional space rocket and rendezvous with the international space station before gliding back to Earth as a reusable reentry vehicle. Neither Sally nor any other woman put her foot on the moon and so the possibility of female futanarian members of the human race putting their foot upon Earth`s satellite as a first step to the colonization of the planets and stars to escape from men`s parasitism remains science fiction.
In `Oops! … I Did It Again` Britney Spears winches her spaceman up by means of a pulley and a hook she places in his backpack. Beneath her we see Britney Spears in a white bikini dress which means she`s twinned in the video because the sexual counterpart of a woman is a woman with her own penis` semen. Although we can`t guess at the existence of Britney Spears` twin`s penis because Hollywood Babylon`s Hays code (1930-67) predetermined our expectations. Consequently, it`s just trick photography for the viewer but biologically illuminating for the researcher:
`I think I did it again. I made you believe, we're more than just friends.`3
The task for a woman with men is to pretend that they`re the same species, which is the game they play perforce with their parasite. In biblical terms the serpent in Eden is the parasite which inveigles itself into the womb of the host in order to devour it. According to tradition Satan was the angel in heaven that refused to accept man and God turned him into a serpent. The meaning is that of the male doomed to be replaced by `woman`s seed` and misogynistically refusing to give way to her. In the New Testament of the Bible Jesus explains that the `serpent`s seed` is to be replaced by `woman`s seed`, and those who don`t accept it will have God`s punishment of eternal unendurable pain. Because men must have killed and culled futanarian woman born after Eden to enslave the host womb of the human species in parasitism, Jesus` teachings are of the Resurrection of `woman`s seed` in heaven where the futanarian race of humanity will prosper:
`For in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven.` (Matt: 22. 30)
The human cycle is of a species that needs males to begin with before technological development affords women the opportunity to leave Earth to colonize the planets and stars. According to the Bible Satan dwells upon the Earth and will remain there until God`s punishment of perdition because the `serpent`s seed` of men have denied women`s sexual reproduction with themselves as futanarian humans with their own penis` `seed` for the production of their own brains` powers in socio-economic independence from parasitism. Consequently, Satan and the `serpent`s seed` are damned and doomed for male braining the human race in homosexuality and warfare, while HIV/AIDS and `geek` bad machine code is an aspect of biological warfare against women`s host wombs and her brains` powers harnessed for liberation.
In Britney Spears` video for `Oops! … I Did It Again` her spaceman is suspended above her in a white bikini dress like a mechanical grab at an arcade which children manipulate to win a prize. In Ariana Grande`s video for `Break Free` her science fiction character engages with a robot monster. In a scene reminiscent of Britney Spears` role in Goldmember (2002), which is a spoof of the third British James Bond spy movie, Goldfinger (1964), in which blazing machine guns emerge from Britney`s bra while she`s singing her single, `Boys` (2001), for actor Mike Myers` comedic spy, Austin Powers, Ariana Grande launches missiles from her silver bikini top to destroy the robot who launches a grab that sweeps Ariana off her feet in the `Break Free` promotional video.
The `grab` scenes are what psychologist Carl Gustav Jung (1875-1961) called `archetypal`. According to Jung the archetypes are images and characters appearing in dreams, art and the imagination that impel humanity along the path of development. Ariana Grande`s `grab` is the dying throes of a robot`s desire whereas Britney`s `grab` represents the inability of the astronaut to reach her as he hangs suspended by her hook.
Jesus` teaching is of the Resurrection of `woman`s seed` illustrated by his own crucifixion and Resurrection after being nailed upon a cross of wood by agents of the Roman Empire in Jewish Palestine. At the `Last Supper` Jesus offered his body and blood to the disciples in the symbolic form of bread and wine as the host. Betrayed to the Romans by the disciple Judas Iscariot, Jesus represented the host womb of the human race because the Empire of Satan in parasitism wants slavery for the human host instead of a new angelic host born in heaven from the wombs of women and her semen. The symbols of the bread and wine are used in the Catholic Communion service as a metaphor for the transformation process known as transubstantiation in which the priest accedes to the request of the petitioner to become uncontaminated by male semen - as Jesus was - and bestows a wafer of bread and a sip of wine from a chalice in token of Jesus` own decontaminate state and the desire of the parishioner to be rid of parasitism:
`Can you pull in Leviathan with a fishhook?` (Job: 41. 1)
God`s question to Job, who he`s torturing mercilessly, because Satan wants to prove to God that he isn`t good, is why the `grab` is archetypal. In the New Testament of the Bible, Jesus` cross corresponds to the `fishhook`, while Leviathan is the symbol of woman`s human species, which is her almost extinct futanarian `seed`. According to Carl Jung in Answer To Job (1952), God`s torture of Job represents the need for an unconscious content of the collective unconscious to develop, which is identifiable as the Resurrection of `woman`s seed` and Jesus` crucifixion, Resurrection and Ascension to heaven is her prefiguration for he was:
`… the boy who is born from the maturity of the adult man, and not the unconscious child we would like to remain.`4
In Islam Jesus isn`t crucified but has Ascension to heaven because Moslem marriages permit of four wives, which is a futanarian framework for the sexual reproduction of `woman`s seed`. Consequently, Jesus` deathless Ascension uncontaminate in Islam is a symbol of the Resurrection of woman and the Moslem perception that death and heaven aren`t bedmates. Upon a cross in place of Jesus for the cover of the CD single `Piece Of Me`, Britney Spears` comments on the `thirty pieces of silver` Judas took in betraying Jesus to the Romans while it`s another `hook`, in pop music terms, for her attempt to catch Leviathan. `Piece Of Me` is Britney`s endeavour to wake woman up to her true nature and break free of her slavery to the `serpent`s seed` of men represented by Judas` selling of Jesus as the human host at the `Last Supper` where Christ had offered decontamination through acceptance of the `body and blood` of `woman`s seed` in the symbolic form of a friendship meal of `bread and wine` with humanity:
`I'm Mrs `Most likely to get on the TV for strippin' on the streets when gettin' the groceries`, no, for real are you kiddin' me?`5
Britney Spears` `Piece Of Me` came from her album Blackout (2007) symbolizing women`s occlusion. Sexual repression is the way the `serpent`s seed` confuse the issue, which is that women have the capacity to sexually reproduce their own brains` powers as a species with their own penis` semen and host womb. The zenith of the human `seed` of woman`s aspirations is the robot machine that is as human as she because it cares for her as well as (or better than) she can care for herself, while men`s science fiction depicts the robot as the enemy of labor. But the `guilt trip` laid on those who don`t work, because they don`t have to, is a slavers` metaphor.
`Luddites` of the 19th century were named for Ned Ludd who broke two stocking frames in the textile industry during the industrial revolution in England and was acclaimed a hero because men perceived machines as a threat to their being employed for money. However, machines liberate humans from drudgery. Consequently, machines in the image of woman represent her freedom and men`s attempts to prevent her from sexually reproducing her own brains to save her labor through technological progress represent her enslavement.
The robot `grab` in Ariana Grande`s `Break Free` video represents the perception that women desire the machine and men don`t want the machine to help her. The machine is symbolically Ariana`s futanarian counterpart as the woman who isn`t able to reproduce with her because men want monsters and not humans. Ariana`s destruction of the robot represents men`s encouraging of women to hate technology because it`s demanding. In Saudi Arabia women don`t drive cars because it`s forbidden or `haraam`, but why would they want a pedal car that hasn`t changed its basic design structure since the first mass produced model T Ford came off the production line at the Henry Ford motor vehicle factory in Detroit, Michigan, in 1908. Pedalling a disabling vehicle isn`t what women want, while they`re encouraged to hate the disabling technology itself and so female destroyers of machine technology that is depicted as threatening but would be enabling appear laudable.
Britney Spears` in her red pilot`s suit in `Oops I Did It Again` pays homage to a science fiction character from the United States of America`s `Grand Master`, Robert A. Heinlein`s (1907-88) novel for girls, Podkayne Of Mars (1963), `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`6 Dancing with her dancers in the `Oops! … I Did It Again` video, Britney`s `the Poddy beautiful`, as Heinlein describes his character, commanding `deep-space exploration parties` who, on Mars before the Apollo astronaut, represents the culmination of the early days of the NASA space program when pilots flew the X-15 plane into the stratosphere as a preliminary to flying to the moon. Blackouts at high altitude caused the X-15 program`s cancellation as pilot`s lost consciousness and the death toll amongst USAAF pilots grew.
The pilots blacked out because of unendurable gravity pressure such as scientists suppose is experienced when encountering a black hole which is a collapsed star that absorbs light instead of emitting it and is believed to draw objects into itself as if it were a huge maw. Beside the helmet of her spaceman, as Britney lies beneath his suspended figure in her white bikini dress, the viewer can see the tines of a giant fork, because Britney`s `chip` is resisting being devoured. In the USA `French fries` are what the English call fried potato chips and so Britney as Poddy Fries represents the resistance of the human species of woman`s `Poddy beautiful` to being swallowed by the black hole of men`s refusal to develop beyond devouring parasitism. As the pilot of the future in `Oops! … I Did It Again`, Britney represents the will NASA lacked to persevere with the dream of flying a plane to Mars and she doesn`t want her ship to be dragged into the black hole of Satan`s maw.
Ariana Grande pays homage to Jane Fonda`s portrayal of Jean-Claude Forest`s 1962-4 illustrations for his sexually liberated female science fiction character in the movie, Barbarella (1968), where Jane strips off her spacesuit in that free fall weightlessness experienced by astronauts outside of the pull of the Earth`s gravity inside their spaceship. Ariana strips as Fonda does in `Break Free`, because she wants to escape from the black hole of the maw of Satan as Britney Spears` Poddy Fries does in `Oops! … I Did It Again`. Appearing at the outset of the video from behind a metal door that slides upward to reveal Ariana on a world different to Earth`s, the symbol upon the door and at her hip are reminiscent of the cookie shaped cameo that represents the spaceman`s `Open Sesame!` to Britney Spears` ship in `Oops! … I Did It Again`. Although Britney`s astronaut collects the `cookie` password to gain entrance, Ariana throws her symbol to the ground and crushes it beneath her foot. The symbolism is biblical because God told Eve her `seed` would crush Satanism before humanity left Earth for the planets and stars of heaven above. Scenes of humans in cages patrolled by aliens wearing the symbol give way in `Break Free` to scenes of Ariana killing the aliens with a ray gun to liberate the prisoners. Finally, in a scene reminiscent of the destruction of the ring of slavery belonging to the `Dark Lord` Sauron in British fantasy writer J. R. R. Tolkien`s novel, The Lord Of The Rings (1954), Ariana hurls the criminal leader of the aliens into the mouth of a volcano. The aliens represent the `serpent`s seed` and so Ariana represents Jesus` `seed` of Redemption because she saves men and women from slavery.
`Break Free` was Ariana`s second foray into meaningful pop videos after `There Again` from the Yours Truly album which also contained the seemingly innocuous, `The Way` and `Baby I`, as promotional videos featuring disco dances and street parties. `The Way` was a sensation appearing almost instantly at #1 in the US charts, `I hope you hit me on my celly when I sneak in your mind.`7 But the idea of the spirit of a man entering a woman`s mind to persuade her to phone him is the problem that male braining of the human species represents. Without `woman`s seed` all humans are male brained into accepting men`s spirit, whereas futanarian women with their own penis` semen and host wombs for sexually reproducing their own brains` powers are in the Holy Spirit of Jesus` teaching uncontaminated by male semen:
`It is said that God notes each sparrow that falls. And so He does. But the proper closest statement of it that can be made in English is that God cannot avoid noting the sparrow because the Sparrow is God. And when a cat stalks a sparrow both of them are God, carrying out God's thoughts.`8
God`s deciding to kill himself is only true in male braining, because the male brained creature must perforce accept what the collective wants. Jesus` crucifixion and death at the hands of the Roman Empire watched by the Jewish spectators on the hill of Calvary outside Jerusalem was the collective male brain deciding to kill the individual uncontaminated by male semen because it represented a threat to male braining, which is why `woman`s seed` signifies Redemption from what many people reading the Bible perceive as the suicide of Jesus.
In the orthodox Christianity of the Catholic church, suicide is irredeemably sinful because it`s human acceptance of male braining`s general desire that the independent individual shouldn`t live, that is, the absence of `woman`s seed` from the world`s stage indicates humanity`s acceptance of the collective male brain`s dictate that she shouldn`t live. Essentially the male brain is a brain eater and the weaker brain is eaten by the male which means that the human species of `woman`s seed` can never progress or develop because the male brain is an eater and needs an easy kill to satisfy its predatory instinct. Consequently, there aren`t any women because men have killed them all to male brain the race into acceptance of human sacrifice, which is what Jesus` crucifixion was:
`Head in the clouds. Got no weight on my shoulders. I should be wiser and realize that I've got one less problem without ya!`9
Ariana Grande`s lyric from her first single release from the My Everything album, `Problem`, throws light on Jesus` decision to accept the collective will that he be crucified. Brainlessness appears to be freedom, and the deaths of individuals, who seem threatening to the collective, are the perceivable human spirit of woman`s attempt to use her brains. Being wise is accepting that `woman`s seed` isn`t a `problem`, but men`s semen creates the problem of a collective that kills her.
The MTV Award for music and video is a spaceman planting the MTV flag on the moon and is the most prestigious trophy to be won by pop performers since Music Television was launched on August 1, 1981. Consequently, Britney`s `Oops! … I Did It Again` was designed to appeal to the video vote as well as the music voters. Consequently, the astronaut is seen walking backwards after delivering a gift in a black box, which the viewer never sees. Although the `cookie` icon of Britney found in the sand of the desert gives her spaceman a stage pass, as it were, for the show, the box remains a puzzle to Britney, `But I thought the old lady dropped it into the ocean in the end?`10 The astronaut replies, `Well baby I went down and got it for you.` The box doesn`t contain the key to the spaceman`s freedom. As if to replay the scene sometime in the future, which in fact is what happens whenever a VCD is played by its owner, he`s rewound to deliver another surprise.
The `old lady` is Rose from the movie Titanic (1997), who drops the blue heart shaped diamond pendant, known as `the heart of the ocean`, into the sea at the point of the salvage operation many years after the ship sank on its 1912 maiden voyage from Liverpool to New York. Hitting an iceberg on April 13, Rose`s lover died while assisting passengers to the lifeboats and her previous fiancée, who`d attempted to frame him for theft by concealing the diamond in his coat pocket, lived. Britney`s spaceman is symbolically the diver and he`s travelled to Mars to give `the heart of the ocean` to her, which is why we hear before the presentation of the black box containing the spaceman`s gift, `All aboard!` Traitors are abhorred and have to work for Redemption, so Britney`s astronaut is doomed to repeat his scene as a slave of low technology in male braining, while Britney represents the high technological progress of the future deriving from the brains she`ll have from `woman`s seed`. Ariana Grande`s `Break Free` depicts a similar scene in which alien guards are imprisoning men and women, but that`s what men do. Consequently, it`s a repeatable sequence in which the men in the cages become the guards. Ariana appears as the savior when she kills the guards with her blaster because it`s a woman`s system for dealing with the problem of men.
In her red pilot`s suit, Britney Spears of `Oops! … I Did It Again` is a reproval to the X-15 NASA spaceplane program, which left many black boxes to be recovered after pilots blacked out at high altitude and planes crashed during the tests to see if it was possible to fly to the moon and further. As Poddy Fries in a white bikini dress beneath the spaceman who is hoisted above her by herself in her red pilot`s suit, Britney is twinned as Fries` `chips` who are endeavouring to avoid the black hole of Satan`s maw, which is symbolized by the tines of a giant fork beside the astronaut`s spacehelmet. Escaping devourment by the `serpent`s seed` of men, Britney on Mars represents what `woman`s seed` can and must do after analyzing the contents of the black boxes, while Britney`s spaceman represents mankind`s work of Redemption because men have reduced the brainpower of the species in order to enslave her:
`Got me right there with Apollo, on the moon. Who needs genies in a bottle girl if they already got you.`11
Ariana Grande`s `Right There` refers to Christina Aguilera`s single, `Genie In A Bottle`, and the MTV spaceman, while indirectly referring to Britney`s Apollo astronaut on Mars. Because she`s Britney Jean Spears, Ariana`s reference is to Britney Spears and Christina Aguilera as `pop` genies. The video for `Right There` features Ariana in a masque based on English dramatist William Shakespeare`s tragedy Romeo and Juliet (1591-5) in which a pair of `star crossed lovers` commit suicide failing to achieve togetherness. Ariana`s perception is that Britney Spears` twins in `Oops! … I Did It Again` represent a woman`s desire for her own species while she has to live with men, and so the MTV spaceman is the zenith of her ambition.
Christina Aguilera`s `Genie In A Bottle` represents woman`s fate insofar as she can`t escape from her imprisonment in order to fulfil her own genius because men don`t want to let the genie out of the bottle, that is, she isn`t able to sexually reproduce with her own species to use her own brains to liberate her from men`s enslaving of her host womb in parasitism, `I feel like I've been locked up tight for a century of lonely nights waiting for someone to release me.`12 Although Shakespeare`s Romeo and Juliet is about suicide, Jesus` fate is traceable to the effects of male braining upon the collective and so Juliet`s suicide is explicable as men`s desire that her human race die. Performed entirely by men originally, Shakespeare`s plays represent misogyny. Although Ariana Grande`s `Right There` culminates in a swimming pool kiss, the element of suicide for `woman`s seed` in male braining is evident. Not only men are misogynist, because futanarian women with their own penis` semen are rare. Consequently, women without penis` semen are misogynist because male brained:
`Boy you make me feel so lucky. Finally the stars align. Never has it been so easy to be in love and to give you this heart of mine.`
Although they`re `star crossed lovers`, Ariana and her Romeo are together in the swimming pool kissing, and the secret of the black box is revealed. Ariana is the `heart of the ocean` for her `boy`, which is emphasized by the appearance of a NASA spaceman dancing at her masque in his spacesuit. In `Break Free` she kills the alien guards with her ray gun and releases the men and women from their cages. History suggests that the men will be the future alien guards caging the men and women of the future, because Ariana`s love for her boy is a male brained response from a host womb to its parasite. The masque reveals that men are disguised aliens and the `game` is what women play to survive as a race.
Born in Catholicism Ariana Grande espouses Jewish mystical Kabblah, which is centred upon the `Tree of Life` or Sefiroth where the supraconsciousness of the Crown is Keter in the roots of the tree that are in the air, while the leaves are in Malkuth, the power of the earth filtered through woman`s womb. There are two other sefirot associated with higher consciousness, Chokhmah or Wisdom, and Binah or Understanding; three associated with judgement, Chesed or Kindness, Gevurah or Severity, Tiferet or Beauty, and three associated with desire, Netzach or Eternity, Hod or Splendour, and Yesod or Foundation where ideas associated with building upon the Earth are generated.
When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism. Curiously, Ariana kisses a creature on the forehead that looks like an elephant during the scene in which the symbolic Sefiroth key is used to activate the ship`s controls. The Muladhara chakra at the base of the spine near the birth canal and the Vishuddha chakra at the throat in the system of developing consciousness described in India`s Hindu religion are the first and fifth of the seven chakras or energy points along the spine up which the developing consciousness of the individual is believed to ascend to the `Crown` or Sahasrara chakra, just as the `Crown` or Keter is the symbol of developed consciousness in Judaism`s mystic Kabbalah. From a pop singer like Ariana Grande`s perspective the gestation of creative ideas and her voice are most important and so she acknowledges the Hindu symbol of the elephant with a kiss.
When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism.
In `Oops! … I Did It Again` Britney Spears descends to her stage set inside a giant`s ring, which is thematically contrapuntal to the giant fork we see beside the spaceman`s spacehelmet when he`s hoisted up by Britney in her red pilot`s suit to where he can see her twin beneath in a white bikini dress. It`s a giant`s napkin ring symbolic of the slave ring of Sauron in The Lord Of The Rings while the giant fork denotes men`s role as women`s species` host womb enslavers through marriage rings which allow them to be her devourers in their parasites` wars against the civilizations, cultures and arts she`s able to produce from herself despite men`s depredations. Briefly wearing her own spacehelmet as she pays homage to Jane Fonda as Barberella stripping in weightlessness, Ariana Grande again appeals to the video and music vote for the MTV Award to recognize spacewomen as the `Tree of Life`, which is immortality through the technological development and medical science from the brains grown of `woman`s seed` into a single spirit and flesh flourishing throughout eternity amongst the planets and stars of God`s heaven.
1 Grande, Ariana `Break Free` My Everything, Republic, August 25, 2014.
2 UTC 2: 56.
3 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, 1999.
4 Jung, Carl Gustav Psychology and Religion: West And East, Collected Works Vol. 11, para. 742.
5 Spears, Britney `Piece Of Me` Blackout, Jive Records, 2007.
6 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, Ch. 1, p.3.
7 Grande, Ariana `The Way` Yours Truly, Republic, March 26, 2013.
8 Heinlein, Robert A. Stranger In A Strange Land, G. P. Putnam`s Sons, 1961.
9 Grande, Ariana `Problem` My Everything, Republic, April 28, 2014.
10 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, March 27, 2000.
11 Grande, Ariana `Right There`, Yours Truly, Republic, August 6, 2013.
12 Aguilera, Christina `Genie In A Bottle`, Christina Aguilera, RCA, June 22, 1999.
The history of the 20th century was overshadowed by the German National Socialist government`s (1933-45) pogroms against the Jews in which six million died and were placed in ovens in `death camps` like Belsen to be consumed. The United States` dropping `Little Boy` and `Fat Man` on the Japanese cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, consumed the Japanese in the heat of a small sun, and represented the desire of the US to leave infancy behind. Although the US purports to be a Christian nation, the symbolism of `Little Boy` and `Fat Man` is that of the `serpent` of Eden grown to the size of a `dragon` to devour the `new redeemer`, who will `rule the nations with an iron scepter`, and will wait in vain to consume Jesus in his `Second Coming` to the Earth, `born from the woman clothed with the sun and with the moon at her feet`, who is represented for the Western democracies by the statue of Liberty in New York harbor who bears the torch of freedom, because the US myth is that they fought for `the pearl of great price` (Matt: 13. 45-6), that is, heaven above, against the Empire of Japan (1868-1947), after it launched a `sneak attack` upon the US Pacific fleet at Pearl harbor on 7 December, 1941, to bring the US into the second world war (1939-45) against German, Italian and Japanese fascism, whereas `Little Boy` and `Fat Man` represent the US as a baby dragon.
The `woman clothed with the sun` in the Bible is `Liberty` after the defeat of the red sun of the flag of Imperial Japan by means of the power of the sun, which was the atomic bombs, `Little Boy` and `Fat Man` indicating the US` serpent grown in size to a dragon waiting in vain to devour the `New Redeemer`. In the Bible the dragon is `red`, which is often used by capitalist Western democracies to represent communism, that is, the socio-economic system that believes in `state control of the means of production` from the theories of the German, Karl Marx, expounded in Das Kapital (1856), while capitalism believes in `ownership of the means of production`. If women are `the means of production`, communism is `state ownership`, while capitalism is entrepreneurial `ownership`. Capitalism accuses communism of not producing what `the means of production` want, while communism argues that it produces what `the means of production` need, and God`s socio-economic law was that the `seed` of the first woman, Eve, would:
`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Because women would be born as Eve`s descendants who would have their own penis` semen for her host wombs to sexually reproduce the human species` brainpower to liberate humanity from their womb enslavement to the `serpent`s seed` of `ownership`. Without `woman`s seed`, humans would remain male brained with male semen, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicated the path of human Redemption, which Jesus illustrated by allowing the Roman Empire`s (27 B.C.-1453 C.E.) agents to nail him to a wooden cross and torture him to death as a `dissident`. Jesus had Resurrection and Ascension to heaven in prefiguration of the Resurrection of women`s semen as the future host of God. The biblical story of the serpent depicts a parasite inveigling itself into the host womb of womankind to steal her penis` semen and consume her race in womb slavery. The `dragon` is a symbol of the parasite`s periodic emergence to destroy the civilization, culture and art woman is able to produce from her host womb despite its depredations:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Babylon is depicted in the Bible as riding upon the dragon, because devouring war is what the parasite and its willing host represent. Consequently, because neither communism nor capitalism allow the `means of production`, that is, womankind with her own penis` semen as `futanarian` humans, to sexually reproduce her own brains` powers for self-liberation from `ownership`, the `red dragon` is the `owner`. During the Bosnian war (1992-95) Christian Serbs set up `rape camps` to male brain the Moslem women whose Islamic marriages with four wives permit of `futanarian` sexual reproduction with each other for the purpose of socio-economic independence and liberation through their own brains` powers. Consequently, the `red dragon` is male semen in male braining that enforces womb slavery in consumption.
The US Military Industrial Complex (MIC) that produces for war is the main consumer. Most economic theorists argue that war `boosts` an economy. The terrorist attack upon New York`s World Trade Centre on 11 September, 2001, by the terrorist group, Al Qaeda, after the group hijacked planes to crash them into the Twin Towers, precipitated war against Afghanistan, where the terrorists had been trained by the misogynist Taliban regime, and so `boosted` the US economy in theory. The deposing of Al Qaeda`s supporter, Saddam Hussein, took longer than the Taliban regime, which was gone before the end of the year. The Gulf war to depose Saddam Hussein began in March, 2003, while the Iraqi dictator was executed on December 30, 2006, but `rough trade`, that is, the `brutality and violence` associated with homosexuality in pederasty, was reestablished after the World Trade Centre attack. The `democratic` model was ancient Greece`s institutionalization of homosexuality in pederasty and war. If women don`t sexually reproduce with each other, men have all of the voting stock in the business of being the retailer to the consumer.
Men`s socio-history is of hysterical blindness in which they`re unable to see the truth because no one tells them. Some Christians think that Jesus` crucifixion is what they worship, which is why the Nazis were able to pogrom the `chosen people` of the Bible. Because Jews can`t be born unless from women, women are Jews, that is, the Nazis pogroms were against the women because of `woman`s seed`. When the US dropped `Little Boy` and `Fat Man` on Nagasaki and Hiroshima on 6 and 9 August, 1945, they didn`t care about the Japanese women, which is why Hollywood Babylon heroes are nonsense. In 1930 the `Hays code` forbade women from lifting their `foot` from the floor in bedroom scenes. It was a metaphor for the sexual repression of `woman`s seed` and the restriction wasn`t lifted until 1967, which meant that a movie like Barefoot In The Park (1967) about a cure married pair, actress Jane Fonda as Corie and Robert Redford as Paul, could depict heterosexuality as the norm, whereas it isn`t:
`What goes on four in the morning, two in the afternoon and three in the evening?`1
A baby is the answer, but Oedipus, the protagonist of the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), says `A man` to the Sphinx with the body of a lion, the wings of an eagle, and the face of a woman, because the Theban prophetess, Cassandra, tells him to. Oedipus becomes king of Thebes married to his mother, Jocasta, on the strength of his reply to the Sphinx`s `riddle`. Having already unwittingly killed his father in a fit of blind anger, Oedipus blinds himself when he discovers he`s broken the incest taboo. He represents the man who is an infant, because he`s accepted the socio-historical picture painted for him by the enemy. Jesus` teaching, `love your neighbor as you love yourself,` as the transcendent law of God, is for the woman who can see herself in the mirror, that is `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers as the human race, while men can`t see the human species in their mirror because they`re not it. Men`s incest taboo is to prevent the daughter from perceiving a motherer`s instruction as her fatherer. The `riddle` of the Sphinx is of the third `foot` of humanity, that is, the `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers walking beside Oedipus and Jocasta, whereas their daughter, Antigone, becomes the blind Oedipus` guide, because she`s conditioned to care; although it`s of no importance to God that Oedipus sees. What`s important is that the human species of woman with her own penis` semen sees herself in the mirror. As a `futanarian` woman with her own penis` semen, Antigone represents the woman who has what she wants, which is a blind man who can`t see her race.
Jesus` teaching of the `Holy Spirit` as an educator that would come after him pertains to the unseen `futanarian` woman with her own penis` semen and host womb invisible to men who`re blind. After Jesus` death, the Roman centurion, Longinus, pierced the side of Jesus, the `Second Adam`, with his spear, because the Holy Spirit corresponds to the `Second Eve`. The wisdom of `futanarian` woman, killed and culled by the male descendants of Eve and Adam`s coupling, after God expelled the pair from `heaven on Earth`, that is, Eden, for accepting the `fruit of the tree of the knowledge of good and evil`, which was death, rather than the `fruit of the tree of life`, which was immortality, is that men are death in homosexuality and pederasty`s womb slaving for their war economies, and that`s the socio-historical `original sin` they`re required to pray for forgiveness for if they`re to have any chance of Redemption. The anti-Christian perspective is that humans should be tortured to produce in slave labor, which is what fascism was. Some Christians are unable to perceive the difference between Jesus crucified and crucifying. Employment in torturing the worker to produce isn`t employment, whereas Christianity`s denuding the woman of her own penis` semen and host wombs to present a Messiah born uncontaminated by male semen as a recipe for success in business, because he represents the human host tortured to death by an employer who doesn`t want `woman`s seed` to breed her own brainpower for socio-economic independence and liberation from womb slavery to the serpent`s seed` of her owners, is Satanism.
The figure of Oedipus walking alone with a third limb at the close of Oedipus Rex depicts the possible future of mankind with the `futanarian` species of `woman`s seed` represented by Antigone`s willingness to lead her blind fatherer, but the image of the man with a rifle as his third limb is the picture the United States painted for the Earth from Hollywood Babylon subsequent to the discovery of the continent of America by Christopher Columbus` ships of exploration sent by Queen Isabella of Spain in 1492. The reservations of the European settlers constructed by them for the North American Plains` Indians as the indigenous inhabitant they didn`t want were similar in intent to the `death camps` of the Nazis because they represented the stifling of a race. Hollywood movies` depiction of the `Wild West` as settlers moved from the East part of the US to the West coast of California where Los Angeles would be the home of the film industry from 1910, was of a blindly hysterical gunman who`d stolen the woman`s penis` `seed` as the parasite that had inveigled itself into her host womb and had turned her penis into a rifle to kill itself and her with, rather than walk beside her `futanarian` race as the third `foot` of humanity. The settlers used rifles to kill as many of the buffalo as they could to starve the Indians so that they`d leave their land and go to their `reservations` where food was scarce and they starved to death. Consequently, the figure of the US cowboy with a rifle presages `Little Boy` and `Fat Man`, the atomic bombs that ate Nagasaki and Hiroshima on 6 and 9 August, 1945, because men are reptiles with a long tail:
`Dead men don`t tell no tales.`2
But living men have long tails, and there aren`t any women to speak of it. Edgar Rice Burroughs` novella, Beyond Thirty, was written and published in February 1916`s `All Around Magazine` during the first world war against Empire, but wasn`t published, as The Lost Continent (1955), until after the second world war, when the old consumer durable of the dragon of war was being retailed again. Burroughs` science fiction hypothesis is of a US two hundred years in the future that had returned to the political theory of isolationism behind the 30th parallel where the US became self-sufficient and didn`t need the rest of the world, especially wars in Europe, to develop socio-economic growth.
In Beyond Thirty Pan-America is technologically advanced and peaceful while Europe has descended into barbarism. The Abyssinian Emperor Menelek XIV rules Europe, Africa and Asia and white people are enslaved. The defining moment is of Victory, the queen of the primitives in England, taken into the harem of Menelek, but the hero, Turck, rescues her and he`s a Pan-American hero as the possibility of the two hemispheres of the planet coming together economically grows. The `wingéd Victory of Samothrace` is Greek statuary`s counterpart to `Liberty`. Socio-economic independence and freedom for Greece requires women`s being able to sexually reproduce with their own penis` semen and host wombs, whereas the headless statue of `wingéd Victory` represents men`s hysterical blindness in their male braining of women with men`s semen until all of the women and all of the human race can`t see God`s `seed` of humanity because they have male brains and male eyes. Without penis` semen of her own under her skirts of `Liberty`, womb slavery for women will continue. Pan-America in Beyond Thirty is a utopian fantasy whereas, if women can`t be alone together apart from their imprisoners, it`s a jail for those who work well for those who marry them in order to put slave rings on their property in `ownership of the means of production`; irrespective of race, color or creed. Although men`s argument could be that women`s brains are theirs, because it`s men`s semen that fertilizes women`s ova, the argument is defeated when it`s pointed out that women have their own penis` semen and so the human race is suppressed by men`s womb slaving of her.
Jesus` birth from `the woman clothed with the sun and with the moon at her feet` is related to the male Moslem moon and the women in the `rape camps` in Bosnia and those interned at Guantanamo Bay in Cuba after the moon of the flag of Al Qaeda was flown on September 11, 2001, when the hijackers crashed their planes into the Twin Towers and the US government began hysterically incarcerating Moslem men and women for interrogation. Reflected in New York harbor, beneath the statue of Liberty, the genuine moon was `the pearl of great price` of heaven above the Earth that their myth says the US fight for, as they fought for `heaven on Earth` at Pearl harbor after 7 December, 1941, and as the second birth of Jesus is from `the woman clothed with the sun and with the moon at her feet`, `Liberty` is his birth mother, while the red sun of the flag of Japan and the moon of the flag of Al Qaeda are the symbols of Jesus` `Victory` because, uncontaminated by male semen, he`ll `rule the nations with an iron scepter` until humans have brains.
The technologically advanced super civilization of Pan-America gives Beyond Thirty another meaning, which is that of ageing. In US` science fiction `Grand Master` Robert A. Heinlein`s Time Enough For Love (1973), the human race has colonized the planets amongst the stars of the universe and has virtually conquered death through the science of rejuvenation so that people don`t deteriorate after thirty years of age. In Burroughs` Beyond Thirty Europe is barbaric so people die young, while in the US technology is advanced, although to maintain womb slavery women would have to be kept in blind ignorance of their true nature lest they sexually reproduce their own brains` powers to produce the technological advances in medical science to guarantee their memory in longevity and youth so they didn`t forget men`s parasitism upon women as their host. Consequently, Burroughs` Beyond Thirty and Heinlein`s Time Enough For Love are typical science fiction utopias for women`s enslavers to enjoy, while God`s punishment of eternal pain for the sinner awaits those who prefer it, which places the purveyor of power fantasy fiction for boys in a precarious position. If women aren`t educated by the `serpent`s seed` of men in their true human nature, boys are educated into following their leaders into the pit of hell, because they`re educated in the belief that dropping `Little Boy` and `Fat Man` onto Japan`s cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, was `Victory over Japan`, while the continued celebration of `VJ Day` actually represents the devouring of Japan`s `futanari` women with their own penis` semen and host wombs for the sexual reproduction of the Earth`s human brains that could bring Redemption from hellfire for boys mistaught by their fathers in Satanism.
1 Apollodorus, Library Apollud, 3. 5. 8.
2 Burroughs, Edgar Rice Beyond Thirty (The Lost Continent, 1955) serialized in `All Around Magazine`, February 1916.
The Carnivore`s Cannibal
Cannibalism is deemed to be something that besets primitive societies, but 21st century society is a cannibal culture. In the Bible God warns of the serpent and, grown to the size of a dragon, Satan waits to devour he who will `rule the nations with an iron scepter`, because Satan represents cannibalism. In Eden, Eve is told by God that her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and Adam, the first man, are expelled from Eden for eating of the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3. 5) God expels them for rejecting life and the `fruit of immortality` because womb slavery for the daughters of Eve with `seed` of their own will follow. Because there are so few `futanarian` women upon the Earth, Eve`s `foot` is finding it difficult to `crush the head of the serpent` because her own penis` semen and host wombs can`t sexually reproduce the brainpower needed to reject cannibalism. Jesus` birth uncontaminated by male semen indicated Redemption and Resurrection for `woman`s seed` would come in the future, but men`s nailing of Jesus to the wooden cross and torturing him to death before he experienced Resurrection and Ascension to heaven was an indication of the difficulty `woman`s seed` would have in escaping from captivity as a slave bred for meat.
Although the analogy seems false, men`s history of `concentration camps`, which become `death camps` after the guards are told to end the pretense of concentrating the minds of the prisoners, suggests that meat for the ovens, as occurred when Germany`s National Socialist government (1933-45) began to `concentrate` Europe`s Jewish populations through conquest in the second world war (1939-45), is rightfully analogous. During the Bosnian war (1992-5) `rape camps` were set up by `Christians` as a part of `ethnic cleansing`, because male braining of Moslem women was a part of their campaign against `woman`s seed`, which the German Nazis` `death camps` of Belsen Dachau and Auschwitz, etc., had brought to Western Europe, although `concentration camps` were historically familiar from the reservations constructed for the indigenous North American Plains` Indians during the colonization of North America by the white European settlers after the discovery of the continent of America by Christopher Columbus` exploration vessels sailing under the flag of Queen Isabella of Spain in 1492. In the Boer Wars (1880-92) between the Dutch settlers and the colonial Empire of Britain (1497-), the British were the first nation to construct `concentration camps`, while their logic is clear from the Nazis` targeting the `chosen people` of the Bible, that is, the Jews, as it isn`t possible to be born a Jew unless from a Jewess, which means women are `the chosen`, because they have their own penis` semen and host womb as `futanarian` humans able to sexually reproduce their own brains` powers for liberation in socio-economic independence from the `serpent`s seed` of men`s parasitism. In the Moslem religion of Islam four wives are permitted, which means women can sexually reproduce with each other and `Christian` men don`t want them to because it interferes with their enslaving of the women`s host wombs, so `rape camps` were constructed during the Bosnian war to separate Bosnia from Yugoslavia in order to male brain the new Moslem generation to accept being meat rather than brains.
`Islam` means `accept` because Jesus` birth uncontaminated by male semen from his mother, is accepted in the Koran (610-30 C.E.) where Jesus` name is Isa and Mary is Miriam. In the Koran dictated to the Prophet Mohamed by the angels of God, according to Islamic tradition, Jesus has Ascension to heaven without death, because Islam accepts the Resurrection of `woman`s seed` announced by the birth of Jesus uncontaminated by male semen. Consequently, the Koran accepts Pope Pius XII`s 1950 Catholic doctrine of the Assumption of the Virgin Mary bodily into heaven without death, which is the Resurrection of `woman`s seed` that Jesus` death before Resurrection and Ascension into heaven symbolizes as the future of humankind.
During the second world war in the Pacific theatre, the Japanese Empire (1868-1947) used `slave labour` from prisoner of war (P.O.W.) camps functioning in the same way as Nazi `concentration camps` in which people died from starvation, because the Japanese ate the food that was available. It was a pointed refusal on the part of the Japanese to eat the prisoners of war, however much they were starving, to demonstrate what they believed was the superiority of the German, Italian and Japanese fascist ideology then taking control of the Earth, which was that `woman`s seed` wasn`t going to provide them with adequate nourishment.
The United States was brought into the second world war to end cannibalism when the Japanese attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, and the war ended in the Pacific when the US dropped the atomic bombs, `Little Boy` and `Fat Man` on the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August, 1945, as a symbolic meal at which many women were consumed. In the Bible the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus a second time before the world ends and God`s judgment upon the sinners is that they shall experience eternal unendurable pain forever, that is, perdition, because they didn`t accept woman. Although the September 11, 2001, attack by Al Qaeda`s terrorist group of Islamic Fundamentalists, trained by the misogynist Taliban government in Afghanistan, who hijacked planes to crash into the Twin Towers of New York`s World Trade Centre, doesn`t appear symptomatic of cannibalism, precipitating wars against Christian, Jewish and Moslem women`s `seed` are what the conflicts of the 20th century were concerned with:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
The ancient Greeks institutionalized womb enslavement in homosexuality and pederasty`s contagion of war, because that`s what the parasite that had inveigled itself into the host womb of the human species to steal her penis` semen was for. Having invaded women`s host wombs and stolen her penis the parasite explained how she should become a cannibal and devour her own race. In the British Broadcasting Corporation`s television comedy, Hitchikers Guide To The Galaxy (1981), from Richard Adams` novel and radio script for The Restaurant At The End OF The Universe (1980), the `Dish Of The Day` states emphatically that it wants to be eaten. The Ameglian Major Cow`s been bred to say so and guests are introduced to the meal at Milliways, `Okay, we`ll meet the meat.`1 The joke is that women are the male brained human species that wants to be eaten by its parasite, which is misogynist humor and not actually amusing.
Britain`s BBC TV are known for misogynistic depictions of society. Comedies like One Foot In The Grave (1990-2000) represent the repression of the `futanarian` human species of women`s own penis` semen and host womb, which leaves the race with one foot because the `serpent`s seed` of men have eaten the other in fear of being crushed by `woman`s seed`, `… as a close friend of the family I'm sure she will agree to do the decent thing and shoot herself.`2 English humor follows that of the United States where Hollywood Babylon`s `Hays code` (1930-67) forbade women from raising their foot off the floor of the bedroom in movie scenes lest immoral thoughts enter into the heads of cinema audiences. By the time Barefoot In The Park (1967) had been released as a demure film featuring Jane Fonda (Corrie Bratter) and Robert Redford (Paul Bratter) in bed together, women`s own penis` semen and host womb was so repressed as to be invisible, and not only from New York`s Central Park, but from the world`s stage entirely, `When I pulled my foot out, I stepped in a puddle. Then a cab went by and splashed my stockings. If the hardware store downstairs was open, I was going to buy a knife and kill myself.`3 Corrie`s mother Ethel describes a woman`s frustration over her species` predicament. She has a male brain that wants to kill her. In BBC TV`s It Ain`t Half Hot Mum (1974-81), Melvin Hayes as `Gloria` and other British soldiers, in a colonial India setting during the period of the British Empire, dress as women to perform entertainments as the `Concert Party` on makeshift stages:
`Meet the gang 'cos the boys are here! The boys to entertain you! With music and laughter to help you on your way; to raising the rafters with a `Hey, hey, hey!` With songs, sketches, and jokes old and new; with us about you won't feel blue. So meet the gang 'cos the boys are here! The boys to entertain you! `B, O, B O Y S!` Boys to entertain you!`4
Almost immediately after It Ain`t Half Hot Mum`s `gay` comedy about British colonialism in India`s jungles, BBC TV ran Tenko (1981-4) about a Japanese P.O.W. camp for women in the jungle during the second world war, where Sally Markham (Joanna Hole) and Nellie Keene (Jeananne Crowley) were depicted as persecuted lesbians,5 and which ultimately resulted in Sally killing herself in Season 2, Episode 3, because that `s how homosexual parasitism teaches cannibalism to women. BBC TV`s contribution to `gender studies` ended with the reestablishing of the traditionalist perspective that men and women segregated in confinement turn to each other sexually as an aberration. In `politically correct` feminism, which was adopted by the world`s media to spare its blushes over exterminating `woman`s seed`, women were homosexual and equal to men if they were `lesbian`, as Nellie and Sally were accused of being by the other imprisoned women in Tenko, whereas `futanarian` women, with their own penis` semen and host wombs, are the true human species of woman`s, manhandled from the stage and `man managed` to schizophrenically deny their own race, so they`ll remain meat for the carnivore`s table. Homosexuality isn`t `PC` and the label `lesbian` indicates imposed species` denial and a falsely imprisoning schizophrenia in which women are made to reject each other for what is essentially a devouring `gay` parasite that thinks it`s funny to have its pretense accepted that it`s better to be a man who enjoys a woman`s taste.
The phenomenon of the `cargo cult` was observed by the US army after its defeat of Japan in the Pacific, where islanders or isolated communities were discovered later having constructed planes out of wood that they worshipped in memory of the Americans who`d visited their lives a generation or more ago. These were `concentration camp` peoples who`d been given time and space to think, which unscrupulous theorists saw as a methodology that could be applied to keep peoples in slavery. If people were unaware of advanced technology, they`d invent it. Although Scotsman John Logie Baird invented television in 1926, others were working on the same idea, which suggests `cargo cult`, that is, genius developing new technologies in isolation as a form of `concentration camp` imposed on those humans who can think. Male braining in homosexuality represents reincarnation, rather than Resurrection of `woman`s seed`, so woman`s humanity have lost the power of thought. Consequently, `concentration camp` humanity in homosexuality`s `cargo cult` is the future if male braining continues, because the owner of a hand held Nokia mobile `phone doesn`t mind if the isolated Scottish Orkney islander has a `phone made of wood from an encounter barely remembered, whereas mother, wife, and daughter might; if they knew what a Nokia `phone was. The new `concentration camp` principles were learned from the United States` discovery of South Sea Island `cargo cults` subsequent to the US army`s withdrawal from the Pacific theatre after the second world war, but the principle has been applied almost universally amongst capitalist societies since, where ignorance is used to persuade humans, who can still think, to concentrate on behalf of those homosexuals in pederasty, who no longer have any brains to do anything other than remain engaged in warfare against humanity`s womb enslaved woman`s `seed` to ensure her compliance in reinventing civilization, culture and art from her womb before their Empires begin devouring each other and her again:
Breeding her own parasitical devourer is what women have done insofar as men`s paradigm is of the virus that kills the host. In the Bible Jesus is the host at the `Last Supper` offering `bread and wine` as symbols of his `body and blood` uncontaminated by male semen born from his mother, the Virgin Mary, and when his disciple Judas Iscariot betrays him to the Roman Empire (27 B.C.-1453 C.E.) in Palestine he`s betraying the human host. In the late 20th century men`s mixing of blood, shit and semen in each others` anuses in mockery of human sexual reproduction spread the incurable `killer disease` of HIV/AIDS which pretended to be like the white leukocyte cells of the human body`s immune system in order to kill the brain much in the same way that men as women`s parasite inveigles itself into the host wombs of the `futanarian` human species of woman with her own penis` semen and host womb to kill her brain.
The paradigm is explainable most clearly in the Greek poet Homer`s Iliad (c. 760-10 B.C.) where the Greeks deploy a huge hollow wooden horse, which the Trojans take into their city and the Greeks emerge to enslave the host wombs of the women for pederasty and to spread the contagion of war further. In the late 20th century the successors of the Greeks, the `geeks`, deployed `bad machine code` known as `Trojan viruses` to infect and kill the computer brains devised by those humans who were still able to think up a means of compensating for the degeneration in human thought due to male braining in homosexuality. The term `geek` originally applied to circus sideshow freaks who ate the heads of chickens to please an audience waiting for the main event in the big top. Because `top` was a 20th century term amongst mafia meaning `murder`, `big top` means mass murder. `Circus` itself was a term derived from the Roman amphitheatres in which Christians were thrown to the ravenous lions as `big top` entertainment for the Emperor of Rome and his people. In the late 20th century `circus` meant those who were blinded by spies or `topped` so that others could see. Consequently, circus geeks correspond to those who`re preparing for a `big top` performance and remove smaller, peripheral brains, for example, computer brains, as a preliminary to the main event.
When Al Qaeda crashed planes through the US` computerized defense system in what became known as the `events of 11 September, 2001`, they were removing a smaller brain as `geeks` hijacking planes to use as `Trojan horses` to infect the system and precipitate the equivalent of a collective brain hemorrhage that would result in the United States` war machine being geared up for an attack on `woman`s seed` in the Gulf, where Iraq`s dictator, Saddam Hussein`s ancient seat of Babylon, had been prepared by Hollywood`s repression of the woman`s `futanarian` penis` semen and host womb, to be an `epic` abomination since the `Hays code` forbade women`s penis to be seen in the bedroom in the movies. Saddam Hussein`s name meant `small handsome man` and `crusher`, which meant he`d be the biblical `small screen` villain after he declared support for Al Qaeda when the planes had been seen `live on CNN` and other television networked news channels crashing into the Twin Towers. Saddam Hussein was made to correspond to God`s description to Eve of he who, `… shall crush your head, and you shall bruise his heel.` (Gen: 3. 15) In male braining everyone is a transvestite wearing each others` clothes and so `TV war` is the medium Hollywood Babylon had prepared for its perpetuation of misogynistic extermination of the human species of `woman`s seed` and the greater brains she represents. As a false Prophet of Islam, Saddam Hussein would provoke war with the West and exacerbate the racism of the Serbian `Christians` towards Moslem women expressed in those `rape camps` set up to perpetrate `ethnic cleansing` during the Bosnian war (1992-5), and that would assist the `serpent`s seed` in their exterminations of `woman`s seed` as Hollywood Babylon`s `leading men` made further inroads against her from their Los Angeles, California, beachhead.
1 Wing-Davey, Mark as Zaphod Beeblebrox in Richard Adams Hitchikers Guide To The Galaxy, Episode 5, BBC 2, 2 February, 1981.
2 Wilson, Richard as Victor Meldrew in One Foot In The Grave, `The Beast In The Cage`, Season 3, Episode 4, 23 February, 1992.
3 Natwick, Mildred as Ethel Banks in Barefoot In The Park, Paramount Pictures, 1967.
4 `Concert Party` song lyrics from the opening credits to It Ain`t Half Hot Mum, BBC 1, 1974-81.
5 Tenko Season 1, Episode 7, BBC 1, 9.25pm, Thursday, 3 December 1981, 15 million viewers.
Let`s spell, `I-n the beginning was the Word and the Word was God,` (Gen: 1.1) and not Page I. There`s a bookshop, Page One, at 9 Princes Avenue, West Kingston Upon Hull, a University city in England where students go to purchase their textbooks, and whatever else they might need in the way of literary food for thought. Page One doesn`t mean Led Zeppelin guitarist, Jimmy Page, is James I, although the King James Bible is the preferred text for millions of English people. The first words on the first page of the Bible in Genesis explain succinctly that God is `the Word` and not Satan, whereas the rock group, Led Zeppelin (1969-), based around the blues` guitar of Jimmy Page, allow themselves to be declared Satanists in the sleeve notes for the release of the 27 May, 2003, Atlantic Records` `live` triple album, How The West Was Won,1 which consists of two concerts from the band's 1972 concert tour of the United States, recorded at the L.A. Forum on 25 June, 1972, and Long Beach Arena on 27 June, 1972.
How The West Was Won contains the tracks `L.A. Drone`, which is what it suggests, a long droning guitar intro, followed by tracks from the first five albums, `Immigrant Song`, `Heartbreaker`, `Black Dog`, `Over the Hills and Far Away` `Since I've Been Loving You`, `Stairway to Heaven`, `Going to California`, `That's the Way`, `Bron-Yr-Aur Stomp`, `Dazed and Confused`, `Walter's Walk`, `The Crunge`, `What Is and What Should Never Be`, `Dancing Days`, `Moby Dick`, `Whole Lotta Love`, `Boogie Chillun`, `Let's Have a Party`, `Hello Marylou`, `Going Down Slow`, `Rock and Roll`, `The Ocean`, `Bring It On Home`, and `Bring It On Back`. `Walter`s Walk` appeared on the tribute album to drummer, John Bonham, Coda (1982), a collection of previously unreleased material constituting the group`s last real output after John was found dead in bed following a heavy drinking session on 25 September, 1980, during rehearsals for a proposed US tour, while John Lee Hooker`s `Boogie Chillun` (1948), `Let`s Have A Party`, recorded by Elvis Presley for the film, Loving You (1957), `Hello Marylou` popularized by singer and actor, Ricky Nelson, star of the seminal `Wild West` movie, Rio Bravo (1959), and St Louis Jimmy Olden`s `Going Down Slow` (1941) were blues` standards, which Led Zeppelin often performed as an encore, while `Bring It On Back` was the middle section of Sonny Boy Williamson`s `Bring It On Home` (1966). Written by Willie Dixon, `Bring It On Home` was a tribute to Sonny, but poverty often persuaded writers to accuse Led Zeppelin of plagiarism and Dixon is credited on `Whole Lotta Love` because of the similarity in lyrics. The band were sued by Dixon and others but paid up charitably while subsequently, as with `Bring It On Back` from How The West Was Won, they felt it necessary to indicate parts of recordings that were theirs while giving full credit to the original artist.
The title How The West Was Won derives from the Ricky Nelson song, `Hello Marylou`, because Nelson was the singer acting opposite John Wayne in the movie, Rio Bravo, as Colorado, a young `gunslinger`, that is, someone able to work as a killer. Wayne is the Sheriff of the town, Chance, who deputizes the town drunk, Dude, played by singer and actor, Dean Martin, because he was a good gunslinger. The stage is set for a typical film of how the west was won from lawlessness, which is the same scenario facing Moses and the Jews after their exodus from slavery in Egypt as the journey to Palestine and God gives Moses the law to guide them:
`You had a chance to get in this and you didn't want it.`2
Chance`s friend Pat Wheeler is gunned down by a killer and Chance upbraids Colorado for refusing to accept deputization. Dude tracks the killer to the saloon and kills him. Nathan Burdette arrives with his men to see his brother Joe who`s in prison for killing an unarmed bystander while fighting with Dude in the saloon. Colorado learns that Nathan is paying for a song to be played there indicating that `no quarter` will be given to one's enemy, that is, no mercy. Because `No Quarter` is the title of a track from Led Zeppelin`s fifth recorded studio album, Houses Of The Holy (1973), How The West Was Won is clearly about Rio Bravo:
`Walking side by side with death. The devil mocks their every step.`3
Dude is held hostage, but during the exchange for Joe he overpowers the murderer and Chance, Colorado, and deputy `Stumpy` force the criminals to surrender. The final scene is of saloon girl Feathers` skimpy outfit drifting down into the street from the room she`s sharing with Chance. `Stumpy` picks it up delightedly while Dude advises caution. `Stumpy` is played by actor, Walter Brennan, who has a bad leg in the film, and so corresponds to Walter in Led Zeppelin`s `Walter`s Walk` (1972):
`As you stand alone do you wonder how? Can you step aside, does it matter now?`4
The background for Rio Bravo is Sophocles` Oedipus Rex (c. 429 B.C.), in which Oedipus means `swollen foot` or `lame`, because Oedipus` fate is a `lame excuse` for a man. Psychologically, he has `Walter`s Walk`, that is, he`s a `Wild West` gunman hysterically blind through fear. Unwittingly, Oedipus kills his own father, Laius, in a fit of hysterical blind anger, and marries his mother, Jocasta, without knowing who she is. When he discovers he`s broken the incest taboo he blinds himself and his daughter, Antigone, has to act as his guide, that is, as in Led Zeppelin`s `No Quarter` lyric, Antigone is being mocked by the devil:
`What goes on four in the morning, two in the afternoon and three in the evening?`5
The `riddle of the Sphinx`, who is the `Terrible Mother` figure with the body of a lion, the wings of an eagle, and the face of a woman discerned by developmental psychologist, Carl Gustav Jung (1875-1961) as among the archetypes existing within the dreams, art and imagination that emerge from within the collective unconscious of humankind to drive the species on to growth and progress, was referred to as a track, `In The Evening`, from Led Zeppelin`s last studio recorded album with John Bonham, In Through The Out Door, because a man doesn`t walk with a rifle as an aid to progress, nor does he walk with a stick because he`s an old man. Oedipus` answer to the riddle is `a man`, because that`s what he`s told by the seer of Thebes, Cassandra, and the Sphinx`s acceptance precedes Oedipus` marriage with his mother, Jocasta, before his inability to perceive the meaning of the incest `riddle` leads him to suffer the consequences of his acceptance of men`s taboo and he self-blinds himself:
`I hear you crying in the darkness, Don't ask nobody's help.`6
Because women have their own penis` semen and host wombs as `futanarian`, God tells Eve in Eden her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Led Zeppelin`s `In The Evening` is, `Let`s spell `in the evening`,` because the meaning of Oedipus` fate needs to be spelled out for humankind, which is that women are the third `foot` of the race. Eve and the first man, Adam, were expelled from Eden by God for accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, who was Satan, the angel who`d been expelled by God from heaven and turned into a low thing for rejecting humanity, `You will be as gods,` (Gen: 3. 5) Led Zeppelin were féted as gods whenever they went to the United States and How The West Was Won is hubris from an English rock group who weren`t Americans. God`s story after Eden is of Jesus` birth uncontaminated by male semen as a sign of what humankind must do to have Redemption. God tells Eve after her expulsion for rejecting the `fruit of the tree of life`, which is immortality, that she and her descendants will die, and Adam must labor while she`ll experience labor in childbirth, which Jesus` birth as the redeemer of `woman`s seed` fulfils. Jesus represents the host womb of the human species, that is, his mother, the Virgin Mary, at the `Last Supper` where he offers `bread and wine` to his disciples as symbols of his `body and blood`, but Judas Iscariot rejects the host and betrays Jesus to the Roman Empire in Palestine which has him nailed upon a cross of wood and tortures him until he dies. Jesus` Resurrection and Ascension to heaven prefigures the Resurrection of women`s own `futanarian` penis` semen with her own host wombs for the sexual reproduction of her own brains` powers for liberation, which is the future story of how the west was won.
Often described as a `virgin land`, America was the place that the European settlers arriving subsequent to Christopher Columbus` discovery of the continent for his sponsor, Queen Isabella of Spain, in 1492, saw as a new Eden, but the absence of women from the world`s stage suggests the human race`s host womb was invaded by a parasite that stole her penis and made it into a gun to kill her with. God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` because of male braining in which all humanity has men`s semen, although Jesus` birth uncontaminated by male semen is Redemption for womankind, who is the host womb of the human race with her own penis` semen awaiting Resurrection. The Edenic land of America was lost, rather than won, because it was Oedipal. Oedipus` tragedy was that he wasn`t able to see that the incest taboo was constructed to keep women from knowing that sexual reproduction with women like their mothers was possible for their daughters, and that it covers up men`s `original` sin of killing and culling `woman`s seed` born after Eden as the `futanarian` human race to establish womb slavery in death and war, as God warned Eve and Adam would occur, but which Jesus` redemptive teaching, `love your neighbor as you love yourself,` (Matt: 22. 39) attempted to ameliorate, as women can see themselves in the mirror.
Rio Bravo is the story of what men have done since Eden, which is steal the woman`s penis and turn it into a gun to shoot John Wayne with because he`s too big to punch and the cowards want to be able to kill him without getting hurt. `Stumpy` is Oedipus because he`s told not to bother Chance and Feather by Dude, that is, he`s `stumped` in the sense that he can`t answer the `riddle`, while he`s `lame` because he represents men`s excuse for guns, which is that the man defending the woman has to be hit if the woman is to be killed and the cowards are afraid he`ll hit back. Oedipus` name means `swollen foot`, because blind men can`t walk alone; as Oedipus` fate indicates. His daughter, Antigone, guides his steps as the `third foot` of the `evening` of mankind, which is the genuine solution to the Sphinx`s `riddle`. A man walks alone in the evening with a rifle, because he`s killed the woman`s penis and so she can`t walk beside him even if she`d wanted to. `Stumpy` is Hollywood Babylon`s `devil` in the movie, Rio Bravo, because men`s penis is just a stump of what it would have been if they hadn`t killed and culled `woman`s seed` for womb slavery to the gun and death. The woman, Feathers, doesn`t have even the stump of an idea about her own penis` semen, because Hollywood banned women from raising her `foot` from the floor in bedroom scenes as long ago as the `Hays code` of 1930. Feathers, the saloon gal of Rio Bravo, corresponds to Oedipus` daughter, Antigone, of Greek antiquity, because her role is to lead the blind. The blind Led Zeppelin of How The West Was Won are the `blind leading the blind` (Matt: 15. 13-14) to hell: because that`s what gods do.
1 Disk 1; L.A. Drone (John Paul Jones, Jimmy Page) 0:14, Immigrant Song (Page, Robert Plant) 3:42 , Heartbreaker (John Bonham, Jones, Page, Plant) 7:25 , Black Dog (Page, Plant, Jones) 5:41 , Over the Hills and Far Away (Page, Plant) 5:08 , Since I've Been Loving You (Page, Plant, Jones) 8:02 , Stairway to Heaven (Page, Plant) 9:38 , Going to California (Page, Plant) 5:37 , That's the Way (Page, Plant) 5:54 , Bron-Y-Aur Stomp (Page, Plant, Jones) 4:55 , Disk 2; Dazed and Confused (Jake Holmes, Page) 25:25 , Walter's Walk (Page, Plant), The Crunge (Bonham, Jones, Page, Plant), What is and What Should Never Be (Page, Plant) 4:41 , Dancing Days (Page, Plant) 3:42 , Moby Dick (Bonham, Jones, Page) 19:20 , Disk 3; Whole Lotta Love (Bonham, Willie Dixon, Jones, Page, Plant) 23:08 , Boogie Chillun (John Lee Hooker) 3:10, Let's Have a Party (Jessie Mae Robinson) 1:56, Hello Mary Lou (Gene Pitney) 2:08, Going Down Slow (St. Louis Jimmy Oden) 8:29, Rock and Roll (Page, Plant, Jones, Bonham) 3:56 , The Ocean (Page, Plant, Jones, Bonham) 4:21 , Bring It on Home (Willie Dixon, Page, Plant), 9:30 , Bring It on Back (Bonham, Jones, Page, Plant).
2 Wayne, John as John T. Chance in Rio Bravo, Warner Bros., March 15, 1959.
3 Jones, John Paul, Jimmy Page and Robert Plant Led Zeppelin `No Quarter`, Houses Of The Holy, Atlantic Records, 1973.
4 Page, Plant Led Zeppelin `Walter`s Walk`, Coda, Swan Song, 1982.
5 Apollodorus, Library Apollud, 3. 5. 8.
6 Jones, Page, Plant Led Zeppelin `In The Evening` In Through The Out Door, Swan Song Records, 15 August, 1979.
Seeing the sights is a tourist`s dream but not if it`s isn`t possible to see because your eyesight is attacked. Many tourists choose the yellow cab as a taxi service is New York, while the Al Uqab is the name of the flag of the Prophet Mohamed rather than the flag in a taxi that indicates a fare price. The flag of Islam, which is the religion founded by Mohamed after the angels dictated the holy book of the Koran (610-30 C. E.), according to tradition, is usually black or white, but can be green, while the Qerash is the flag of the Prophet with the eagle upon it as a symbol of war. Consequently, the Wall Street Crash and the planes that the terrorist group, Al Qaeda, hijacked to crash into the Twin Towers of the World Trade Centre in New York on September 11, 2001, was an attempt to interfere with the global economy by those purporting to represent the Qerash or `war tribe` of the Prophet Mohamed.
The Moslem religion of `Islam`, which translates as `accept`, because Moslems are believers in the Koran of the Prophet Mohamed, which contains the stories of Moses, known as the `law giver` in Judaism, and Jesus, who is called Isa. In the Koran Jesus is born uncontaminated by male semen from his mother, the Virgin Mary, which is another reason why `Islam` means `accept`, because Jesus` birth is meant to be accepted as a world changing occurrence more than six hundred years after his Advent. Consequently, Moslems accept Resurrection for `woman`s seed` without Jesus` nailing to the cross and being tortured to death, as described in Christianity, because Jesus` Resurrection and Ascension to heaven prefigures the Resurrection of `woman`s seed` affirmed as Catholic doctrine by Pope Pius XII in 1950 when the Assumption of the Virgin Mary bodily into heaven without death became church dogma.
The concept of `woman`s seed` appears early in the Bible when God tells Eve her `seed` will `crush the head of the serpent`s seed with her foot as she leaves.` (Gen: 3. 15) Consequently, Eve`s `futanarian` daughters will have penis` semen of their own and host wombs for the sexual reproduction of their own brains` powers to liberate themselves from the yoke of slavery and oppression by men who accept the `serpent`s seed` and not the teachings of Jesus uncontaminated by male semen as the first of `woman`s seed` born from a woman, which prefigures the Resurrection of `woman`s seed`, that is, woman`s penis` semen, for her own host wombs rather than those of the parasitical viral life form that has inveigled itself into her womb and stolen her penis.
The `knowledge` is what a taxi driver uses to describe how he finds his way about a city, which means that he decides what is available to see. Consequently, a taxi operator service is a blinder if the `knowledge` is used to prevent the passenger who pays for the service from seeing, which means that it`s a taxi on the runway for an individual who is waiting to take off, where taxiing is used by pilots to describe the aeroplane gathering momentum before the wings lift off from the runway of the airport. Passengers are required to pay a tax on their eyesight, which is what taxiing means, that is, it`s a tax on eyes. Fashion models who use runways use taxis to get from one assignment to another, which suggests that their fares are flagged in the same way that planes obey air marshals with flags directing the plane taxiing on the world`s runways before take off. In simple terms, people are flagged before they leave according to the local mafia`s opinion of what they should see when they arrive at their destination, while progressive blinding of the rich and successful until they`re unable to see anything that would interest them is the `game` that a taxi driver operator and the airport authorities play with their customers.
People`s eyesight shouldn`t be metered in the same way as gas, electricity and water. If a taxi driver is metering eyesight, airport controllers are metering air, which suggests a concerted campaign to kill the human race. If the yellow cab`s in New York are the Al Uqab of the flag of the Prophet, the planes crashing into the World Trade Centre was the Qerash of a taxi dispute. In Saudi Arabia, where Osama Ben Laden the leader of Al Qaeda was born, women have to use a taxi because they`re forbidden from driving by law, which means their take off is prevented as they perforce have to taxi on the runway permanently. Consequently, Al Qaeda`s attack on the Twin Towers of New York`s WTC represented a repressed group of women`s dispute over having to pay a taxi fare to prevent them from seeing.
In Moslem Arabia marriages are permitted four wives which affords opportunity for `woman`s seed` to sexually reproduce, that is, `futanarian` women with their own penis` semen and host wombs can sexually reproduce their own brans` power and independent vision for the future of the Earth`s socio-economy. Osama Ben Laden`s Al Qaeda were trained by the misogynist Taliban regime in Afghanistan, which had defeated the Russians in a prolonged revolt (1979-89), but were themselves overthrown by the United States of America shortly after the Al Qaeda terrorists hijacked planes to crash them into the Twin Towers on September 11, 2001, at the World Trade Centre:
`Recently I witnessed this scene: a car pulled up suddenly in front of a woman. It was during a Moslem holiday. They beat her on her feet with lead-weighted whips until her feet bled. It was because she was wearing white shoes, and white is the color of the Taliban flag.`1
A taxi in New York is a yellow cab, whereas a taxi in London is black, while the flag of the Prophet Mohamed is black or white, which means white taxis are the Al Uqab, although they aren`t the yellow cab. Because the flag of the Prophet can be white, the misogynist Taliban in Afghanistan and elsewhere are the equivalent of a taxi driver in dispute with a fare. `Affair` is the term used to describe a sexual relationship that isn`t permanent, so women as a species with her own penis` semen and host womb are justified in describing men as her `affair`, because they`re her parasites, unless they accept Jesus` teaching of Redemption through acceptance of `woman`s seed`; as his birth uncontaminated by male semen emphasizes. Although greener taxis appeared on the streets of the Big Apple` of New York in 2012, there`s little evidence to suggest that was influenced by Moslems adhering to the green flag of the Fatimid Caliphate, which was a group of states in the Middle East, Europe and Africa, governed by Caliphs. The ruler of a city state, like Baghdad, in the famous 8th century Arabian folktales` One Thousand And One Nights, was a Caliph, and a grouping of such states ruled a dynasty named for the Prophet Mohamed`s daughter, Fatima, from Mecca to Morocco (909-1171 C.E.). Similarly , the appearance of red taxis in Hong Kong, China, and elsewhere doesn`t suggest the founders of the great-grandfather of the Prophet`s `Hashemite` dynasty of Islam (511 C.E. -) are involved, that is, Saudi Arabia, Jordan, Iraq and Yemen, but the overall picture is of a taxi driver in dispute with a woman who wants to stop taxiing on the runway and take off, but is being prevented by misogyny, which flags women for a profit to those who don`t want to see them.
The movie Taxi Driver (1976) is about a New York driver for the yellow cab company, actor Robert De Niro as Travis, who tries to persuade an 11 year old prostitute, actress Jodie Foster`s Iris, to stop working, while he engages in vigilante activities. He is thanked by Iris` parents after he kills her `owner`, while the woman he`d tried to interest in his other activity, pornographic movies, Betsy, he watches off after he picks her up when he`s fully recuperated. The combination of pornography and prostitution is what runway models have to face as they travel from locale to location picked up by a taxi driver before the plane is taxiing at the airport and they take off. The metaphor of a taxi and taxiing is of the sighted being blinded, that is, a tax on seeing, which is what De Niro`s vigilante character in the film Taxi Driver doesn`t represent for Iris or Betsy, and Travis` bet is that his pupils will see what prostitution and pornography are for:
` I think someone should just take this city and just ... just flush it down the fuckin' toilet.`2
Most sex films feature what humans are taught is heterosexual sex between male and female adults, whereas `futanarian` women with their own penis` semen and host womb are human but defined by feminist `political correctness`, for example, as homosexual and lesbian in order to maintain equality in parasitism as the host womb of their murderer. Looking in the mirror women are taught to see themselves as attractive only to men, that is, schizophrenic rejection of their own species is basic education. Consequently, Taxi Driver is about a man`s discovery of women, because he prefers them to men. The yellow cab is the Al Uqab flag of the Prophet Mohamed of Islam in which four wives are permissible, because women sexually reproduce with each other. Because misogynists don`t want them to, a taxi and taxiing on the runway before take off have a darker meaning of attacking those who can see and taxing people for seeing what misogyny doesn`t want them to. Runway models as the fashion industry calls young women who wear designer clothes for couturiers so that buyers in the retail industry can decide what to buy are paid to walk, which upsets the misogynist `owner` of prostitutes, because they`re paid to fly. Consequently, a taxi and taxiing on the runway are linguistic structures denoting women`s eyesight, as the misogynists don`t want the human species of `futanarian` women with their own penis` semen and host womb to see runway models, because that would interfere with prostitution.
If women weren`t male brained with male semen, they`d be socio-economically independent through the sexual reproduction of their own brains` powers for liberation. Mothers would be their daughters` fatherers and they`d be in a position to take off their clothes without worrying about a taxi driving or runway taxiing, that is, they`d be able to see each other as the human species of women without axing. The prototypical Arabian story is Scheherezade in the framing story of the 8th century compendium of Arabian folktales`, One Thousand And One Nights, in which Shah Jehan taxes his wife with being unfaithful with his brother. After taxing her he attacks her with a meat axe and cuts her head off, which of course neatly removes her brain. Scheherezade tells Shah Jehan stories until he stops taking a new wife each day and beheading her each evening. The story is allegorical because misogynists don`t want women to sexually reproduce with each other, so brainlessness is how women are who are bred with the `serpent`s seed` of men, that is, they don`t have minds of their own, which means they`re men.
Only if women bred each other with their own penis` semen and host wombs would they have their own brains` powers for liberating themselves from womb slavery to men who want them to walk in prostitution rather than fly. Al Qaeda, `the base`, means `basic`, that is, it`s Islamic Fundamentalism that women aren`t allowed to drive and, because women are men in male braining, the planes crashed into the Twin Towers of the World Trade Centre represented the Qerash of the `war tribe` of the Prophet Mohamed`s women, who didn`t want to be forbidden from seeing anything but each others` eyes, which is what they`re able to see of one another in public beneath the burkha that conceals everything else from view in the deserts of Arabia, or wherever Moslem women are found. Women want to see and democracy is that the majority have the vote, while in Arabia four wives and one male is 80% to 20%, or four to one in democratic terms, while women with thir own `futanarian` penis` semen and host wombs can sexually reproduce more women than men without host wombs of their own and so they`d be the majority in a vote. Consequently, Arabia is known for despotic rule from dictators and Western democracies aren`t, because women are kept in blindness and beheaded according to men`s democracy.
2 De Niro, Robert as Travis Bickle in Taxi Driver, Columbia Pictures, February 8, 1976.