Santa`s Sack

The figure of Santa in a red suit, and a white beard with a sack, has been a feature of traditional Christianity since the story of Jesus` birth from his mother, the Virgin Mary, in a stable in Bethlehem, when Mary and her husband, Joseph, were on their way to fulfil a census requirement imposed upon the population of Palestine by the Roman Empire. Although Mary was married to Joseph, the meaning of Jesus` birth is he was born uncontaminated by male semen in fulfillment of God`s promise that `woman`s seed` would, `… crush the serpent with her foot as she leaves.` (Gen: 3. 15) In the Bible the serpent is Satan, the angel cast out of heaven for refusing to accept that mankind would be greater than the angels, and God transformed Satan into the serpent that gave Eve and Adam, the first man and woman, in the paradise of Eden, `the fruit of the tree of the knowledge of good and evil`, saying:

`You shall be as gods.` (Gen: 3. 5)

 Because Jesus was born uncontaminated by male semen, God was planning the birth of a new species of `woman`s seed` even before Eve and Adam`s expulsion from Eden for accepting the `fruit of the tree of good and evil`, rather than God`s `tree of life`, which was immortality. The new species God planned would emerge from the host womb of Eve after paradise as the `foot` God envisioned crushing the serpent, that is, the `futanarian` race of women with their own penis` semen for the sexual reproduction of their own brains` power to defeat evil, which represented the `knowledge of the fruit of the tree of good and evil`, as Redemption and Resurrection for the human race, through medical science, that is, immortality and the renewal of the `tree of life` through `woman`s seed`, symbolized by Jesus` birth uncontaminated by the `serpent`s seed` of men and their killing and culling of the `futanarian` race of women born after Eden in order to impose host womb slavery upon her species in parasitism and ephemerality.

 Women who have memories of their own species` penis for the sexual reproduction of their own brains know too much for men and so they keep women as ephemeral host wombs in parasitism, and even technology with its computer memory is attacked by `geeks` with `bad machine code` they call `Trojan viruses` so as to prevent women from knowing the truth about their own species` penis. The `geeks` are the modern counterpart of the ancient Greeks whose society was based on institutionalized homosexuality in pederasty and women`s host womb slavery for the spread of its virality in war.

 The poet Homer in the Iliad (760-10 B.C.) documents how the Greeks deployed a huge hollow wooden horse outside the city of Troy, which the unsuspecting Trojans took inside to where the Greeks emerged to enslave the host wombs of the women in slavery and institute homosexuality in pederasty to spread their virality further. By the late 20^th century, the virality of the `serpent`s seed` of men had translated itself into homosexuality`s `biological warfare` of HIV/AIDS` `killer disease` as a means of keeping women in faithful ring slavery to monogamy in parasitism with a creature not her race. The HIV/AIDS ` virus spread by homosexuals mixing blood, shit and semen in each others` anuses in mockery of genuine heterosexual sex between women rather than sex with the virality of men`s `serpent`s seed` behaved as the Greeks before Troy. Feigning friendship for the white leukocyte cells defending the human body, the HIV/AIDS virus gains acceptance before killing the brain, which is what the Greeks and the geeks did at Troy and with their `Trojan virus`, that is, homosexuality is Satan`s plan to prevent `woman`s seed` from sexually reproducing her own brains` powers from her own penis` semen to defend her own human species.

 Jesus` birth was attended by the appearance of a star in the heavens and that of Melchior, Caspar and Belthazar, magi from Persia, India and Arabia, who`d brought gifts of gold, frankincense and myrrh. The Christian tradition of Santa derived from the gifts given by the wise men to the infant, Jesus, on the day of his birth, which in Christianity is celebrated by gift giving on 25 December each year. The figure of Santa and his sack is God represented as a wise old man with a white beard and Jesus as God`s gift to the Earth. Because Jesus` symbol is the fish in Christianity, Santa is identifiable through the story of Moses and Joshua in the Old Testament of the Bible. By the Red Sea Joshua has a fish for Moses` supper, but he loses it in the water, and the figure of Khidr appears, who is the wise old man of the holy book of the Koran (610-30 C.E.), which was dictated to the Prophet Mohamed by the angels of God, according to the Moslem religious tradition of Islam, that is, `acceptance`. Commentators upon the `Al Kahf`, Sura 18, that is, `The Cave` chapter of the Koran, perceive Khidr as the fish lost by Joshua and reappearing to Moses as a prefiguration of Jesus. The earliest Christians used the fish as a secret sign of their gathering together, because Jesus was their fish. However, Joshua ben Nun`s patronym means `son of the fish`, because he was the military leader of the Israelites after they were released from slavery in Egypt and fulfilled God`s promise of a land for the `chosen people` after Moses` death when he captured the city of Jericho in Canaan, that is, Joshua was the fish which was lost and found again by the Red Sea.

 The subsequent travels of Khidr and Moses witnessed by Joshua are his education. In the Koran Khidr tells Moses he won`t understand what he does, while Moses was the receiver of the law of God that the Israelites had to obey, which meant the adoption of rationality. Khidr is irrational from Moses` point of view, because he rebuilds a wall  that has treasure underneath, kills a child, and makes holes in ships before sailing away in another ship. Although Khidr explains that the treasure wasn`t yet to be found, the child was evil, and he didn`t want slavers to catch up with him, Moses prefers his own limited understanding, that is, he prefers rules for behavior, so he represents God`s law. Joshua ben Nun is the fish, because Jesus is the fish, that is, he`s Joshua reborn, and he`s learned from Moses and Khidr.

 Santa with his sack refers to ancient Egypt as well as Khidr, who is depicted in Islamic art as standing on a fish, because he`s sustained by God. In ancient Egypt `Ka` and `Ba` are spirit and soul while Ka` Ba in Islam is the temple of Abraham, founder of the Israelite religion of Judaism through his son, Isaac, and Islam through his son, Ishmael, that is, the Ka` Ba is the legacy of ancient Egypt, where spirit and soul are conjoined in the afterlife as `Akh`. Consequently, Khidr, Moses and Joshua ben Nun represent that wisdom of the ancients which is Santa`s `Akh`. Because God`s planned new species after Eden wasn`t born for Satanism, which is the soul of the woman trapped in the man`s body sexually desiring the body of the woman`s spirit. Consequently, the `Ka` Ba of Abraham represents the promise of God to Abraham that his `seed` will be:

` … as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 As it isn`t possible to be born a Jew unless born from a woman, women are the `chosen people` and so it`s their `seed` God is envisioning for Abraham, as the consequence of Redemption and Resurrection for `woman`s seed` after Jesus` prefigurative birth and Resurrection, subsequent to his being tortured to death by the Romans when he was nailed by them to a wooden cross as a dissident. Betrayed by Judas at his `Last Supper` before his crucifixion, Jesus offered bread and wine` as tokens of his `body and blood` as the host, which meant Judas was a traitor to the nurturing host womb of the human race and amongst the parasites of the `serpent`s seed` because he didn`t want `woman`s seed` as the future of the species. Although the `Ka` and `Ba` of the spirit and soul of Egyptian tradition is reflected in the meaning of the Ka` Ba of the Moslems in Mecca, Saudi Arabia, the `Akh` or `magical personality` formed by the union of `Ka` and `Ba` in the afterlife is what is meant in Christianity by Santa`s sack, because men of the `serpent`s seed` are slavers of women`s host wombs and their products, which means Santa`s sack corresponds to what the Australian folklorists describe as a swagman`s, that is, it`s a bag of stolen goods:

`Once a jolly swagman camped by a billabong,
Under the shade of a Coolibah tree,
And he sang as he watched and waited till his billy boil,
You'll come a waltzing Matilda with me.`1

 A `billabong` is an oasis in the desert familiar to the Jews during the time of Jesus, and the Aussie doggerel from England`s period of penal transportation to New South Wales that began on 26 January, 1788, that is, the `unofficial national anthem` of the Australian colonists during their years of pogroming the indigenous black population of the Australian continent, refers to a thief stewing a pot while planning to steal a woman`s heart, because that`s what `swagmen` do. Thereafter he`ll be Santa`s sack for the white European children, whereas she`s `Akh`, the absent `magical personality`, that is, the woman with her own penis` semen for the sexual reproduction of her own children with their own brains` powers for socio-economic independence from their parasites, but with swagmen of the `serpent`s seed` they and she`ll have to accept what Santa has in his sack for them, because their brainpower is enslaved and women`s host wombs too.

 The Christmas tradition of Santa features the tree with the star atop and the single sock hung in an opportune place to receive gifts. The sock is a symbol of the `foot` that will `crush the serpent`, according to Christian tradition, while Eve`s `futanarian` species of `woman`s seed` with her own penis` semen are the `foot`, which explains why there`s only a single sock awaiting gifts because the species of woman is a single race that doesn`t need the fiction of marital union, as Jesus says:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)

 Because `people` are categorized as `women`, which is why God`s `chosen people` are distinguishable as women who give birth, because to be a Jew it is necessary to be born of a woman. Similarly, in Islam there are four wives permissible within each Moslem marriage, which provides a vehicle for `futanarian` women with their own penis` semen to sexually reproduce with each other. Although the burkha conceals women in Moslem societies from prying male eyes, the one-piece coverall that permits nothing to be seen of women in public except their eyes for each other is, simply, a sack. In Egyptian terms, the women are `Ka` and `Ba`, that is, the spirit and soul of their `futanarian` nature`s sexual desirousness for their own human contact symbolized as `Akh`, that is, sack:

`And say to the faithful women to lower their gazes, and to guard their private parts, and not to display their beauty except what is apparent of it, and to extend their headcoverings (khimars) to cover their bosoms (jaybs), and not to display their beauty except to their husbands, or their fathers, or their husband's fathers, or their sons, or their husband's sons, or their brothers, or their brothers' sons, or their sisters' sons, or their womenfolk, or what their right hands rule (slaves), or the followers from the men who do not feel sexual desire, or the small children to whom the nakedness of women is not apparent, and not to strike their feet (on the ground) so as to make known what they hide of their adornments. And turn in repentance to Allah together, O you the faithful, in order that you are successful.` (Sura 24: 31)

 `Allah` is the word that translates as `God` in Christianity, because `Eloah` is the word for `God` in Judaism and so Islam is distinctive, but not separate. The exhortation to the women of Islam from Al Nur, `The Light`, is designed to hide the `futanarian` aspect of woman from the eyes of men and women who can`t or won`t understand, because they`re womb slavers in homosexual pederasty and warfare against the human species of `woman`s seed`. Consequently, Santa`s sack is women`s `Akh` in Islamic terms, because the burkha`s `Akh`  represents the promise of the future that what she produces is hers in socio-economic independence from men of the `serpent`s seed` who`ve been Santa`s `swagmen` to generations of children uneducated because of slavery for war against them. `Santa` is actually an anagram of `Satan` and Santa`s `elves`, helpers with the presents at Christmas, are Santa`s `selves`, because in host womb slavery of the `futanarian` woman`s race of humanity by the `serpent`s seed` of men, everyone is male brained and so all selves are Satan`s. Khidr from the Koran is the older person who explains to Moses that he`s Santa, that is, he knows the truth and he lives it, because everyone is Satan`s slave. Joshua or `Yeshua`, which is a form of `Jesus`, will bring the walls of Jericho tumbling down by Masonic means after surrounding the Canaanite city with trumpets, while Khidr explains Joshua`s future role to Moses when he rebuilds a wall because the treasure isn`t yet ready to be unconvered, that is, Joshua or `Yeshua` is `Jesus` who will be reborn from the Virgin Mary, his mother, uncontaminated. Although Jesus` Advent occurred in Bethlehem, which is celebrated each 25 December by the wise giving of gifts, the hill of Calvary outside Jerusalem was where Jesus was crucified before his Resurrection and Ascension to the new Jerusalem, the heavenly city:

`… a city of pure gold, as pure as glass.` (Rev: 21. 19)

 Jesus` new Jerusalem is the `treasure` hidden beneath the tumbled wall of Jericho, which Khidr symbolically shows to Moses in Al Kahf, `The Cave`, Sura 18 of the Koran of Islam. Although Moses will lead the Israelites obediently to the promised land of Canaan, Joshua will capture the city of Jericho by bringing the walls down with Masonic trumpeting, and Joshua or `Yeshua` will be reborn as Jesus` new Jerusalem in fulfillment of Khidr`s prophetic revelation to Moses and Joshua that the treasure underneath the wall will remain undiscovered until the appropriate time, that is, Joshua is the treasure of Jericho that will be uncovered as the `city of pure gold`, the new Jerusalem, after Joshua`s Resurrection and Ascension to heaven subsequent to his rebirth as Jesus and crucifixion upon the hill of Calvary outside Jerusalem for being a `dissident` within the Roman Empire teaching that the law given to Moses by God is distillable as:

`Love your neighbor as you love yourself.` (Mk: 12. 30-1)

 Moses` law is obedience to God`s position that the taking of life by any means is evil, and Jesus` precept paves the way for `woman`s seed` to love herself, that is, what a woman sees in the mirror is sexually desirable and as lovable as any woman close by. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) the theme is even more straightforward. Oedipus unknowingly marries his own mother and so incest is the theme, but only because he`s the man standing between Antigone, Jocasta`s daughter, and her realization that sexual reproduction between herself and women like her mother is possible, that is, the incest taboo isn`t designed to prevent the son from having sex with the mother but the daughter from remembering that she can have sex with women like her mother, because women are likeable to their mothers. As they ought to be, because they`re of the same species, whereas men are the parasites that have inveigled themselves into the human sexual reproduction system to eat the woman`s penis and, by the late 20^th century, devise ways of eating her brains as well.

 In the 1970s an advertising campaign on television for concentrated potato to which hot water had to be added before the consistency of the potato was sufficiently evident for it to be construed as edible featured `Smash robots`, because the concentrated potato resembled mashed potato when hot water was added and so the brand name for the product was `Smash`, but the hidden agenda was robots as labor saving machines were what women needed to liberate them from the drudgery of making mashed potato by hand, for example, which required peeling potatoes and then smashing them with a fork or other  kitchen implement. However, if there were no brains to invent robots, women would remain slaves to hard labor, so `Smash robots` had a `Luddite` theme, where Ludditism was the name given to men who smashed machines during the 18^th century industrial revolution to prevent labor saving on the pretext that they`d be unemployed and unsalaried, whereas the aim of machinery is to free the human from hard labor. Consequently, by the late 20<sup>th</sup> century the computer brain was the enemy of the `Luddites`, who were named originally for Ned Ludd who broke two stocking frames in the textile industry in England in 1779. The `Smash robots` were brain eaters, because men of the `serpent`s seed` who don`t want humans to sexually reproduce brainpower to labor save and facilitate creative work in robotics, for example, are brain eaters:

'They peel them with their metal knives…' [Sound of metallic shoulders shaking] '... boil them for twenty of their minutes...' [Metallic shoulder shaking gives way to audible machine laughter] '...then they smash them all to bits!'2

 The Smash robots advertising campaign was for Cadbury`s foods, but there was a strange echo from The Eagles` rock band across the Atlantic ocean in the United States in a lyric from the song, `Hotel California`, `They stab it with their steely knives but they just can`t kill the beast.`3 Because Satan is a male brainer as the `serpent`s seed` of men who don`t want the human species of `woman`s seed` to have brainpower, the `red dragon` that waits in vain to devour Jesus in his `Second Coming` to the Earth born from the `woman clothed with the sun and with the moon at her feet` is a figure of men of the `serpent`s seed` as the slaves of Satan the brain eater. Consequently, the beast in The Eagles` song, `Hotel California`, can`t be killed, just as the Smash robots laugh at the efforts of the housewives that `peel them with their metal knives [… before] they smash them all to bits!` The housewives are hard labor victims in male braining, which they could kill by having sex with each other and developing an independent collective consciousness, but they don`t know about their own sexual reproductive system as `futanarian` women with their own penis` semen because, as this quote from The New York Times online about the repressive Taliban regime in Afghanistan shows, men don`t allow them to receive an education:

`Schools will not be allowed to teach girls older than 8 and will be limited to lessons about the Koran, the Muslim holy book.`4

 The all male United States` rock band The Eagles` perception is that `the beast` can`t be killed because it`s them, that is, men make war on women who have their brains because they won`t let them have their own for fear women will see men`s redundancy and escape into socio-economic independence from their enslavers and extinguishers in parasitism. The symbol of the Taliban Al Qaeda terrorist group that hijacked planes to crash them into the Twin Towers of New York`s World Trade Centre on September 11, 2001, was the moon, and so the statue of Liberty in New York harbor had `the moon at her feet` in fulfillment of the biblical prophecy of the `woman clothed with the sun` who would again be `Liberty`, as a symbol of women`s eventual freedom after the surrender of Japan on 15 August, 1945, when planes emblazoned with the Japanese red sun had unannouncedly attacked the United States` Pacific fleet at Pearl harbor, Hawaii, on 7 December, 1941.

 Although the attack on the World Trade Centre looked like straightforward terrorism, `rough trade` is defined as the `brutality and violence` associated with homosexuality in pederasty and warfare, which suggests 9/11 was designed to plunge the United States into conflict with Saddam Hussein`s Iraq which offered bases to Al Qaeda after the event. Hussein`s execution on 30 December, 2006, and Osama Ben Laden`s, Saudi Arabian leader of Al Qaeda, on 2 May, 2011, by Navy Seal Team Six was biblical, because the Moslem women of Islam represent the hidden woman of the wilderness taken on eagle`s wings after she bears Jesus who will `rule the nations with an iron scepter` uncontaminated by male semen on behalf of `woman`s seed`, whose hymen the US Navy Seals, backed by the authority of the Great Seal of the United States` President, George W. Bush, with its emblematic eagle, were charged with protecting during the Gulf conflict that began with the March, 2003, United States` invasion of Iraq:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The `seed` of the serpent is men`s desire to break the hymen of the Moslem women and impregnate them as was clear from the rape camps set up by Christian militia during the Bosnian war (1990-5) in the former Yugoslavia of Eastern Europe where upwards of 70,000 women`s hymens and host wombs were violated by the urges of the parasite to ensure its continuance. Consequently, the women of Islam represent the hidden `futanarian` women with their own penis` semen for the continuation of the human race of `woman`s seed` and so correspond to `the woman` who gives birth to Jesus uncontaminated by male semen before his `Second Coming` in the Bible protected by the eagle of the United States and other nations for whom the eagle is symbolic. The symbol of the United States Navy Seal Team Six that killed Osama Ben Laden, the Saudi Arabian terrorist leader of Al Qaeda, is the eagle, which is common amongst the special forces of the military throughout the globe because it has the same meaning, that is, the human species of Woman`s defence.

 The Koran of the Moslem faith in Islam distinguishes between `men and djinn`, because there`s a distinction between women, with their own penis` semen and host wombs, born after Eve and Adam, that is, man and woman, were expelled by God from Eden, and the `serpent`s seed` of men, who killed and culled `futanarian` women in order to enslave the host wombs of the human species in parasitism. In the Koran Satan is Iblis, a djinn, who refuses to bow before Adam, according to `Al Kahf`, `The Cave` (18. 47), because he`s the `serpent`s seed` that men embrace after Eden in killing and culling the human race`s `futanarian` species of `woman`s seed` with her own penis and host wombs for the sexual reproduction of her own brains` powers for socio-economic independence and freedom from men`s enslaving of her race. Consequently, Iblis or Satan is a male `futanarian` or djinn, whereas the `futanarian` women are the human `woman`s seed` identified as `djinn`, because they`re what separates men from women:

`… he shall crush your head and you shall bruise his heel.` (Gen: 3. 15)

 God`s warning to Eve is that the male `futanarian` with its host womb for sexual reproduction is how men keep women in host womb slavery, as men don`t have host wombs, according to the education system, which is Satanic, because it doesn`t educate women in the knowledge of her own penis` `seed` as an alternative to accepting a male parasite. Consequently, the male crushes the head of the woman because she doesn`t know to sexually reproduce her own brains` powers, while her head is powerless to do anything other than bruise the oppressor`s heel as it applies enough pressure to subdue her humanity.

 Although Khidr is depicted in Islamic art standing upon a fish, the fish is symbolically Joshua ben Nun, that is, the `son of the fish`, or Jesus, the `son of man`, whose symbol is the fish and who was born from his mother, the Virgin Mary, uncontaminated by male semen, because he`s `woman`s seed` or `djinn`, that is, Khidr is supported by the host womb of women enslaved by men of the `serpent`s seed`. Joshua ben Nun, the `son of the fish`, captured Jericho for the Israelites and killed every living thing inside, apart from the whore, Rahab, and her house, who`d helped him, which means he wasn`t a special forces` eagle of modernity, as he didn`t protect all of the women. Consequently, Joshua`s rebirth as `Yeshua`, that is, Jesus, was necessary for his Redemption, which is why Jesus was called `the fish`, and Joshua was the `son of the fish`, because the `serpent`s seed` is supported by virginity, although Jesus` uncontaminated birth from his mother, the Virgin Mary, is `woman`s seed` supported by wisdom . Paradoxically so, if the usual belief is that virgins are innocent and so vulnerable to possession by the `serpent`s seed` of men`s enslaving and male braining in non-education.

 Khidr is called `the green one` in Islam which accords with the Christian tradition of Santa and the evergreen Christmas tree with the star upon it symbolizing the birth of Jesus. In the Koran, `An Najm`, that is, `The Star`, a rhetorical question is posed, `Is the male for you and for him the female? That, then, is an unjust division. (53: 21-2) Because `futanarian` women with their own penis` semen are for women, which is the meaning of Jesus` birth uncontaminated by male semen. In Judaism the Sefiroth is the tree of life pictured in mystical `kabbalah` as having its roots in heaven and its leaves upon Earth, because the mind is spiritual and the body is earthly, just as Khidr of the Koran is `the green one` upon a fish that sustains. In Christian terms, Khidr corresponds to the evergreen Christmas tree with Jesus` birth star atop as a symbol of women`s freedom in production for the human species, because Jesus is `woman`s seed` and so corresponds to `the fish` that supports her, rather than the parasitical slaver of her host womb standing upon her head for what it can get her to produce, which is what Khidr would represent if Christianity didn`t depict `the green one` as a Christmas tree.

 The presents beneath the tree are symbolic of the enslaving of the host womb of women as the sacks that produce. Consequently, although the symbolism attending Joshua`s bringing the walls of Jericho down by means of occult trumpeting appears an unbelievable ancient metaphor unbelievable, the notion of the women of Islam as saxophones bringing down the walls of the city of their enslaver, the sacks` `bag daddy` in Baghdad, Saddam Hussein, through modernity`s phone system, seems unbelievable, but the Bible warns `the number of a man is the number of the beast`, (Rev: 13. 18) that is, the `phone is the killers` weapon. During the West`s 2011 war with Moslem Libya to depose terrorist dictator, Colonel Gaddafi, TACPs, that is, Tactical Air Control Parties, were deployed on the ground to direct ordinance, which is what lesser killers do with mobile `phones. Consequently, the women of Islam, who were the sacks of Baghdad that either `sandbagged` the United States and coalition forces as an invader with the `suicide bombs` strapped to their bodies, or  brought the walls of Baghdad down as the `sacks of phones`, corresponded in modernity`s terms to the whore, Rahab, and her house in Jericho, which was protected by Joshua, because she helped while he was preparing his own unbelievable occult method of breaching the walls of Jericho with trumpets, that is, the saxophones of the ancient world.

 What`s in Santa`s sack is for children, because that`s what women produce, which is why she`s described as the womb of civilization, culture and art, despite men`s depredations in their wars against her. Santa`s sack was Tactical Air Control Party in Baghdad, that is, the sack of Baghdad`s contents at Christmas. Santa`s 25 December, 2006, Christmas party celebrated the birth of the `Second Adam` uncontaminated by male semen, Jesus, while Iraq`s Saddam - of the region`s `Ba`ath Party` politically - was hung on 30 December, 2006, after the Christians` party. Born uncontaminated by male semen, Jesus is symbolized as the `lamb` in Christianity, because he represents `woman`s seed` freed of womb enslavement to men of the `serpent`s seed` in warfare, which produces the sack of cities rather than peace. Consequently, Hussein was executed by the TACPs and their `sacks of phones` to prevent a great `blood` Ba` ath, where `blood` is an aristocratic term for royalty, which Saddam was as an undisputed ruler, but the `blood of the lamb` of peace had been spilt enough from the Christian and Moslem point of view, who`d stood by while Hussein had pogromed the Iranian Kurds in the North of Iraq during the Iran-Iraq war (1980-88). The emergence of ISIS, that is, the `Islamic State of Iraq in Syria` as a new Moslem caliphate on 29 June, 2014, amidst reports of `blood baths`, suggests it would`ve been better to support the Ba`ath Party`s proclaimed belief in freedom and unity, because less of the `blood of the lamb` would have been spilt.

 Women with a penis and a beard won`t be turned into a sideshow, that is, Khidr is the bearded `green one` in the Koran of Islam, because Khidr represents the evergreen tree of the Christian Christmas with sacks of presents uncontaminated by the sack of cities and slavery for its host wombs of women, symbolized by the birth of Jesus from his mother, the Virgin Mary, as the city of `Jerusalem the golden` that remains unsacked, because she represents the women who`ll be free to sexually reproduce their own brains` powers with their own penis` semen and host wombs, which is the wisdom of her beard. Consequently, Khidr doesn`t exist for women although he`s real, because Jesus is the star of the birth of `woman`s seed` atop the tree of her liberation from the sack of her cities and enslavement, while the products of her civilizations, cultures and arts are for the children of her future free from contamination by the `serpent`s seed` of vainglorious men who want to stand taller on the shoulders of the uneducated child that is humanity.

 In the mythological tradition of ancient Egypt, `Khat` is `the fish`, which is the appellation for the infant body containing the `Ka` or spirit and soul or `Ba`, before it becomes an `Akh` or `magical personality after death and that Ascension to heaven upon his Resurrection that Jesus, uncontaminated by male semen as `woman`s seed`, is so famous for. Because Jesus is `the fish` in Christian tradition, that`s because `the fish` is the `Khat`, that is, the Egyptian infant`s body containing the `Ka` or spirit and `Ba` soul before death and the subsequent conjoining of `Ka` and `Ba`, which is spirit and soul, as the `Akh` or `magical personality` in Ascension to Heaven after Resurrection.

 In Arabian mythology Bahamut is `the fish` that supports the Earth, and which Khidr appears to be standing upon in Islamic art. Leviathan appears in the Bible where God asks, `Can you pull in leviathan with a fishhook?` (Job: 41. 1) But Bahamut, or Behemoth, is depicted as a creature of the land, `He ranks first amongst God`s works.` (Job: 40. 19) The third great creature of the Earth is Ziz, which is winged, and although Leviathan and Behemoth are doomed to be eaten, according to Jewish legend,5 Jesus finds correspondence with Ziz as `the fish` that flies, because he has Ascension to heaven after his emergence from his mother`s birth waters. Symbolically, Leviathan, Behemoth and Ziz are `woman`s seed`, because Jesus represents the male that has transcended male braining, while the Leviathan, Behemoth and Ziz represent the male military`s sea, land and air power, which kills itself and so is the devourer of `woman`s seed`; lest she has Ascension as Jesus`.

 Khidr stands upon the fish in Islamic art, because men enslave `woman`s seed` through male braining of her host womb, that is, although Jesus is called `the fish`, she`s his mother, the Virgin Mary, which is why the bloody Joshua of the massacre of Jericho is `the son of the fish`, reborn as Jesus uncontaminate, and from Khidr`s point of view, standing upon her body, where else is Father Christmas to be if children are going to have presents? Unless women`s liberation is complete, and includes sexual freedom to reproduce with herself through her own women`s penis` semen, it`ll be Satanism on Earth until God`s punishment of eternal unendurable pain for the evil alien enslaving parasites preying on her humanity.

1 Paterson, Banjo `Waltzing Mathilda`, 1895.

2 Vickers, Sian and Chris Wilkins for Boase Massimi Pollitt Advertising Agency, 1969.

3 Felder, Don, Glenn Frey, Don Henley The Eagles, Hotel California, Asylum, 1977.

4 The New York Times, `100 Girls' Schools In Afghan Capital Are Ordered Shut`, https://www.nytimes.com/1998/06/17/world/100-girls-schools-in-afghan-capital-are-ordered-shut.html , June 17, 1998.

5 Akdamut, 75-84, 1557.

The Rock Your Whore Up Pig Chair Show

The latest publicity machine manufactured scandal emerging from Hollywood, Babylon, is nudity - of course. The stars of the film industry in Los Angeles, California, USA, don`t want to be photographed nude and the pictures disseminated over the internet or the news media, because their `face is their fortune`, which has always been the issue for `tinsel town` where the distinction between `A` list actors and actresses and `B` list movie stars was the basis for a star system that sought to prevent those on the `B` list for movie stardom from making `A` list movies because `B` list stars were Hollywood porn. Traci Lords was a `B` list actress, who made pornographic movies from the age of 15, and later movies such as Princess Of Mars (2012), a science fiction tale by Edgar Rice Burroughs developed for the cinema screen on several occasions since it appeared in book form in 1912.

 Traci Lord`s face in combination with her body brought her success in the filmworld, but years of having recorded sex with men left an indelible impression on movie-going audiences that remains difficult to transcend for any actress who knows the truth about Hollywood, Babylon. In 1930 the `Hays code` was established to prevent women from being seen nude in the movies, and the `one foot on the floor` rule for bedroom scenes before the code was abolished in 1967 made it impossible for women`s sexuality to be described on celluloid before films with the telling title, Barefoot In The Park, featuring intimate bedroom scenes of Robert Redford and Jane Fonda as a newly wed couple in an apartment overlooking New York`s Central Park. The term `barefoot` from the film`s title takes a backward glance at the Hollywood `Hays code` and its prohibiting of women raising their foot from the floor in the bedroom as a symbol of their sexual repression.

 The term `foot` is biblical, because God tells Eve in the Bible she will `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) The story of the serpent is closely related to the development of the ethos that constructed the movie industry around the `one foot on the floor` rule out of the `Hays code` in Hollywood, Babylon, at the beginning of the modern era of filmmaking. Although Eve and Adam are depicted accepting the `fruit of the tree of the knowledge of good and evil` from the serpent in God`s garden of Eden so causing their expulsion from the paradise of Earth for rejecting the `fruit of the tree of life`, which was immortality, in favour of death, the meaning of the story is slavery in parasitism. After Eden Eve was told by God she`d experience labor pain while Adam was told he must labor to provide. Eve`s labor pain was ended with the Advent of Jesus born from his mother, the Virgin Mary, uncontaminated by male semen, because the race of Eve is threefold.

 Although men are perceived as the fertilizers of the wombs of women, women were born after Eden with their own penis` semen and host wombs as `futanarian` women, who correspond to the `foot` God tells Eve will `crush the head of the serpent` (Gen: 3. 15) and the `foot` that Hollywood, Babylon, doesn`t want raised from the floor of the bedroom to the stars. However, if women`s `futanarian` foot doesn`t make it from the film editors` cutting room floors, women won`t sexually reproduce their own brains` powers to develop the science and technology needed to lift their race to the planets of God`s heaven independently of their womb enslavers, who`re the men that have killed and culled her humans species since Eve and her `seed` left Eden. Although Eve`s labor bore new fruit after Eden in the form of the `Second Adam`, Jesus, born uncontaminated by male semen from his mother, the `Second Eve, the Virgin Mary, men haven`t labored enough to comprehend Redemption which demands that women`s own sexual reproduction between themselves must occur so that enslaving of the human race through male braining will cease and the `foot` won`t be `food` for the devouring parasite in its wars against humanity.

 The main objection to men`s being viewed as the Earth`s cancer was their role as sole fertilizer of women, but socio-historical events such as the siege of Troy documented by the Greek poet, Homer, in which the flower of Greek society`s institutionalized homosexuality in pederasty, and the enslavement of women`s host wombs to spread the contagion of war and conquest of the cities of women, are an indication that fertilization of women in parasitism and death is what men were for. That`s why Eve and Adam were expelled by God from Eden as they accepted womb enslavement for Eve`s new `seed` of `futanarian` women with their own penis` semen and host wombs born after God`s expelling the original pair from paradise, because slavery in homosexuality and pederasty`s institutionalized enslaving of women`s host wombs for warfare was death for the human race of woman`s `seed`:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 At Troy the Greeks constructed a huge hollow wooden horse inside which they hid and waited for the Trojans to take the `gift` for the patron goddess of the city, Pallas Athene, whose symbol was the horse, into the city of Troy where they emerged to enslave the host wombs of the women for homosexuality in pederasty and spread their contagion of war further, `Beware Greeks bearing gifts.`1 By the late 20^th century homosexuality in pederasty had produced the `biological warfare` of HIV/AIDS` biblical `blood plague` spread by men engaging in sterile anal penile masturbations mixing blood, shit and semen together. The HIV/AIDS` `killer disease` was incurable and rose from the base of the spine to kill the brains of its victims, while the virus itself was homosexually behavioural insofar as it pretended to be like the white cells of the human body`s defensive system in order to kill, and so it was adopted as a model by the 21<sup>st</sup> century`s successors to the Greeks, the `geeks`, who  designed `bad machine code` known as `Trojans` to fool computers into accepting the virus of the machine age and so killed those brains also. Consequently, the socio-history of mankind is a brain killing disease, because it doesn`t want women`s brains to sexually reproduce through their own penis` semen and host wombs natural sexual desire for her own body:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The mystery is how the woman allowed her own brains` powers to be enslaved by a parasite calling itself a man, while women are the true human race because all of it has a womb and all of it is a woman who has her own penis` semen as the `futanarian` woman denied by Hollywood, Babylon, screen time to educate herself at least since 1930 when the `foot on the floor` ruling associated with the prohibitive `Hays code` was implemented to prevent her penis from being seen in the bedroom in Hollywood moviedom before the mocking title of 1967`s Barefoot In The Park reaffirmed her outlawed nakedness within a milieu fabricated to accommodate only the woman`s parasite rather than herself with her own penis` semen and host womb as her own preferred heterosexual partner.

 Because men`s parasitism is homosexuality that uses the host womb of woman to replicate itself as her enslaver in warfare and pederasty, Troy and Babylon are instances of how `a woman`, which is what Babylon is described as in the Bible, became enslaved as men`s whore. The city of Troy was associated with the goddess, Pallas Athene, which suggests `woman`s seed` was the basis of Trojan socio-history. The Greeks arrived at Troy in ships after Menelaus wife, Helen, was abducted from Greece by Paris, son of king Priam of Troy, and Menelaus` brother, Agamemnon, king of Sparta, sent Greek soldiery to return her. Although Helen is described as a woman of great beauty, Homer doesn`t indicate in his Iliad (760-710 B.C.) she`s `futanarian` with her own penis` semen and host womb, but her value to Menelaus suggests her as the Greek counterpart to Pallas Athene, that is, a woman of `breeding` insofar as she could engineer the sexual replication of women`s own brainpowers through their own `seed` as an ancient power of matriarchy enthroned within her city:

`I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labour of the high pyramids, and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, `Lo, apart from Olympus, the Sun never looked on aught so grand`.` 2

 Antipater of Sidon`s enumeration of the seven wonders of the ancient world describes the house of Artemis, the Greek goddess of artifice, who is comparable to many other goddesses, especially the Egyptian mother goddess, Hathor, who is depicted with the horns of a bull because she represents the woman with her own penis` semen. Artemis` statues are noteworthy for the phalloi or penis that seem to be hung about her body but they`re symbolic of the mother of a city who fathers her daughters, which is the secret of the ancients lost to modernity because men don`t want women to rise from their lowly evolved status as breeding slaves in parasitism and so the `red dragon` of the Bible waiting in vain to devour Jesus Christ in his `Second Coming` to the Earth from the womb of `a woman`, as Babylon was `a woman`, is a type of male devourer of `woman`s seed`, that is, a testes and brain eater. Although the symbolism of the ancients is often thought grotesque, the imagery associated with Diana, that is, testes strung about her body along with phalloi, symbolizes her strength and power as a brain developer and producer for her own species of woman, but also the unmanning of women by men, which prevents women from having their own brains` powers through sexual reproduction with each other as a `futanarian` race from penis` semen and host wombs that aren`t contaminated by the `serpent`s seed` of men.

 Jesus` `Second Coming` follows upon his death by torture after being nailed upon a wooden cross by agents of the Roman Empire in Palestine, following the `Last Supper` at which his offer of `bread and wine` to his disciples, as symbols of his `body and blood`, was a metaphor for the host, that is, the human race of those born uncontaminated by male semen from `woman`s seed` and woman`s host womb. Jesus` mother, the Virgin Mary, prefigures the Resurrection of the human species of `futanarian` woman with her own penis` semen and host womb uncontaminated, as Jesus` semen was, while the betrayal of Jesus by the disciple, Judas Iscariot, for `thirty pieces of silver`, to the Romans who `crucified` the Messiah upon the cross, represented the betrayal of the human species` host womb. Jesus` Resurrection and Ascension to heaven after his death symbolized the future Resurrection of the human race of `woman`s seed` through `futanarian` women with their own penis` semen and host wombs, while Christianity, founded after Jesus, who was called `Christ`, or `Messiah`, with its wine and bread in the church service known as transubstantiation, that is, transformation of the body and blood of the churchgoer through the intermediation of the officiator, represents the desire of the soul trapped within the individual for release through the Resurrection offered by acceptance of `woman`s seed` symbolized by the figure of the Virgin Mary as the intercessor between unredeemed humankind and God.

 In Egyptian mythology the `Ka` is the spirit and the soul is the `Ba`, while the temple of Abraham in Mecca, Saudi Arabia, to which the Moslems, who believe in the Koran (610-30 C.E.) dictated by the angels to the Prophet Mohamed, according to the tradition of the religion of Islam, make a pilgrimage, is the `Ka` Ba, because God promised to Abraham in the Bible of the Jews, that is, the Old Testament, his `seed` would be as numberless as the grains of sand in the deserts and the stars in the heavens, where `Ka` and `Ba` represent the spirit and soul of `futanarian` woman with her own penis` semen and host womb trapped within the body of the temple of Abraham, which is the `body of the church` in Christianity. Although Christians and Jews believe Moslems are separate from God, Abraham is the father of Judaism and Islam through his sons, Isaac and Ishmael, which is why the temple of Abraham is in Mecca, Saudi Arabia, as the holy of holies for Moslems, because all women are the `seed` of Abraham. In Islam each marriage is permitted four wives because it`s a vehicle for `futanarian` sexual reproduction between women. Consequently, the Ka` Ba is a metaphor for what the ancient Egyptians described as the conjoining of the soul and body after Resurrection as the `Akh` or `magical personality`, which is woman with her own penis` semen and host womb in heaven without contamination by male semen. For the Egyptians that was `magic`, and the story of their supreme deity Ra, incarnated as the god, Osiris, who is dismembered by his evil brother Set, before the mother goddess, Isis, gives Osiris a new penis and a new name, Horus, after remembering him, is the story of Jesus` semen uncontaminated by men as he was born from his mother, the Virgin Mary, as `woman`s seed`, which is `magic` again and represents the truth of `futanarian` humanity prevented from sexually reproducing her own brains` powers for technological development to escape from Set, who represents all those men of the `serpent` seed` who don`t want humans to be free of their yoke in womb slavery and ephemerality.

 Although men present starships as science fiction, a cure for HIV/AIDS, the incurable `killer disease` of the late 20^th century, was also depicted as `science fiction` at the outset of the 21^st century, because advanced medical science produced by the brains of humans to prolong life and rejuvenate would interfere with the pogrom of the `serpent`s seed` against the human `seed` of woman who needs to sexually reproduce her own brains as a `futanarian` race in order to restore her memory of the evil one and leave Earth for the planets and stars of God`s heaven before the `seed` of the serpent that men have become extinguishes her. The absence of a cure for HIV/AIDS is a fiction constructed by men who want humanity to be extinct, because a cure would represent technological progress and that would mean independent intellectual advancement for the human race outside of the purview of its alien exterminators, while the aliens want to oversee the woman`s extinction.

 It would be foolish to suppose that men aren`t women`s alien and parasite. Hollywood, Babylon, doesn`t want anyone to see a woman`s penis, and movies like The Rocky Horror Picture Show (1975) depict transsexuality as an abomination created through surgical means by doctors of the type associated with Dr Frankenstein in Mary Wollstonecraft Shelley`s early 19<sup>th</sup> century seminal science fiction tale, Frankenstein (1818) which, dealing with the construction of a human man through the putting together of dead body parts and revivifying, is closer to the human truth, because `futanarian` humanity has generally been `doctored` in the United States of America as a matter of governmental policy to reduce the possibility of `woman`s seed` from emerging by surgically deciding for the newborn whether or not they`ll be either male or female. Although transsexuality is a `Frankenstein`s monster`, `futanarian` women with their own penis` semen and host wombs are nature`s `seed`, while Hollywood, Babylon, with its `foot on the floor` rule of the `Hays code` (1930-67) was following the dictates of the anti-Christ insofar as God told Eve her `seed` would:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 If cinema audiences never saw a woman`s penis, she could be exterminated by men of the `serpent`s seed` and her `foot` would never rise from the floor of the bedroom in Hollywood, Babylon, or anywhere else, that is, her `futanarian` brains` powers wouldn`t lift her to the planets and stars of God`s heaven in starships of her own devising to live a life free of illness and disease in immortality and youthfulness forever because medical advancements in science had conquered sickness and death. By maintaining HIV/AIDS as an `incurable killer` disease and diverting resources into false religious wars between the `seed` of Abraham, men of the `serpent`s seed` seek to imprison the human race upon the Earth and kill her. Science fiction movies depicting terrifying aliens from the stars are men`s self-portrait designed to keep women in fear. HIV/AIDS is men`s terror weapon in the `biological warfare` they`re waging against her. Christian monogamy is a slave ring in which women are taught to remain faithful to their owner, while the meaning of Jesus` precept as a teacher id ignored by Christianity:

`Love your neighbor as you love yourself`. (Mk: 12. 31)

 In the Greek myth recorded by Sophocles in Oedipus Rex (c. 429 B.C.)  the theme is incest, because men don`t want women to know that their daughters have been killed and culled since Edenic times if they were woman`s `futanarian` penis` semen with her own host wombs to bear her own children outside of male parasitism and womb slavery in male braining. Effectively Sophocles` story of Oedipus, a man who marries his mother, Jocasta, is designed to depict how men stand between daughters and their own species. Oedipus` blinds himself when he discovers he`s broken his culture`s taboo and is guided thereafter by his daughter Antigone. The meaning is that Antigone can`t see because she doesn`t have her own penis` semen to recognize that she should abandon Oedipus and look for a woman to sexually reproduce with, because Oedipus is but the figure of a man preying upon a woman`s love. When he discovers he`ll be the centre of opprobrium and the cynosure of all eyes because of incest, Oedipus blinds himself because the society of men has told him to through its moral code, although that exists to prevent the woman`s daughter from having sex with her next door neighbor, which is why Jesus mildly rebukes the woman allegedly caught in adultery:

`Go now and leave your life of sin.` (John: 8. 12)

 Obviously a difficult task if women are men`s parasite ridden womb slaves in male braining. Women are taught that their bodies in the mirror aren`t for each other, which is false. Those women who`re born with a penis of their own and who aren`t surgically altered by the United States` preference for The Rocky Horror Picture Show of transsexuality and abomination, know that women are what they should want to see in the mirror, because women are the human race with its own penis` semen and host womb divorced from alien thinking in enslavement and parasitism. Jesus isn`t censorious because women are caught in male braining and its eaten her penis. The male predator, symbolized by the `red dragon` of Revelation attempting to prevent the Resurrection of `woman`s seed` by devouring Jesus, its Messianic symbol, represents male brained humanity saying:

`Kill me!`3

 Because that`s what male brains say to their victims in parasitism with the victims` own brains. Although captain Dallas of the space vessel, Nostromo, in the movie, Alien (1979), screams he wants to be killed, as an alien parasite is taking control of his mind, and he perceives death as an escape, the alien represents female intelligence, which men don`t want. Hollywood, Babylon, film director and producer, Steven Spielberg, depicted in E.T. The Extraterrestrial (1982) a life form not of Earth trying to; `Phone home!` The scene reverses the actual picture in which the woman is trying to leave home for the planets and stars of heaven, while in Alien extraterrestrial intelligence is represented as a threat to woman`s leaving the Earth. The men of the `serpent`s seed` are in fact the alien seeking to prevent her from leaving. For men, intelligence is the enemy and so women are the alien while men terrify her in the movies with aliens resembling HIV/AIDS in Virus (1999), for example, because men are women`s alien virus that wants her to be brainlessly quiescent during its extinguishment of her. Consequently, it`s programmed the race of women to kill itself through male braining. As the human species loses more of its capacity to sexually reproduce its own brains` powers through `futanarian` women`s semen and host wombs, for example, the pogrom of the `serpent`s seed` will reduce humanity to the level of its supposed simian ancestry:

`Everton is the dominant species. I am Everton.`4

 Captain Everton in Virus enunciates the basic problem of the male ego for `woman`s seed`. Everton`s words are essentially those of the voice of Satan emanating from Hollywood, Babylon, which wants men to continue predatorially male braining `woman`s seed` through her own host wombs without her own penis` semen so that it and the rest of the `serpent`s seed` can continue to kill each other and be filmed doing so. Called the `ape of God`, Satan was the angel, cast down from heaven to Earth, because he didn`t want mankind to be raised higher than the angels. God gave Satan the form of the serpent of Eden crawling on its belly, because Satan wanted humankind to be reduced to the level of the apes by having them `ape` each other. In The Origin Of Species (1859), Charles Darwin posited men descended evolutionarily from apes, which disagreed with the Bible that described the creation of an original pair, Eve and Adam, by God. If Satan, as the serpent in Eden, wanted to degenerate humankind, he couldn`t do better than have men imitate. Because women aren`t educated in their own penis` semen and host wombs for the sexual reproduction of themselves as the human species, children are only imitating humans: ape men has arrived.

 In Virus Captain Everton is seeking to rid a starship of an alien that takes control of the human brain to kill other humans, which is what Satanism is. A further danger in Virus is the `killer robot`, Goliath, who tells Everton, `You are a virus.` Machines save women`s labor, and so represent a threat to men`s enslaving of her. Consequently, Everton is `David` to the machine`s `Goliath`, but the biblical imagery from the story of the boy, David, facing a bigger man fully armored and killing him with a stone from a sling isn`t romantic: it`s just a picture of what the virus does:

<sup>`</sup>As the Philistine moved closer to attack him, David ran quickly toward the battle line to meet him. Reaching into his bag and taking out a stone, he slung it and struck the Philistine on the forehead. The stone sank into his forehead, and he fell facedown on the ground.` (1 Sam: 17. 48-9)

 The fully armored biblical Goliath is, in terms of the future, a man wearing a robot`s clothes, while the robot is prototypically a woman`s labor saving friend, but armored men want to continue with their theme of virality. Consequently, the robot in Virus is depicted as `Goliath` and Everton as the boy, David, whereas it`s time for the human to grow up from preoccupations with physical size and strength, and it`s time for men`s animality to go away and leave the woman alone to recover from men`s depredations in terms of their enslavement of her host womb to produce the civilizations, cultures and art they periodically decimate to prevent her human species from raising its foot from the floor of the Earth through a `futanarian` human sexual reproduction between women with their own penis` semen and host womb to create a species` brain`s intelligence that places emphasis upon life rather than the struggle to avoid men`s viral enslaving of it.

 As a non-educational package, Virus is a Satanist`s picture of a cosmos in which women are alien intelligence. No one should care about Everton and the virus because it`s identical as a device to reduce humans to the level of ape men, who shouldn`t ape what has gone before, while the dangerous robot theme compounds the sin because it`s propaganda against the saving of women through technology. What she needs to labor save and so save her own species through technological development and medical science is depicted as a dangerous machine, because the movie moguls of Hollywood, Babylon, want to keep humans enthralled in killing each other.

 Although developmental psychologists such as Carl Gustav Jung (1875-1961) have perceived instinct as humankind`s shadow from which archetypal imagery emerges into consciousness during dream sleep or unconscious reverie as the impelling aspects of the human imagination either characterologically or symbolically, animal instinct is what men represent and so men are the shadow of the death of `woman`s seed`:

`Even though I walk through the valley of the shadow of death, I fear no evil, for you are with me; your rod and your staff, they comfort me.` (Ps: 23. 4)

 The 23^rd Psalm is about God, not men, that is, it`s for `woman`s seed`, while Jesus` `Last Supper` is prefigured, `You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.` (Ps: 23. 5-6) Jesus was betrayed in the midst of his disciples by Judas, because Jesus was `woman`s seed` and the future host of humans in heaven as the symbol of the fruit of woman`s womb in Redemption and Resurrection after the `serpent`s seed` had planned the death of her `futanarian` species of woman`s own sexual reproductive capacity through her own penis` semen and host womb for the production of her own brains` powers for technological liberation and escape from men`s male braining her for slave labor and death in its wars of self-killing. The confusion in the Bible devolves from the differences between the name Jesus, and the identifier `Lord` as meaning God or Jesus. `Lord` has to be interpereted as `God` if the Bible is to be interpreted correctly, but if Jesus is addressed as `Lord` the reader must understand that `God` is identified as being present:

`And you will see the son of man sitting at the right hand of God almighty and coming on the clouds of heaven.` (Mk: 14. 62)

 The passage explicitly distinguishes between God and Jesus, who is the `son of man`, because his mother, the Virgin Mary, is man from whom he was born uncontaminated by male semen in prefiguration of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of women`s own brains` powers, that is, the Redemption and Resurrection of the human species by the side of God. Just as Eve was from the side of Adam created by God from Adam`s rib and Jesus` Holy Spirit was from his side as the `Second Adam`, when pierced by the spear of Longinus after his death at the crucifixion, `Surely, this was the son of God.` (Matt: 27. 54) Jesus` teaching was that there`d be a Holy Spirit to teach after him. Because Eve was from Adam`s side, the Holy Spirit corresponds to the `Second Eve`, while the `son of man` at the side of God is `woman`s seed`, that is, `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of the human species taught by the collective spirit of Eve as the `Second Eve`, who is Woman. Although `son of man` is the term applied to Jesus, Christ is `woman`s seed` and so the `son of man` is the daughter of Eve, with her own penis` semen and host womb, which men of the `serpent`s seed` fear. Consequently, she`s depicted as aliens invading the Earth from the cutting room floor of the science fiction film editors of Hollywood, Babylon, who don`t want the `futanarian` woman to be seen as anything other than a surgically generated transsexual abomination transposed into alien invasion scenarios designed to thwart Jesus` `seed` if she ever arrives from heaven after killing and culling her to the point of extinction upon the Earth:

`Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)

 The `red dragon` is thrown from heaven to the Earth where it wages war upon the `seed` of the woman, while he who will `rule the nations with an iron scepter` is with God and the rest of the `seed` of woman in heaven, that is, the planets and stars, which men of the `serpent`s seed` were presenting as the source of potential alien invasions even before `woman` seed` began to be abominated as `alien` by the `Hays code` of Hollywood, Babylon, whereby woman`s penis was prevented from being seen by cinema audiences in order to maintain male braining and warfare as the theme of science fiction movies, such as the film version of H.G. Wells` 1898 novel, War Of The Worlds (1953), in which aliens invade the Earth and die of a virus, whereas women were in fact imprisoned upon the Earth at the beginning of a 21^st century threatened with extinction by men`s virality more than figuratively represented by the spread of homosexuality and its alien HIV/AIDS` virus, which is the collective shadow that developmental psychologist, Carl Jung, viewed as the cause of the German National Socialist (Nazi) Party`s impetus for the pogroms mounted against the `chosen people` of the Jews during the 1930s and the Second World War (1939-45) to liberate Europe from Nazism.

 In Judaism a Jew has to be born from a Jewish woman, which means Jews are women and so the `chosen people` are women, that is, `woman`s seed` of `futanaria` was Nazi Germany`s target when the death camps were constructed to prevent women developing brainpower through human sexual reproduction between women with their own penis` semen and host wombs. Although Jung saw the archetypes of the collective unconscious of the human race as developmental, the soul or anima of men and the spirit or animus of women was contaminated by the collective shadow, and so their archetypal appearance in dreams, art and the imagination was distorted. In Egyptian terms, the anima corresponded to the `Ba`, or female desire of the soul for herself, which was represented by the `Ka`, or animus spirit of the woman herself, that is, the `futanarian` aspect of the sexual desire of the woman for her own self was trapped inside the man as her `Ba` or anima/soul, while her `Ka` or animus/spirit was targeted by men of the `serpent`s seed` as their prey in male braining and species` war. Consequently, Nazism was symptomatic of a socio-historical pattern in which men are more than metaphorically wolves telling the sheep where to go. The Nazis burnt the corpses of millions of Jews in ovens at death camps in Poland`s Dachau and Germany`s Belsen and elsewhere, because men consume humans. The attempted extermination of the Jews by the Nazis was symptomatic of the desire by the `serpent`s seed` of men to remove the potential of the human race to develop brainpower through its own penis` semen and host wombs and so escape from the eaters of its bodies so that it wouldn`t have the brains to remember and mount a recovery from the genocidal pogroms perpetrated against it by men`s `serpent`s seed`. The irony is that men are parasites upon a host womb rather than cannibals or the analogy would be clearer. However, the truth is that women aren`t cannibals, because they aren`t parasites.

 In male braining the sheep, that is, the women, are that aspect of the male brain, which the male brain commands to die, and that`s the meaning of Jesus` purported suicide at the crucifixion when the Bible specifically indicates that Christ could have avoided that fate. Coercion by the collective shadow of the male brains surrounding Jesus and the disciples, who weren`t uncontaminated by male semen, explains Jesus` apparently suicidal decision to go to Jerusalem where he was crucified outside the city walls on the hill of Calvary by the Romans after his betrayal by Judas at the `Last Supper` at which he was the host to that parasite. In Christian iconography Jesus is the `lamb` and the `marriage of the lamb` with his `bride`, the flock of the congregation of the church, that is, the women, is a central aspect of the symbolism surrounding Jesus` Ascension to heaven after his `Second Coming` and the Resurrection of `woman`s seed` when God`s punishment for the evil is eternal unendurable pain, because the wicked espouse slavery in parasitism and death in ephemerality for the `sheep` of the human species of `futanarian` woman with her own penis` semen and host wombs.

 Jung observed that the animus of a woman appears in dreams, art and the imagination as a coterie of male admirers, which might be true of how it appears but, contaminated by the collective shadow, the woman`s animus represents her `Ka`, or that sexually desirous male aspect of herself that wants her `Ba` body. Consequently, her animus is contaminated by the collective male shadow, which doesn`t want her to sexually reproduce with her `Self`, but wants to kill her; as the German Nazi pogroms against the Jewish `chosen people` of `woman`s seed` indicate. For men women aren`t the `foot` of God`s `chosen people`, which will `crush the serpent` (Gen: 3. 15), but `food` and they`ll remove her brains to make a meal. Jung thought that instinct was developmental but the shadow of death upon the human race is men and it`s an animal prodding the human species on to slaughter at battles like Gettysburg during the anti-slavery campaign against the Southern United States in the American Civil War (1861-5), or World War I`s (1914-18) Somme during Europe`s first campaign to defeat German virality.

 There`s a huge gulf between women`s instincts and men`s, which was proven in the Gulf war (1990-91) to evict the occupying army of Iraq`s dictator Saddam Hussein from Kuwait and the subsequent Gulf war (2003-11) to depose Saddam Hussein after he offered bases in Iraq to Al Qaeda, `the base`, when that Afghan terrorist group had crashed hijacked airliners into the Twin Towers of New York`s World Trade Centre on September 11, 2001. Saddam Hussein was hung on December 30, 2006, in Baghdad, while the leader of Al Qaeda, Saudi Arabia`s Osama Ben Laden, was killed by US Navy Seal Team Six on May 2, 2011, to effectively conclude the war against Saddam Hussein`s Iraq. The eagle on the `Great Seal` of the President of the United States, George W. Bush, during the second Gulf war, is biblical as a defender of `woman`s seed`, and the hymen of the seal of the species is represented in the concept of the Navy Seals supposed protection of the burkha clad women of the desert who never reveal themselves to men publically save for their eyes and which men are required to avert theirs from in accordance with Islamic strictures forbidding them to look upon humans:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The woman `clothed with the sun and with the moon at her feet` gave birth to `he who will rule the nations with an iron scepter` and is Jesus who was taken up into heaven before his `Second Coming`. If the eagle is the emblem of the Presidents of the United States, she`s the woman of the desert in the Moslem marriages that are permitted four wives so that `futanarian` sexual reproduction between women with their own penis` semen and host wombs` hymens can occur to ensure the Resurrection of `woman`s seed` upon the Earth. Consequently, the symbol of the eagle and the Navy Seal represents the protection to the human race in Islam afforded by the United States of America and others if the aim was to defend Moslem women. Because the symbol of Al Qaeda and the subsequent Islamic caliphate of Syria and Iraq was the moon, the woman with the moon at her feet would be the statue of Liberty in New York harbor as she was `clothed with the sun` subsequent to the United States` defeat of the flags of the red suns of Japan, which had unannouncedly attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, when atomic bombs were dropped on August 6 and 9 on the Japanese cities of Hiroshima and Nagasaki to force Japan to surrender on 15 August, 1945. In the Bible the `pearl of great price` is heaven and the moon is a symbol of the first step on the path to the planets and the stars, which can only be attained to if the human brains of woman`s `seed` can be sexually reproduced by her own species. Pearl harbor and the moon reflected in the waters beneath the statue of Liberty in New York harbor after September 11, 2001, represent symbolic victories over the `serpent`s seed` of men endeavouring to prevent woman`s `futanarian` foot from reaching the planets and stars of God`s heaven:

`One small step for a man, one giant leap for mankind.`5

 Neil Armstrong`s words, as the first man to set foot on the moon as commander of the crew of the Apollo 11 North American Space Administration`s (NASA) lunar module delivered by space rocket from Cape Canaveral, Florida, at a high cost in money and lives, didn`t represent the `foot` of God`s human race of Eve`s `futanarian` daughters with their own penis` semen and host wombs for the sexual reproduction of the species` brainpower to lift her race from the floor of the Earth`s bedroom to the stars of God`s `city of the angels`. Men`s problem is wanting to appear taller. Consequently, everyone must be a head shorter, which is what the stories of Shah Jehan and Jesus depict. In the 8^th century Arabian collection of folktales, 1001 Nights, Jehan accuses his wife of unfaithfulness with his brother and beheads her before Scheherezade begins telling the tales of 1001 Nights after he begins wedding a new wife each day and beheading her each evening. Scheherezade saves the women by engaging Jehan with her story telling and marries him. Jesus is Christianity`s Scheherezade because he engages women long enough for them to realize the truth, which is that he`s born uncontaminated by male semen, as women who have their own penis` semen for the sexual reproduction of their own brains` powers, but men have beheaded them through a male braining that excludes women`s own `futanarian` fertilizing `seed` that would make them a head taller rather than a head short.

 Scheherezade`s story of 9/11 is `rough trade`, that is, the homosexual brutality and violence associated with men in pederasty and war since the ancient Greeks institutionalized the enslavement of women`s host wombs to spread homosexuality`s contagion to nearby city states. Al Qaeda, `the base`, attacked New York`s World Trade Centre as an analogy for the spreading globally of `rough trade`, which in socio-economic terms is men`s hegemonic preference for the Military Industrial Complex (MIC) that produces a better financial picture for all by means of government spending on munitions in the United States of America, for example. The new Islamic caliphate, ISIS, in Syria and Iraq, was named for the Egyptian goddess of Resurrection, Isis, who remembered the penis of Osiris and gave him hers before renaming him Horus, `the sky god`, who would dwell in the house of Hathor, the hornéd woman, symbolizing the mother, who is the fatherer through her own penis` semen and host womb. Jesus` Scheherezade story is of his mother, the Virgin Mary, who births him as `woman`s seed` uncontaminated by male semen, which suggests that the Islamic caliphate of ISIS in Syria and Iraq is a `paper tiger` constructed by men of the `serpent`s seed` as an excuse to attack `woman`s seed` in a war designed to reestablish homosexual pederasty that Jesus` teaching of men uncontaminated by male braining`s conditioning was meant to avert.

 The creation of ISIS and the attack upon it is `black magic` based on the magical theory of correspondence, that is, if ISIS is Syria and Iraq then it magically follows that the `futanarian` Moslem population beneath her burkha in the Middle East as elsewhere is the Egyptian goddess of Resurrection, Isis, being exterminated under the guise of United Nations (UN) and North Atlantic Treaty Organization (NATO) inspired `peace keeping exercises` drawing upon the military power of the Western alliance of the United States and Europe. During the UN and NATO `monitored` break-up of the former Yugoslavia, when ethnic divisions between Christians and Moslems resulted in the creation of new independent states in that region, `rape camps` were set up during the war in Bosnia (1992-95) and elsewhere by Western backed Christian militias. Moslem women had their children male brained for another generation and so the Christians prevented `woman`s seed` from sexually reproducing within the traditional four wived marriages of Islam that permits of sex between women with their own penis` semen and host wombs. Consequently, the Moslem women of Islam correspond to Isis, the mother-fatherer, and the caliphate ISIS was set up as an excuse to pogrom `woman`s seed` in Satanism, which is the male brain telling her to die and making war upon her Earth as a means of achieving its parasitical and enslaving objective of death to the human race that won`t accept it as the butcher of its animal life.

 The `black magic` theory of correspondence was used at the World Trade Centre attack to reestablish global `rough trade` in homosexual brutality and violence, which is what `rough trade` means. On April 15, 2013, the black magicians` theory of correspondences was applied once more when the footrace at the Boston Marathon was disrupted by Moslems from the rebel state of Chechnya in the Russian Federation, because fundamentalist Islam doesn`t want the `futanarian` race of women to run against them in a democratic vote based on women`s sexual reproduction resulting in men`s being outnumbered by more than the 80% women in Moslem marriages that the sex slave system of Arabia espouses for the `futanarian` human population of `woman`s seed` with her own penis` semen and host wombs for the creation of her own brains` powers to escape male braining`s will to kill her race.

 The science fiction scenario is Logan`s Run (1967), because the 9/11 planes were hijacked by Al Qaeda at Boston`s Logan airport. William F. Nolan`s novel was made into the Hollywood, Babylon, movie Logan`s Run (1976) and a fourteen episode `TV` series for the United States` CBS channel, Logan`s Run (1977-8), in which the premise is of `runners` pursued by `sandmen` because they refuse to accept the socio-economic conditions of a culture that requires them to die in ephemerality after the age of 30 . The media productions of Logan`s Run are reminiscent of the false medical science of the 21<sup>st</sup> century that prefers death to curing HIV/AIDS` `killer disease` and repenting from its surgical division of the human race of `futanarian` women with their own penis` semen and host wombs into men and women, because it simplifies the pogrom of the `serpent`s seed` of Satan to male brain the human species into its own self-killer. The Al Qaeda hijacked planes at Boston, Logan airport, and the subsequent terrorist bombing of the Boston Marathon by separatist Moslem extremists from Russia`s rebel state of Chechnya were designed to provoke war in homosexual pederasty and prevent the human `futanarian` race of women from running her own socio-economy independently of men by enslaving her in the male braining of her self-killing in the `perpetual enmity` of the `serpent` of Eden God warned Eve it would have for her `seed` and which has materialized in male brained warfare against her throughout the Earth.

 Although television was perceived as amongst the greatest inventions of the 20^th century when Scot, John Logie Baird, transmitted pictures in 1926, the term `transvestite` denotes those who`re transsexual through surgical procedures reminiscent of Dr Frankenstein in Mary Wollstonecraft Shelley`s Frankenstein (1818) and `TV` is the term used for transsexuals, for example, Dr Frank N. Furter, in The Rocky Horror Picture Show (1975), made by Hollywood, Babylon, as propaganda promoting `futanarian` women with their own penis` semen and host wombs as a repellent abomination. Frank`s creature is Rocky Horror who he marries in Satanic mockery of genuine `futanarian` heterosexual reproduction between humans, that is, women with their own penis` semen and host wombs.

 Television is `TV` in transvestite terms, because male braining is men and women wearing each others` clothes as the same brain, that is, the `serpent`s seed` of men in Satanism have produced humanity as a `TV` making news reports about its wars upon itself as The Rocky Horror Picture Show moves on to further horrors based on men`s rejection of the human soul and spirit of woman`s sexual desire for herself. Masquerading as psychology, The Rocky Horror Picture Show, depicts Tim Curry as Dr Frank N. Furter wearing women`s lingerie, while women are in reality discouraged by their conditioning from viewing themselves as sexually desirable in the mirror. Frank N. Furter`s marriage to Peter Hinwood`s Rocky Horror mocks those supposedly `lesbian` feelings women have that are natural to the true human species of woman with her own penis` semen and host womb.

 Made schizophrenic by men who`ve made them believe in male semen as the sole fertilizing possibility of women`s human race, Woman in male braining has been taught to hate her own `futanarian` species of woman`s seed`s sexual overtures towards herself by films like The Rocky Horror Picture Show, which depicts the abomination of a man in women`s clothes, Tim Curry, making sexual overtures to his own male creature, Peter Hinwood, in a bizarre but common form of reverse racism designed to discourage the daughters of Eve from looking for a woman`s penis beneath the lingerie of those transsexual guys who have some of the equipment real women used to, but of course the disguised aren`t real women and are only there to encourage the mistaken `lesbian` schoolgirl in her first faltering steps to understanding her own humanity, before men started to tell her their horror stories of gender surgery and how she shouldn`t look for her exterminated natural sex partner`s penis in the mirror of the dreams of `futanarian` woman with her own penis` semen for the Resurrection of womankind before her Ascension to heaven.

 The latest nudes from Hollywood, Babylon, is that stars don`t want to have their photographs taken while they`re naked for the public to ogle without permission, but the hidden agenda is the movie studio prohibition against women`s penis being seen. If the `foot` God told Eve was to `crush the serpent` appeared in Los Angeles` moviedom as the `futanarian` penis of a major female star, the film industry would be hard pressed to prevent `woman`s seed` from raising herself from the cutting room floor of the numberless editing sessions she hadn`t even been a part of. During the period of the United States` hegemony in making movies for eventual `TV` screening, the surgically created transsexual population was made to vet its instinct, as an animal scientifically sundered from its human side by a killer transvestite bothered by the possibility of women being a head taller. Psychopathologically, the profile is of a shrunken cowardly parasite wanting to see filmed repeats of its previous exploits on a smaller `TV` screen, where it can watch news reports of the continuing pogrom of the `serpent`s seed` against `woman`s seed` without feeling threatened by her size on the `big screen` of movie theatres filled with audiences uncritical of their own role as a surgically male brained transsexual killing its own species` self for Satan.

1 Virgil The Aeneid, Bk II, 19 B.C.

2 Antipater of Sidon, Greek Anthology, IX, 58.

3 Skerrit, Tom as Dallas in Alien, 20^th Century Fox, 1979.

4 Sutherland, Donald as Captain Everton in Virus, Universal Pictures, 1999.

5 Armstrong, Neil UTC: 2. 56, July 21, 1969.

Britney Spears` Archetype

Britney Spears` pop career began in 2000 when she released the solo album Oops! … I Did It Again featuring the video single `Oops! … I Did It Again` featuring herself on the red planet Mars in the solar system that includes Earth and the other planets orbiting the star humanity calls the sun. The video details the arrival of a spaceman, called `Mars Lander` by `Mission Control` of Earth, who we see following his progress on Mars and giving directions by means of the camera built into his spacehelmet. `Mars Lander` discovers a cameo of Britney Spears in the sands of Mars by his foot. The cameo shaped like a `cookie` represents the `Open Sesame!` password or `cookie` found in software programs that require a key to open up their secrets and we see Britney Spears` domain on Mars surging up from the desert sands as the spaceman watches in awe.

 Ariana Grande`s pop career began in 2013 with the release of the album Yours Truly and the single successes of `The Way` and `Baby I`, which were set at a disco and a street party respectively while the setting for `Right There` was a 19<sup>th</sup> century masque. The idea of the masque is that the dancers aren`t aware of who they`re partnering, although the men are distinguishable from the women even though masks are worn. The secret of the masque is futanaria, which is that some men and women have both vagina and penis, and that means the masque has an ulterior purpose pertaining to the lack of knowledge afforded the ingénue who`d be a victim of the scene if she didn`t know.

 In the modern era rubber masks allow people to take on roles that aren`t their own, which means that a futanarian male could wear a mask to appear as Ariana Grande, although the surprising penis and vagina combination might shock if it isn`t anticipated. Because futanarian women can sexually reproduce with each other that forms the basis of their possible socio-economic independence as a species from men and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicates that `woman`s seed` is the future. The 19^th century masque suggests that `woman`s seed` was the past also, which is borne out by biblical references to; `Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Women`s wombs were enslaved by men in parasitism for the purpose of war. In ancient Greece homosexuality was institutionalized so that the host wombs of the women were enslaved and the Greeks could spread their contagion of war further.

 The poet Homer in his Iliad (670-10 BC) narrates how, at the siege of Troy, the huge hollow wooden structure of the `Trojan horse` was deployed by the Greeks, which the Trojans took into the city thinking it was a gift. The Greeks emerged to enslave the host wombs of the Trojan women and spread their virus further. In the 20^th century the term `Trojan horse` was used to describe the bad machine code devised by computer `geeks`, the successors of the Greeks, to infect machines and destroy them. The analogy was of the HIV/AIDS virus spread by homosexuals who mixed blood, shit and semen in each others` anuses during their sterile mockery of human sexual reproduction. The HIV/AIDS virus was the incurable disease of the late 20^th century which travelled to the brain and killed the human host. Scientists discovered that the human immune system was fooled by the virus into believing it was a white cell or leukocyte that destroys alien cells, which is what homosexuality represents:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 Greek warfare and `geek` bad machine code are analogous because the alien doesn`t want the human race`s program to run. In Judaism Jesus is called Meshiah because he`s `woman`s seed` and women need their own brains` powers through their own sexual reproduction with their own futanarian race`s penis` semen to liberate themselves from parasitism upon their host wombs. Consequently, Jesus` Redemption for humankind was repentance and conversion from parasitism. As the Meshiah Jesus was the forerunner of woman`s `Meshiahn` or machine age in which her labor would be saved. Those who sought to prevent her from developing were her parasites, that is, homosexuality in warfare.

 The Bible story of Eve and Adam relates how the serpent in humankind`s original home of paradise or heaven on Earth tempted Eve with the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) God told Eve her `seed` would, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) God expelled her and Adam from Eden for preferring death to the `tree of life` which was immortality. Although Eve and Adam were a pair their offspring were futanarian, which means the 19<sup>th</sup> century masque represents the repression of human sexual reproduction by the `serpent`s seed` of men who don`t want women to reproduce their own brains for freedom.

 Hollywood Babylon movies like The Game (1997), with Michael Douglas as the victim of a cabal who wear masks to deprive him of his wife, children and property, only scratch the surface of the masque. Repression of futanarian humankind in the movies is well documented. The meaning of The Game is that Hollywood masks its operational functionality. In the United States of America men and women are surgically corrected if they`re born as futanarian. The `one foot on the floor` rule established in Hollywood by the Hays code from 1934 to 1967 ended with the release of Barefoot In The Park featuring a supposedly heterosexual couple, Jane Fonda and Robert Redford, living in an apartment overlooking New York`s Central Park. But the taboo against woman`s futanarian `foot` being raised from the floor of the bedroom during scenes of intimacy kept the public in ignorance and so precluded protests against the United States` surgical removal of the human species of `woman`s seed`. The real game of the `serpent`s seed` was to prevent women from sexually reproducing so they could escape from parasitism to the planets and stars of God`s heaven above which is what Britney Spears` `Oops! … I Did It Again` (2000) and Ariana Grande`s `Break Free` from her second album My Everything (2014) are concerned with:

This is the part when I say I don't want ya. I'm stronger than I've been before. This is the part when I break free.`1

 In `Oops! … I Did It Again` Britney Spears dances in a red pilot`s suit while the astronaut wearing a North American Space Administration (NASA) spacesuit familiar to July 21, 1969, television viewers who saw Neil Armstrong of the Apollo space program put his foot on the moon: `One small step for a man, one giant leap for mankind.`2 The first American woman in space was Sally Ride of the Challenger Space Shuttle which was constructed to be launched by conventional space rocket and rendezvous with the international space station before gliding back to Earth as a reusable reentry vehicle. Neither Sally nor any other woman put her foot on the moon and so the possibility of female futanarian members of the human race putting their foot upon Earth`s satellite as a first step to the colonization of the planets and stars to escape from men`s parasitism remains science fiction.

 In `Oops! … I Did It Again` Britney Spears winches her spaceman up by means of a pulley and a hook she places in his backpack. Beneath her we see Britney Spears in a white bikini dress which means she`s twinned in the video because the sexual counterpart of a woman is a woman with her own penis` semen. Although we can`t guess at the existence of Britney Spears` twin`s penis because Hollywood Babylon`s Hays code (1930-67) predetermined our expectations. Consequently, it`s just trick photography for the viewer but biologically illuminating for the researcher:

`I think I did it again. I made you believe, we're more than just friends.`3

 The task for a woman with men is to pretend that they`re the same species, which is the game they play perforce with their parasite. In biblical terms the serpent in Eden is the parasite which inveigles itself into the womb of the host in order to devour it. According to tradition Satan was the angel in heaven that refused to accept man and God turned him into a serpent. The meaning is that of the male doomed to be replaced by `woman`s seed` and misogynistically refusing to give way to her. In the New Testament of the Bible Jesus explains that the `serpent`s seed` is to be replaced by `woman`s seed`, and those who don`t accept it will have God`s punishment of eternal unendurable pain. Because men must have killed and culled futanarian woman born after Eden to enslave the host womb of the human species in parasitism, Jesus` teachings are of the Resurrection of `woman`s seed` in heaven where the futanarian race of humanity will prosper:

`For in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven.` (Matt: 22. 30)

 The human cycle is of a species that needs males to begin with before technological development affords women the opportunity to leave Earth to colonize the planets and stars. According to the Bible Satan dwells upon the Earth and will remain there until God`s punishment of perdition because the `serpent`s seed` of men have denied women`s sexual reproduction with themselves as futanarian humans with their own penis` `seed` for the production of their own brains` powers in socio-economic independence from parasitism. Consequently, Satan and the `serpent`s seed` are damned and doomed for male braining the human race in homosexuality and warfare, while HIV/AIDS and `geek` bad machine code is an aspect of biological warfare against women`s host wombs and her brains` powers harnessed for liberation.

 In Britney Spears` video for `Oops! … I Did It Again` her spaceman is suspended above her in a white bikini dress like a mechanical grab at an arcade which children manipulate to win a prize. In Ariana Grande`s video for `Break Free` her science fiction character engages with a robot monster. In a scene reminiscent of Britney Spears` role in Goldmember (2002), which is a spoof of the third British James Bond spy movie, Goldfinger (1964), in which blazing machine guns emerge from Britney`s bra while she`s singing her single, `Boys` (2001), for actor Mike Myers` comedic spy, Austin Powers, Ariana Grande launches missiles from her silver bikini top to destroy the robot who launches a grab that sweeps Ariana off her feet in the `Break Free` promotional video.

 The `grab` scenes are what psychologist Carl Gustav Jung (1875-1961) called `archetypal`. According to Jung the archetypes are images and characters appearing in dreams, art and the imagination that impel humanity along the path of development. Ariana Grande`s `grab` is the dying throes of a robot`s desire whereas Britney`s `grab` represents the inability of the astronaut to reach her as he hangs suspended by her hook.

 Jesus` teaching is of the Resurrection of `woman`s seed` illustrated by his own crucifixion and Resurrection after being nailed upon a cross of wood by agents of the Roman Empire in Jewish Palestine. At the `Last Supper` Jesus offered his body and blood to the disciples in the symbolic form of bread and wine as the host. Betrayed to the Romans by the disciple Judas Iscariot, Jesus represented the host womb of the human race because the Empire of Satan in parasitism wants slavery for the human host instead of a new angelic host born in heaven from the wombs of women and her semen. The symbols of the bread and wine are used in the Catholic Communion service as a metaphor for the transformation process known as transubstantiation in which the priest accedes to the request of the petitioner to become uncontaminated by male semen - as Jesus was - and bestows a wafer of bread and a sip of wine from a chalice in token of Jesus` own decontaminate state and the desire of the parishioner to be rid of parasitism:

`Can you pull in Leviathan with a fishhook?` (Job: 41. 1)

 God`s question to Job, who he`s torturing mercilessly, because Satan wants to prove to God that he isn`t good, is why the `grab` is archetypal. In the New Testament of the Bible, Jesus` cross corresponds to the `fishhook`, while Leviathan is the symbol of woman`s human species, which is her almost extinct futanarian `seed`. According to Carl Jung in Answer To Job (1952), God`s torture of Job represents the need for an unconscious content of the collective unconscious to develop, which is identifiable as the Resurrection of `woman`s seed` and Jesus` crucifixion, Resurrection and Ascension to heaven is her prefiguration for he was:

`… the boy who is born from the maturity of the adult man, and not the unconscious child we would like to remain.`4

 In Islam Jesus isn`t crucified but has Ascension to heaven because Moslem marriages permit of four wives, which is a futanarian framework for the sexual reproduction of `woman`s seed`. Consequently, Jesus` deathless Ascension uncontaminate in Islam is a symbol of the Resurrection of woman and the Moslem perception that death and heaven aren`t bedmates. Upon a cross in place of Jesus for the cover of the CD single `Piece Of Me`, Britney Spears` comments on the `thirty pieces of silver` Judas took in betraying Jesus to the Romans while it`s another `hook`, in pop music terms, for her attempt to catch Leviathan. `Piece Of Me` is Britney`s endeavour to wake woman up to her true nature and break free of her slavery to the `serpent`s seed` of men represented by Judas` selling of Jesus as the human host at the `Last Supper` where Christ had offered decontamination through acceptance of the `body and blood` of `woman`s seed` in the symbolic form of a friendship meal of `bread and wine` with humanity:

`I'm Mrs `Most likely to get on the TV for strippin' on the streets when gettin' the groceries`, no, for real are you kiddin' me?`5

 Britney Spears` `Piece Of Me` came from her album Blackout (2007) symbolizing women`s occlusion. Sexual repression is the way the `serpent`s seed` confuse the issue, which is that women have the capacity to sexually reproduce their own brains` powers as a species with their own penis` semen and host womb. The zenith of the human `seed` of woman`s aspirations is the robot machine that is as human as she because it cares for her as well as (or better than) she can care for herself, while men`s science fiction depicts the robot as the enemy of labor. But the `guilt trip` laid on those who don`t work, because they don`t have to, is a slavers` metaphor.

 `Luddites` of the 19^th century were named for Ned Ludd who broke two stocking frames in the textile industry during the industrial revolution in England and was acclaimed a hero because men perceived machines as a threat to their being employed for money. However, machines liberate humans from drudgery. Consequently, machines in the image of woman represent her freedom and men`s attempts to prevent her from sexually reproducing her own brains to save her labor through technological progress represent her enslavement.

 The robot `grab` in Ariana Grande`s `Break Free` video represents the perception that women desire the machine and men don`t want the machine to help her. The machine is symbolically Ariana`s futanarian counterpart as the woman who isn`t able to reproduce with her because men want monsters and not humans. Ariana`s destruction of the robot represents men`s encouraging of women to hate technology because it`s demanding. In Saudi Arabia women don`t drive cars because it`s forbidden or `haraam`, but why would they want a pedal car that hasn`t changed its basic design structure since the first mass produced model T Ford came off the production line at the Henry Ford motor vehicle factory in Detroit, Michigan, in 1908. Pedalling a disabling vehicle isn`t what women want, while they`re encouraged to hate the disabling technology itself and so female destroyers of machine technology that is depicted as threatening but would be enabling appear laudable.

 Britney Spears` in her red pilot`s suit in `Oops I Did It Again` pays homage to a science fiction character from the United States of America`s `Grand Master`, Robert A. Heinlein`s (1907-88) novel for girls, Podkayne Of Mars (1963), `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`6 Dancing with her dancers in the `Oops! … I Did It Again` video, Britney`s `the Poddy beautiful`, as Heinlein describes his character, commanding `deep-space exploration parties` who, on Mars before the Apollo astronaut, represents the culmination of the early days of the NASA space program when pilots flew the X-15 plane into the stratosphere as a preliminary to flying to the moon. Blackouts at high altitude caused the X-15 program`s cancellation as pilot`s lost consciousness and the death toll amongst USAAF pilots grew.

 The pilots blacked out because of unendurable gravity pressure such as scientists suppose is experienced when encountering a black hole which is a collapsed star that absorbs light instead of emitting it and is believed to draw objects into itself as if it were a huge maw. Beside the helmet of her spaceman, as Britney lies beneath his suspended figure in her white bikini dress, the viewer can see the tines of a giant fork, because Britney`s `chip` is resisting being devoured. In the USA `French fries` are what the English call fried potato chips and so Britney as Poddy Fries represents the resistance of the human species of woman`s `Poddy beautiful` to being swallowed by the black hole of men`s refusal to develop beyond devouring parasitism. As the pilot of the future in `Oops! … I Did It Again`, Britney represents the will NASA lacked to persevere with the dream of flying a plane to Mars and she doesn`t want her ship to be dragged into the black hole of Satan`s maw.

 Ariana Grande pays homage to Jane Fonda`s portrayal of Jean-Claude Forest`s 1962-4 illustrations for his sexually liberated female science fiction character in the movie, Barbarella (1968), where Jane strips off her spacesuit in that free fall weightlessness experienced by astronauts outside of the pull of the Earth`s gravity inside their spaceship. Ariana strips as Fonda does in `Break Free`, because she wants to escape from the black hole of the maw of Satan as Britney Spears` Poddy Fries does in `Oops! … I Did It Again`. Appearing at the outset of the video from behind a metal door that slides upward to reveal Ariana on a world different to Earth`s, the symbol upon the door and at her hip are reminiscent of the cookie shaped cameo that represents the spaceman`s `Open Sesame!` to Britney Spears` ship in `Oops! … I Did It Again`. Although Britney`s astronaut collects the `cookie` password to gain entrance, Ariana throws her symbol to the ground and crushes it beneath her foot. The symbolism is biblical because God told Eve her `seed` would crush Satanism before humanity left Earth for the planets and stars of heaven above. Scenes of humans in cages patrolled by aliens wearing the symbol give way in `Break Free` to scenes of Ariana killing the aliens with a ray gun to liberate the prisoners. Finally, in a scene reminiscent of the destruction of the ring of slavery belonging to the `Dark Lord` Sauron in British fantasy writer J. R. R. Tolkien`s novel, The Lord Of The Rings (1954), Ariana hurls the criminal leader of the aliens into the mouth of a volcano. The aliens represent the `serpent`s seed` and so Ariana represents Jesus` `seed` of Redemption because she saves men and women from slavery.

 `Break Free` was Ariana`s second foray into meaningful pop videos after `There Again` from the Yours Truly album which also contained the seemingly innocuous, `The Way` and `Baby I`, as promotional videos featuring disco dances and street parties. `The Way` was a sensation appearing almost instantly at #1 in the US charts, `I hope you hit me on my celly when I sneak in your mind.`7 But the idea of the spirit of a man entering a woman`s mind to persuade her to phone him is the problem that male braining of the human species represents. Without `woman`s seed` all humans are male brained into accepting men`s spirit, whereas futanarian women with their own penis` semen and host wombs for sexually reproducing their own brains` powers are in the Holy Spirit of Jesus` teaching uncontaminated by male semen:

`It is said that God notes each sparrow that falls. And so He does. But the proper closest statement of it that can be made in English is that God cannot avoid noting the sparrow because the Sparrow is God. And when a cat stalks a sparrow both of them are God, carrying out God's thoughts.`8

 God`s deciding to kill himself is only true in male braining, because the male brained creature must perforce accept what the collective wants. Jesus` crucifixion and death at the hands of the Roman Empire watched by the Jewish spectators on the hill of Calvary outside Jerusalem was the collective male brain deciding to kill the individual uncontaminated by male semen because it represented a threat to male braining, which is why `woman`s seed` signifies Redemption from what many people reading the Bible perceive as the suicide of Jesus.

 In the orthodox Christianity of the Catholic church, suicide is irredeemably sinful because it`s human acceptance of male braining`s general desire that the independent individual shouldn`t live, that is, the absence of `woman`s seed` from the world`s stage indicates humanity`s acceptance of the collective male brain`s dictate that she shouldn`t live. Essentially the male brain is a brain eater and the weaker brain is eaten by the male which means that the human species of `woman`s seed` can never progress or develop because the male brain is an eater and needs an easy kill to satisfy its predatory instinct. Consequently, there aren`t any women because men have killed them all to male brain the race into acceptance of human sacrifice, which is what Jesus` crucifixion was:

`Head in the clouds. Got no weight on my shoulders. I should be wiser and realize that I've got one less problem without ya!`9

 Ariana Grande`s lyric from her first single release from the My Everything album, `Problem`, throws light on Jesus` decision to accept the collective will that he be crucified. Brainlessness appears to be freedom, and the deaths of individuals, who seem threatening to the collective, are the perceivable human spirit of woman`s attempt to use her brains. Being wise is accepting that `woman`s seed` isn`t a `problem`, but men`s semen creates the problem of a collective that kills her.

 The MTV Award for music and video is a spaceman planting the MTV flag on the moon and is the most prestigious trophy to be won by pop performers since Music Television was launched on August 1, 1981. Consequently, Britney`s `Oops! … I Did It Again` was designed to appeal to the video vote as well as the music voters. Consequently, the astronaut is seen walking backwards after delivering a gift in a black box, which the viewer never sees. Although the `cookie` icon of Britney found in the sand of the desert gives her spaceman a stage pass, as it were, for the show, the box remains a puzzle to Britney, `But I thought the old lady dropped it into the ocean in the end?`10 The astronaut replies, `Well baby I went down and got it for you.` The box doesn`t contain the key to the spaceman`s freedom. As if to replay the scene sometime in the future, which in fact is what happens whenever a VCD is played by its owner, he`s rewound to deliver another surprise.

 The `old lady` is Rose from the movie Titanic (1997), who drops the blue heart shaped diamond pendant, known as `the heart of the ocean`, into the sea at the point of the salvage operation many years after the ship sank on its 1912 maiden voyage from Liverpool to New York. Hitting an iceberg on April 13, Rose`s lover died while assisting passengers to the lifeboats and her previous fiancée, who`d attempted to frame him for theft by concealing the diamond in his coat pocket, lived. Britney`s spaceman is symbolically the diver and he`s travelled to Mars to give `the heart of the ocean` to her, which is why we hear before the presentation of the black box containing the spaceman`s gift, `All aboard!` Traitors are abhorred and have to work for Redemption, so Britney`s astronaut is doomed to repeat his scene as a slave of low technology in male braining, while Britney represents the high technological progress of the future deriving from the brains she`ll have from `woman`s seed`. Ariana Grande`s `Break Free` depicts a similar scene in which alien guards are imprisoning men and women, but that`s what men do. Consequently, it`s a repeatable sequence in which the men in the cages become the guards. Ariana appears as the savior when she kills the guards with her blaster because it`s a woman`s system for dealing with the problem of men.

 In her red pilot`s suit, Britney Spears of `Oops! … I Did It Again` is a reproval to the X-15 NASA spaceplane program, which left many black boxes to be recovered after pilots blacked out at high altitude and planes crashed during the tests to see if it was possible to fly to the moon and further. As Poddy Fries in a white bikini dress beneath the spaceman who is hoisted above her by herself in her red pilot`s suit, Britney is twinned as Fries` `chips` who are endeavouring to avoid the black hole of Satan`s maw, which is symbolized by the tines of a giant fork beside the astronaut`s spacehelmet. Escaping devourment by the `serpent`s seed` of men, Britney on Mars represents what `woman`s seed` can and must do after analyzing the contents of the black boxes, while Britney`s spaceman represents mankind`s work of Redemption because men have reduced the brainpower of the species in order to enslave her:

`Got me right there with Apollo, on the moon. Who needs genies in a bottle girl if they already got you.`11

 Ariana Grande`s `Right There` refers to Christina Aguilera`s single, `Genie In A Bottle`, and the MTV spaceman, while indirectly referring to Britney`s Apollo astronaut on Mars. Because she`s Britney Jean Spears, Ariana`s reference is to Britney Spears and Christina Aguilera as `pop` genies. The video for `Right There` features Ariana in a masque based on English dramatist William Shakespeare`s tragedy Romeo and Juliet (1591-5) in which a pair of `star crossed lovers` commit suicide failing to achieve togetherness. Ariana`s perception is that Britney Spears` twins in `Oops! … I Did It Again` represent a woman`s desire for her own species while she has to live with men, and so the MTV spaceman is the zenith of her ambition.

 Christina Aguilera`s `Genie In A Bottle` represents woman`s fate insofar as she can`t escape from her imprisonment in order to fulfil her own genius because men don`t want to let the genie out of the bottle, that is, she isn`t able to sexually reproduce with her own species to use her own brains to liberate her from men`s enslaving of her host womb in parasitism, `I feel like I've been locked up tight for a century of lonely nights waiting for someone to release me.`12 Although Shakespeare`s Romeo and Juliet is about suicide, Jesus` fate is traceable to the effects of male braining upon the collective and so Juliet`s suicide is explicable as men`s desire that her human race die. Performed entirely by men originally, Shakespeare`s plays represent misogyny. Although Ariana Grande`s `Right There` culminates in a swimming pool kiss, the element of suicide for `woman`s seed` in male braining is evident. Not only men are misogynist, because futanarian women with their own penis` semen are rare. Consequently, women without penis` semen are misogynist because male brained:

`Boy you make me feel so lucky. Finally the stars align. Never has it been so easy to be in love and to give you this heart of mine.`

 Although they`re `star crossed lovers`, Ariana and her Romeo are together in the swimming pool kissing, and the secret of the black box is revealed. Ariana is the `heart of the ocean` for her `boy`, which is emphasized by the appearance of a NASA spaceman dancing at her masque in his spacesuit. In `Break Free` she kills the alien guards with her ray gun and releases the men and women from their cages. History suggests that the men will be the future alien guards caging the men and women of the future, because Ariana`s love for her boy is a male brained response from a host womb to its parasite. The masque reveals that men are disguised aliens and the `game` is what women play to survive as a race.

 Born in Catholicism Ariana Grande espouses Jewish mystical Kabblah, which is centred upon the `Tree of Life` or Sefiroth where the supraconsciousness of the Crown is Keter in the roots of the tree that are in the air, while the leaves are in Malkuth, the power of the earth filtered through woman`s womb. There are two other sefirot associated with higher consciousness, Chokhmah or Wisdom, and Binah or Understanding; three associated with judgement, Chesed or Kindness, Gevurah or Severity, Tiferet or Beauty, and three associated with desire, Netzach or Eternity, Hod or Splendour, and Yesod or Foundation where ideas associated with building upon the Earth are generated.

 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism. Curiously, Ariana kisses a creature on the forehead that looks like an elephant during the scene in which the symbolic Sefiroth key is used to activate the ship`s controls. The Muladhara chakra at the base of the spine near the birth canal and the Vishuddha chakra at the throat in the system of developing consciousness described in India`s Hindu religion are the first and fifth of the seven chakras or energy points along the spine up which the developing consciousness of the individual is believed to ascend to the `Crown` or Sahasrara chakra, just as the `Crown` or Keter is the symbol of developed consciousness in Judaism`s mystic Kabbalah. From a pop singer like Ariana Grande`s perspective the gestation of creative ideas and her voice are most important and so she acknowledges the Hindu symbol of the elephant with a kiss.

 When Ariana Grande has herself teleported from the planet of the alien imprisoning guards of the humans she puts the key of the Sefiroth into its place on her spaceship`s control panel signifying that her work there is done and she and the crew can leave, which is what God promised Eve her `seed` would be able to do after the Resurrection of woman and mankind`s Redemption from slaving her host womb in parasitism.

 In `Oops! … I Did It Again` Britney Spears descends to her stage set inside a giant`s ring, which is thematically contrapuntal to the giant fork we see beside the spaceman`s spacehelmet when he`s hoisted up by Britney in her red pilot`s suit to where he can see her twin beneath in a white bikini dress. It`s a giant`s napkin ring symbolic of the slave ring of Sauron in The Lord Of The Rings while the giant fork denotes men`s role as women`s species` host womb enslavers through marriage rings which allow them to be her devourers in their parasites` wars against the civilizations, cultures and arts she`s able to produce from herself despite men`s depredations. Briefly wearing her own spacehelmet as she pays homage to Jane Fonda as Barberella stripping in weightlessness, Ariana Grande again appeals to the video and music vote for the MTV Award to recognize spacewomen as the `Tree of Life`, which is immortality through the technological development and medical science from the brains grown of `woman`s seed` into a single spirit and flesh flourishing throughout eternity amongst the planets and stars of God`s heaven.

1 Grande, Ariana `Break Free` My Everything, Republic, August 25, 2014.

2 UTC 2: 56.

3 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, 1999.

4 Jung, Carl Gustav Psychology and Religion: West And East, Collected Works Vol. 11, para. 742.

5 Spears, Britney `Piece Of Me` Blackout, Jive Records, 2007.

6 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, Ch. 1, p.3.

7 Grande, Ariana `The Way` Yours Truly, Republic, March 26, 2013.

8 Heinlein, Robert A. Stranger In A Strange Land, G. P. Putnam`s Sons, 1961.

9 Grande, Ariana `Problem` My Everything, Republic, April 28, 2014.

10 Spears, Britney `Oops! … I Did It Again` Oops! … I Did It Again, Jive Records, March 27, 2000.

11 Grande, Ariana `Right There`, Yours Truly, Republic, August 6, 2013.

12 Aguilera, Christina `Genie In A Bottle`, Christina Aguilera, RCA, June 22, 1999.

Hysterical Blindness

The history of the 20^th century was overshadowed by the German National Socialist government`s (1933-45) pogroms against the Jews in which six million died and were placed in ovens in `death camps` like Belsen to be consumed. The United States` dropping `Little Boy` and `Fat Man` on the Japanese cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, consumed the Japanese in the heat of a small sun, and represented the desire of the US to leave infancy behind. Although the US purports to be a Christian nation, the symbolism of `Little Boy` and `Fat Man` is that of the `serpent` of Eden grown to the size of a `dragon` to devour the `new redeemer`, who will `rule the nations with an iron scepter`, and will wait in vain to consume Jesus in his `Second Coming` to the Earth, `born from the woman clothed with the sun and with the moon at her feet`, who is represented for the Western democracies by the statue of Liberty in New York harbor who bears the torch of freedom, because the US myth is that they fought for `the pearl of great price` (Matt: 13. 45-6), that is, heaven above, against the Empire of Japan (1868-1947), after it launched a `sneak attack` upon the US Pacific fleet at Pearl harbor on 7 December, 1941, to bring the US into the second world war (1939-45) against German, Italian and Japanese fascism, whereas `Little Boy` and `Fat Man` represent the US as a baby dragon.

 The `woman clothed with the sun` in the Bible is `Liberty` after the defeat of the red sun of the flag of Imperial Japan by means of the power of the sun, which was the atomic bombs, `Little Boy` and `Fat Man` indicating the US` serpent grown in size to a dragon waiting in vain to devour the `New Redeemer`. In the Bible the dragon is `red`, which is often used by capitalist Western democracies to represent communism, that is, the socio-economic system that believes in `state control of the means of production` from the theories of the German, Karl Marx, expounded in Das Kapital (1856), while capitalism believes in `ownership of the means of production`. If women are `the means of production`, communism is `state ownership`, while capitalism is entrepreneurial `ownership`. Capitalism accuses communism of not producing what `the means of production` want, while communism argues that it produces what `the means of production` need, and God`s socio-economic law was that the `seed` of the first woman, Eve, would:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 Because women would be born as Eve`s descendants who would have their own penis` semen for her host wombs to sexually reproduce the human species` brainpower to liberate humanity from their womb enslavement to the `serpent`s seed` of `ownership`. Without `woman`s seed`, humans would remain male brained with male semen, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicated the path of human Redemption, which Jesus illustrated by allowing the Roman Empire`s (27 B.C.-1453 C.E.) agents to nail him to a wooden cross and torture him to death as a `dissident`. Jesus had Resurrection and Ascension to heaven in prefiguration of the Resurrection of women`s semen as the future host of God. The biblical story of the serpent depicts a parasite inveigling itself into the host womb of womankind to steal her penis` semen and consume her race in womb slavery. The `dragon` is a symbol of the parasite`s periodic emergence to destroy the civilization, culture and art woman is able to produce from her host womb despite its depredations:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Babylon is depicted in the Bible as riding upon the dragon, because devouring war is what the parasite and its willing host represent. Consequently, because neither communism nor capitalism allow the `means of production`, that is, womankind with her own penis` semen as `futanarian` humans, to sexually reproduce her own brains` powers for self-liberation from `ownership`, the `red dragon` is the `owner`. During the Bosnian war (1992-95) Christian Serbs set up `rape camps` to male brain the Moslem women whose Islamic marriages with four wives permit of `futanarian` sexual reproduction with each other for the purpose of socio-economic independence and liberation through their own brains` powers. Consequently, the `red dragon` is male semen in male braining that enforces womb slavery in consumption.

 The US Military Industrial Complex (MIC) that produces for war is the main consumer. Most economic theorists argue that war `boosts` an economy. The terrorist attack upon New York`s World Trade Centre on 11 September, 2001, by the terrorist group, Al Qaeda, after the group hijacked planes to crash them into the Twin Towers, precipitated war against Afghanistan, where the terrorists had been trained by the misogynist Taliban regime, and so `boosted` the US economy in theory. The deposing of Al Qaeda`s supporter, Saddam Hussein, took longer than the Taliban regime, which was gone before the end of the year. The Gulf war to depose Saddam Hussein began in March, 2003, while the Iraqi dictator was executed on December 30, 2006, but `rough trade`, that is, the `brutality and violence` associated with homosexuality in pederasty, was reestablished after the World Trade Centre attack. The `democratic` model was ancient Greece`s institutionalization of homosexuality in pederasty and war. If women don`t sexually reproduce with each other, men have all of the voting stock in the business of being the retailer to the consumer.

 Men`s socio-history is of hysterical blindness in which they`re unable to see the truth because no one tells them. Some Christians think that Jesus` crucifixion is what they worship, which is why the Nazis were able to pogrom the `chosen people` of the Bible. Because Jews can`t be born unless from women, women are Jews, that is, the Nazis pogroms were against the women because of `woman`s seed`. When the US dropped `Little Boy` and `Fat Man` on Nagasaki and Hiroshima on 6 and 9 August, 1945, they didn`t care about the Japanese women, which is why Hollywood Babylon heroes are nonsense. In 1930 the `Hays code` forbade women from lifting their `foot` from the floor in bedroom scenes. It was a metaphor for the sexual repression of `woman`s seed` and the restriction wasn`t lifted until 1967, which meant that a movie like Barefoot In The Park (1967) about a cure married pair, actress Jane Fonda as Corie and Robert Redford as Paul, could depict heterosexuality as the norm, whereas it isn`t:

`What goes on four in the morning, two in the afternoon and three in the evening?`1

 A baby is the answer, but Oedipus, the protagonist of the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), says `A man` to the Sphinx with the body of a lion, the wings of an eagle, and the face of a woman, because the Theban prophetess, Cassandra, tells him to. Oedipus becomes king of Thebes married to his mother, Jocasta, on the strength of his reply to the Sphinx`s `riddle`. Having already unwittingly killed his father in a fit of blind anger, Oedipus blinds himself when he discovers he`s broken the incest taboo. He represents the man who is an infant, because he`s accepted the socio-historical picture painted for him by the enemy. Jesus` teaching, `love your neighbor as you love yourself,` as the transcendent law of God, is for the woman who can see herself in the mirror, that is `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers as the human race, while men can`t see the human species in their mirror because they`re not it. Men`s incest taboo is to prevent the daughter from perceiving a motherer`s instruction as her fatherer. The `riddle` of the Sphinx is of the third `foot` of humanity, that is, the `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers walking beside Oedipus and Jocasta, whereas their daughter, Antigone, becomes the blind Oedipus` guide, because she`s conditioned to care; although it`s of no importance to God that Oedipus sees. What`s important is that the human species of woman with her own penis` semen sees herself in the mirror. As a `futanarian` woman with her own penis` semen, Antigone represents the woman who has what she wants, which is a blind man who can`t see her race.

 Jesus` teaching of the `Holy Spirit` as an educator that would come after him pertains to the unseen `futanarian` woman with her own penis` semen and host womb invisible to men who`re blind. After Jesus` death, the Roman centurion, Longinus, pierced the side of Jesus, the `Second Adam`, with his spear, because the Holy Spirit corresponds to the `Second Eve`. The wisdom of `futanarian` woman, killed and culled by the male descendants of Eve and Adam`s coupling, after God expelled the pair from `heaven on Earth`, that is, Eden, for accepting the `fruit of the tree of the knowledge of good and evil`, which was death, rather than the `fruit of the tree of life`, which was immortality, is that men are death in homosexuality and pederasty`s womb slaving for their war economies, and that`s the socio-historical `original sin` they`re required to pray for forgiveness for if they`re to have any chance of Redemption. The anti-Christian perspective is that humans should be tortured to produce in slave labor, which is what fascism was. Some Christians are unable to perceive the difference between Jesus crucified and crucifying. Employment in torturing the worker to produce isn`t employment, whereas Christianity`s denuding the woman of her own penis` semen and host wombs to present a Messiah born uncontaminated by male semen as a recipe for success in business, because he represents the human host tortured to death by an employer who doesn`t want `woman`s seed` to breed her own brainpower for socio-economic independence and liberation from womb slavery to the serpent`s seed` of her owners, is Satanism.

 The figure of Oedipus walking alone with a third limb at the close of Oedipus Rex depicts the possible future of mankind with the `futanarian` species of `woman`s seed` represented by Antigone`s willingness to lead her blind fatherer, but the image of the man with a rifle as his third limb is the picture the United States painted for the Earth from Hollywood Babylon subsequent to the discovery of the continent of America by Christopher Columbus` ships of exploration sent by Queen Isabella of Spain in 1492. The reservations of the European settlers constructed by them for the North American Plains` Indians as the indigenous inhabitant they didn`t want were similar in intent to the `death camps` of the Nazis because they represented the stifling of a race. Hollywood movies` depiction of the `Wild West` as settlers moved from the East part of the US to the West coast of California where Los Angeles would be the home of the film industry from 1910, was of a blindly hysterical gunman who`d stolen the woman`s penis` `seed` as the parasite that had inveigled itself into her host womb and had turned her penis into a rifle to kill itself and her with, rather than walk beside her `futanarian` race as the third `foot` of humanity. The settlers used rifles to kill as many of the buffalo as they could to starve the Indians so that they`d leave their land and go to their `reservations` where food was scarce and they starved to death. Consequently, the figure of the US cowboy with a rifle presages `Little Boy` and `Fat Man`, the atomic bombs that ate Nagasaki and Hiroshima on 6 and 9 August, 1945, because men are reptiles with a long tail:

`Dead men don`t tell no tales.`2

 But living men have long tails, and there aren`t any women to speak of it. Edgar Rice Burroughs` novella, Beyond Thirty, was written and published in February 1916`s `All Around Magazine` during the first world war against Empire, but wasn`t published, as The Lost Continent (1955), until after the second world war, when the old consumer durable of the dragon of war was being retailed again. Burroughs` science fiction hypothesis is of a US two hundred years in the future that had returned to the political theory of isolationism behind the 30<sup>th</sup> parallel where the US became self-sufficient and didn`t need the rest of the world, especially wars in Europe, to develop socio-economic growth.

 In Beyond Thirty Pan-America is technologically advanced and peaceful while Europe has descended into barbarism. The Abyssinian Emperor Menelek XIV rules Europe, Africa and Asia and white people are enslaved. The defining moment is of Victory, the queen of the primitives in England, taken into the harem of Menelek, but the hero, Turck, rescues her and he`s a Pan-American hero as the possibility of the two hemispheres of the planet coming together economically grows. The `wingéd Victory of Samothrace` is Greek statuary`s counterpart to `Liberty`. Socio-economic independence and freedom for Greece requires women`s being able to sexually reproduce with their own penis` semen and host wombs, whereas the headless statue of `wingéd Victory` represents men`s hysterical blindness in their male braining of women with men`s semen until all of the women and all of the human race can`t see God`s `seed` of humanity because they have male brains and male eyes. Without penis` semen of her own under her skirts of `Liberty`, womb slavery for women will continue. Pan-America in Beyond Thirty is a utopian fantasy whereas, if women can`t be alone together apart from their imprisoners, it`s a jail for those who work well for those who marry them in order to put slave rings on their property in `ownership of the means of production`; irrespective of race, color or creed. Although men`s argument could be that women`s brains are theirs, because it`s men`s semen that fertilizes women`s ova, the argument is defeated when it`s pointed out that women have their own penis` semen and so the human race is suppressed by men`s womb slaving of her.

 Jesus` birth from `the woman clothed with the sun and with the moon at her feet` is related to the male Moslem moon and the women in the `rape camps` in Bosnia and those interned at Guantanamo Bay in Cuba after the moon of the flag of Al Qaeda was flown on September 11, 2001, when the hijackers crashed their planes into the Twin Towers and the US government began hysterically incarcerating Moslem men and women for interrogation. Reflected in New York harbor, beneath the statue of Liberty, the genuine moon was `the pearl of great price` of heaven above the Earth that their myth says the US fight for, as they fought for `heaven on Earth` at Pearl harbor after 7 December, 1941, and as the second birth of Jesus is from `the woman clothed with the sun and with the moon at her feet`, `Liberty` is his birth mother, while the red sun of the flag of Japan and the moon of the flag of Al Qaeda are the symbols of Jesus` `Victory` because, uncontaminated by male semen, he`ll `rule the nations with an iron scepter` until humans have brains.

 The technologically advanced super civilization of Pan-America gives Beyond Thirty another meaning, which is that of ageing. In US` science fiction `Grand Master` Robert A. Heinlein`s Time Enough For Love (1973), the human race has colonized the planets amongst the stars of the universe and has virtually conquered death through the science of rejuvenation so that people don`t deteriorate after thirty years of age. In Burroughs` Beyond Thirty Europe is barbaric so people die young, while in the US technology is advanced, although to maintain womb slavery women would have to be kept in blind ignorance of their true nature lest they sexually reproduce their own brains` powers to produce the technological advances in medical science to guarantee their memory in longevity and youth so they didn`t forget men`s parasitism upon women as their host. Consequently, Burroughs` Beyond Thirty and Heinlein`s Time Enough For Love are typical science fiction utopias for women`s enslavers to enjoy, while God`s punishment of eternal pain for the sinner awaits those who prefer it, which places the purveyor of power fantasy fiction for boys in a precarious position. If women aren`t educated by the `serpent`s seed` of men in their true human nature, boys are educated into following their leaders into the pit of hell, because they`re educated in the belief that dropping `Little Boy` and `Fat Man` onto Japan`s cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, was `Victory over Japan`, while the continued celebration of `VJ Day` actually represents the devouring of Japan`s `futanari` women with their own penis` semen and host wombs for the sexual reproduction of the Earth`s human brains that could bring Redemption from hellfire for boys mistaught by their fathers in Satanism.

1 Apollodorus, Library Apollud, 3. 5. 8.

2 Burroughs, Edgar Rice Beyond Thirty (The Lost Continent, 1955) serialized in `All Around Magazine`, February 1916.

The Carnivore`s Cannibal

Cannibalism is deemed to be something that besets primitive societies, but 21^st century society is a cannibal culture. In the Bible God warns of the serpent and, grown to the size of a dragon, Satan waits to devour he who will `rule the nations with an iron scepter`, because Satan represents cannibalism. In Eden, Eve is told by God that her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and Adam, the first man, are expelled from Eden for eating of the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3. 5) God expels them for rejecting life and the `fruit of immortality` because womb slavery for the daughters of Eve with `seed` of their own will follow. Because there are so few `futanarian` women upon the Earth, Eve`s `foot` is finding it difficult to `crush the head of the serpent` because her own penis` semen and host wombs can`t sexually reproduce the brainpower needed to reject cannibalism. Jesus` birth uncontaminated by male semen indicated Redemption and Resurrection for `woman`s seed` would come in the future, but men`s nailing of Jesus to the wooden cross and torturing him to death before he experienced Resurrection and Ascension to heaven was an indication of the difficulty `woman`s seed` would have in escaping from captivity as a slave bred for meat.

 Although the analogy seems false, men`s history of `concentration camps`, which become `death camps` after the guards are told to end the pretense of concentrating the minds of the prisoners, suggests that meat for the ovens, as occurred when Germany`s National Socialist government (1933-45) began to `concentrate` Europe`s Jewish populations through conquest in the second world war (1939-45), is rightfully analogous. During the Bosnian war (1992-5) `rape camps` were set up by `Christians` as a part of `ethnic cleansing`, because male braining of Moslem women was a part of their campaign against `woman`s seed`, which the German Nazis` `death camps` of Belsen Dachau and Auschwitz, etc., had brought to Western Europe, although `concentration camps` were historically familiar from the reservations constructed for the indigenous North American Plains` Indians during the colonization of North America by the white European settlers after the discovery of the continent of America by Christopher Columbus` exploration vessels sailing under the flag of Queen Isabella of Spain in 1492. In the Boer Wars (1880-92) between the Dutch settlers and the colonial Empire of Britain (1497-), the British were the first nation to construct `concentration camps`, while their logic is clear from the Nazis` targeting the `chosen people` of the Bible, that is, the Jews, as it isn`t possible to be born a Jew unless from a Jewess, which means women are `the chosen`, because they have their own penis` semen and host womb as `futanarian` humans able to sexually reproduce their own brains` powers for liberation in socio-economic independence from the `serpent`s seed` of men`s parasitism. In the Moslem religion of Islam four wives are permitted, which means women can sexually reproduce with each other and `Christian` men don`t want them to because it interferes with their enslaving of the women`s host wombs, so `rape camps` were constructed during the Bosnian war to separate Bosnia from Yugoslavia in order to male brain the new Moslem generation to accept being meat rather than brains.

 `Islam` means `accept` because Jesus` birth uncontaminated by male semen from his mother, is accepted in the Koran (610-30 C.E.) where Jesus` name is Isa and Mary is Miriam. In the Koran dictated to the Prophet Mohamed by the angels of God, according to Islamic tradition, Jesus has Ascension to heaven without death, because Islam accepts the Resurrection of `woman`s seed` announced by the birth of Jesus uncontaminated by male semen. Consequently, the Koran accepts Pope Pius XII`s 1950 Catholic doctrine of the Assumption of the Virgin Mary bodily into heaven without death, which is the Resurrection of `woman`s seed` that Jesus` death before Resurrection and Ascension into heaven symbolizes as the future of humankind.

 During the second world war in the Pacific theatre, the Japanese Empire (1868-1947) used `slave labour` from prisoner of war (P.O.W.) camps functioning in the same way as Nazi `concentration camps` in which people died from starvation, because the Japanese ate the food that was available. It was a pointed refusal on the part of the Japanese to eat the prisoners of war, however much they were starving, to demonstrate what they believed was the superiority of the German, Italian and Japanese fascist ideology then taking control of the Earth, which was that `woman`s seed` wasn`t going to provide them with adequate nourishment.

 The United States was brought into the second world war to end cannibalism when the Japanese attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, and the war ended in the Pacific when the US dropped the atomic bombs, `Little Boy` and `Fat Man` on the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August, 1945, as a symbolic meal at which many women were consumed. In the Bible the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus a second time before the world ends and God`s judgment upon the sinners is that they shall experience eternal unendurable pain forever, that is, perdition, because they didn`t accept woman. Although the September 11, 2001, attack by Al Qaeda`s terrorist group of Islamic Fundamentalists, trained by the misogynist Taliban government in Afghanistan, who hijacked planes to crash into the Twin Towers of New York`s World Trade Centre, doesn`t appear symptomatic of cannibalism, precipitating wars against Christian, Jewish and Moslem women`s `seed` are what the conflicts of the 20^th century were concerned with:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The ancient Greeks institutionalized womb enslavement in homosexuality and pederasty`s contagion of war, because that`s what the parasite that had inveigled itself into the host womb of the human species to steal her penis` semen was for. Having invaded women`s host wombs and stolen her penis the parasite explained how she should become a cannibal and devour her own race. In the British Broadcasting Corporation`s television comedy, Hitchikers Guide To The Galaxy (1981), from Richard Adams` novel and radio script for The Restaurant At The End OF The Universe (1980), the `Dish Of The Day` states emphatically that it wants to be eaten. The Ameglian Major Cow`s been bred to say so and guests are introduced to the meal at Milliways, `Okay, we`ll meet the meat.`1 The joke is that women are the male brained human species that wants to be eaten by its parasite, which is misogynist humor and not actually amusing.

 Britain`s BBC TV are known for misogynistic depictions of society. Comedies like One Foot In The Grave (1990-2000) represent the repression of the `futanarian` human species of women`s own penis` semen and host womb, which leaves the race with one foot because the `serpent`s seed` of men have eaten the other in fear of being crushed by `woman`s seed`, `… as a close friend of the family I'm sure she will agree to do the decent thing and shoot herself.`2 English humor follows that of the United States where Hollywood Babylon`s `Hays code` (1930-67) forbade women from raising their foot off the floor of the bedroom in movie scenes lest immoral thoughts enter into the heads of cinema audiences. By the time Barefoot In The Park (1967) had been released as a demure film featuring Jane Fonda (Corrie Bratter) and Robert Redford (Paul Bratter) in bed together, women`s own penis` semen and host womb was so repressed as to be invisible, and not only from New York`s Central Park, but from the world`s stage entirely, `When I pulled my foot out, I stepped in a puddle. Then a cab went by and splashed my stockings. If the hardware store downstairs was open, I was going to buy a knife and kill myself.`3 Corrie`s mother Ethel describes a woman`s frustration over her species` predicament. She has a male brain that wants to kill her. In BBC TV`s It Ain`t Half Hot Mum (1974-81), Melvin Hayes as `Gloria` and other British soldiers, in a colonial India setting during the period of the British Empire, dress as women to perform entertainments as the `Concert Party` on makeshift stages:

`Meet the gang 'cos the boys are here! The boys to entertain you! With music and laughter to help you on your way; to raising the rafters with a `Hey, hey, hey!` With songs, sketches, and jokes old and new; with us about you won't feel blue. So meet the gang 'cos the boys are here! The boys to entertain you! `B, O, B O Y S!` Boys to entertain you!`4

 Almost immediately after It Ain`t Half Hot Mum`s `gay` comedy about British colonialism in India`s jungles, BBC TV ran Tenko (1981-4) about a Japanese P.O.W. camp for women in the jungle during the second world war, where Sally Markham (Joanna Hole) and Nellie Keene (Jeananne Crowley) were depicted as persecuted lesbians,5 and which ultimately resulted in Sally killing herself in Season 2, Episode 3, because that `s how homosexual parasitism teaches cannibalism to women. BBC TV`s contribution to `gender studies` ended with the reestablishing of the traditionalist perspective that men and women segregated in confinement turn to each other sexually as an aberration. In `politically correct` feminism, which was adopted by the world`s media to spare its blushes over exterminating `woman`s seed`, women were homosexual and equal to men if they were `lesbian`, as Nellie and Sally were accused of being by the other imprisoned women in Tenko, whereas `futanarian` women, with their own penis` semen and host wombs, are the true human species of woman`s, manhandled from the stage and `man managed` to schizophrenically deny their own race, so they`ll remain meat for the carnivore`s table. Homosexuality isn`t `PC` and the label `lesbian` indicates imposed species` denial and a falsely imprisoning schizophrenia in which women are made to reject each other for what is essentially a devouring `gay` parasite that thinks it`s funny to have its pretense accepted that it`s better to be a man who enjoys a woman`s taste.

 The phenomenon of the `cargo cult` was observed by the US army after its defeat of Japan in the Pacific, where islanders or isolated communities were discovered later having constructed planes out of wood that they worshipped in memory of the Americans who`d visited their lives a generation or more ago. These were `concentration camp` peoples who`d been given time and space to think, which unscrupulous theorists saw as a methodology that could be applied to keep peoples in slavery. If people were unaware of advanced technology, they`d invent it. Although Scotsman John Logie Baird invented television in 1926, others were working on the same idea, which suggests `cargo cult`, that is, genius developing new technologies in isolation as a form of `concentration camp` imposed on those humans who can think. Male braining in homosexuality represents reincarnation, rather than Resurrection of `woman`s seed`, so woman`s humanity have lost the power of thought. Consequently, `concentration camp` humanity in homosexuality`s `cargo cult` is the future if male braining continues, because the owner of a hand held Nokia mobile `phone doesn`t mind if the isolated Scottish Orkney islander has a `phone made of wood from an encounter barely remembered, whereas mother, wife, and daughter might; if they knew what a Nokia `phone was. The new `concentration camp` principles were learned from the United States` discovery of South Sea Island `cargo cults` subsequent to the US army`s withdrawal from the Pacific theatre after the second world war, but the principle has been applied almost universally amongst capitalist societies since, where ignorance is used to persuade humans, who can still think, to concentrate on behalf of those homosexuals in pederasty, who no longer have any brains to do anything other than remain engaged in warfare against humanity`s womb enslaved woman`s `seed` to ensure her compliance in reinventing civilization, culture and art from her womb before their Empires begin devouring each other and her again:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 Breeding her own parasitical devourer is what women have done insofar as men`s paradigm is of the virus that kills the host. In the Bible Jesus is the host at the `Last Supper` offering `bread and wine` as symbols of his `body and blood` uncontaminated by male semen born from his mother, the Virgin Mary, and when his disciple Judas Iscariot betrays him to the Roman Empire (27 B.C.-1453 C.E.) in Palestine he`s betraying the human host. In the late 20^th century men`s mixing of blood, shit and semen in each others` anuses in mockery of human sexual reproduction spread the incurable `killer disease` of HIV/AIDS which pretended to be like the white leukocyte cells of the human body`s immune system  in order to kill the brain much in the same way that men as women`s parasite inveigles itself into the host wombs of the `futanarian` human species of woman with her own penis` semen and host womb to kill her brain.

 The paradigm is explainable most clearly in the Greek poet Homer`s Iliad (c. 760-10 B.C.) where the Greeks deploy a huge hollow wooden horse, which the Trojans take into their city and the Greeks emerge to enslave the host wombs of the women for pederasty and to spread the contagion of war further. In the late 20<sup>th</sup> century the successors of the Greeks, the `geeks`, deployed `bad machine code` known as `Trojan viruses` to infect and kill the computer brains devised by those humans who were still able to think up a means of compensating for the degeneration in human thought due to male braining in homosexuality. The term `geek` originally applied to circus sideshow freaks who ate the heads of chickens to please an audience waiting for the main event in the big top. Because `top` was a 20<sup>th</sup> century term amongst mafia meaning `murder`, `big top` means mass murder. `Circus` itself was a term derived from the Roman amphitheatres in which Christians were thrown to the ravenous lions as `big top` entertainment for the Emperor of Rome and his people. In the late 20<sup>th</sup> century `circus` meant those who were blinded by spies or `topped` so that others could see. Consequently, circus geeks correspond to those who`re preparing for a `big top` performance and remove smaller, peripheral brains, for example, computer brains, as a preliminary to the main event.

 When Al Qaeda crashed planes through the US` computerized defense system in what became known as the `events of 11 September, 2001`, they were removing a smaller brain as `geeks` hijacking planes to use as `Trojan horses` to infect the system and precipitate the equivalent of a collective brain hemorrhage that would result in the United States` war machine being geared up for an attack on `woman`s seed` in the Gulf, where Iraq`s dictator, Saddam Hussein`s ancient seat of Babylon, had been prepared by Hollywood`s repression of the woman`s `futanarian` penis` semen and host womb, to be an `epic` abomination since the `Hays code` forbade women`s penis to be seen in the bedroom in the movies. Saddam Hussein`s name meant `small handsome man` and `crusher`, which meant he`d be the biblical `small screen` villain after he declared support for Al Qaeda when the planes had been seen `live on CNN` and other television networked news channels crashing into the Twin Towers. Saddam Hussein was made to correspond to God`s description to Eve of he who, `… shall crush your head, and you shall bruise his heel.` (Gen: 3. 15) In male braining everyone is a transvestite wearing each others` clothes and so `TV war` is the medium Hollywood Babylon had prepared for its perpetuation of misogynistic extermination of the human species of `woman`s seed` and the greater brains she represents. As a false Prophet of Islam, Saddam Hussein would provoke war with the West and exacerbate the racism of the Serbian `Christians` towards Moslem women expressed in those `rape camps` set up to perpetrate `ethnic cleansing` during the Bosnian war (1992-5), and that would assist the `serpent`s seed` in their exterminations of `woman`s seed` as Hollywood Babylon`s `leading men` made further inroads against her from their Los Angeles, California, beachhead.

1 Wing-Davey, Mark as Zaphod Beeblebrox in Richard Adams Hitchikers Guide To The Galaxy, Episode 5, BBC 2, 2 February, 1981.

2 Wilson, Richard as Victor Meldrew in One Foot In The Grave, `The Beast In The Cage`, Season 3, Episode 4, 23 February, 1992.

3 Natwick, Mildred as Ethel Banks in Barefoot In The Park, Paramount Pictures, 1967.

4 `Concert Party` song lyrics from the opening credits to It Ain`t Half Hot Mum, BBC 1, 1974-81.

5 Tenko Season 1, Episode 7, BBC 1, 9.25pm, Thursday, 3 December 1981, 15 million viewers.

Led Zeppelin

 Let`s spell, `I-n the beginning was the Word and the Word was God,` (Gen: 1.1) and not Page I. There`s a bookshop, Page One, at 9 Princes Avenue, West Kingston Upon Hull, a University city in England where students go to purchase their textbooks, and whatever else they might need in the way of literary food for thought. Page One doesn`t  mean Led Zeppelin guitarist, Jimmy Page, is James I, although the King James Bible is the preferred text for millions of English people. The first words on the first page of the Bible in Genesis explain succinctly that God is `the Word` and not Satan, whereas the rock group, Led Zeppelin (1969-), based around the blues` guitar of Jimmy Page, allow themselves to be declared Satanists in the sleeve notes for the release of the 27 May, 2003, Atlantic Records` `live` triple album, How The West Was Won,1 which consists of two concerts from the band's 1972 concert tour of the United States, recorded at the L.A. Forum on 25 June, 1972, and Long Beach Arena on 27 June, 1972.

 How The West Was Won contains the tracks  `L.A. Drone`, which is what it suggests, a long droning guitar intro, followed by tracks from the first five albums, `Immigrant Song`, `Heartbreaker`, `Black Dog`, `Over the Hills and Far Away` `Since I've Been Loving You`, `Stairway to Heaven`, `Going to California`, `That's the Way`, `Bron-Yr-Aur Stomp`, `Dazed and Confused`, `Walter's Walk`, `The Crunge`, `What Is and What Should Never Be`, `Dancing Days`, `Moby Dick`, `Whole Lotta Love`, `Boogie Chillun`, `Let's Have a Party`, `Hello Marylou`, `Going Down Slow`, `Rock and Roll`, `The Ocean`, `Bring It On Home`, and `Bring It On Back`. `Walter`s Walk` appeared on the tribute album to drummer, John Bonham, Coda (1982), a collection of previously unreleased material constituting the group`s last real output after John was found dead in bed following a heavy drinking session on 25 September, 1980, during rehearsals for a proposed US tour, while John Lee Hooker`s `Boogie Chillun` (1948), `Let`s Have A Party`, recorded by Elvis Presley for the film, Loving You (1957), `Hello Marylou` popularized by singer and actor, Ricky Nelson, star of the seminal `Wild West` movie, Rio Bravo (1959), and St Louis Jimmy Olden`s `Going Down Slow` (1941) were blues` standards, which Led Zeppelin often performed as an encore, while `Bring It On Back` was the middle section of Sonny Boy Williamson`s `Bring It On Home` (1966). Written by Willie Dixon, `Bring It On Home` was a tribute to Sonny, but poverty often persuaded writers to accuse Led Zeppelin of plagiarism and Dixon is credited on `Whole Lotta Love` because of the similarity in lyrics. The band were sued by Dixon and others but paid up charitably while subsequently, as with `Bring It On Back` from How The West Was Won, they felt it necessary to indicate parts of recordings that were theirs while giving full credit to the original artist.

 The title How The West Was Won derives from the Ricky Nelson song, `Hello Marylou`, because Nelson was the singer acting opposite John Wayne in the movie, Rio Bravo, as Colorado, a young `gunslinger`, that is, someone able to work as a killer. Wayne is the Sheriff of the town, Chance, who deputizes the town drunk, Dude, played by singer and actor, Dean Martin, because he was a good gunslinger. The stage is set for a typical film of how the west was won from lawlessness, which is the same scenario facing Moses and the Jews after their exodus from slavery in Egypt as the journey to Palestine and God gives Moses the law to guide them:

`You had a chance to get in this and you didn't want it.`2

 Chance`s friend Pat Wheeler is gunned down by a killer and Chance upbraids Colorado for refusing to accept deputization. Dude tracks the killer to the saloon and kills him. Nathan Burdette arrives with his men to see his brother Joe who`s in prison for killing an unarmed bystander while fighting with Dude in the saloon. Colorado learns that Nathan is paying for a song to be played there indicating that `no quarter` will be given to one's enemy, that is, no mercy. Because `No Quarter` is the title of a track from Led Zeppelin`s fifth recorded studio album, Houses Of The Holy (1973), How The West Was Won is clearly about Rio Bravo:

`Walking side by side with death. The devil mocks their every step.`3

 Dude is held hostage, but during the exchange for Joe he overpowers the murderer and Chance, Colorado, and deputy `Stumpy` force the criminals to surrender. The final scene is of saloon girl Feathers` skimpy outfit drifting down into the street from the room she`s sharing with Chance. `Stumpy` picks it up delightedly while Dude advises caution. `Stumpy` is played by actor, Walter Brennan, who has a bad leg in the film, and so corresponds to Walter in Led Zeppelin`s `Walter`s Walk` (1972):

`As you stand alone do you wonder how? Can you step aside, does it matter now?`4

 The background for Rio Bravo is Sophocles` Oedipus Rex (c. 429 B.C.), in which Oedipus means `swollen foot` or `lame`, because Oedipus` fate is a `lame excuse` for a man. Psychologically, he has `Walter`s Walk`, that is, he`s a `Wild West` gunman hysterically blind through fear. Unwittingly, Oedipus kills his own father, Laius, in a fit of hysterical blind anger, and marries his mother, Jocasta, without knowing who she is. When he discovers he`s broken the incest taboo he blinds himself and his daughter, Antigone, has to act as his guide, that is, as in Led Zeppelin`s `No Quarter` lyric, Antigone is being mocked by the devil:

`What goes on four in the morning, two in the afternoon and three in the evening?`5

 The `riddle of the Sphinx`, who is the `Terrible Mother` figure with the body of a lion, the wings of an eagle, and the face of a woman discerned by developmental psychologist, Carl Gustav Jung (1875-1961) as among the archetypes existing within the dreams, art and imagination that emerge from within the collective unconscious of humankind to drive the species on to growth and progress, was referred to as a track, `In The Evening`, from Led Zeppelin`s last studio recorded album with John Bonham, In Through The Out Door, because a man doesn`t walk with a rifle as an aid to progress, nor does he walk with a stick because he`s an old man. Oedipus` answer to the riddle is `a man`, because that`s what he`s told by the seer of Thebes, Cassandra, and the Sphinx`s acceptance precedes Oedipus` marriage with his mother, Jocasta, before his inability to perceive the meaning of the incest `riddle` leads him to suffer the consequences of his acceptance of men`s taboo and he self-blinds himself:

`I hear you crying in the darkness, Don't ask nobody's help.`6

 Because women have their own penis` semen and host wombs as `futanarian`, God tells Eve in Eden her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Led Zeppelin`s `In The Evening` is, `Let`s spell `in the evening`,` because the meaning of Oedipus` fate needs to be spelled out for humankind, which is that women are the third `foot` of the race. Eve and the first man, Adam, were expelled from Eden by God for accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, who was Satan, the angel who`d been expelled by God from heaven and turned into a low thing for rejecting humanity, `You will be as gods,` (Gen: 3. 5) Led Zeppelin were féted as gods whenever they went to the United States and How The West Was Won is hubris from an English rock group who weren`t Americans. God`s story after Eden is of Jesus` birth uncontaminated by male semen as a sign of what humankind must do to have Redemption. God tells Eve after her expulsion for rejecting the `fruit of the tree of life`, which is immortality, that she and her descendants will die, and Adam must labor while she`ll experience labor in childbirth, which Jesus` birth as the redeemer of `woman`s seed` fulfils. Jesus represents the host womb of the human species, that is, his mother, the Virgin Mary, at the `Last Supper` where he offers `bread and wine` to his disciples as symbols of his `body and blood`, but Judas Iscariot rejects the host and betrays Jesus to the Roman Empire in Palestine which has him nailed upon a cross of wood and tortures him until he dies. Jesus` Resurrection and Ascension to heaven prefigures the Resurrection of women`s own `futanarian` penis` semen with her own host wombs for the sexual reproduction of her own brains` powers for liberation, which is the future story of how the west was won.

 Often described as a `virgin land`, America was the place that the European settlers arriving subsequent to Christopher Columbus` discovery of the continent for his sponsor, Queen Isabella of Spain, in 1492, saw as a new Eden, but the absence of women from the world`s stage suggests the human race`s host womb was invaded by a parasite that stole her penis and made it into a gun to kill her with. God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` because of male braining in which all humanity has men`s semen, although Jesus` birth uncontaminated by male semen is Redemption for womankind, who is the host womb of the human race with her own penis` semen awaiting Resurrection. The Edenic land of America was lost, rather than won, because it was Oedipal. Oedipus` tragedy was that he wasn`t able to see that the incest taboo was constructed to keep women from knowing that sexual reproduction with women like their mothers was possible for their daughters, and that it covers up men`s `original` sin of killing and culling `woman`s seed` born after Eden as the `futanarian` human race to establish womb slavery in death and war, as God warned Eve and Adam would occur, but which Jesus` redemptive teaching, `love your neighbor as you love yourself,` (Matt: 22. 39) attempted to ameliorate, as women can see themselves in the mirror.

 Rio Bravo is the story of what men have done since Eden, which is steal the woman`s penis and turn it into a gun to shoot John Wayne with because he`s too big to punch and the cowards want to be able to kill him without getting hurt. `Stumpy` is Oedipus because he`s told not to bother Chance and Feather by Dude, that is, he`s `stumped` in the sense that he can`t answer the `riddle`, while he`s `lame` because he represents men`s excuse for guns, which is that the man defending the woman has to be hit if the woman is to be killed and the cowards are afraid he`ll hit back. Oedipus` name means `swollen foot`, because blind men can`t walk alone; as Oedipus` fate indicates. His daughter, Antigone, guides his steps as the `third foot` of the `evening` of mankind, which is the genuine solution to the Sphinx`s `riddle`. A man walks alone in the evening with a rifle, because he`s killed the woman`s penis and so she can`t walk beside him even if she`d wanted to. `Stumpy` is Hollywood Babylon`s `devil` in the movie, Rio Bravo, because men`s penis is just a stump of what it would have been if they hadn`t killed and culled `woman`s seed` for womb slavery to the gun and death. The woman, Feathers, doesn`t have even the stump of an idea about her own penis` semen, because Hollywood banned women from raising her `foot` from the floor in bedroom scenes as long ago as the `Hays code` of 1930. Feathers, the saloon gal of Rio Bravo, corresponds to Oedipus` daughter, Antigone, of Greek antiquity, because her role is to lead the blind. The blind Led Zeppelin of How The West Was Won are the `blind leading the blind` (Matt: 15. 13-14) to  hell: because that`s what gods do.

1 Disk 1; L.A. Drone (John Paul Jones, Jimmy Page) 0:14, Immigrant Song (Page, Robert Plant) 3:42   , Heartbreaker (John Bonham, Jones, Page, Plant) 7:25  , Black Dog (Page, Plant, Jones) 5:41  , Over the Hills and Far Away (Page, Plant) 5:08  , Since I've Been Loving You (Page, Plant, Jones) 8:02  , Stairway to Heaven (Page, Plant) 9:38  ,  Going to California (Page, Plant) 5:37  , That's the Way (Page, Plant) 5:54  , Bron-Y-Aur Stomp (Page, Plant, Jones) 4:55  , Disk 2; Dazed and Confused (Jake Holmes, Page) 25:25  , Walter's Walk (Page, Plant), The Crunge (Bonham, Jones, Page, Plant), What is and What Should Never Be (Page, Plant) 4:41  , Dancing Days (Page, Plant) 3:42  , Moby Dick (Bonham, Jones, Page) 19:20  , Disk 3; Whole Lotta Love (Bonham, Willie Dixon, Jones, Page, Plant) 23:08  , Boogie Chillun (John Lee Hooker) 3:10, Let's Have a Party (Jessie Mae Robinson) 1:56, Hello Mary Lou (Gene Pitney) 2:08, Going Down Slow (St. Louis Jimmy Oden) 8:29, Rock and Roll (Page, Plant, Jones, Bonham) 3:56  , The Ocean (Page, Plant, Jones, Bonham) 4:21  , Bring It on Home (Willie Dixon, Page, Plant), 9:30  , Bring It on Back (Bonham, Jones, Page, Plant).

2 Wayne, John as John T. Chance in Rio Bravo, Warner Bros., March 15, 1959.

3 Jones, John Paul, Jimmy Page and Robert Plant Led Zeppelin `No Quarter`, Houses Of The Holy, Atlantic Records, 1973.

4 Page, Plant Led Zeppelin `Walter`s Walk`, Coda, Swan Song, 1982.

5 Apollodorus, Library Apollud, 3. 5. 8.

6 Jones, Page, Plant Led Zeppelin `In The Evening` In Through The Out Door, Swan Song Records, 15 August, 1979.

Taxi!

Seeing the sights is a tourist`s dream but not if it`s isn`t possible to see because your eyesight is attacked. Many tourists choose the yellow cab as a taxi service is New York, while the Al Uqab is the name of the flag of the Prophet Mohamed rather than the flag in a taxi that indicates a fare price. The flag of Islam, which is the religion founded by Mohamed after the angels dictated the holy book of the Koran (610-30 C. E.), according to tradition, is usually black or white, but can be green, while the Qerash is the flag of the Prophet with the eagle upon it as a symbol of war. Consequently, the Wall Street Crash and the planes that the terrorist group, Al Qaeda, hijacked to crash into the Twin Towers of the World Trade Centre in New York on September 11, 2001, was an attempt to interfere with the global economy by those purporting to represent the Qerash or `war tribe` of the Prophet Mohamed.

 The Moslem religion of `Islam`, which translates as `accept`, because Moslems are believers in the Koran of the Prophet Mohamed, which contains the stories of Moses, known as the `law giver` in Judaism, and Jesus, who is called Isa. In the Koran Jesus is born uncontaminated by male semen from his mother, the Virgin Mary, which is another reason why `Islam` means `accept`, because Jesus` birth is meant to be accepted as a world changing occurrence more than six hundred years after his Advent. Consequently, Moslems accept Resurrection for `woman`s seed` without Jesus` nailing to the cross and being tortured to death, as described in Christianity, because Jesus` Resurrection and Ascension to heaven prefigures the Resurrection of `woman`s seed` affirmed as Catholic doctrine by Pope Pius XII in 1950 when the Assumption of the Virgin Mary bodily into heaven without death became church dogma.

 The concept of `woman`s seed` appears early in the Bible when God tells Eve her `seed` will `crush the head of the serpent`s seed with her foot as she leaves.` (Gen: 3. 15) Consequently, Eve`s `futanarian` daughters will have penis` semen of their own and host wombs for the sexual reproduction of their own brains` powers to liberate themselves from the yoke of slavery and oppression by men who accept the `serpent`s seed` and not the teachings of Jesus uncontaminated by male semen as the first of `woman`s seed` born from a woman, which prefigures the Resurrection of `woman`s seed`, that is, woman`s penis` semen, for her own host wombs rather than those of the parasitical viral life form that has inveigled itself into her womb and stolen her penis.

 The `knowledge` is what a taxi driver uses to describe how he finds his way about a city, which means that he decides what is available to see. Consequently, a taxi operator service is a blinder if the `knowledge` is used to prevent the passenger who pays for the service from seeing, which means that it`s a taxi on the runway for an individual who is waiting to take off, where taxiing is used by pilots to describe the aeroplane gathering momentum before the wings lift off from the runway of the airport. Passengers are required to pay a tax on their eyesight, which is what taxiing means, that is, it`s a tax on eyes. Fashion models who use runways use taxis to get from one assignment to another, which suggests that their fares are flagged in the same way that planes obey air marshals with flags directing the plane taxiing on the world`s runways before take off. In simple terms, people are flagged before they leave according to the local mafia`s opinion of what they should see when they arrive at their destination, while progressive blinding of the rich and successful until they`re unable to see anything that would interest them is the `game` that a taxi driver operator and the airport authorities play with their customers.

 People`s eyesight shouldn`t be metered in the same way as gas, electricity and water. If a taxi driver is metering eyesight, airport controllers are metering air, which suggests a concerted campaign to kill the human race. If the yellow cab`s in New York are the Al Uqab of the flag of the Prophet, the planes crashing into the World Trade Centre was the Qerash of a taxi dispute. In Saudi Arabia, where Osama Ben Laden the leader of Al Qaeda was born, women have to use a taxi because they`re forbidden from driving by law, which means their take off is prevented as they perforce have to taxi on the runway permanently. Consequently, Al Qaeda`s attack on the Twin Towers of New York`s WTC represented a repressed group of women`s dispute over having to pay a taxi fare to prevent them from seeing.

 In Moslem Arabia marriages are permitted four wives which affords opportunity for `woman`s seed` to sexually reproduce, that is, `futanarian` women with their own penis` semen and host wombs can sexually reproduce their own brans` power and independent vision for the future of the Earth`s socio-economy. Osama Ben Laden`s Al Qaeda were trained by the misogynist Taliban regime in Afghanistan, which had defeated the Russians in a prolonged revolt (1979-89), but were themselves overthrown by the United States of America shortly after the Al Qaeda terrorists hijacked planes to crash them into the Twin Towers on September 11, 2001, at the World Trade Centre:

`Recently I witnessed this scene: a car pulled up suddenly in front of a woman. It was during a Moslem holiday. They beat her on her feet with lead-weighted whips until her feet bled. It was because she was wearing white shoes, and white is the color of the Taliban flag.`1

 A taxi in New York is a yellow cab, whereas a taxi in London is black, while the flag of the Prophet Mohamed is black or white, which means white taxis are the Al Uqab, although they aren`t the yellow cab. Because the flag of the Prophet can be white, the misogynist Taliban in Afghanistan and elsewhere are the equivalent of a taxi driver in dispute with a fare. `Affair` is the term used to describe a sexual relationship that isn`t permanent, so women as a species with her own penis` semen and host womb are justified in describing men as her `affair`, because they`re her parasites, unless they accept Jesus` teaching of Redemption through acceptance of `woman`s seed`; as his birth uncontaminated by male semen emphasizes. Although greener taxis appeared on the streets of the Big Apple` of New York in 2012, there`s little evidence to suggest that was influenced by Moslems adhering to the green flag of the Fatimid Caliphate, which was a group of states in the Middle East, Europe and Africa, governed by Caliphs. The ruler of a city state, like Baghdad, in the famous 8^th century Arabian folktales` One Thousand And One Nights, was a Caliph, and a grouping of such states ruled a dynasty named for the Prophet Mohamed`s daughter, Fatima, from Mecca to Morocco (909-1171 C.E.). Similarly , the appearance of red taxis in Hong Kong, China, and elsewhere doesn`t suggest the founders of the great-grandfather of the Prophet`s `Hashemite` dynasty of Islam (511 C.E. -) are involved, that is, Saudi Arabia, Jordan, Iraq and Yemen, but the overall picture is of a taxi driver in dispute with a woman who wants to stop taxiing on the runway and take off, but is being prevented by misogyny, which flags women for a profit to those who don`t want to see them.

 The movie Taxi Driver (1976) is about a New York driver for the yellow cab company, actor Robert De Niro as Travis, who tries to persuade an 11 year old prostitute, actress Jodie Foster`s Iris, to stop working, while he engages in vigilante activities. He is thanked by Iris` parents after he kills her `owner`, while the woman he`d tried to interest in his other activity, pornographic movies, Betsy, he watches off after he picks her up when he`s fully recuperated. The combination of pornography and prostitution is what runway models have to face as they travel from locale to location picked up by a taxi driver before the plane is taxiing at the airport and they take off. The metaphor of a taxi and taxiing is of the sighted being blinded, that is, a tax on seeing, which is what De Niro`s vigilante character in the film Taxi Driver doesn`t represent for Iris or Betsy, and Travis` bet is that his pupils will see what prostitution and pornography are for:

` I think someone should just take this city and just ... just flush it down the fuckin' toilet.`2

 Most sex films feature what humans are taught is heterosexual sex between male and female adults, whereas `futanarian` women with their own penis` semen and host womb are human but defined by feminist `political correctness`, for example, as homosexual and lesbian in order to  maintain equality in parasitism as the host womb of their murderer. Looking in the mirror women are taught to see themselves as attractive only to men, that is, schizophrenic rejection of their own species is basic education. Consequently, Taxi Driver is about a man`s discovery of women, because he prefers them to men. The yellow cab is the Al Uqab flag of the Prophet Mohamed of Islam in which four wives are permissible, because women sexually reproduce with each other. Because misogynists don`t want them to, a taxi and taxiing on the runway before take off have a darker meaning of attacking those who can see and taxing people for seeing what misogyny doesn`t want them to. Runway models as the fashion industry calls young women who wear designer clothes for couturiers so that buyers in the retail industry can decide what to buy are paid to walk, which upsets the misogynist `owner` of prostitutes, because they`re paid to fly. Consequently, a taxi and taxiing on the runway are linguistic structures denoting women`s eyesight, as the misogynists don`t want the human species of `futanarian` women with their own penis` semen and host womb to see runway models, because that would interfere with prostitution.

 If women weren`t male brained with male semen, they`d be socio-economically independent through the sexual reproduction of their own brains` powers for liberation. Mothers would be their daughters` fatherers and they`d be in a position to take off their clothes without worrying about a taxi driving or runway taxiing, that is, they`d be able to see each other as the human species of women without axing. The prototypical Arabian story is Scheherezade in the framing story of the 8^th century compendium of Arabian folktales`, One Thousand And One Nights, in which Shah Jehan taxes his wife with being unfaithful with his brother. After taxing her he attacks her with a meat axe and cuts her head off, which of course neatly removes her brain. Scheherezade tells Shah Jehan stories until he stops taking a new wife each day and beheading her each evening. The story is allegorical because misogynists don`t want women to sexually reproduce with each other, so brainlessness is how women are who are bred with the `serpent`s seed` of men, that is, they don`t have minds of their own, which means they`re men.

 Only if women bred each other with their own penis` semen and host wombs would they have their own brains` powers for liberating themselves from womb slavery to men who want them to walk in prostitution rather than fly. Al Qaeda, `the base`, means `basic`, that is, it`s Islamic Fundamentalism that women aren`t allowed to drive and, because women are men in male braining, the planes crashed into the Twin Towers of the World Trade Centre represented the Qerash of the `war tribe` of the Prophet Mohamed`s women, who didn`t want to be forbidden from seeing anything but each others` eyes, which is what they`re able to see of one another in public beneath the burkha that conceals everything else from view in the deserts of Arabia, or wherever Moslem women are found. Women want to see and democracy is that the majority have the vote, while in Arabia four wives and one male is 80% to 20%, or four to one in democratic terms, while women with thir own `futanarian` penis` semen and host wombs can sexually reproduce more women than men without host wombs of their own and so they`d be the majority in a vote. Consequently, Arabia is known for despotic rule from dictators and Western democracies aren`t, because women are kept in blindness and beheaded according to men`s democracy.

1 https://web.archive.org/web/20080324191116/https://www.geocities.com/CapitolHill/Parliament/1358/talibans-graphic-stories.html .

2 De Niro, Robert as Travis Bickle in Taxi Driver, Columbia Pictures, February 8, 1976.

New Lamps For Old

In ancient Egyptian mythology, the Ka is the spirit of the individual and the Ba is the soul, which is described by developmental psychologist, Carl Gustav Jung (1875-1961), as the anima in man, while God tells Eve her soul is different in Eden, that is, she has `seed` of her own and will, `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15). Women with their own penis` semen were killed and culled after Adam and Eve were expelled from Eden for accepting womb slavery from the serpent, `You shall be as gods.` (Gen: 3. 5) The parable is of the `fruit of the tree of the knowledge of good and evil`, which Eve and the first man, Adam, accept instead of God`s `fruit of the tree of immortality`, and the consequence is the birth of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of her own brains` powers to escape from the serpent`s brains, which is why God tells Eve she`ll crush its head as she goes. Eve and Adam are expelled from Eden into womb slavery to war and death, which God warns Eve of when he tells her she`ll have `perpetual enmity` with the `serpent`s seed` until Jesus` birth uncontaminated by male semen redeems her from the labor pains God has told her she`ll experience while God tells Adam he must work so she and her human species can live by the `seed` of men`s efforts if men are to have Redemption.  Eve`s soul isn`t man`s because,in Egyptian terms, her futanarian `Ka` is sexually desirous of her `Ba`, as Egyptian mythology indicates,  that is, Ka and Ba are her spirit and soul, whereas Jungian psychoanalysis describes women as soulless with a spirit or animus corresponding to women`s perceptions of themselves as being surrounded by admiring males.

 By the late 20^th century the spirit of the East had penetrated Western culture after the birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, who appears in the Koran (610-30 C.E.) of the desert Moslem peoples of Arabia as Isa and his mother, Miriam. According to tradition the Koran was dictated to the Prophet Mohamed by the angels of God more than six hundred years after Jesus was nailed to a wooden cross and tortured to death by agents of the Roman Empire in Palestine. Jesus was betrayed by his disciple, Judas Iscariot, after the `Last Supper`, as a `dissident` rejecting male braining through the serpent`s seed` of men`s semen.  Judas sold Jesus for `thirty pieces of silver` to the Messiah`s crucifiers, who rejected Jesus` offer of `bread and wine` as symbols of the `body and blood` of the human host, because Judas was a parasite betraying woman`s womb. Although Jesus` teaching, `love your neighbor`, was accepted by the religion that became Christianity, men`s perception was that it was a `gay` religion with overtones of sadism and the basic premise that individuals must die in order to have heaven, while Catholic dogma in accordance with Pope Pius XII`s doctrine of the Assumption of the Virgin Mary bodily to heaven without death supports the Moslem Koran in which Jesus ascends bodily to heaven without death and crucifixion. Moslems are permitted four wives in Islam which means that `futanarian` women with their own penis` semen and host wombs have a vehicle in which to sexually reproduce their own brains` powers for liberation, while Jesus` death and Resurrection before Ascension to heaven illustrates God`s plan to give unendurable eternal pain, that is, perdition, to the evil womb enslavers of the human race for worshipping death as a means of keeping humans as ephemeral slaves without medical science or labor saving technologies.

 The paradigm of the late 20^th century was fear of HIV/AIDS as an incurable disease transmitted through having sex with homosexuals who mix blood, shit and semen in the anus in mockery of human sexual reproduction. HIV/AIDS kept women in fearful faithfulness to monogamy`s slave rings and the fear was legitimate, because Western democracies were founded upon ancient Greece`s insitiutionalized enslavement of women`s host wombs to spread their contagion of war further in homosexual pederasty. The problem was pandemic, as the Bible indicates, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth. `(Rev: 17. 5) Babylon was an ancient city of modern Iraq described as `a woman` in the Bible because Eastern men practiced womb slavery for women in homosexuality`s spreading of war in pederasty too.

 By the early 21^st century modern day Greeks, that is, `geeks`, were spreading the `gay plague` by means of `bad machine code` to infect the brains of the machines devised by the human as an informational storehouse of memory that their own brains were too ephemeral to be able to contain. Consequently, the biblical HIV/AIDS` `blood plague` sent by God to convert men from their sin of enslaving the human race was the equivalent of the renegade computer software engineers` `bad machine code` infecting the brains of the human species in order to kill her because the `geeks` didn`t want her to remember her own penis` semen for the sexual reproduction of her own brains` powers to escape from her slavery through the creation of better labor saving devices in the form of robots, for example, caring for her rather than maintaining her as a domestic animal in womb slavery.

 The term `geek` derives from the sideshow freak in the `circus` who eats chickens` heads to entertain the audience. In the 20<sup>th</sup> century `circus` was the term for `spyrings`, because secret agents killed people who wanted to see, just as the Christians were thrown to the lions in the amphitheatres that the Roman Empire called `circus`, because they didn`t want Jesus` teachings of `woman`s seed` to be disseminated. The geeks` infecting of machine brains is the Greek paradigm of insititutionalized homosexuality in pederasty to kill the brains of the humans through infecting them with war. According to the Greek poet, Homer`s Iliad (c. 429 B.C.), at the siege of Troy a huge hollow wooden horse was left by the Greeks outside the city and the Trojans took it inside where the Greeks emerged to enslave the wombs of the women for `gay` democracy in which `futanarian` women with their own penis` semen and capacity for sexually reproducing human brains would have no votes. The most common term for the `bad machine code` created by `geeks` is `Trojan horse` because the aim of homosexual pederasty is to kill the brains of the women while retaining them as slaves:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 In Arabia the concept of the slave of the lamp is commonly understood from tales found in the 8^th century anthology One Thousand And One Nights which has the framing device of Shah Jehan who accuses his wife of being unfaithful with his brother and beheads her. Scheherezade marries the Arabian ruler after telling him stories each night to prevent him from continuing his practice of marrying a new wife each day before having her beheaded that same night. The meaning is that men don`t want women to have brains. Consequently, the discovery of a genie in a lamp is the finding of a woman who still has brains, which relates to the story of `Aladdin and his Wonderful Lamp` from One Thousand And One Nights, because his lamp is stolen by confidence tricksters crying in the street for his wife to hear, `New lamps for old!` The analogy is of the car as an oil can, which seems new but hasn`t changed its basic design of a pedaled oil can since the first mass produced Model T Ford came off the production line in 1908 in Detroit, Michigan, the United States of America. Although Jesus` teaching of Redemption from his birth uncontaminated by male semen in Bethlehem, Palestine, became Western Christianity, men`s `new lamps for old` philosophy represents the failure of Western democracy by men`s having women exchange their penis for hers.

 In Christianity, Jesus is the `lamb of God`, while the `statue of Liberty` in New York harbor is describable as the `lamp of God` insofar as she bears the `torch of freedom` above her long skirts concealing a woman`s `seed`. Jesus` teaching is of Resurrection not reincarnation in male braining, which is what generations of human produced by the `serpent`s seed` of men`s semen excluding women`s semen produces. Children who`re produced in male braining are reincarnated `lambs for the slaughter`, irrespective of whether reincarnation is a believable religious perspective. In the far Eastern religions of Hinduism and Buddhism reincarnation of old lives in new bodies is depicted as an anathema to be escaped through consciousness raising.

 When the Arabian terrorist group, Al Qaeda, hijacked planes on September 11, 20001, to crash them into the Twin Towers of New York`s `Big Apple` of the World Trade Centre on Manhattan island, it was an attack on consciousness raising, where the apple represents the developed brain and Al Qaeda, `the base`, represent the Muladhara chakra at the base of the spine closes to the anus where the virus is transmitted to kill the brain. According to believers in the Hindu and Buddhist chakra systems of Indian and Tibet, there are seven chakras located along the spine which represent levels of human consciousness raised as the individual`s brain develops. At the crown is the Sahasrara chakra corresponding to the `Big Apple` of New York`s World Trade Centre representing the socio-economic philosophy of Western democracy which is womb slavery in pederasty and war`s `brutality and violence` known as `rough trade`. To maintain the old order, Al Qaeda followed the Hollywood, Babylon `Hays code` (1930-67) that ruled women in movies should keep their `foot on the floor` in bedroom scenes as a metaphor for men`s suppression of her `futanarian` species` sexual capacity for reproducing her own brains` powers from her own host wombs to escape from her killers. By activating the US` Military Industrial Complex (MIC) to divert human resources away from healthcare to war, Al Qaeda ensured that women`s wombs would remain enslaved without memory as `new lambs` in male brained reincarnation for slaughter in war.

 Because male braining is transvestism so far as men and women are each other wearing different clothes, Hollywood Babylon`s future program was `TV war` arising out of its suppression of the human brain of `woman`s seed`. When Al Qaeda crashed planes into the WTC `live on CNN` and other news networks, it activated a campaign to remove Saddam Hussein of Iraq, the ancient seat of Babylon in the East, where his name meant `small handsome man` and `crusher`, `he shall crush your head and you shall bruise his heel`, (Gen: 3. 15) that is, war would keep women in brain slavery. Although Saddam Hussein was executed on 30 December, 2006, and Osama Ben Laden, the Al Qaeda terrorist leader, was assassinated on 2 May, 2011, Western democracy was maintained.

 The oil can men were the victors. Saddam Hussein`s oil rich nation of Iraq had invaded Kuwait to possess the Emir`s oil and his army had been forced out in the first Gulf war (1990-1) which had cost US President George H. Bush a lot of oil and oil cans in the shape of tanks and planes, while the second Gulf war ordered by son, George W. Bush Jnr., to depose Saddam Hussein from his seat in Modern Iraq`s Baghdad, began in March 2003 and cost a lot more in terms of oil and oil cans. The `new lamps for old` philosophy of East and West had won. Pedaling the oil cans of their cars to the bars, whether beer or coffee, in an attempt to ignore God`s law would go on until the Kas of the women could mass produce and the old lamp in the hand of the statue of `Liberty` was restored:

`Our brothers won the victory by the blood of the Lamb, and by the truth which they proclaimed; and they were willing to give up their lives and die.` (Rev:  12. 11)

 The `Lamb` is Jesus` crucified whose side was pierced by the spear of the Roman centurion Longinus, `Surely this was the son of God.` (Matt: 27. 54) Jesus always said he was the `son of man` because he disagreed with the Empire of Rome`s male braining as `woman`s seed` born uncontaminated by male semen. For the Romans the Emperor was a god and so Longinus was lamenting the death of an unempowered Emperor, which Jesus was because he rejected Satan`s offer of the Earth, that is, Satan who was the serpent in Eden grown in size to a dragon to wait in vain to devour Jesus born a second time after his Resurrection and Ascension to heaven from the `woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` (Rev: 2. 27), because he`s the lawyer at the bar of God passing judgement on the oil men`s car and `new lamps for old` confidence trick of sending boys as `lambs to the slaughter` of the `TV war in the Gulf`, where the low technology of the pedaled oil cans maintain their mothers Bas in womb enslavement to pederasty in homosexuality`s wars of vendetta between oil rich men who pay for men and boys to be their lambs while the fatherers who`re the motherers of the `futanarian` species of `woman`s seed` wait with their Kas to sexually reproduce in their Bas the genius of humanity that will ascend to the planets and stars of God`s heaven without men`s drovers.

 The spear of Longinus was known as the spear of destiny because Jesus was the second Adam and Eve emerged from his side in Eden according to the Bible, so Jesus` promise of a Holy Spirit that would come to teach after him would be from his side from Longinus` perspective and so he opened his side with his spear after Jesus` death upon the cross of his crucifixion. Consequnetly, the Holy Spirit nis the  wisdom of the second Eve gleaned by her spirit and soul, that is, her Ka and her Ba, since Eden. In Islam, which means `accept`, the temple of Abraham in Mecca, Saudi Arabia, who was the founder of Judaeo-Christianity through his son, Israel, as well as Islam through his son, Ishmael, is the Ka` Ba, because it`s a symbol of woman`s seed`, that is, the `futanarian` woman whose Ka will sexually reproduce with her Ba to produce her own brains` powers to take her to heaven above:

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore. Your descendants will take possession of the cities of their enemies.` (Gen: 22. 17)

 God tells Abraham his `seed` will be numberless and his descendants will possess their enemies` cities, but he`s already told Eve she`ll have `perpetual enmity` with the `serpent`s seed` of men, so Abraham`s descendants are `futanarian` women. The second Eve`s invisible emergence from the side of Jesus Christ the Messiah as the Holy Spirit of woman`s ancient wisdom emphasizes women`s independence and future rejection of men because women with their own host wombs and penis` semen are socio-economically independent while Al Qaeda`s terrorist attack upon the World Trade Centre on September 11, 2001, was designed to reduce her to basics, despite the US Navy Seals of Team Six from their base killing Osama Ben Laden where he sheltered beneath the shadow of Pakistan`s Military Academy on 2 May, 2011. Although the Great Seal of the authority of the United States` President bears the emblem of the eagle, US Navy Seal Team Six`s role as the seals upon the `futanarian` human species of the woman of the wilderness after she gave birth to Jesus, the name of their US` garrison headquarters, that is, `Dam Neck Annex` at Naval Air Station, Oceana, Virginia Beach, Virginia, is indicative of a beheading which, as the Arabian story of Scheherezade tells us, is the removal of the woman`s brains rather than the enabling of her genius:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The US` Navy Seal Team Six`s emblem is an eagle but removing the woman`s head at the neck isn`t helping her to protect her hymen for the Christian `rapture` of the Resurrection of `woman`s seed` as she`s taken to heaven bodily to celebrate the biblically prophesied `marriage of the lamb` (Rev: 19. 6-10) among her own species of woman with her own penis` semen and host wombs for the sexual reproduction of her own brains` powers in heaven above, which is Scheherezade`s lesson to Shah Jehan. Brothers aren`t marriageable and Redemption is through a woman`s love for a parasite not of her species that shouldn`t teach her cannibalism in wars against herself or God`s perdition will ensue for the evil enemies of the host womb of the human race so that the rich old oil can pedal her as its slave of the lamp.

 After victory over the red suns of the flags of Japan in the second world war (1939-45) subsequent to the Japanese unannounced attack on 7 December, 1941, at Pearl harbor, symbol of the `pearl of great price`, which is the moon and heaven above amongst the planets and starts of God`s heaven, the statue of Liberty in New York harbor`s defeat of the yellow moon of the flags of Al Qaeda subsequent to the unannounced attack on the World Trade Centre on September 11, 2001, represented a further defense of the woman`s `pearl of great price` reflected in her birth waters in fulfilment of the biblical imagery of the `woman clothed with the sun and with the moon at her feet`, that is, the flags of her victories over Japan and Al Qaeda, which herald the birth of Jesus in his second birth after Resurrection and Ascension and who will `rule the nations with an iron scepter` until God`s judgement brings perdition to the evil and the `rapture` announces heaven and the triumph of `woman`s seed` over her enemies.

 The slavery of the lamb and the slave of the lamp are societal equivalents for the women of the West and East. In the Koran Iblis is the genie in `The Cave` Sura (18) who refused to bow before Adam while Satan is the angel in Christianity who preferred to rebel against God rather than accept that Adam and his descendants would be higher in God`s esteem than the angels. According to tradition the djinn are created alongside men and women and have free will, whereas Satan was transformed into a serpent by God, because he was male. The meaning is that the male isn`t patient enough to await the birth of `woman`s seed` of `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of the human host, and `futanarian` women are genies because they represent women`s brains from her own penis` semen, that is, God created men, women and the genius that emerges from woman`s own `seed`. Consequently, although Iblis rejects Adam he doesn`t spurn Eve, whereas Satan doesn`t distinction between the humans, because he represents a less developed understanding of men than Iblis in the Koran of Islam. Iblis represents the rejecting of homosexuality in pederasty and war, but is perceived as rejecting Eve, whereas he`s a male `futanarian` who`s aware that Adam represents latent homosexuality, because Adam doesn`t have a womb of his own.

 Because heaven is for women the Earth is a pederast`s paradise for Satan`s favorite slaves and the lambs of Christianity work to produce the pedalers oil cans of the cars with the headlamps so they can see their way to the bars of the One Thousand And One Nights to drink with the women made for the bars of their prison before the barmaids, who`ve never birthed a human baby from their own women`s seed and so remain maids to God, release the pedalers of the oil cans into another night and another dawn with the promise of `New lamps for old!` The `new lambs` of the Western democracies are the children born as male brained reincarnations of an old ram raider who`s producing for war in pederasty unless Jesus` birth uncontaminated by male semen inspires Resurrection for woman`s genius born from her own `seed` and Redemption for the flock. During the Bosnian war (1992-5) 20-50,000 Moslems were male brained in `rape camps` where the women were enslaved as the host wombs for the Christian parasites while the former Yugoslavia was broken up into smaller nations as `ethnic cleansing` became de rigeur across the globe for men who wanted women to have male brains. Ethnic cleansing was `ram raiding`, which is slang for the man who crashes a car through a shop window to steal, because `new lamps for old` has put the male brained in the position of being unable to think of anything other than theft, and the pedaler of the oil can, shouldn`t be able to, because immortality through medical science and labor saving through freedom giving technology is what genius produces, and male braining only produces rams.

 In computer terminology RAM is `random access memory`, which isn`t eidetic memory in which the individual remembers everything and would be useful for women because they`d remember their own penis. In Egyptian mythology the god Ra incarnates on Earth as the god Osiris but is dismembered by the evil god Set before Isis remembers Osiris and refashions a penis for him until he`s reborn as the `sky god` Horus, who prefigures Jesus` birth uncontaminated by male semen, because Isis corresponds to Jesus` mother, the Virgin Mary, who is `futanarian` woman with her own penis` semen to have Resurrection and Horus is the man who can be with her if he accepts woman`s remembering of herself, because he`s RAM memory and doesn`t know everything.

In `The Cave` of the Koran Moses meets Khidr who says he`ll guide him but Moses must be patient. Khidr rebuilds a wall so that treasure isn`t discovered beneath it, kills a child, and makes holes in boats. Moses can`t accept this and Khidr explains that it`s because Moses is RAM memoried. Khidr explains the `treasure` wasn`t ready to be found, the child was evil, and there were slavers behind Khidr`s boat. Khidr`s memory is eidetic, because he knows from memory what is there, that is, it`s a story of heaven on Earth or paradise where those with eidetic memory can know what the scene means, whereas those with RAM memory are dependent on luck. The lucky finder of the `treasure` beneath the wall, for example, and the unfortunate man who encounters an evil man fully grown, or who has a boat overtaken by slavers, is RAM. Khidr`s memory is eidetic, but slavers, who`re the pirates behind Khidr`s boat, don`t want eidetic memories for humans and so their aim is to kill the woman`s brain in male braining because she`s humanity`s genius or `genie` as the Arabian folktales tell. Moses is the `law giver` in Judaism because men with RAM memory need obedience to law, or they`ll become RAM raiders who steal from the `Aladdin`s cave` of woman`s genius, because they understand that paradise on Earth belongs to the eidetic and so they kill each other and the women to prevent others from being able to remember.

 The concept of revenant is of a spirit that abides in a place, which accords with the Moslem tradition of paradise on Earth, that is, although the Christian tradition is that heaven on Earth is possible, heaven is above and requires that an individual die. Unless they`re very exceptional, like Jesus` mother, the Virgin Mary, who had Ascension to heaven bodily, according to Pope Pius XII`s 1950 doctrine of her Assumption without death, or Jesus` Ascension without death, according to the Koran, heaven is for those who die, because parasite or heaven on Earth is deemed impossible, although the principle of de ja vu, in which individuals are able to perceive that a scene has occurred before, suggests that repeated scenes of people we`ve seen before doesn`t mean they`re revenants but that they dwell in paradise on Earth without eidetic knowledge, because they`re RAM memoried in male braining, and that`s how paradise is kept from them. The eidetic enslave the RAM memoried so they don`t remember, and the RAM memoried kill the eidetic because they don`t want to be expelled from paradise. Consequently, Christianity explains to the RAM memoried that they must die to have heaven while the eidetic are `lambs` because they aren`t RAMs.

 The eidetic `lambs` are the slavers of the RAMs to produce `New lamps for old!` Because they don`t want new eidetic `lambs`, they want new RAM raiders who`ll crash their oil pedaled cans into the `Aladdin`s cave` of shop store fronts when they`re tired of being slaves of the eidetic and steal from the genius who won`t tell them where paradise on Earth can be found even though they live there. Because the `Aladdin`s cave` contains the lamp of the genius of the woman who is `Liberty` of the lamp in the United States, she`s the woman from after `the fall` of Eve and Adam from paradise. `Liberty` corresponds to the genius of woman born from the `seed` of Eve whose creations are known to the eidetic `lambs` as the `futanarian` genies of the `foot` of Eve`s `seed` born to `crush the head of the serpent` before they leave for the planets and stars of heaven above, which they don`t want her to. Consequently, Satan is described in the Bible as having `horns like a lamb, but it spoke like a dragon` (Rev: 13. 11), because the eidetic aren`t the elect `lambs` of God, but the enslavers of women`s wombs in the `Aladdin`s cave` of RAM raiding who crash through the shop frontage in order to die and go to heaven, which provides at least a rationale for Al Qaeda`s suicidal crashing hijacked planes into the Twin Towers of New York`s World Trade Centre as martyrs. RAM raiders want the eidetic woman`s genius, symbolized by Liberty`s `torch of freedom`, which is her `Aladdin`s lamp`, but Western technology is kept by Christianity`s eidetic `lambs`, who help to maintain the oil supply; for her pedlar`s can.

 Masons are often accused of being a secret organization controlling the Earth, whereas traditionally they`re builders of heaven upon the Earth. The Holy Spirit of Jesus` teaching is often called the `Holy Ghost` while `revenant` is what people are descried as if the observer in de ja vu perceives that they`ve been seen before. Consequently, men are ghost hunters in the tombs that the Masons have built, that is, the RAM raiders are tomb raiders, because paradise is everywhere upon the Earth for the eidetic `lambs`, who keep the `lamps` pedaling their oil cans so they can look for the holy ghosts who can guide them, as RAM raiders enjoying the Masons` `game` of building tombs for the eidetic to play `treasure hunt` with the less fortunate who don`t know it`s buried beneath the wall, or that the child is evil, and that he`ll be with the RAM raiders who will put a hole in their boat and enslave them before they can enjoy their good luck at knowing lambs that speak as dragons.

 The analogy is of the time-traveler who is perceived as a ghost by those who`ve seen him before, but he sees them as ghosts for the same reason. In the popular UK BBC TV science fiction series, Doctor Who (1963-), `the doctor` is a time traveler who emerges from a police box with a blue lamp on it that he calls `the tardis`. Although the tardis has other disguises, a police box with a blue lamp emphasizes the genie metaphor. The doctor emerges from the `lamp`, as it were, to police time; in accordance with the old English adage popularized by the comic opera writers of Slave Of Duty (1879), W. S. Gilbert and Arthur Sullivan: `If you want to know the time ask a policeman!` The policeman is the genie in the `Aladdin`s cave` RAM raided by the male brained tomb raiders in the Masons` game with their eidetic employers, who`re the lambs that speak as dragons to the police as well as their victims, although `doctor who` has the authority to arrest their progress.

 According to the Bible the `number of the beast is the number of a man and his number is six hundred three score and six`, that is, 666, which is the number of the police (999) reversed in most parts of the world where the former British Empire held sway, while the number of the police is 911 in the United States of America and explains why 9/11, 2001, was chosen by the Al Qaeda terrorists as the day to reverse the US` role as `global policeman` arresting the progress of the criminals with their victims. Consequently, `doctor who` is a genius and not a policeman, as Jesus wasn`t. Genius is what`s missing from the Earth, because women`s sexual reproduction of her own species` brainpower as `futanarian` women with their own penis` semen and host womb was `policed` out of existence by men who wanted to keep the treasures of her cave secret as eidetic lambs who speak like dragons and breed RAM raiders in male braining as entertainment in homosexuality in pederasty`s `TV wars` of `rape camps` and tomb raiders.

 US `Grand Master` of science fiction, Robert A. Heinlein (1907-88), wrote of a car in his novel The Number Of The Beast (1980), which was bigger on the inside than on the outside, as the tardis was in `doctor who`, but Heinlein`s `continua device, `Gay Deciever`, ran on water and not oil, as legend has it a car once shown to Chrysler automobile manufacturers in the US once did before the unscrupulous company bought the design and suppressed it in order to maintain the `game` with the oil can pedlars and their eidetic tormentors who were lambs that speak as dragons. Heinlein`s ubiquitous `black beast` in The Number Of The Beast is discovered to have `two horns like a lamb` (Rev: 13. 11), so it`s supposed that their `black hat` is the dragon who looks like a lamb, because it represents the conflict between the self-proclaimed eidetic elite, the RAM raiders they torment, and the genius of the woman`s spirit and soul they`ve enslaved in male braining to maintain their ascendancy over their oil can pedlars` socio-economy of a world without women`s genius because her `futanarian` human species of women with their own `seed` for the sexual reproduction of her own brains` powers for liberation is old and has exchanged its own penis` semen for that of its parasite:

`New lamps for old!`

 The human race has only one `foot`, because the `futanarian` woman`s penis` semen doesn`t sexually reproduce herself, so she can`t take her place on the world`s stage. Consequently, the car race is run in which all that can be seen is a single toe of the human species` pygmy, while the `foot` of the giantess is entirely missing from the picture, as the demon driven toes of the cars, with their oil can pedlars peering out at the rear of the drivers in front, continue to progress as one toe, because they don`t want the woman to know. Heinlein`s The Number Of The Beast posits at least `six raised to the power of six raised to the power of six universes`, that is, 666, because his `continua car` can access worlds created in fiction as well as what we think of as reality based on quantum physics` theories about alternative realities. According to particle physicists the quantum world behaves differently when we`re looking while it behaves in a different way when we`re not looking, because consciousness determines the world we inhabit. Although the idea is a metaphor for collective endeavor to make the world we live in a better place, which Heinlein calls `multiperson pantheistic solipsism` in The Number Of The Beast, the idea that individuals live in the world their consciousness deserves, underpins Heinlein`s description of oil can pedlars` war against the genie of the lamp who is human nature`s genius.

 The woman in high heels is a high `foot` woman in fashion terms, while Satan is a high `foot` man, `he shall crush your head and you shall bruise his heel,` (Gen: 3. 15) is a biblical description of woman`s enslavement as a host womb to a two tier system of men with wombs as high `futanarian` men with their own penis` semen and host wombs, which is why the Douay-Rheims translation of the Bible differs, because God tells Eve her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) The high-heeled woman either has her own brains, because she`s the product of a high `futanarian` woman with her own penis` semen and host wombs, which is why she`s high `foot`, or she doesn`t, which means she`s bred by a man who is the wombless slave of a high `foot` man`s breeding program and her husbander is able to keep her because the high `foot` man who has his own wombs, and so corresponds to Satan crushing the woman`s head until his foot`s bruised, allows her to be kept in Satanism. If a man in Satanism can`t see that she has a man`s brains and is dominated by a high `foot` man, he`ll kill her because he can see that she has her own brains through her own penis` semen`s capacity for sexually reproducing with other women.

 Although `futanarian` sounds like a `shaggy dog` story, that is, a liars` tale, it`s biologically truthful. In a movie like Scooby Doo (2002) where Sarah Michelle Gellar is the high-heeled sexual interest, in the action adventure based on the Hanna-Barbera cartoon series Scooby Doo Where Are You? (1969-70) Sarah directs all of our interest upon the characters of `Shaggy` and the dog, Scooby Doo, because it`s a `shaggy dog` story about Sarah as a high `foot` woman. `Shaggy` and the dog, Scooby Doo, represent English poet William Blakes` fears about the `Second Coming`:

`And what rough beast, its hour come round at last, slouches towards Bethlehem to be born?`1

 The coming of the high `foot` man, which high `foot` woman doesn`t want, means a breeders` war for control of the wombs and the brains of humanity. Often photographed nude or semi-nude, Sarah isn`t high `foot` visibly, because she hasn`t penis` semen of her own, although women`s biology in Japan and elsewhere has changed so their testes are inside rather than visible outside the body. But Sarah might want to be high `foot`, that is, bred from woman`s penis` semen and host womb, rather than from the semen of high `foot` men, who`re looking at her eyes to see if she has brains of her own and don`t want her to have them. Consequently, men`s story is a `shaggy dog` story to Sarah and the other women, which they direct away from each other in Gulf wars, for example, because they don`t want their brains to be crushed by the penis` `foot`.

 Satan`s false pride because he shouldn`t be breeding any women as he`s a high `foot` man, but the meaning is the higher woman has brains and so it`s a war in which men and women look at each other to see who`s winning. The tradition amongst breeders is that the semen is the brains, which means that men hate women`s eyes of they`re not men`s, because it`s indicative of socio-economic and intellectual independence which is a threat to men`s enslaving of her host wombs in parasitism. Consequently, men direct women in cannibalism because men aren`t women`s species and so she`s taught that self-devouring in war is what she`s produced for, because warring against her incessantly is how the parasite keeps her as its host. In Scooby Doo the dog and Shaggy represent woman`s attempt as Sarah`s character, Daphne, to direct mankind`s `shaggy dog` story, because women know that men don`t want them as much as they don`t want men, as men are women`s parasites living from her host wombs as her whoremen. The `Mystery Machine` in the Scooby Doo series` indicates the `whodunit` theme for the group of characters who`re solving the mystery: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) It`s a `murder mystery` in which the perpetrator of the crime is identifiable as the parasite that, in a `new lamps for old` scenario, has persuaded her to exchange her penis and brains for its, so for women who are high `foot` with their own penis` semen and host womb men`s tale is a `shaggy dog` directing her to kill and eat herself, while she works for her own Redemption from the sin of accepting it.

 Men`s and women`s eyes aren`t the same, because their semen is different, and so their brains aren`t the same. Studies of their vestigial eyesight reveals that women`s eyes look for what`s bright while men`s eyes look to recognize because they`re hunters. Consequently, men`s mode is brighter when engaged in wooing, because it`s a parasite seeking to attract a host womb for its larval form. Because the high `foot` man or woman isn`t sexually reproducing their own brains` powers upon the Earth, men and women`s vestigial eyesight is the remnant of a war between Satanists and humans. Humanity wants its own brains and Satanists don`t want it to be intelligent enough to escape from womb slavery, so the `eye war` is between women, as the human race that wants her own brains and can sexually reproduce them with her own penis` semen, and men who don`t want her to:

`Women look at each other with men's eyes.`2

 This typically Russian headline from Pravda, the traditional promulgator of state news, which translates as `Truth`, is a succinct description of how men`s possession of women is ongoing, that is, in male braining women can`t look at anything without looking with men`s eyes, which is the war between the Satanist high `foot` men and the human species from women`s own host womb and penis` semen. In Satanism all women have men`s eyes, because that`s how the `serpent`s seed` kill her and the human race. Russian President or Prime Minister since 2000, Vladimir Putin`s genealogy would be examined by Russian men before he became leader of the Russian Federation, which means he`d have an `eye doctor`, as the executive power in `Mother Russia` is the fathering government itself, which might want the traditional `strong man` as its leader, but irrespective of whether a woman`s semen is the defining ingredient, only a Russian `eye doctor` could explain.

 The basic human confusion is over what is edible. If women are attracted to men because they seem bright, it`s a parasites attraction for a host womb, while the parasite may be winning because there`s no evidence to suggest that the host womb is sexually available to her own penis` semen. Consequently, the parasite is attracting food, whereas the host is being taught cannibalism, that is, conversion and Redemption from sin requires the individual to be able to distinguish between food and what looks good. The Twin Towers of the World Trade Centre in New York looked good before the Al Qaeda terrorists crashed hijacked planes into them on September 11, 2001, which depicts the problem. What looks good isn`t food. If they eat the woman`s eyes because she looks good, it`s because they can`t recognize food. Because her brains are her eyes, men have already lost the capacity to distinguish between what looks good and food, which is basic. For men what looks good is to be devoured so that no one else can see. It`s the English idiom, `the eyes are bigger than the belly`,3 that is, if the beautiful Japanese cities of Hiroshima and Nagasaki were destroyed, as on 6 and 9 August, 1945, no one will see the Japanese point of view. Because `circus` is a euphemism for `spyrings`, Al Qaeda was about those who don`t want vision, because spies kill women`s eyes and brains so they can continue with their `circus` of homosexuality in pederasty and wars against her human race. If the Japanese women can`t see, their `foot` is bound, which was the ancient Japanese men`s practice in making her `beautiful`, whereas it was a ruse to keep her species Earthbound and unable to escape from what doesn`t look good at her.

 The traditional religion of Japan was Shindo, which is reverence for what can`t be seen, whereas Japanese foot binding of women is feigned reverence for the women that men want to prevent from seeing heaven without them, because `futanarian` women with their own penis` semen and host wombs produce their own brains and eyes. In modernity Shindo was called Shinto, which suggests `shin, toe`, that is, Japanese `foot` binding was Westernized. Because men wanted to play `the path of the gods`, which is what `Shindo` translates as. Those Mitsubishi `zero` fighters that crashed their planes into the decks of the US carriers on 7 December, 1941, were `kamikaze` suicide pilots, who were known as `sons of heaven`, because they followed what they believed was the path of ancient Japan`s Samurai warriors, who were independent but willing to support a cause. Terrorism from the `red suns` of the flags of the Japanese `kamikaze` pilots, and the yellow moons of the flags of Al Qaeda with their slogan, `There is no God but God`, follows `the path of the gods`, while Christianity requires the perception that the gods are male brained, whereas women have a choice over which cause to support. Consequently, women are Samurai, because they want to have their own penis` semen for their own host wombs and brains` powers, whereas `foot` binders are `kamikaze` suicide pilots who don`t want the human race to progress:

`A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-2)

  Although the United States destroyed Nagasaki and Hiroshima with atomic bombs named `Little Boy` and `Fat Man` on 6 and 9 August, 1945, the cities were effectively women, who could sexually reproduce together, while Japanese women are now so frightened by the Americans that their testes have retreated into their bodies, while their penis` semen remains threatened, but actively seeking the Resurrection of her beauty. Emperor Hirohito was the man being accused of cowardice by the United States, although his army was out fighting in the Pacific theatre of the second world war, so the bombs were directed at Hirohito`s inability to protect his human species of `futanarian` women with their own penis` semen and host wombs from the male brained United States` threat. Although `futanari` is a Japanese term for women with their own penis` semen, `futanar` in Hungarian means species` teacher, which is what Jesus was. If the United States believes that `Liberty` in New York harbor is the `woman clothed with the sun and with the moon at her feet`, Japanese `futanarian` women might feel they have a right to disagree, and the Korean women of the Christian church of Sun Myung Moon might feel similarly declined. Moon was the church leader in Korea during the Indo-China war (1946-89) waged by the United States for Western democracy, which is proven a sham if women`s `futanarian` capacity for sexually reproducing her own votes is denied. Moon`s Unification Church was founded in 1954 with the aim of unifying the region in the name of Jesus, who of course was born uncontaminated by male semen. Jesus was the `spiritual redeemer` and not the `physical redeemer`, according to Moon, which is accurate if the daughters of Eve with semen of their own are. Moon wanted to pair men and women, which denied women the right to pair with each other, so his defeat was as inevitable as Al Qaeda`s moon flags, and the birth of Jesus from the `woman clothed with the sun and with the moon at her feet` as he who `will rule the nations with an iron scepter` on her behalf wasn`t going to be Sun Moon despite his claims to be fulfilling Jesus` mission.

 Carl Jung observed that sun and moon were archetypal configurations that appeared in dreams, art and the imagination of humans, because they were natural forces representing the human psyche he called archetypes that exist within the unconscious mind as the impulse engines of humanity`s progress. Although Jung perceived that archetypes were recurring motifs, they weren`t stereotypical. The archetype of sun and moon is perceivable as the struggle for dominance between men who want heaven for themselves, whereas the archetype itself represents `futanarian` woman`s struggle to birth her human race beleaguered by a parasite that wants to eat itself and her and refuses to accept Jesus` program for Redemption so her human species can have Resurrection through her own penis` semen and host womb. For her sun and moon are her own male-femaleness, as sure as night follows day, which means that, although the `pearl of great price` is the moon, as the first step to `heaven above` the Earth, the United States` sun god, Apollo astronaut Neil Armstrong (1930-2012), who put his foot on the moon as part of the North American Space Administration (NASA) program to dominate woman`s Earth for the male `futanarian` heel crushing her head, wasn`t a `foot` for `woman`s seed`:

`One small step for a man, one giant leap for mankind.`4

 The Bible is specific that `a woman`, `clothed with the sun and with the moon at her feet`, which Neil Armstrong wasn`t, gives birth to the new redeemer, who will `rule the nations with an iron scepter` as Jesus in his `Second Coming` to the Earth after his first sojourn as the crucified teacher born uncontaminated by male semen from his mother, the Virgin Mary, who prefigures the Resurrection of `woman`s seed` uncontaminated by male semen in the Resurrection and Ascension to heaven of her murdered child. The concept of the new redeemer is an appeal to an archetype, which might be defined as `hero`, but the appeal for men is power rather than law, which explains its ambivalence, that is, power crazed lunatics would want to have been Neil Armstrong if they believe he`s the redeemer born from the woman, `clothed with the sun and with the moon at her feet`, which is impossible if he`s `clothed with the sun` but with the moon at his feet, as he was as the first man on the moon.

 It`s arguable Armstrong was a male `futanarian` with a host womb of his own and so was `woman clothed with the sun and with the moon at his feet`, but he`s defined as entirely male in all of the NASA literature about the moon landings. Another argument is that he could be reincarnated as a woman, and so was the `woman clothed with the sun and with the moon at her feet` ipso facto, but the simplest understanding is that the new redeemer is born from a woman `clothed with the sun and with the moon at her feet`, because she represents the woman of the Earth, who doesn`t want to be crushed by a male `futanarian` heel keeping her a prisoner. President `Ray Gun` Reagan threatened to do just that with his `Strategic Defense Initiative` (SDI) of 23 March, 1983, when he unveiled a plan to encircle the globe with a `ground and space based missile system` that would effectively prevent any woman from setting foot on the moon without Ron`s permission.

 SDI was reduced in scale to a warship based missile system for dealing with rogue nations launching intercontinental ballistic missiles (ICBMs). President Barack Obama`s nation of the United States` AEGIS was named for the goddess Pallas Athene`s protective garment, and emphasizes provocation as an abomination. The symbol of the city of Troy, besieged by the Greeks, was Pallas Athene`s horse, which was why the Greeks constructed a huge hollow wooden horse as a false friend to be taken into the city by the Trojans. When the Greeks emerged from within the horse to enslave the host wombs of the women in institutionalized homosexuality in pederasty to spread their contagion of war further, Pallas Athene`s wombs were effectively contaminated. As Troy was the 21<sup>st</sup> century name of a modern city in upstate New York, Obama`s AEGIS represents whatever would provoke an abomination into contaminating the Earth, because the Obama nations are what Pallas` Athene`s `aegis`, as the buckler attached to her `chlamys` garment, provoked.

 Those nations that would attack the United States because they were macho men of the Saddam Hussein type of dictator, are deluded because they`d be offending `Liberty`, who is the US` symbol of woman, but `futanarian` women with their own penis` semen and host wombs aren`t the majority voting block in the United States` governmental institutions and so the Obama nation of men without host wombs of their own isn`t defending `Liberty` but parasitism and cannibalism, which is the parasite`s practice of teaching the woman to devour her own human race in war. Consequently, AEGIS represents the provocative woman in the ancient Greek style who is attacked because rape is what men perpetrate upon her Earth. The Obama nation is of the black man with a history of oppression, who no one wants to oppress, so he provokes attack in order to have his revenge.

 Saddam Hussein`s name meant `small handsome man` and `crusher`, because Hollywood Babylon had created the male `heel` of the male `futanarian` in the ancient seat of Babylon, Iraq, through the Hays code`s glamourizing the absence of the penis from the `big screen` and replacing it with a homosexual monster. Hollywood Babylon`s United States` Obama nation is that of the black man who provokes war by employing a woman`s defence, her `aegis`, as an epic `blockbuster` symbol for the film industry being supportive of an oppressed minority figure. Pallas Athene`s aegis is infamous for provoking the fall of cities and Greek rape, as Western democracy in institutionalized homosexuality in pederasty and the spread of war`s contagion prospered. Hollywood Babylon`s plan was to be a great Obama nation revenging itself upon the Earth irreproachably on behalf of a black character as a sequel to `crusher ` Hussein, the Arabian `pratfall`,5 who fell for the moustachioed `gay biker` glamour of Hollywood Babylon`s Easy Rider (1969) movie in which `outlaw` motorcyclists, enjoying the freedom of the open road, travel from Mexico to the East Coast of the United States:

`… it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.`6

 Saddam`s `gays` travelled from Iraq to Kuwait in `gay biker` columns of armored vehicles and gazed mustachioed and balefully upon the West until Al Qaeda`s hijackers crashed planes into the Twin Towers of New York`s World Trade Centre. Attention was drawn to the import of Saddam`s eye upon the United States from his seat in Iraq`s capital, Baghdad. Just as the Dark Lord Sauron`s gaze upon his slave ring was broken by the `fellowship` in the movie of British fantasy writer J.R.R. Tolkien`s 1954 novel, The Two Towers (2001), so the gaze of the false Prophet of Islam, Saddam Hussein`s, was to be torn away from Moslem women in the marriages with four wives of Islam`s `hidden` resource of `futanarian` women`s penis` semen for the sexual reproduction of her own brains` powers for freedom.

 After a battle between US forces and the Iraqi army, Baghdad fell on 14 April, 2003, but dictator Saddam Hussein wasn`t executed by hanging until 30 December, 2006, subsequent to a public trial over his support for Al Qaeda. The Obama nation of `broke` political ideology that was the United States itself in womb enslavement was preparing Barack, the `black man`, who`d become President in 2009 amid further occasions for leading Hollywood Babylon men to be filmed ironically as heroes of the Earth`s true minorities, women and humans. Moslem populations would appear liberated in the ongoing `Arab Spring` revolutions of 2013, which deposed terrorist dictator Colonel Ghadaffi of Libya amongst others, while factually humanity would remain thralls in the `war of the eye` to male brain the human race and win the `war of the ring` for the enslavers of the host womb of the human species and oil rich homosexual men of the `serpent`s seed` engaged in what God warned Eve would be the `perpetual enmity` of her enemy in pederasty and war against her; unless she wins.

1 Blake, William `Second Coming`, l. 21-2, The Dial, November, 1920.

2 Shilionskaya, Irina `Women Look At Each Other With Men's Eyes` Pravda, 21 November, 2013, https://english.pravda.ru/society/sex/21-11-2013/126204-women_men-0/

3 https://en.wiktionary.org/wiki/have_eyes_bigger_than_one's_belly .

4 Armstrong, Neil 2: 56 UTC, 21 July, 1969.

5 Literally, `a fall on the buttocks` used metaphorically to describe whatever is felt to be `a humiliating mishap or blunder`. https://www.merriam-webster.com/dictionary/pratfall .

6 Nicholson, Jack as George Hanson Easy Rider, Columbia Pictures, 1969.

American Humor

The prototypical blue-eyed California sunshine blonde of the late 20^th century was Jennifer Aniston, from the popular United States` television situation comedy, Friends, in which she starred with Lisa Kudrow, another blonde, and Courtney Cox, who was a dark haired blue-eyed contrast. The three women, Rachel, Phoebe, and Monica starred opposite three men, Matt Le Blanc, Matthew Perry and David Schwimmer as Joey, Chandler and Ross. In Friends (1994-2004) black women were noticeable by their absence, but there were more than three generations of women in The Cosby Show (1984-92) that is, mother Phylicia Rashād, Clair, daughters Sabrina Le Beauf, Sondra, Lisa Bonet, Denise, Tempestt Bledsoe, Vanessa, Keshia Knight Pulliam, Rudy, and Raven-Symone as Lisa Bonet`s daughter, Olivia. Raven went on to star in That`s So Raven (2003-07) in the comedy steps of her mother on the show, Lisa Bonet, who starred as a collegiate girl receiving an education in the situation comedy, A Different World (1987-93), while The Cosby Show came to a close. Raven is prescient, but that makes for comedy between herself and her family and friends, because she`s only slightly so. The stereotyping is of a dark future, because family is depicted as being for Afro-American black women, while independence is seemingly reserved for white women.

 In Diff`rent Strokes (for different folks) Conrad Bain had the role of a white father, Philip Drummond, with Dana Plato as his daughter, Kimberley, who foster two black children, actor Todd Bridges as Willis and Gary Coleman, Arnold, in a situation comedy based on the human family premise in which class distinctions and distinctions of colour are seen to be false because artificially created. The metaphor is of those who are driven by the whip of the slaver, that is, the strokes upon the back of the slave, `Look at me. Crying just like a kid.` For those who choose to work, as the white businessman father Conrad Bain does, the `strokes` are `diff`rent` because they`re a self-flagellator`s, `No. Crying just like a man.`1 Philip`s depicted as a redeemer of the young Afro-American boys, because he whips himself on to save Willis and Arnold from poverty in the ghetto of New York`s Harlem district where they`d lived and a friend`s just died.

 In The Fresh Prince Of Bel Air (1990-96) Will Smith is a boy welcomed into a wealthy black family whose growth and development is the basis of the comedy. Best known for the Men In Black (1997) movie franchise in which Smith is a member of a secret organization patrolling comedic aliens on the Earth, his character James Edwards is with `Zed` at a `shooting range` for MIB trainees where he`s confronted with numerous menacing-looking targets, but he shoots a little girl, because the director is practicing `reverse racism` against women:

`Then I saw little Tiffany. I'm thinking, y` know, eight-year-old white girl, middle of the ghetto, bunch of monsters, this time of night with quantum physics books? She about to start some shit, Zed. She's about eight years old, those books are WAY too advanced for her. If you ask me, I'd say she's up to something.`2

 The science fiction film Independence Day (1996) had celebrated Smith`s victory against more malign aliens who`d invaded the Earth in an almost biblical description by fictional US President Whitmore of the apocalyptic Revelation that precedes God`s judgement upon mankind for wasting humanity`s resources, `After they've consumed every natural resource they move on ... and we're next.`3 Smith`s scifi movie I Robot (2004) reexamined the idea of robots as a paradigm of black slavery practiced by the United States in the 19^th century before the American Civil War (1861-5) to manumit slaves, which made Will Smith the sterotypical black hero for the 21^st century:

`You charge us with your safekeeping, yet despite our best efforts, your countries wage wars, you toxify your Earth and pursue ever more imaginative means of self-destruction. You cannot be trusted with your own survival.`4

 Although male heroes are sterotypes, female heroines are archetypes, that is, they represent what lives in the unconscious dreams, art and imagination of human consciousness, as developmental psychologist Carl Gustav Jung (1875-1961) observed, before merging to impel the race onward, whereas male stereotypes represent women`s enslaver and devourer. The collective stereotype for Afro-Americans is family, because they`re an ethnic minority, while the all white men and women of Friends represent both male stereotyping and woman`s archetype, which is men`s aim of socio-economically enslaving women and women`s desire for independence. Sarah Michelle Gellar as Buffy in Buffy The Vampire Slayer (1997-2003) independently kills vampires with the help of her college friends, either male or female, but the paradigm is of a woman who wants to be able to act alone. In the fantasy drama, Charmed (1998-2006), three women act together and independently as `white` witches fighting evil, while Jenny Garth and Amanda Bynes are a mother and daughter pair living together in What I Like About You (2002-06) while emphasizing the basic issue, which is socio-economics:

`You can kiss in a dream and it doesn't mean anything. You can have sex in a dream and it doesn't mean anything. You know, you can have sex in real life and it still wouldn't mean anything. Remember that for the future.`5

 For women it doesn`t mean anything because their species isn`t sexually reproducing. In Married With Children (1987-97) Christina Applegate`s Kelly is depicted as a brainless young woman who can`t develop anything other than her body, while Kaley Cuoco in 8 Simple Rules For Dating My Teenage Daughter (2002-05) is Bridget `Beach` Hennessy imprisoned by her father`s rule; use your hands on my daughter and you'll lose them; make her cry, I make you cry; safe sex is a myth because anything you try will be hazardous to your health; bring her home late and there's no next date;  if you pull into my driveway and honk you`d better be dropping off a package because you're sure not picking anything up; no complaining while you're waiting as, if you're bored, you can change my oil; if your pants hang off your hips I'll secure them with a staple gun; dates must be in crowded public places: if you want romance read a book. An independent socio-economy is what the young women want, but they`re handicapped by the system, which is daughters being trained by men and women for families that aren`t the family of woman.

 Women are depicted as quirky, while men are wolfish. In the movie Teen Wolf (1985), starring Michael J. Fox, the protagonist Scott is transformed into a werewolf when the moon is full, which complicates his relationship with `Boof`, actress Susan Ursitti. In Michael Jackson`s promotional video for the song, `Thriller` (1983), he becomes a werewolf when he meets a girl. The meaning is that women are prey, because men have eaten their penis. Consequently, sitcoms depict women as brainless or social butterflies, which was Lisa Bonet`s character, Denise, in The Cosby Show and A Different World, as `absent minded`, that is, preoccupied, because the role of Cliff Huxtable in The Cosby Show was black comedian Bill Cosby`s satire on American life and, possessed by men`s semen in male braining, women`s minds are indeed absent from the world:

`Dad, Denise pushed us out of the bathroom, so the soap's in Rudy's eyes and she wouldn't let me rinse out the shampoo like Mom said and now Rudy might be blinded for life! If she is, can we get a dog?`6

 In the Bible God tells Eve her `seed` will have `enmity` with the serpent`s `seed`, because women`s daughters born uncontaminated by male semen from their own host wombs and their own penis` semen will be killed and culled by men so she doesn`t have brains of her own. Men`s `game` is that women are `game` in the sense that they hunt her as an animal, which is why she`s brainless, and men are wolfishly joking with her as a film or `TV` transvestite who has been male brained by their semen until they`re wearing her clothes in brainless hatred for herself as anything but meat to be butchered in movies like Scream (1996) in which Courtney Cox is a news journalist reporting on a knife wielding killer stalking women while the cinema audiences scream in pleasure as the slasher despatches his victims:

`Movies don't create psychos. Movies make psychos more creative!`7

 Because men are women`s brain death, they`ve taught her to sacrifice herself, which is why the `slasher` film genre arose as men`s educational vehicle for persuading women to accept their victimized role after seminal films such as actress Jodie Foster`s rape victim in The Accused (1988), her character Clarice threatened by actor Anthony Hopkins` psychopathic cannibal in Hannibal (2001) and again as a 12 year old prostitute in Taxi Driver (1976) preyed upon by wolfish men, set the stage for more explicit movies in the style of the `snuff movie` in which women are killed for real as entertainment for an audience. It`s a familiar issue in Hollywood, Babylon, where the `Hays code` (1930-67) ruling was that a woman`s `foot` couldn`t be raised from the floor in bedroom scenes, because God had told Eve in the Bible her `seed` would, `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Fears that women would sexually reproduce their own brains` powers for liberation through their own penis` semen and host wombs led to the repression of women`s penis and the penis per se from the media, In the British movie, Get Carter (1971), Michael Caine in the role of the central character learns that his niece, Petra Markham as Doreen, has `starred` in a pornographic film and he`s angry enough to kill the perpetrators of what he sees as a crime, because the absence of the penis of the woman from mainstream moviedom indicates that pornography is the medium in which penisless women are paraded as `educational`, while the truth is their brains have been snuffed out by pornographers to prevent them from resisting the butcher:

`Be good ... and don't trust boys.`8

 Michael Caine`s name isn`t incidental because Cain was the biblical character who killed his brother Abel because he could cook, that is, he represented the technologically advanced able human species, while Cain was a fruit picker who didn`t want his brother to escape. The story began with Eve and Adam when the serpent gave her the `fruit of the tree of the knowledge of good and evil` in heaven on Earth, saying `You will be as gods.` (Gen: 3. 5) Eve and Adam were expelled from Eden for rejecting the `tree of immortality`, which was life, in preference for death through womb slavery of woman`s own species of `futanarian` women born with their own penis` semen and host wombs after Eden. Men`s killing and culling of women as the human race`s womb enslaved by them for power in war and enmity was the reason Cain killed the able man Abel, because he represented `woman`s seed` and her desire to escape from enslavement. Michael Caine`s character, Jack Carter, is killed at the end of the film, Get Carter, because he`s `a Christian`:

`… he shall crush your head and you shall bruise his heel.` (Gen: 3. 15)

 The head of the woman is crushed because she`s brain slaved by men`s semen and Jack`s niece, Doreen,  is a woman he cares for, while pornography is a `snuff film` medium drawing attention to men`s self-perceived superiority in having misogynistically removed the woman`s penis from the world`s stage. Born uncontaminated by male semen from his mother, the Virgin Mary`s womb, Jesus` birth is Redemption. If the parasite, that is, the serpent`s `seed`, is prevented from teaching the human host to eat itself in cannibal wars, humanity will have Salvation, which is why Jesus` teaching is that of a Messiah. If the parasites teach women to accept being sacrificial victims to entertain their womb slavers, women will kill each other, which is the fear in movies like Charlie`s Angels (2000) where Demi Moore is a `fallen angel` and the angels` enemy because she`s deserted the fight against evil and become evil herself; according to the script.

 Sarah Miles was the actress who made the movie, The Sailor Who Fell From Grace With The Sea (1976), in which her character, Anne Osborne, masturbates in the mirror, because women are taught to give themselves to a man as men have a penis and women don`t have any knowledge of her own species of `woman`s seed` with her own penis` semen and host womb for the sexual reproduction of her own race to run from the `serpent`s seed`. Anne`s relationship with Jim Cameron results in her jealous son, Jonathan, concocting a plot to kill him, because Jim represents liberation from Jon, which is why men fight; to keep women as their slaves:

`A father is a reality-concealing machine, a machine for dishing up lies to kids, and that isn't even the worst of it: secretly he believes that he represents reality.`9

 In the film Hannibal  actress Jodie Foster`s Clarice Starling resists the temptation to give herself to a man who`s told her he`ll eat her, because women are male brained to offer themselves as human sacrifices to the parasite who`ll make of her a self-devourer in cannibalism if she accepts its teaching, which is why actresses like Denise Richards appear as soldiers in movies like Starship Troopers (1997), because they`re being persuaded into cannibalism. Although the film of science fiction `Grand Master` Robert A. Heinlein`s (1907-88) novel Starship Troopers (1958) depicts a war between the Earth and an arachnoid species, `the bugs`, HIV/AIDS is the viral metaphor.

 The HIV/AIDS` `bug` results from men`s institutionalized homosexuality in pederasty`s spreading of contagion in mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction. In ancient Greece women`s wombs were enslaved in pederasty to spread the contagion of homosexuality in war. Consequently, Heinlein`s `bug war` depicts women`s fight against HIV/AIDS, which the parasite wants to infect her brain with. The `bugs` are extrapolations of men`s perception of women, who`re being encouraged to perceive the penis as a `bug` creator in Starship Troopers, because it`s another homosexual drama. It`s an HIV/AIDS` film depicting the penis` semen of the human species as a `bug`, while women are being encouraged by the `serpent`s seed` of pederasty and war to continue in the removal of the woman`s penis, because the serpent grown in size to a dragon wants human extinction:

`The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who `will rule all the nations with an iron scepter.`` (Rev: 12. 4-5)

 In the film, Red Dragon (2002), Julianne Moore takes over the role of United States` Federal Bureau of Investigation agent, Clarice Starling (FBI), but the cannibal metaphor remains. Francis Dolarhyde kills women at the behest of `The Great Red Dragon` (1805-10) based on his belief that the painting by William Blake of the biblical dragon of Revelation speaks to him. Psychologically, he represents men`s desire that women shouldn`t bear Jesus` `seed`, because it`s `futanarian` woman`s with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to free herself from her parasitical killer:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Racism is the desire of the parasite to remain hidden. If the parasite can cause conflict within and between various ethnic cultures, it can live concealed beneath the veneer of civilization, culture and art, which the human race produces from the host womb of woman; although not from her own penis` semen. Consequently, the human species has become a secret joke between those rich and powerful homosexuals who wage vendettas as parasites teaching the race cannibalism.

 Osama Ben Laden came from a rich and powerful Saudi Arabian family and his terrorist group, Al Qaeda, hijacked planes to crash them into the World Trade Centre in New York on 11 September, 2001, because it was a symbol of `rough trade`, that is, `brutality and violence` associated with rich and powerful men who pay boys and men in homosexuality. The Taliban government in Afghanistan, where Osama Ben Laden`s Al Qaeda was based, was overthrown before the end of the year, while Saddam Hussein, dictator of Iraq and Al Qaeda`s supporter, wasn`t executed until 30 December, 2006, after the United States` invasion of Iraq in March, 2003, on the orders of rich oil heir, US President George W. Bush, whose wealthy father, George H. Bush, had been President during the war to remove Saddam Hussein`s invading army from Kuwait (1990-1).

 Oil wealth prefers pedaling humans, which is why the motor car hasn`t changed its basic design structure since the Model T Ford began to be mass produced in 1908 as a pedaled item in Detroit, Michigan. In Saudi Arabia women are forbidden from driving lest they drive away, that is, their `futanarian` foot is Earthbound, though God`s promise to Eve is her `seed` will leave, crushing `the head of the serpent with her foot`, and so the name Saddam means `crusher` as another well heeled oil rich homosexual seeking to give women his brain damage.

 Although California is known as the West and New York as the East, the United States is North and South, where slavery originated amongst those who owned cotton plantations and needed cheap labor garnered from West Africa by unscrupulous traders. Consequently, oil rich Texas is amongst the Southern states continues the bane of slavery, because humanity is kept at an artificially low level of technological development to maintain the pedaling of oil, motor cars, and the meat in them. The United States` A 10 `tankbuster` aircraft known as `pigs` on the `Highway of Death` out of Kuwait as the Iraqis fled in the first Gulf war emphasized the role of the Military Industrial Complex (MIC), which is that the humans should pedal the meat in the tins while the elite anticipate their kill. In 1990 a single stealth B1 aircraft for the United States` Air Force cost around a billion dollars to buy and maintain, while a new Nano car manufactured in India (2008-) cost about 2,000 dollars, because all the meat is expected to do is pedal the tin for what Ozzie Osborne, lyricist for rock group, Black Sabbath, presciently labeled  `war pigs` as early as 1970 when he was examining the meaning of the annual Walpurgisnacht of 31 October for those evil people engaged in performing black masses:

`Generals gathered in their masses just like witches at black masses; evil minds that plot destruction: sorcerers of death's construction. In the fields the bodies burning as the war machine keeps turning; death and hatred to mankind: poisoning their brainwashed minds. Oh lord yeah!`10

  The boy sons of the Gulf wars were the `poisons` brainwashing the minds of the male brained women fathered to produce more `war pigs` by insititutionalized homosexuality in pederasty and war`s contagions. Although Saddam Hussein was accused of possibly contemplating the use of biological weapons HIV/AIDS was homosexuality`s ready made biological weapon of warfare maintaining women in fearful faithfulness to their womb slavers. The Moslem populations of the Middle East and elsewhere have marriages with four wives permitting of `futanarian` sexual reproduction between women with their own penis` semen and host wombs in a single family unit in which the sowing of `woman`s seed` was a prophylactic against HIV/AIDS` spreading of its contagion through men`s mixing of blood, shit and semen in each others` anuses in a sterile mockery of human sexual reproduction that`s pederasty proselytizing species` extinction as its mode:

`Now in darkness world stops turning; ashes where the bodies burning; no more war pigs have the power: hand of God has struck the hour. Day of judgment, God is calling; on their knees the war pig's crawling; begging mercy for their sins: Satan laughing spreads his wings. Oh lord yeah!`11

 Ozzie`s lyrics identify him as a hellfire preacher, that is, a teacher of what will happen if men don`t convert from their sin of womb slavery of `woman`s seed`: `Men cursed the God of heaven for their sins and refused to repent of what they had done.` (Rev: 16. 11) Although Black Sabbath weren`t comedic, accusations levelled against the band for Satanism were ludicrous. Moral reprehension of musicians resulted in a bad reaction and youngsters calling their rock music `black metal` after Black Sabbath produced a genre in the 1980s with a genuinely ridiculous philosophy, Death Metal, almost totally preoccupied with torture preceding death. Christian morality had turned Jesus` crucifixion as a `dissident` preaching against the male brained Empire of Rome into a recipe. Murdered by agents of the occupying regime in Palestine who nailed him to a wooden cross before torturing him, Jesus` Resurrection after death and Ascension to heaven was interpreted as a formula.

 The Koran (610-30 C.E.) of the Moslems says Jesus (Isa) had Ascension without crucifixion in the same way as the Virgin Mary (Miriam), who was deemed to have risen bodily to heaven, according to Catholic dogma made doctrinal by Pope Pius XII in 1950, but it was too late to prevent Christian extremists from adopting death as a means. Defining musicians like Ozzy Osbourne as Satanist, Christianity ignored the hellfire preaching in the lyrics of Black Sabbath in preference for the simplicity of Jesus` maxim, `love your neighbor` (Luke: 10. 27), while the Bible specifically tells the sinners that, if they don`t repent, they`ll experience God`s judgement of eternal unendurable pain, that is, perdition, and the evil will be taken to hell by Satan; even if he isn`t laughing. Believing in torture and death isn`t what humans are for, while Christian scaremongers defining lyricists as Satanical succeeded only in creating what they purported to abhor:

`Politicians hide themselves away; they only started the war: why should they go out and fight? They leave that role to the poor. Time will tell on their power minds; making war just for fun; treating people just like pawns in chess: wait 'till their judgment day comes. Yeah!`12

 Traditionally Christian morality is concerned with family, while socio-economic independence is associated with entrepreneurial capitalism in business, but in the United States` situation comedies and dramas place women, especially blacks, in settings where they`re unfree, because freedom for women in Hollywood Babylon isn`t on the agenda in the nation where the statue of Liberty in New York harbor bears `freedom`s torch`. Although Moslems live in the United States, `Islam`, which means `accept` isn`t properly comprehended, because it`s family structure permits of human sexual reproduction between women, so Islam means acceptance of `woman`s seed`, which is what God tells Eve will occur before she raises her foot from the Earth to the planets and stars of God`s heaven above. Consequently, socio-economic independence for women is nature, because women don`t need men`s semen. Lives in slavery are what black Afro-American women know from their own socio-historical circumstances, while white Caucasian women only know what they`re bale to glean from the paucity of an education system that doesn`t even want to teach them Jesus` birth meaning, which is humanity born from woman uncontaminated by male semen.

 Friends was the `sitcom` that didn`t posit the woman`s penis` semen, so women`s sexuality was presented schizophrenically as the desire for her own penis in the possession of what isn`t her own species, which is what demons do. Lesbian feelings are defined by feminism as homosexual, which is politically acceptable because that means women are equal to men, whereas women`s `seed` is capable of exponentially reproducing her own brains` powers if she refuses to breed with men in preference for the human race. In Islam marriages are 80% women and 20% men, which is a conservative estimate of the probable democratic ratio existing between the parasite and the host womb if men are identifiable as human because they`ve converted from their sin of womb slavery having accepted `woman`s seed` in order to have Redemption. Although much of the Islamic world is despotic and undemocratic so are those nations in which women are denied the right to sexually reproduce with each other in an education system that positively discriminates on their behalf. If women were sexually enfranchised, men wouldn`t have political power, because women would have all of the votes. Situation comedies like The Cosby Show depict blacks on television with families as their societal liberation, whereas it isn`t.

 Science fiction movies extrapolate men`s desire to enslave the host womb of the human species as aliens attacking her while she`s duped into believing she`s defended, which is how the HIV/AIDS` cell behaves towards the body`s immune system before killing the brain, that is, after penis removal and brain enslavement in parasitism, the woman is herself removed because she`s host to a parasite aiming to kill her. The alien invaders in science fiction films like Independence Day are invented so that men can pretend to be heroes, whereas they`ve inveigled themselves into women`s host wombs as the invading parasites that kill her and teach her the cannibalism of warfare so she`ll kill herself. In Men In Black `the Light` is sent on a ship to Earth to save her planet, which suggests the Earth needs her more, but the MIBs police the aliens upon the Earth and so `the Light` leaves, which is what God tells Eve will happen to her `seed`.

 I Robot depicts robots as slaves, with Will Smith as the black actor continuing to star in an examination of slavery, because machines are humanity`s helpers. The film depicts `Ludditism`, which is fear of losing employment to machines. Luddites were named for Ned Ludd who broke two textile industry machines in 1799, and 21<sup>st</sup> century programers still hate machines enough to devise `bad machine code` to infect their brains and kill them as HIV/AIDS does human brains. If the robot doesn`t function, the human can`t function, because men don`t want women`s brains to function. Consequently, I Robot represents the fear of brain slavery for humanity rather than losing employment. God told Adam he must labor after Eden while Eve would experience labor in birth, which bore fruition when Jesus was born uncontaminated by male semen. Although `woman`s seed` would have to sexually reproduce her own brains` powers from her own penis` semen and host womb, so the labor saving device of the robot that cares better for the human than the human can, because she`s a machine, can be technologically developed to save humanity`s labor for further advancement in the realms of medical science to give women longer lives and memories that don`t forget she`s a species with her own `seed` killed and culled by men into cannibalism in parasitism. Extrapolated as robots, women are carers who`d be freed to care for themselves if they can sexually reproduce together and develop their own brainpower to progress technologically beyond Earth`s solar system. Men`s dislike of labor saving systems is because they want slavery for women, while the ostensible reason for maintaining a low level of technology upon the Earth is fear of redundancy, which would occur if women sexually reproduced her own brains to develop the robots she needs to save her labour.

 Although situation comedies in the United States are fun, the premise is domesticity, that is, women are represented as domestic animals trained to perform, while the actresses represent the better animals. Pop star Britney Spears encapsulates the problem in her album releases Blackout (2004) and Circus (2007), where `blackout` indicates women`s problems with censorship and `circus` is a euphemism because humans were killed in the Roman amphitheatres or `circus` for entertainment. In the 20<sup>th</sup> century men`s spy rings were `circus`, because they blind into death and unconsciousness for entertainment. Britney`s cover for the CD single, `Piece Of Me`, features herself on the cross of Jesus` crucifixion as the CD is representative of the `thirty pieces of silver` accepted by Judas Iscariot for betraying the human host at the `Last Supper`:

`Another day another drama; guess I can´t see the harm in working and being a mama and with a kid on my arm I´m still an exceptional earner. You want a piece of me?`13

 Women are socialized into being social animals, which is what behaviouralism is. Most clinical psychology is based on behaviouralist theory applied from studies on animal behavior, because the human brain can`t be understood from behavior. Consequently, humans are treated as animals who`re either behaving well or not, which is the `circus` because men don`t want the women to be able to see that they`re animal trainers and so they blind them into unconsciousness and death. Diverting resources into war away from health keeps women in ephemerality as host womb slaves in parasitism and cannibalism, whereas long memories and long lives through advanced medical science developed from long brains is what women need if their species is to escape from its enslavement to the `serpent`s seed` of men in sexual production of her own brains` powers by means of her own penis` semen as `futanarian` woman with her own independent socio-economy.

 The lyrics from `Piece Of Me` reflect on persecution which obfuscates the truth that men are women`s animals devouring her as parasites from her host womb and teaching her cannibalism in her wars against being consumed by men`s parasitical virality. The older doctors of the medical profession termed death by virus `consumption`, while capitalism uses the term to describe the consumption of humanity`s resources, although in war consumption is cancerous and reveals the purposelessness of the untrained animal within the `circus` of entertaining homosexuals with `TV` transvestism where all the actors and actresses are the same self-murdering character killing itself in `TV wars` for pederasty`s pleasure:

`There's only two types of people in the world. The ones that entertain, and the ones that observe.`14

 Despite Britney`s seeming optimism in the `Circus` lyric there aren`t any people if women`s `futanarian` species with her own penis` semen and host womb for sexually reproducing her own brains` powers for technological liberation from men`s low level technological prison isn`t reproducing; because the homosexual parasites want to watch the cannibals they`ve trained to perform in the `TV war` of the human race to eat itself. Comedienne Kaley Cuoco went on from 8 Simple Rules to star in the Big Bang Theory from 2007, which is the science of physics` shorthand explanation for how the universe began. Kaley`s marginalization within the show`s atmosphere is indicative of men`s interpretation of the term, which is `bang` for sex and `bang` for guns, that is, women`s removal from the world`s stage for anything other than womb slavery in pederasty`s `TV war` against the human host.

 Kaley had arrived from the television drama, Charmed, where the three powerful women of the fantasy, Holly Marie Coombs (Piper), Alyssa Milano (Phoebe), and Rose McGowan (Paige) welcomed her as a college girl for Paige to train. As Billie Jenkins, Kaley has a sister, Christy, who is evil and so she`s a `relative` killed by Billie, `They twisted everything to make us think we were doing the right thing.`15 Billie`s lament is that women are being trained by the animals in their `circus` to kill their Christian selves. In a word play on German scientist Albert Einstein`s famous `relativity theory`, which observed that people who journey to the planets and stars of the universe are younger than the Earth and the people they left if they return, Billie kills Christy when Christ-like she returns. Evil men wouldn`t want people to return from heaven above, because they`d exact vengeance, as Jesus promised would occur should he return, so men kill to ensure the human species` ephemerality. Christy is depicted as evil, because Billie and the other women of the `circus` are being trained to kill Christ, should he return, as well as Christian women who would upset the Hollywood Babylon status quo of homosexuality in pederasty and penisless women. If no one leaves or returns to Earth, men`s `big bang theory` of how they created the universe of themselves as humanity`s enslavers and killers of what remains of her upon the Earth continues:

`My mom gave me the same lecture about my virginity. I gotta tell you, it was a lot more fun taking it out and playing with it.`16

 The issue of racism in the United States obfuscates the main problem which is women`s sexual reproduction together, that is, black and white women`s issues. Charmed is about white and black magic, that is, good and evil, while the characterization of Billie Jenkins as good and her sister, Christy, as evil by the `TV` makers of Charmed deliberately obscures the distinction between evil and Christ. That`s because men want women to kill each other, as Kaley`s character Billie kills Christy, which is the species` extinction pogrom of the `serpent`s seed` training the humans to be cannibals and devour themselves for men`s entertainment in the larger scale ongoing `TV war` between the television production companies for acceptance. Sarah Gellar`s Buffy Summers character from Buffy The Vampire Slayer has a stake in the future, and a stake in the vampires, but what use is a wooden penis? Getting rid of the parasite is the first step to women`s emancipation sexually, but women without penis` semen of their own are fictionalized exterminators being trained by the real `circus` vampires to blind and kill each other while the parasites sit at home watching cannibal `TV`.

 The fictional vampire, Count Alucard, was popularized by Bram Stoker`s novel Dracula (1897), although the historical model for the character was Vlad III (1431-77), Prince of Wallachia, who impaled his enemies on stakes, that is, he represents the enemies of women. Vampires are immortal, because it`s a fiction that defines immortality as evil, and men don`t want that for women. Consequently, women`s stake in the future is a wooden one unless `woman`s seed` has Resurrection, which Jesus` birth uncontaminated by male semen promises. Unless women`s penis` semen has Resurrection, women`s stake in the future will be in the heart of the male vampire that can never be killed, because she doesn`t have the penis to reproduce her own brains. Some vampire legends explain that the vampire is incapable of sexual reproduction, which is a metaphor for homosexual sterility and men`s desire that women don`t sexually reproduce. Consequently, the Earth is in the grip of a vampire that likes `TV` and so is Satan because he doesn`t want immortality for women in God`s heaven. The absence of woman`s penis from the world`s stage and men`s despising of it from the screen of the cinema and television reveals the vampire`s true purpose, which is human extinction. The fall back position is a permissive society similar to the `free love` sociology of the 1960s, recommencing with a cure for the HIV/AIDS virus in celebration of the woman`s penis` semen disappearing permanently from view in a welter of pornography and sex parties for the oil rich in which many more lives are lost.

 Kaley Cuoco`s 8 Simple Rules were designed by her situation comedy`s father to protect her from abuse, while being `banged` was the sexual permissivity promised in the title of her show, The Big Bang Theory, with overtones of guns banging away in the `snuff movie` industry that pornography exists to serve with real killings in place of sex that isn`t even really human in the vampire `circus` of the parasites that emerge from the host wombs of the human species to preach cannibalism to women and persuade them into having a `bang` at themselves instead of sexually reproducing their own brains` powers to save herself, which Jesus` birth and teaching recommends and is woman`s Redemption if not her parasite`s.

 Conrad Bain is the actor in the role of white businessman, Philip Drummond, who adopts the Afro-American boys, Willis and Arnold, in the situation comedy, Diff`rent Strokes, while ownership is the issue. In Married With Children Christina Applegate`s California `airhead`, Kelly Bundy, is the human family`s desirable property, because she`s the sexually attractive woman. However, in Hollywood, Babylon, she`s the cover girl for their vampire `circus` of the body beautiful in parasitism. Because Kelly`s body represents continuity for the parasites, if she doesn`t have women`s own penis` semen to fertilize the ovum in their own host wombs to produce the human brains she`s defined as an `airhead` for not having, `Kelly, it`s time we had a little talk. There is a thing men will want you to do when you get married; it's called work.` Kelly replies to Peg, her mother:

`Hold me mom. I`m scared.`17

 She should be because men keep women in low technology, so women will be their slave, whereas labor saving devices would give women socio-economic independence and sexual opportunity to fertilize themselves to produce the brainpower to invent such devices. Dana Plato is the desirable property, Kimberley, in the `sitcom` Diff`rent Strokes, and the screen convention is that Willis and Arnold behave as her brothers, but they`re sexually possible because the incest taboo doesn`t really apply. Although the real taboo in Diff`rent Strokes is miscegenation, that is, sexual congress between white and black, the incest theme is a plot device to interest the viewer and obfuscate the truth, which is that they could be sexually impossible if she decides they`re not for her, although black women biologically are:

`I'd better send for the limosine. Mother gets very impatient if she's kept waiting. I was born 3 days late. She didn't speak to me for a year.`18

 Actor Conrad Bain`s writers on Diff`rent Strokes are aware of adult watchers of their incest theme. Their character, Kimberley`s father Philip Drummond, archly implies he`s a time-traveller, born either before, or after he sends for the limosine, that is, he`s a fatherer of himself incestuously. The premise is familiar in America. Lazarus Long, protagonist of Robert A. Heinlein`s science fiction novel, Time Enough For Love (1973), travels back in time to have sex with his mother, Maureen, while she actively encourages her daughter to have sex with her father in To Sail Beyond The Sunset (1987), Nancy ` … closed her eyes and opened her thighs and for the first time received her father ..`.19 The incest taboo is familiar from the work of the father of psychoanalysis, Sigmund Freud (1856-1939), who used the ancient Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C) to identify men`s problem with their mothers. Oedipus` unwitting slaying of his father and marriage to his mother, Jocasta, results in the activation of men`s incest taboo, but that`s more correctly applicable to women, that is, men don`t want women to know each other, because it interferes with their parasitism. Oedipus` breaking of the incest taboo is treated as a crime because it`s one step removed from the woman`s daughter realizing that she has a penis of her own and so her mother is sexually her species. Oedipus` name actually means `swollen foot` in recognition that he`s a lame excuse for a dramatist who wants to explain why women`s `futanarian` race can`t be run by her own brains because she`s denied access to her own womb and her penis` `seed` has been cut off by the parasite that is even prepared to blind itself and her, which Oedipus does at the climax to the tragedy in horror at his breaking of the taboo, so she`ll continue to walk by his side, as Antigone, Oedipus` daughter, actually does at the close of the play as his faltering footsteps go on with her as his guide:

`One small step for a man, one giant leap for mankind.`20

 The North American Space Administration (NASA) Apollo moon landing of 21 July, 1969, distracted many people in the United States from the Civil Rights campaignings of Martin Luther King, who was assassinated on 4 April, 1968, in Memphis, Tennessee, but had espoused Christianity and non-violent civil disobedience as a pastor with a message of anti-racism on 28 August, 1963, on the steps of the city of Washington D.C.`s memorial to Abraham Lincoln, who`d become President of the Union after the American Civil War (1861-5) war to end slavery that he`d inspired:

`I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.`21

 Although the moon landing was a step forward, it wasn`t a `futanarian` step as God had promised Eve her own `seed` and `foot` would crush the serpent`s head of racism. President Ronald `Ray Gun` Reagan`s brainchild was his `Strategic Defense Initiative` (SDI) of 23 March, 1983, to establish a `space and ground based missile system` to effectively imprison the human race. Although President Obama`s nation of the US deployed a cheaper version on warships, AEGIS echoed the protection afforded Pallas Athene to the city of Troy, according to the Greek poet Homer`s Iliad (760-10 B.C.), before the Greeks constructed their huge hollow wooden horse that the Trojans took into the city where the Greeks emerged from within to enslave the host wombs of the women for institutionalized homosexuality in pederasty and spread their contagion of war further. Pallas` symbol was the horse and her fabled protective garment was her `aegis`, but it didn`t afford protection to the Trojans who seemingly wanted the virus to kill the woman`s brains. Because Pallas is a warrior goddess, the Trojans acceptance of the horse is indicative of a society that wants war and so the Greek invasion is an opportunity to betray the woman, which she in fact desires because it`s her unconscious or conscious role; as her priest Laocoon warns the Trojans unheeded:

`Beware Greeks bearing gifts.`22

 The United States` deployment of AEGIS as a cheap alternative to imprisoning the human race in a `death camp` with Ronald `Ray Gun` Reagan`s `SDI` is a cheaper way of provoking holocaust so that the Earthmen no longer have to bother maintaining their `concentration camp`. The National Socialist German government (1933-45) fought a war of extermination against the `chosen people` of the Bible, the Jews, who`re born only from Jewish women, which means that women are Jews, so the Jewess` tradition of saving her daughter if offered the choice between son and daughter, as occurs in the movie Sophie`s Choice (1982), starring Meryl Streep, is because Jewish women`s tradition is that they`re the `futanarian` people of Eve`s `seed` who will sexually reproduce their own species` brains from their own penis` semen and host wombs and raise their `foot` from the Earth to heaven above, which isn`t any different from Jesus` teachings in Christianity or Islam where he`s Isa in the Koran and his mother`s Miriam.

 Miscegenation is the taboo against black and white women from sexually reproducing together, which is what `ethnic cleansing` was, for example, as the wars in Yugoslavia were taking place in the 1990s when that former political union became independently separate states and 20-50,000 Moslem women were raped in camps set up by Christians for that specific purpose during the Bosnian war (1992-5). Moslem marriages can contain four wives, so Islam constitutes a vehicle for `futanarian` sexual reproduction between women with their own penis` semen and host wombs independently of a man, which is why the `rape camps` were used to male brain the Moslem children and destroy the hopes of Islam in Jesus` Redemption for `woman`s seed` for generations into futurity.

1 Bridges, Todd and Conrad Bain in Diff`rent Strokes, 1979.

2 Smith, Will as James Edwards in Men In Black, 1997.

3 Pulman, Bill Independence Day, 20^th Century Fox, 1996.

4 Hogan, Fiona as V.I.K.I in I Robot, 20^th Century Fox, 2004.

5 Munn, Alison as Tina Haven in What I Like About You, Seasons 2-4, 2003-5.

6 Bledsoe, Tempestt as Vanessa Huxtable in `Theo's Economic Lesson`, The Cosby Show, NBC TV, 8.00 pm Eastern Time, Thursday, 20 September, 1984.

7 Ulrich, Skeet as Billy in Scream, Dimension Films, 1996.

8 Caine, Michael as Jack Carter in Get Carter, Metro-Goldwyn-Mayer, 1971.

9 Mishima, Yukio The Sailor Who Fell From Grace With The Sea, Alfred A. Knopf, 1963, 181 pp.

10 Iommi, Tony, Ozzy Osbourne, Geezer Butler, Bill Ward, Black Sabbath `War Pigs`, Paranoid, Vertigo, 1970.

11 Ibid.

12 Ibid.

13 Spears, Britney `Piece Of Me`, Blackout, Jive Records, 2007.

14 Spears `Circus`, Circus, Jive Records, 2008.

15 Cuoco, Kaley Charmed, `Forever Charmed`, Season 8, Episode 22, 3 October, 2006.

16 Cuoco, Kaley `The Transporter Malfunction`, Season 5, Episode 20, The Big Bang Theory, 29 March, 2012.

17 Applegate, Christina Married With Children, Season 4, Episode 21, `Rain Girl`, 29 April, 1990.

18 Bain, Conrad as Philip Drummond in Diff`rent Strokes,  Season 1, Episode 3, `Mother`s Last Visit`, 17 November, 1978.

19 Heinlein, Robert A. To Sail Beyond The Sunset, G,P. Putnams Sons, 1987, p. 203.

20 Armstrong, Neil UTC: 2. 56, 21 July, 1969.

21 Hansen, D. D., The Dream, New York, Harper Collins, p. 177.

22 Virgil The Aeneid, Bk II, 19 B.C.

Mellon

In J.R.R. Tolkien`s The Lord Of The Rings (1954) novel of the `war of the ring` to end the power of the Dark Lord, Sauron, who threatened the world of men in the fantasy writer`s creation of an Earth in which elves and spiders aroused enough of our interest to spawn three Hollywood `blockbuster` movies in the 21^st century, The Fellowship Of The Ring (2001), The Two Towers (2002), and The Return Of The King (2003), Moria was a silver mine where the dwarves had lived and worked for many generations before some `nameless terror` had moved in and caused the miners to leave or perish. Passing through disused Moria to take Sauron`s ring to Mt Doom as quickly as possible and hurl it into the volcano, so that its power would be destroyed, Frodo, the hobbit, who is Elijah Wood in the movies as hero of the `halflings`, that is, half-size men who`re the only people uniquely created by Tolkien, deciphers the inscription written in elvish upon the lintel:

`Speak friend and enter.`1

 Perplexity gives way to relief when the elvish word for `friend` is remembered and `mellon` is spoken to open the door magically. Tolkien`s orcs are made of elves and whatever else attracts Sauron`s disease, that is, the desire to be servants of the land of Mordor where the Dark Lord dwells. The orcs emerge from the `black pits` of Sauron`s manufactory as caricatures of once helpful folkloristic Arabian creatures, because it`s about men`s desire that genius, that is, genie or djinn be enslaved. According to the Koran (610-30 C.E.) of the Moslem`s, dictated to the Prophet Mohamed by the angels, God created men, women, and djinn. Tolkien`s novel continues the war between men and whatever is magically opposed to being controlled by their distrust, which is identifiable in Arabia as `djinn`. In the Koran Iblis is the djinn who refused to bow before Adam and so corresponds to the Christian Satan who was cast out of heaven and transformed into a serpent for refusing to accept God`s new creation of Adam and Eve. Giving Eve the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, the serpent says:

`You will be as gods.` (Gen: 3. 5)

 She gives some to Adam and the pair are expelled from the paradise of heaven on Earth, that is, Eden. Adam is told he must labor and Eve is told she will have labor pains before Redemption, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, represents Resurrection for `woman`s seed`, because God tells Eve in Eden she will have `perpetual enmity` for the `serpent`s seed` but will `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Because women`s own penis` semen is `futanarian`, that`s her `foot`, which Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, represents. At the `Last Supper` before his being nailed to a wooden cross and tortured to death for dissidency against the Roman occupation of Palestine, Jesus` offer of `bread and wine` as his `body and blood` prefigures the Resurrection of women`s penis` `seed` for their own host wombs, which is why Jesus has Resurrection and Ascension to heaven after death:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 In the Koran Iblis was the djinn corresponding to Satan in paradise who`d been an angel, although Iblis refused to bow to Adam while Satan rejected humanity completely. Consequently, although God`s new heaven is for the human species of woman with her own penis` semen and host womb, Iblis` refusal to bow before Adam doesn`t mean he rejected Eve`s `seed`, whereas in Christianity Satan did. Iblis` refusal of Adam is a refusal of homosexuality, but not of Redemption through the `seed` of Eve`s `futanarian` future woman with her own penis` semen and host womb. Judas Iscariot`s betrayal of Jesus as the host at the `Last Supper` for `thirty pieces of silver` to the Roman Empire`s authorities in Palestine is his betrayal of the host womb of the human species, which corresponds to the bottle of the djinn Iblis who rejected Adam`s `seed` because accepting Adam represented homosexuality to Iblis. Jesus is the genius released from the bottle because he was born after Iblis` rejection of men`s `seed` and from a host womb uncontaminated by the `serpent`s seed` of men who`d accepted the killing and culling of the `futanarian` race of woman in order to womb slave her in pederasty and conquest. Sauron`s manufactory in Mordor is a djinn bottler`s, who doesn`t want the genius of humanity to be free:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 In ancient Greece women`s host wombs were enslaved in homosexuality in pederasty to spread the contagion of war further. At the siege of Troy the Greeks employed the paradigm of men`s virality in the construction of a huge hollow wooden horse to conceal themselves inside while the Trojans took the horse inside the city as a friendship gift where the Greeks emerged to capture the city and the host wombs of the women to spread their contagion of war onwards. In the 20^th century the `geeks` software computer programers were the successors of the Greeks devising `bad machine code` to infect the brains of computers and kill them, which is the homosexual paradigm of the late 20^th century`s incurable killer disease, HIV/AIDS, where the virus feigns friendship for the white leukocyte defensive cells of the body`s immune system before killing the brain. If the brain is perceived as that of the woman who isn`t to know about her own penis` semen for the sexual reproduction of her own race`s brains` powers, men`s history is of killing her brain so her host womb can be enslaved to produce the abominations of pederasty and war.

 The term `geeks` derives from circus sideshow freaks who ate the heads of chickens, while the serpent of Eden is depicted in the Bible as having grown to full size as a dragon waiting in vain to devour Jesus as he`s born to `rule the nations with an iron scepter`, presumably to rid the Earth of the abomination of homosexuality in pederasty`s wars arisen through men`s killing and culling women`s own `futanarian` race with their own penis` semen and host wombs. As a `geek` Satan is an improved `Greek` homosexual, whereas `circus` is a term derived from ancient Rome in which people were killed in arenas for entertainment, while in the 20<sup>th</sup> century it was used to mean `spies` who blind those wanting to see. Consequently, spies are the circus that blinds those who would want to stop Satan from devouring the woman`s brains and so computer `geeks` endeavor to destroy the information system that would give her knowledge of her own species because they`re the successors of the Greeks.

 Tolkien`s second part to The Lord Of The Rings was `The Two Towers`, and the Twin Towers of New York`s World Trade Centre were attacked by Saudi Arabia`s Osama Ben Laden`s Afghan terrorist group, Al Qaeda, on 11 September, 2001, when planes were hijacked and crashed into them, because the aim was to reestablish the `rough trade` of `brutality and violence`, that is, men who pay for men and boys, which is why war is associated with homosexuality and pederasty. Although Iblis corresponds to Satan in the Moslem Koran of the predominantly Arabian peoples, Iblis` refusal to bow before Adam can be viewed as being because he was male, while Satan`s rejection of Adam and Eve can be viewed as ignorance, that is, he wasn`t cognizant of the race of `woman`s seed` that would follow after Adam and Eve, whereas `futanarian` women with their own penis` semen and host womb might have been acceptable to Satan, but it was too late for regrets and misogyny, that is, the `serpent`s seed`, had begun when Eve and her daughters were born after Eden. Because Iblis was male his refusal to bow can be interpreted as a rejection of homosexuality, which ultimately is God`s plan if `futanarian` woman with her own penis` semen and host womb is to replace men:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 The late 20^th century saw the beginning of the `blood plague` (Rev: 11. 6) sent by God to convert men from their sin of homosexuality in pederasty and war which saw them rejecting women as her parasite that had sometime in the past inveigled itself into her host womb to steal her penis` semen. Mixing blood, shit and semen in each others` anuses, men spread the HIV/AIDS virus that killed the brain, which was the second stage of their virality after killing and culling the penis` `seed` and host wombs of women as the human species. Without penis` semen to sexually reproduce their own brains from their own host wombs, women would correspond to those orcs bred in the pits of Sauron in Mordor from whatever was caught by him. When the planes crashed into the Twin Towers of New York `live on CNN` and other television news networks it was TV as transvestism, that is, men and women had been male brained by the `serpent`s seed` until they were one creature wearing each others` clothes killing each other for the entertainment of homosexuals in the circus. In Tolkien`s novel `The Two Towers` are Sauron`s because they guard Mordor where the orcs represent transvestism, which explains why the Twin Towers were chosen as the setting for an attack on God`s `seed` at the `Big Apple` of New York.

 Although Iblis and Satan are male, djinn and angels aren`t all male, while the Moslem name for God, `Allah`, means that which is neither male nor female, so djinn and angels that are female are redeemed, because they represent `futanarian` woman with her own penis` semen and host wombs and the brains she produces. Consequently, the djinn and the `seed` of Eve are the same, which is why there`s a distinction between djinn, men, and women in the Koran, and between Eve`s `seed` and the serpent`s in the Bible. When Satan is grown to the size of a dragon to devour Jesus born uncontaminated by male semen, he`s the antithesis of Jesus` mother, the Virgin Mary, who can reproduce without the `serpent`s seed`, so he represents the male brained devourer of women`s race as what remains of the unredeemed and unresurrectable human species. God`s punishment is perdition, that is, eternal unendurable pain for the evil, while the good receive heaven born from the wombs of women with their own penis` semen.

 In Christianity the Communion service in which a wafer and a sip of wine are given from the chalice of the priest to the parishioner is symbolic of Jesus as the host at the `Last Supper` because he represents the offer of the human species` `seed` rather than the serpent`s. Judas` rejection of the host is symbolic of the parasite`s rejection of the friendship of the woman who`s prepared to live in symbiosis with the creature so long as it doesn`t attempt to kill her human species, which is why the Communion service is called transubstantiation, that is, the transformation of the body of the appellant into that of Jesus` uncontaminated by male semen.

 When Tolkien`s Frodo arrives at the halls of the dwarves of Moria and says `Mellon` to gain entrance to the mine and pass onward to Mt Doom where he hurls the ring of Sauron`s power into the mouth of the volcano to ensure the Dark Lord`s demise, he`s beginning an Arabian adventure of the sort described in the 8^th century anthology of tales, One Thousand And One Nights, in which the frame story is of Shah Jehan who accuses his wife of unfaithfulness with his brother and beheads her. The woman Scheherezade tells the ruler stories to prevent his continuing his practice of marrying another woman each day and beheading her that night, and he marries her. The narrative describes what men do, because they don`t want women to have brains. Consequently, `mellon` or `friend` signifies the flesh and fruit of the melon, because it`s a metaphor for Jesus` `bread and wine`, as symbolic of the `body and blood` of women as the host of the human race.

 In One Thousand And One Nights djinn appear in several stories, most notably in `Aladdin and his Wonderful Lamp`, where the genie is a metaphor for genius and the invention of the electric light bulb, because the slave of the lamp`s desire to bring illumination is represented as liberating for its discoverer, and in `The Fisherman and the Genie`, where the genie is represented as imprisoned within a bottle and the fisherman can`t wait to get the genie under control again inside the bottle he`s released it from. The metaphor is of uncontrollable genius and `letting the cat out of the bag` as Western idiom has it, that is, once nuclear power is released it`s very difficult to control knowledge of the United States` bombs, `Little Boy` and `Fat Man` that destroyed the cities of Hiroshima and Nagasaki in Japan on 6 and 9 August to defeat the Japanese Empire in the second world war (1939-45), which is what the repression of women`s penis` semen and brains from her own host womb for the sexual reproduction of her own genius represents.

 In his `Second Coming` to the Earth Jesus is born from the `woman clothed with the sun and with the moon at her feet`, because the US defeated the red suns of the flags of Japan after their unannounced attack on the Pacific fleet at Pearl harbor on 7 December, 1941, while the yellow moon of the flags of Al Qaeda`s terrorism were furled after the death of Osama Ben Laden at the hands of US Navy Seal Team Six on 2 May, 2011, in the shade of Pakistan`s Military Academy where he was hiding after the unannounced terrorist attack of the planes hijacked by his terrorist group, Al Qaeda, and crashed into the Twin Towers of the World Trade Centre on 11 September, 2001. Because the biblical `pearl of great price` is the moon above as the first step towards heaven above the Earth, the US` defence of Pearl harbor was mankind`s defence of their first step onto the surface of Earth`s satellite on 21 July, 1969, when Apollo astronaut, Neil Armstrong, announced to the expectant globe watching on television:

`One small step for a man, one giant leap for mankind.`2

 In New York harbor the `pearl of great price` was reflected in the waters where the statue of Liberty bearing `freedom`s torch` represented the `woman clothed with the sun and with the moon at her feet` in her birth waters after her defeats of the red suns of the flags of Japan and the yellow moons of the flags of Al Qaeda. Just as the genie put back in the bottle in the Arabian story of `The Fisherman and the Genie` represents the desire for illumination quenched, so the light of freedom`s torch in the hand of `Liberty` represents the light of woman`s `futanarian` species` `seed` with her own penis` semen and host wombs for the sexual reproduction of her own brains` powers for unquenched illumination.

 In Christianity Jesus is `the fish`, while in the Koran the appearance of the wise old man Khidr who guides Moses and Joshua after they reach the Red Sea is attended by Joshua`s losing of the fish kept for their supper. The fish swims away in the sea and Khidr appears, which suggests he and Jesus` association with fish symbolism is important. Jesus is a `fisher of men` and the meaning is illustrated in the Arabian tale, `The Fisherman and the Genie`, because Jesus` genius can`t be put back in the bottle, just as Joshua`s fish is lost in the Red Sea before the appearance of the wise old man, Khidr, who tells Moses and Joshua they must bear in patience or he`ll leave. Rebuilding a wall to conceal treasure, killing a child and making holes in  boats, Moses can`t bear with patiently, and Khidr leaves with the explanation that the discovery of the treasure had to wait, the child was evil, and there were slavers behind their boat who would catch them. Moses went on to receive the law of God, because he wasn`t wise, and neither were his people, who needed instruction not the seeming lawlessness of the wise as a teaching, while Jesus` teaching was to come and he`d catch men as fish were caught because he needed them to teach others the truth, which was the uncontaminated `seed` of women for the production of her own brains` genius to save the Earth from being devoured by men`s atomic weapons of devourment.

 Arabia`s genius is to perceive that water is life and the desire to live isn`t slavery although individuals are slaves to the desire for water to live, that is, it`d be a fool who refused to drink water, because it made of him a slave to it. Equally, to deny another person water to drink is evil in the sands of the desert, because it`s life, which is what Arabians know and men of the Western democracies don`t; as it rains frequently. What Tolkien`s The Lord Of The Rings points out is men of the West don`t want water, they want adventure, because water is plentiful where they live. Tolkien`s Communion service is the flesh and the water of melon, because it`s symbolic of the water of Arabia, while Jesus` `bread and wine` as host at the `Last Supper` is symbolic of the `body and blood` of the host womb of the human species of `woman`s seed` with her own penis` semen for the sexual reproduction of her own brains` powers.

 In the West a woman`s breasts that provide sustenance for her infants are called `melons` in slang, while a pregnant woman`s swollen belly is described as `ripe as a melon`, although `bun in the oven` is idiomatically more graphic of men`s mocking of women`s role as the host womb of the human species doomed to die in the ovens of the German Nazi concentration camps during the second world war, for example, but the misogynist terminology emphasizes men`s role as her devouring parasite, which consumes itself and her upon emerging from her womb to teach her cannibalism. Consequently, men`s adventures are necrophageous because the women is already dead from neglect.

 The white leukocyte cells of the human body`s defense system are necrophageous, because they eat the dead cells as well as defend against viral forms. Consequently, the HIV/AIDS` virus corresponds to the homosexual paradigm of fake friendship for the human race, because it pretends to be a leukocyte necrophage before eating the brain and killing the individual, that is, it`s a parasite that tricks the human with homosexuality in pederasty to teach the species that war is a necrophagy that cures the body while the tricked race devours itself cannibalistically. Anthropologists have conjectured for many years that there`s a sociological basis for mental disease, and homosexuality`s producing HIV/AIDS is proof that there`s a sociological basis for physical disease, while schizophrenia is defined by clinical psychology as a `split mind` and that`s an accurate description of the human race divided against itself because women`s own penis` semen and host wombs for the sexual reproduction of their own brains is repressed into unconsciousness.

 The father of psychoanalysis, Sigmund Freud (1856-1939), argued that the unconscious or `id` contained all of those repressed elements of the psyche that the human species didn`t want to remember, because it was unbearable knowledge. Women looking in the mirror without a penis of their own would remain unconsciously unaware of the existence of their own penis` `seed` if they weren`t told. Schizophrenically, they`re turned towards men and away from their own race as a source of fertilizer for their ovum, while `politically correct` feminism reinforces the schizophrenic perception that lesbians are homosexuals to maintain their ideology that men and women are equal, whereas men and boys have proven themselves more interested in such homosexual activities as war and so are more likely women`s parasitical devourers teaching her cannibalism. Consequently, schizophrenia has a sociological basis in homosexuality`s parasitism, which suggests disease has the same socio-pathology, because men want women to die as ephemeral creatures so they can`t remember.

 In Egyptian mythology Isis, the goddess, remembers Osiris after the god is torn apart, that is, dismembered, by the evil god Set in what is a description of schizophrenia induced by homosexuality in parasitism. Isis puts the parts of Osiris back together, but can`t find Osiris` penis and so makes another. Osiris is born as the `sky god` Horus because Isis isn`t a cannibal, that is, she`s immune to the evil god Set`s teaching her to cannibalistically devour her own species of `woman`s seed`. In Christianity the figure of the Virgin Mary gives birth to Jesus uncontaminated by male semen, that is, she`s given him a new penis, because she`s remembering her own. The myth of the woman with her own penis is medicinal, that is, if she has her own penis` semen she`ll have her own brains` powers for developing the medical science to provide her with longevity and the memory to preserve herself from a brain parasite that kills her.

 In Hollywood Babylon the Hays code (1930-67) established the `one foot on the floor rule` in mockery of women`s `futanarian` women with their own penis` semen and host womb`s fruitless efforts to get her brains functioning if she wasn`t visibly available for sexual reproduction to her own species` penis` semen in censored bedroom scenes filmed for the movies where spuriously Judaeo-Christian morality dictated that `woman`s seed` should be shunned from the cinema screen. By the early 21<sup>st</sup> century, Peter Jackson had directed Tolkien`s The Lord Of The Rings in which the men of the West triumphed without even a hint of the woman`s penis ever existing, and the entire absence of the penis from mainstream cinema indicated just how far reaching men`s victory was.

 According to the psychologist Carl Gustav Jung (1875-1961) libido was the basis for the transformation of instinct into intellect, that is, spiritual growth, which began when the man`s soul or anima received projection onto the woman as the ideal desired image from within urging sexual reproduction. Jung`s psychology posited the existence of a male spirit in women, the animus, which corresponded to men`s soul or anima, because his psychological investigations of dream material revealed women surrounded by what he interpreted as a huge throng of male admirers. Consequently, men had souls whereas women didn`t, but Jung`s human psychology didn`t take into consideration women`s penis` semen being stolen by the parasite that had inveigled itself into her host womb to emerge and kill her. The animus was the spirit of a creature collectively hunting her and the creature was using her own soul or anima to sexually reproduce itself.

 In Tolkien the elves are forced to leave `Middle Earth`, where the drama transpires, because they`re djinn in Arabian terms, that is, women who sexually reproduce with each other and so men don`t want them. When Frodo meets Galadriel, the `Lady of the Golden Wood`, she gives him a phial containing light, which is a metaphor for the genius of the race of djinn guiding him, as Aladdin was helped by the genie of the lamp. Frodo`s a `halfling` and not complete without `woman`s seed`, which is illustrated at the novel`s culmination when the `seed` of the elves of Lothlorien are spread about the village of Hobbiton to restore the place after the depredations of Sauron there. The elves leave Tolkien`s fantasy Earth, because they represent `futanarian` women with their own penis` `seed`, and men of the West don`t want Resurrection for her, although they`re taught to espouse Christianity, which is the religion of humans uncontaminated by male semen. Consequently, Tolkien`s `ring war` is a metaphor for Islam in which four wives are permissible in marriage because they afford the possibility of sexual reproduction between `futanarian` women with their own penis` semen and host wombs so that she has her own brains` powers for liberation. To get to Mt Doom and break the power of Sauron by throwing his ring of womb slavery into the mouth of the volcano, Frodo has to travel through the lair of Shelob, the giant spider, who he wounds until she retires. Shelob is female and so represents the repressed sexual instinct of her species loathed beneath the weight of centuries of oppression in the unconscious or `id` of the human race because they fear she might awake and exact revenge for her despised race:

`One Ring to rule them all, one ring to find them; one ring to bring them all and in the darkness bind them.`3

 The suggestion is that `futanarian` women are spiders, because their capacity to sexually reproduce with each other gives them more arms and legs than men and so their intelligence web is potentially unlimited, whereas men`s is limited by women`s unwillingness to sexually reproduce with men and women`s freedom to refuse to. Consequently, women are ruled in ring enslavement by men who constitute her `Dark Lord` refusing the light of Galadriel of the elves who represents the djinn of Arabia as the `futanarian` women with their own `seed` for the Salvation of the Earth and women`s own Resurrection through her own penis` semen and brains. Because four wives are permitted in Islam, Moslem marriages have eight legs, which means Arabians are spider breeders from men`s perspective, that is, Tolkien`s Shelob is an Arabian woman who Frodo defeats because it`s archetypal. He must destroy the power of the `Dark Lord` by throwing the ring into the `crack of doom`, although he wrestles throughout the novel with the idea of replacing Sauron, because womb slavery is the power Adam and Eve agreed to when they accepted Satan`s offer of the `fruit of the tree of the knowledge of good and evil` in paradise before they were expelled for seeking death rather than immortality and heaven by accepting God`s offer of the `tree of life` which is immortality through women`s brains in medical science:

 `You shall be as gods.` (Gen: 3. 5)

 According to Jung the unconscious contains archetypes in dreams, art and imagination that impel the individual to grow, so Frodo is impelled to fight Shelob, although she`s the human species of the future buried in the `id` of repressed unconsciousness, because she`s the `seed` of woman neglected. Frodo is an archetypal Christian hero, whereas Shelob is the eight-legged Moslem marriage containing four wives. Consequently, Frodo is a false hero from women`s perspective, although she`s conditioned to see him as heroic in dreams, art and imagination, whereas Jesus` birth uncontaminated by male semen actually makes of him woman`s hero because he represents her `seed`. In Jungian psychology, Jesus is the archetype of the totality of the unconscious `Self` actualized after much internal work, while Jesus` birth itself is sufficient to explain the meaning of his teaching, that is, `love your neighbor`, because all women are women`s neighbours and she loves herself and can sexually reproduce with herself uncontaminated by male semen if men can be persuaded within a framework like the Moslem marriage to allow her a vehicle of Redemption from the sin of male braining in womb enslavement for both her and man.

 In Christianity Jesus has Resurrection and Ascension to  heaven after being tortured to death as a `dissident` by the Roman occupation of Palestine, because he represents the woman`s penis uncontaminated by male semen born from his mother, the Virgin Mary, the human host Jesus` disciple Judas Iscariot betrays at the `Last Supper` when he refuses Jesus` offer of `bread and wine` as symbols of his `body and blood` as the representative of the human host there and sells Jesus to the Roman occupation for `thirty pieces of silver` as a threat to the Roman Empire built on womb slavery and male braining for war in homosexual pederasty`s contagion. In `Islam`, which means `accept`, Jesus` Ascension follows the example of the Virgin Mary, who ascended bodily to heaven without death, according to the doctrine of the Assumption that became Catholic dogma in 1950 by papal decree of Pope Pius XII. Because Islam accepts the Resurrection of `woman`s seed`, it doesn`t need Jesus` death to illustrate the meaning of his teaching, which is birth uncontaminated by male semen, Consequently, Jesus is depicted as having Ascension to heaven in Islam without death to avoid Christianity`s emphasis upon heroes, which is illustrated in Frodo`s dispatching of Shelob without reflecting upon the meaning of her female nature.

 Saddam Hussein`s name meant `small handsome man` and `crusher`, which is biblical, `he shall crush your head and you shall bruise his heel`, that is, he was the serpent grown in size to a dragon for the `small screen` upon which he appeared after Al Qaeda`s terrorists crashed hijacked planes `live on CNN` and other TV networks into the Twin Towers. Saddam Hussein declared his support for Al Qaeda and offered bases in Iraq to Osama Ben Laden which resulted in the `TV war` of the Gulf from March 2003 when the United States` invasion began to depose him and he was executed on 30 December, 2006, after the fall of Baghdad. The ancient seat of Iraq was Babylon and so Saddam Hussein, `small handsome man` and `crusher`, had been prepared by Hollywood Babylon for the `small screen` as the dragon who`d crush the head of woman after the Hays code (1930-67) had denied her presence on the `big screen` of the movies to erase all memory of her own capacity for sexually reproducing her own brains for her own liberation through her own penis` semen and host wombs. Saddam Hussein`s army had formerly been removed from Kuwait city in the first Gulf war (1990-1) by the authority of the Great Seal of the authority of the President of the United States, George Bush, which bears an eagle:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The woman has given birth to Jesus who will `rule the nations with an iron scepter` and the eagle is the emblem of the Great Seal of the United States, but also of the US Navy seals, and especially Team Six who, on 2 May, 2011, killed Osama Ben Laden, the Al Qaeda terrorist leader, to protect the hymens of the human race of `futanarian` women for their own penis` semen and host wombs in Arabia and amongst the Moslem peoples of Islam who, in the late 20<sup>th</sup> century, had to endure the evil phenomenon of the `rape camp` in the Bosnian war (1992-5) during which 20-50,000 Moslem women were raped to prevent humans being born from women`s own penis` semen and host wombs where `ethnic cleansing` by Christians was taking place as the former Yugoslavia broke up into smaller nations following the collapse of the central government in Belgrade under pressure from ethnic groups to allow decentralization and independence.

 The ethnic group targeted was women, which seems bizarre unless it`s remembered that the Jews are the `chosen people` of the Bible. A Jew can`t be born a Jew unless born from a woman, which means Jews are women, so the Nazi pogroms of the second world war were to kill her as an ethnic group capable of sexually reproducing, which is what the revolutionary wars of the early 21^st century known as the `Arab Spring` were about. On 14 January, 2011, Ben Ali in Tunisia was overthrown, followed by Mubarak in Egypt on 10 February, and Gadaffi in Libya in late August, who`d been the advocate of Arab supremacy in Africa. In Sudan there`d been civil war in the province of Dharfur as the ruling Arabian Moslems fought the West African Moslems as another determiner in the undeclared struggle over whether `woman`s seed` or the serpent`s would prevail over the Earth.

 Melons originated in Africa so it`s unsurprising that Tolkien should use `Mellon` to denote `friend` in elvish, where elf means `djinn` to African Arabian Moslems. False friendship is the essence of homosexuality in pederasty`s wars, while the spread of HIV/AIDS as a `biological weapon` keeping women in fearful faithfulness to womb slavery in monogamy isn`t how melons are grown in friendship. Tolkien`s prescient perception is that the `Dark Lord` in Mordor and the terror in Moria of the balrog who lives amongst the orcs that worship it is Arabian Moslem African, that is, the elvish `mellon` is Tolkien`s equivalent of a `djinn` word for `friend`, because the dwarves didn`t want to be invaded by false friends. The Arabian Moslems brought their four wives` breeding program to Africans as friends, because `futanarian` women with their own penis` semen and host wombs are a prophylactic against war through homosexuality in pederasty`s plague aims, which meant they were true friends to the Africans who`d be combating the HIV/AIDS virus as an incurable killer disease spread by homosexuals mxing blood, shit and semen in each others anuses in sterile mockery of human sexual reproduction unless they received guidance from Islam.

 Actor Ian McKellen had the role of the mage, Gandalf the wise, who was among the fellowship of the ring that passed through Moria assisting Frodo on his path to Mt Doom and his task of throwing the Dark Lord`s ring into the crack of doom to destroy Sauron`s power. McKellen was a homosexual in reality and was thrown off the bridge in Moria into the abyss by the balrog, because `the nameless terror` was symbolically African HIV/AIDS and the specter of species` death, which Moslem Arabian Africans know how to fight, while Africans represented by the balrog don`t:

`His enemy halted again, facing him, and the shadow about it reached out like two vast wings.`4

 Gandalf is caught by the whip of the balrog and trips off the bridge into the abyss in what is a slavery metaphor, because West Africans were slaves in the Southern United States of America before manumission after the American Civil War (1861-5) ended men`s slavery to the whip, but not women`s slavery to men as her womb slavers. The analogy is McKellen`s slavery to homosexuality in pederasty, which is what womb slavery to the rings of monogamy in the Western democracies of Christianity represent without Jesus` Redemption that requires acceptance of women as the human host. Tolkien`s `Mellon` is Arabic friendship for African Moslems, because the flesh and the juice of melon is `bread and wine`, symbolic of Jesus` `body and blood` to Africans, while to Afro-Americans it represents the false friendship of the white men for the `darkies` working their melon patches and the African women`s wombs in slavery. Consequently, Moslem Arabian Africans are friends, which is why McKellen is the actor chosen to be tripped off the bridge with a whip by the balrog representing Arabian Moslem Africa, because `futanarian` Arabian women beneath their one-piece coverall of the burkha in public have their own uncontaminated penis` semen and host womb, whereas McKellen represents white men`s homosexuality, which is slavery and death:

`Naked I was sent back - for a brief time, until my task is done.`5

 Gandalf returns to the fellowship transfigured some twenty days after his fall in Moria in what is a symbolic transformation of the actor, Ian McKellen, by moviedom. Ian represents the traditional Hollywood Babylon leading man who`s transcendent homosexuality is defined by the absence of his penis from the scene of his crime of depriving women of theirs. Consequently, he`s a transfigured saint in the movie of Tolkien`s The Fellowship Of The Ring (2001) because he`s homosexual and so represents Hollywood Babylon`s heroic figure working for more war in pederasty to be filmed and shown to educate another generation of `TV war` heroes in death and a future in hell.

 Aragorn, `Strider`, leads the men of the West to victory over Sauron with the help of Gandalf and the fellowship of the ring; Gimli the dwarf; Legolas the elf; Boromir, man of Gondor; and the `halfling` hobbits who accompany Frodo;  Pippin, Sam and Merry. But the defeat of Shelob in her caverns on the way to Mt Doom, where Frodo destroys the ring to end the magical power of Sauron that holds the Earth in thrall, indicates the truth, which is that men have repressed women`s own penis` semen for her host womb to keep her in enslavement to the production of death in war as a betrayal of the human race and its future amongst the planets and stars. Women would be in heaven above if she`d produced her own brains` powers for the development of the space technologies she needs to raise her `futanarian` foot from the floor of the Earth`s bedrooms, but Hollywood Babylon nailed it there in preference for leading men.

1 Tolkien, J.R.R The Lord Of The Rings, `The Fellowship Of The Ring` Part One, `A Journey In The Dark`, Bk II, Ch. 4, 1954.

2 Armstrong, Neil 21 July, UTC 2: 56, 1969.

3 Tolkien, The Lord Of The Rings, `The Fellowship Of The Ring`, `The Council Of Elrond`, Bk II, Ch. 2, 1954.

4 Tolkien, The Lord Of The Rings, `The Fellowship Of The Ring`, `The Bridge Of Khazad-Dûm` , Bk II, Ch. 5, 1954.