The Trojan Virus

03/08/2012 09:50

The Trojan Virus


In explaining that a `Trojan` was a virus the computer experts were programming the system with disaster, because to `work like a Trojan` is laudable.  Programmers effectively told the world that working was `viral`, and advocated `play games` only.



 In ancient Greece homosexual pederasty was promulgated by means of warfare, and the enslavement of women`s wombs. The `Greek horse` before Troy was the paradigmatic device by which homosexual pederasty was spread. The Greeks hid inside the huge wooden horse and left it at the city gates. The Trojans took it into the city as a `gift` and the Greeks emerged to capture the city.



 On 9/11 ticket-buying Arab terrorists from Boston, Massachussetts, `the Athens of America`, used civilian aircraft as `Greek horses` to penetrate the USA`s `defence system` and crash their hijacked planes into the Twin Towers of New York`s `Ilium`. Political correctness had labeled the virus as `Trojan`, but homosexual pederasty is notoriously `Greek`. Because the message sent by the computer industry and manufacturers of games` software was that a `Trojan` was `viral`, 9/11 was `plague, game` of homosexual pederasts using a `Greek horse` as an AIDS` test.



 Saddam Hussein and Al Qaeda in Iraq and Afghanistan were `friends` of the USA against Iran and Russia. The device of the `Greek horse` is betrayal, and giving Saddam Hussein the world`s 3rd largest army was an AIDS test insofar as American Aid went. The airaids over New York, Virginia and Washington D.C., were `viral` but not `Trojan`, which meant America`s `friendship` had become a `Greek horse` built by themselves.



 The proof of 9/11 as a `game` for homosexual pederasty`s blood-sucking leeches is the city of Troy in Rensselaer county, New York State, because 9/11 was `hacked` not `hijacked` by terrorists, and the city of Troy was clearly the destination for the original `software` program.



The fact of 9/11`s occurrence was a `biblical` event announcing Revelation and the advent of the `blood plague` of homosexual pederasty`s devouring `red dragon`. The valence of the alien parasitical viral life form`s `plague aims` was identified and destroyed by God at `the cities of the plains`, Sodom and Gomorrah (Gen: 18, 19), because it refused `good works` and would rather `play games`.




 The `blood plague` of HIV/AIDS derived from blood-sucking homosexual pederasty`s valence of sterile unproductivity while it leeched upon the wombs of women in order to continue to `play games` with God`s hate. Emerging in the 20th century as a form of `psychological` terrorism, and `biological warfare` against women and their wombs, the `red dragon` of HIV/AIDS` `blood plague` had become overtly terroristic by Revelation Day, 9/11, and New York`s `city of the planes`.


1 Albany International Airport is 6 miles from Troy.

The Cock, Gunned, Firers

02/08/2012 14:47

The Cock, Gunned, Firers


The 20th century was cursed by the HIV/AIDS virus, and other sexually transmitted diseases (STDs), which were deemed by many to be the biblical `blood plague` of Revelation associated with the `red dragon` and its inability to devour the `New Redeemer` that `protects` the `hidden` woman before she leaves Earth.



 The 20th century was plagued by wars, and fear of hellfire is what the final book of the Bible advises because perdition awaits those who are punished by God for fighting against the woman of the Earth after she leaves to `sow` her own `seed` in heaven. In ancient Greece homosexual pederasty`s enslavement of women`s wombs by means of warfare was the means of spreading its plague.



 Before the walls of Troy the Greeks hid inside the `Greek horse` which the Trojans assumed was a `gift` and took it into the city where the Greeks emerged and captured the city. At the beginning of the 21st century the Americans were `taken in` by Arabians hiding inside aeroplanes. In a modern instance of the `Greek horse` the Arabians crashed them into the Twin Towers of New York`s World Trade Centre.



 In the USA condoms are `Trojans` because to `work like a Trojan` is praiseworthy. The sexual metaphor isn`t misplaced. The devouring `red dragon` of Revelation is homosexual pederasty`s `blood plague`, which spreads by means of the `firers`, which is another way of describing warmongers and murderers. Because `cock` is a word for penis, and `cock` is the word used for preparing to fire a gun, firers (virus), cock, and gun are linguistically connected. As homosexual pederasty`s identifiable as the `red dragon` of Revelation and the `blood plague`, men are `firers`, virus, cock, and gun, which means that women are their `cunt`. Or, in other words, men who are the `firers`, virus, cock, and gun are not the `gunned` (cunt), who are the women victims of the homosexual pederasts.



 In Revelation the `hidden` woman of the Earth leaves to `sow` her own `seed` in heaven, which means she has a penis of her own ( ), and so is a species in her own right (without reference to men). Homosexual pederasty`s `red dragon` is the disease that is called `men`, and is a parasitical alien virus replicating in women`s wombs to kill her and the Earth. The `blood plague` is the disease that is called men`s, that is, HIV/AIDS and other STDs, and is homosexual pederasty`s parasitical alien virus replicating in her womb to kill her from within.



 Political correctness would have us believe that `Trojans` are viruses, whereas they`re spread by `Greek whores`, and `PC` experts would have us believe that homosexuals and women are the same species, whereas lesbians are definable as women who are able to recognize consciously, or unconsciously, that women are their species with its own penis and, according to Revelation, leave the Earth to avoid the disease that is men`s `PC`:


`Cunt, down!`



01/08/2012 12:18



The 20th century was marked by pogroms, which are concerted efforts to exterminate a people or peoples. The most obvious being the extermination of the Jews in the 1930s. Usually commentators fail to observe the obvious point that only women are Jews because it is only possible to be born as a Jew from a woman. The world appears to have been constructed as a misogynist `joke` by someone who hates women. Arabian scientists define the human embryo as a `leech`, and women are placed inside black bags to make them appear more leech-like:


`Then did he become a leech-like clot; then did (Allah) make and fashion (him) in due proportion.`1



 In medical terms, `clots` prevent circulation: `...[a] blood clot ... can travel through the blood stream and block [an] important [artery] ... and ... cause death.`2 Effectively the main arterial road for the retreating army of Saddam Hussein`s failed invasion of Kuwait was where the `clot` occurred that caused his death but, as the `Bag Daddy` of women`s imprisonment, he had sacks of `hidden` treasure. Baghdad`s women are the bags that are dad`s, because Saddad`s expect to `leech` again from those caves of Paradise and so the `old bags` must remain:


`A sunny pleasure-dome with caves of ice!`3



 In Arabian tradition the Paradise of Jennah is `hidden` and all around, because the women of the `abiyah` are the caves wherein the `houri` is contained. In the psychology of Carl Gustav Jung (1875-1961) the `houri` corresponds to the anima or soul. If she were in heaven, the damned could not have her. So she`s kept here on Earth. In the New Testament, the Holy Spirit, or Paraclete, is ostensibly sent by God to teach mankind, whereas in fact she`s the rescuer of the immortal soul or anima, which is the representative of the female `Self` and not of the male.


 Jung writes of `archetypes` that appear abstractly, or personified, in works of art, dreams, or the imagination, to impel development. Because woman with a penis of her own is the human species, male developmental archetypes do not in fact exist, but appear in the mind, or externally, as `Greek horse` images.



 The ancient Greeks enslaved women`s `wombs` by means of homosexual pederasty and warfare. Against Troy the Greeks used the device of a huge wooden horse within which to hide themselves and capture the city when the Trojans accepted it as a `gift` left outside the walls. The supposed archetypes of the male ego, that is, the `heroes` of Jungian psychology, are a `Greek horse` for the devouring `red dragon` of homosexual pederasty`s enslaving of women`s minds and wombs to serve its promulgation of warfare against her and make extinct her `Self` and her Earth.



 In English history there`s a tradition of `liege lord`, which is a person to whom faithfulness is owed. `Bag Daddy` Saddam Hussein was the `leech lord` of those Iraqi women of Baghdad whose hourii were contained within the `caves` of their abiyahs. In Christianity Jesus is described as `the son of Man`, and `the son of God`, because he`s not a `leech`, which is what men are who are damned. In Revelation the `hidden` woman of the Earth leaves, and she does not return because she has her own `seed`, which fights a war in heaven against the evil serpent`s `seed`, who`d rather be her `leeches` and keep her but are defeated and, while she receives a new heaven and Earth, the evil serpent`s `seed` receive unendurable eternal pain forever as their punishment for preferring to be `leeches`:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 In Japan there`s a practice of `foot binding`, which is another instance of the `sick` joke. The name for a woman who has her own penis is futanar, and the word is Japanese. If the `hidden` woman of Revelation escapes from the Earth it`s not because of the Japanese lack of trying to keep her here by `futanar binding` so she can`t run. In Hungarian, the word `fut` means `run`, whereas `tanar` means `teacher`. Teaching women not to `run out` on men is what the Japanese practice of `foot binding` means. Because the Bible tells us that she`ll leave the Earth for heaven.


 The Japanese tradition of the `son of heaven` is similar to that of the Islamic terrorist martyr. In 1941 Japanese Mitsubishi `zero` airplane pilots were sent on `suicide missions` as flying missiles against the US fleet at Pearl Harbour; an act of treachery foremost in the annals of perfidy. The crews were told they`d be `sons of heaven` because, if the Japanese women`s feet were bound to prevent them from escaping, their equivalent of the Arabian`s `houris` would be imprisoned upon the Earth as Paradise. The flaw in the reasoning, of course, is that killers are killers, which is why much of Japanese Manga art features the torture and murder of beautiful girls. Because that`s what `sons of heaven` do.


 Redemption is the recognition that women are a species with her own penis, but if men seek to keep her as `leech lords` they haven`t accepted Redemption and can`t have heaven above. Because, if a man can`t see Woman, as Woman, from Woman`s eyes, he`s not `Man`. Often it`s simply the memory of where you are as a woman. Jesus explains it in the New Testament where `love your neighbor as you love yourself` is Jesus` distillation of the law of God, because it`s the first step to recognizing that you are your neighbor, and so the woman is you.


 In Revelation the `hidden` woman`s leaving of the Earth effectively divorces herself from `Man`, because men are revealed by God as homosexual pederasty`s cancerous replicating parasitical alien viral life form that, in its final stages, produces HIV/AIDS, and other STDs, to attack the wombs of women as a species.


 9/11 continued the paradigm of treachery`s tacit agreement with itself to masquerade as `conventional warfare` in order to wage `psychological and biological warfare` against women`s minds and wombs, so keeping her in doomed ignorance of her role as the `Greek whores` aimed at upstate Troy, New York, promulgating the `red dragon` of homosexual pederasty`s `blood plague` of war against herself:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)



 The `mystery` is how woman could allow herself to willingly serve the `red dragon` of homosexual pederasty`s war against her Earth. Because `evil` is the `father of lies`.



 During the Gulf War `insurgents` were called `Ali Baba` by the US Army, which is erroneous because the story of Ali Baba And The Forty Thieves from 1001 Nights is about a `good` man who discovers a horde of treasure inside a cave kept by thieves. In the Koran there is a similar tale:


 `Some number of young monotheistic men lived in a time where they were persecuted. They fled the city together, and took refuge in a cave where they fell asleep.`


 They awake to find themselves in Paradise. The blackness of the `abiyah` suggests the darkness of a cave, and suicide bomb attacks by women were perceived as `Ali Baba` because, as in Vietnam and Korea, the US Army was deluded into ambushment by their falsely perceiving as `good men`, those who shouted, as if they were wounded comrades:


`Help me!`


 Women in Iraq and elsewhere were perceived as `non-combatant` prior to their suicidal attacks on Coalition security forces. According to tradition Islamic martyrs enter into Paradise, and so death is an `Open Sesame` to the `cave of treasure`. In Christianity the notion of the Resurrection and Ascension of Christ to heaven is associated with the cave where Jesus` body was placed after his crucifixion and death. In Islam Jesus is a Prophet second only to the Prophet Mohammed to whom God`s angels dictated the Moslem`s holy book of the Koran in which the `houri` are described:


`... the ḥūr or ḥūrīyah (Arabic: حورية‎) are commonly translated as `(splendid) companions of equal age (well-matched)`, `lovely eyed`, of `modest gaze`, `pure beings` or `companions pure` of paradise, denoting humans and jinn who enter paradise after being recreated anew in the hereafter.`



 Jesus was the `first martyr` of Christianity, and emerged from the cave to enter into heaven. The Cave, Sura 18 from the Koran, confirms that`s what persecuted men do. In Christianity, heaven is `above` whereas, in the Moslem tradition, heaven is all around but `hidden`. Because Paradise is heaven`s `gateway`, for men like Baghdad`s Saddam Hussein it`s theirs to keep. Because they know from the story of Jesus that men follow a `good man` in order to kill him, and so it`s what the followers of the `good man` would do in heaven, which is why `Ali Baba` is an `insurgent` to the US Army.



 In Revelation the `hidden` woman gives birth while the `red dragon` waits in vain to devour her `New Redeemer`, who`ll protect her until she leaves. The name `Saddam` means `crusher`, and the `hidden` woman of the Earth is depicted in the Bible as `crushing` the `head` of the `evil serpent` before she leaves. One among many `cyphers` to appear in the picture painted in Revelation of Woman as a re-emerging species is Saddam Hussein`s.


 Although the women of Islam are caves, technologically they`re `holos`. In the Middle Ages the correspondent device was the `Iron Maiden`, which is a sarcophagus resembling the darkness of the `abiyah` inside which a victim is placed. A `holo` of the tortured person appears outside the contraption, and often pairs of lovers are used to make `holos` for the persecutors. In terms of The Cave Sura, it`s a `Satanic` reversal in which the `hidden` are persecuted and tormented when they emerge from Jesus` tomb.



 In Eden the evil `serpent` is often described as the `worm` in the apple of Eve, because the `fruit of the tree of the knowledge of good and evil` was given to Eve by the evil serpent to tempt Adam. God told the pair they could eat of the fruit of the `tree of life`, but not of the `fruit of the tree of the knowledge of good and evil`, which effectively means God`s apples weren`t `boy sons`.



 9/11`s attack upon New York`s World Trade Centre, where terrorist`s hijacked planes to crash them into the Twin Towers and `poison` the `Big Apple` was the serpent`s spreading its `boy sons` as it continued to penetrate Eve.


 9/11 took place `live` on CNN and other TV news channels. In the West television is broadcast on a `TV set` and, in the Middle Eastern mythology of ancient Egypt, the evil Set dismembers Osiris, whose parts, collected and put together by the goddess Isis, correspond in Christianity to the wisdom garnered by Eve from the `fruit of the tree of the knowledge of good and evil` in Eden, and collected in the `Big Apple` of New York 2000 years after Christ.



 Because the `hidden` futanarian woman has her own `seed` to `sow`, the evil `seed` of the serpent doesn`t want her to leave because she represents a threat to their `TV set`. If woman has a penis, she`s a species, and men are `aliens` breeding her so they can watch `TV war` in the Gulf (1990-2011) as an `entertainment` for the `elite male alien`.



 The `blood plague` of the `red dragon` is the aspect of Revelation that`s attributable to ancient Greece`s enslavement of women`s `wombs` by means of homosexual pederasty and warfare. Essentially the city of Troy is a `condom` protecting the Trojan women against the parasitical alien virus that, by the last decades of the 20th century, had become HIV/AIDS` `blood plague`, and further entertainment for the `TV set` of telephone numbered `beasts`. The `number of the beast` of Revelation is 666, which is 999 reversed, and so was 911 on 9/11. Because elite male aliens arm police with bullies` radio phones:


`Watching the Earth being, over.`


 Hate masquerading as love is what the `red dragon` practices as `psychological` and `biological` warfare, but the condom`s strength is enough. If the shield functions, the `virus` can`t penetrate. Military `rules of engagement` are about deciding how weak the shield should be. But the paradigm is friendship and love for the virgin innocence of the woman behind it, who`s taught penetration is desirable, not that it`s a `conventional war` against her.



 In the TV series` Star Trek, starship`s shields are `complimented` by weapons, but it`s an extrapolation determined by `convention`. Shield penetration is a `flaw` built into the archetypal structure of male female relations that relates to the `Fall of Man`, because sexual penetration is the means whereby the `red dragon` of homosexual pederasty enslaves women as `host` wombs for its parasitical alien virus of devouring warfare. Because the concept of shield penetrability is a part of any and all human defence systems, Eve`s `Original Sin` was to accept the `evil` serpent`s programme of self-defeat, that is, a `snuff movie` mogul`s pogrom against her.



 The 21st century began with the `Greek horse` in the form of `civil` aircraft hijacked by Arabian terrorists penetrating US` defences to crash into the Twin Towers of New York and spread its `virus` of war. The last quarter of the 20th century had been preparing homosexual pederasty`s devouring `red dragon`. The `blood plague` of HIV/AIDS employed the microcosmic device of `friendship` for the human immune system in order to kill it, which 9/11`s friendly ticket-buying `visitors` duplicated macrocosmically in renewal of the devouring `red dragon` of homosexual pederasty`s paradigmatic feigning of friendship in order to kill.


1 Koran, 75.38




3  Samuel Taylor Coleridge Kubla Khan, l. 36, 1816.

The Gold And Treachery Of Nursery Chrymes

30/07/2012 12:38

The Gold And Treachery Of Nursery Chrymes



In Childhood`s End Arthur C. Clarke depicts humanity leaving Earth. In Revelation, humanity is defined as the `hidden` woman protected by the `New Redeemer` until she leaves to `sow` her own `seed` amongst the stars, where she fights and wins a war against the evil serpent`s `seed` from Earth, before receiving a new heaven and Earth from God, while the evil receive perdition. Because she has her own `seed` to `sow` the woman who leaves for the stars has her own penis, which means she`s futanarian, and her leaving is an escape from `childhood`.



 Childhood is depicted as innocence, while a `hood` is an evil member of a gang. Greek history is that of homosexual pederasty`s enslavement of women`s wombs in order to spread their `plague aim` of war, while the `Greek horse`, taken in to Troy by the Trojans, who believed it to be a `gift`, is prototypical of war as `plague`, and men who `plague, games` of deception in order to betray innocence. Similarly, the `civil` aircraft hijacked by the ticket-buying terrorists from Boston, Massachussets, were `Greek horses` crashing into the Twin Towers of New York and spreading the `plague, game`.



 Because the `plague` is poison, the `boy sons` of the ancient Greek homosexual pederast`s were `poisons`: `In the beginning was the word and the word was God,` Genesis begins, and the `childhood` of God`s `hidden` woman, with a penis of her own, and so a species in her own right, ends in Revelation when the poison (boy, son) `hood` is left behind because woman as a species with her own penis doesn`t need a man.



 Personal computer `PC`, and `politically correct` (PC) `geeks` would have us believe that Trojans are a virus, whereas a `Trojan` is a condom and `work like a Trojan` is a eulogy. `PC` has inaccurately determined that a `Trojan` is a virus whereas a `Greek horse` is a virus, which means that `PC` is an example of what the Greeks termed enantiodromia, where devotion to an extreme position results in the opposite.



 In English, 999 is the `PC` number, that is, the `police constable` will respond to a 999 call. In Revelation, `the number of the beast is the number of a man and his number is six hundred three score and six`, which is 666 or `PC` reversed. The analogy could be extended. In English, `bullies` would be the `police` reversed, which is 999 to 666. The number of the NYPD is 911 and 911 is the number of `PC` in the USA. 911 was the date of the terrorist attack on New York because it`s 911 reversed. The Bible would have to have been construed, in English, at its inception in Genesis, which means 911`s God`s omniscience.



 Insofar as `Providence` explains the devouring `red dragon` of Revelation, which waits in vain to devour the `New Redeemer`, that is, the `blood plague` of homosexual pederasty`s enslavement of women and devourment of her as the `Big Apple`, is the `plague, game` plan. Revelation is the fact that the Bible translates into English `Word` (MS). Either that, or it`s a `joke` written by (or about) an English `police constable`.



 The conclusion to be drawn from woman`s escape from Earth is that she`s leaving behind an alien virus that didn`t want her to live as a species with her own penis and `sow` her `seed` amongst the stars but follows her and makes war against her.



 All aliens in science fiction represent women, or an aspect of men`s relations with them. Often it`s a matter of juxtaposition. In the movie, Swamp Thing, the `monster` carries an unconscious Heather Locklear into the everglades. If `Swamp Thing` was a woman with a penis, Heather`d be carried over the `threshold` in the traditional `after wedding` accompaniment to the bride`s arriving at her new home. Rescuing her from the burning house, `Swamp Thing` is a `hero` but, like King Kong, with Fay Wray in the palm of his hand, foreshadowing 9/11 as he clambers to the top of the Empire State building to be shot down by aircraft, or Mary Wollstonecraft Godwin`s `monster` in Frankenstein, who`s attacked by villagers for murdering a young woman, he wants a woman, and so is alien to homosexual pederasty because he doesn`t seek violence.



 Swamp Thing is a boy sons (poisons) movie, because it first `fathers`, and then `fosters` the delusion the monster is a `hero`, whereas the `monster` is a `stunt double` for a homosexual who wants to replace the man, or the woman, with a `Greek whore`, that is, a woman who`ll produce more boy sons (poisons) for (and from) women`s wombs. Any woman is a target for the `Greek whores`, which appear in Revelation, along with the four whores` men of the apocalypse; war, pestilence, famine, and plague:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)



 Greek homosexual pederasty`s enslavement of women`s wombs for the purposes of promulgating the devourer war, shifted its emphasis to `blood, plague` in the 20th century. It became HIV/AIDS, and `live` on Hollywood`s `baby` Babylon, that is, television`s `small screen`, 9/11`s `Greek horse` abomination was the terrorist hijackers` crashing of `civil` aircraft into the Twin Towers with the `plague aim` of spreading `biological warfare` against women as a species with her own penis; to `plague, game` and prevent her from being born. Either by means of war, plague and famine, which is `sex starvation` through terror of sex and the nurturing of homosexual pederasty`s boy sons (poisons), that is, the devouring `red dragon` of hate for women, and death to her.



 In the 9/11 `movie` it was Saddam that wanted the `Big Apple` of New York`s Eve, according to the `baby` Hollywood `Dream Factory` of TV. But the terrorist hijackers flew from Boston, Massachussetts. In any event, noone got the girl because she wasn`t wanted. As in recent Hollywood movies like Nightmare On Elm Street, Fire Walk With Me, Saw, Scream, etc., noone wants the girl, and in fact she`s murdered to underline the `message` of 9/11. The woman and her penis aren`t to be seen on TV or anywhere. The psychopath and the `monster` are interchangeable. Heather Locklear, in the arms of Swamp Thing, is where the woman doesn`t believe she wants to be, so the `monster` is a `stunt double` for woman with a penis of her own, and the psychopath (boy son, poison) doesn`t want the woman to be, and so is a `real monster` but looks like where the woman has been told she wants to be. In Alien, and its subsequent avatars, Sigourney Weaver is attacked by monsters, who are `stunt doubles ` for men, because they don`t want her to be. The `Greek whore` is the woman, who`s been taught she doesn`t want the `other` woman to be, because she isn`t for producing boy sons (poisons) with the `Greek corps`, and so the `evil` woman is the genuine `alien`, because she`s more difficult to analyze. Demi Moore in Charlie`s Angels, or Deborah Unger in Payback:


`Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.`



Lynn Porter, and Val Resnick, are the Greek whore`s spreading of the plague, but it`s a Hollywood delusion. Mel Gibson has the role of `Porter` and he`s confusing as a hero, because he`s a criminal, but not if you`re interested in having sexual intercourse. Payback is the awareness that homosexuals are behind you, and they`re hard when they don`t want you to be.



 In English theatre `Pantomime` has the catchphrase, `Behind you!` It features a principal male character played by a female, and so the allusion is to the `hidden` woman of the Earth with her own penis as a species. The catchphrase aimed at warning her of the presence of the villain means the homosexual wants to be, `Behind you!` Because the `blood plague` of homosexual pederasty`s `red dragon` doesn`t want the woman to escape, so that it can continue to use the Earth as its `snuff mill`.



 In the Bible the `hidden` woman is depicted as `crushing the head of the serpent with her heel` as she leaves, and so the timeliness of the warning `Behind you!` If you allow a man into your anus, he`ll live it up like HIV/AIDS while you die of him. In The Legend Of Sleepy Hollow Ichabod is scared to death by the `headless horseman` as a common instance of terrorism `disguised` as Romance. `Bod` had a rival for a woman, `Bones`. Most literary critics perceive `Bones` as the `headless horseman`, who is `plague and famine` because `Bones` wants to frighten and turn `Bod` off from desiring the woman, and so the `headless horseman` represents sex terror. `Bod` is the `hollow` man in The Legend Of Sleepy Hollow, that is, men are the parasitical alien life form that preys on the wombs of women, and so are the `Greek horse`, the `Greek whore`s`, the plague, `game` and the transmission of death`s `seed` by `Bod` so women`s future progeny will be `hollow` too.



 In the 90s Star Trek the notion of the `holo deck` aboard the Starship Enterprise reflected upon the 60s Star Trek TV series` successful `camp` atmosphere, a term denoting homosexual humour. The idea of being hollowed out from behind while laughing at the `camp` humour is homosexual. Batman and Robin is similarly `camp`. Robin, the junior partner in the crimefighting duo, remonstrates with Batman, because of his seeming infatuation with the criminal Catwoman:


`You were taken in by her, but I'm too young for that sort of thing.`



 In the `Greek` camp before Troy, the Greeks plot to take the city by constructing their huge wooden horse; inside which they hide men before leaving. The Trojans take the horse into Troy, and the Greeks emerged in the night to capture the city for homosexual pederasty, and the enslaving of women`s wombs, so promulgating war as their `plague, games` media:


`Beware Greeks bearing gifts.`



 In ancient Greek civilization and culture the Kore was the mother-daughter relationship, which is central to the concept of the futanarian woman, who is woman as a species with her own penis. A `Greek horse` is any man who`d want the woman`s daughter, because it`s how homosexual pederasty spreads. The mother-daughter relationship is the `Greek Kore` of Demeter, the golden corn goddess, and Persephone is the goddess of spring, or green corn, which effectively means Woman`s exclusivity as a species with her own penis.



 Often pornography is defined as `soft core` or `hard core`, which derives from the Greek Kore, because if pornography is sex within a species, as defined on planet Earth, women are the only humans, and pornography can`t be made because men aren`t pornography but women and the Earth`s `disease`. The role of the alien in science fiction is their extrapolation of themselves. In movies such as War Of The Worlds, Independence Day, and Mars Attacks; for example, the Earth is invaded by aliens who destroy the planet in the same way that men do. Because it`s how men behave towards the Earth and the women who are the species upon it.



 Pornography, as made by men, is Prelude. The function of the woman in the movies is an excuse to ostensibly portray rape, murder, and ruin as `evil` impinging upon the person of the `good` woman, who is rescued by men in some convoluted way, so justifying homosexual pederasty`s brutal devouring alien life form. Pornography made by women would be more like science fiction. Effectively, there`d be a mother-daughter `hard Kore` - and they would decide.




The Penis Killers

28/07/2012 08:13

The Penis Killers


Most of the people who are attracted to Satanism are sexually motivated. The tradition of Wicca is the worship of god and goddess in rituals that are sexual, whereas Satanism is sexual power over the `other`, which is why wicca is `white` magic based on harmony, and Satanism is `black` magic based on the subjection of one will to another. Consequently, `black magic` is associated with sado-masochism.



 In the Bible, the `red dragon` of Revelation waits in vain to devour the child of the `woman clothed with the sun and with the moon at her feet` who`ll protect her while she`s `hidden` and until she leaves Earth to `sow` her own `seed` in heaven. There she fights a war against the evil serpent`s `seed` and receives a new heaven and Earth while the evil receive perdition.



 In ancient Greece homosexual pederasty`s enslavement of women`s womb was spread by the virus of war. The `red dragon` of Revelation is a metaphor for the spread of conventional war and HIV/AIDS as a biological weapon of homosexual pederasty against women as a species with her own penis because the virulent parasite from her womb, that is, men, doesn`t want her to escape from its plague, war.



 The development of the woman`s penis is the long delayed `Advent` of the Messiah. In Judaism `wife worship` was repressed in the Old Testament, primarily because the Shekinah or `spirit of God` was female and, in the New Testament, she has procreative powers as the Holy Spirit, or Paraclete, who quickened the ovum of the Virgin Mary, which suggests the Holy Spirit has a penis of her own, and that the Paraclete`s an aspect of the species` Woman.



 Because men are an evil parasitical viral alien that uses women as a `host` womb for the devouring `red dragon` of war as homosexual pederasty`s killing of the penis` developmental capability, Satanism is `wife worship`, because Satan, for homosexual pederasts, is woman as a species with her own penis. In other words, a Satanist is someone who knows that women are a species with their own penis, and `wife worship` is the means to liberate her.



 If lesbians don`t have a penis, but there are women who do have a penis, as futanarian women have ( ), lesbians are normal women who are species` complimented by futanarian women. Consequently, `wife worship` is regarded as Satanism, because of the perception that women have a penis, and so are a species, whereas men who leech on her developers as blood-suckers preparing to devour her development in war, are the parasites of the `blood plague` of Revelation proliferating by means of homosexual pederasty.



 In the developmental psychology of Carl Gustav Jung (1875-1961), instinct and spirit are a valence dependent on sexual instinct, or libidic energy which, in the psychology of the repression theorist Sigmund Freud, means art, literature, civilization and culture are reducible to `nothing but` the yearnings of the repressed penis. Freud`s simplest example is of the space rocket, and Jungian psychology observes there are archetypes of the unconscious that are collective, which Jung calls facultas praeformandi, and that enable humanity through art, dreams, and imagination. The best known is the archetype of the ourobouros serpent`s providing the basis for a scientist`s modelling of the benzene molecule.1 Insofar as the ourobouros serpent represents instinctual developmental energy transformed by means of the imagination into spiritual or intellectual form, it`s symbolic of the mind that won`t let go of an idea, and of the idea that won`t let go of the mind, which is what instinctual libido, and sexual energy, represent.



 Homosexual pederasty`s devouring `red dragon` is a penis killer, either by means of `Greek whores` diseases like HIV/AIDS or other STDs, which the Bible terms `blood plague`, or by the `Greek horse` means of treachery and murder. War is a viral attack on the body politic`s `immune system`, which becomes a `defence system` when the body politic is attacked. If the `virus shield` is strong enough, then war as a policy is a failure and the condom is the prototypical `defence system`.



Whereas wicca and Satanism are perceived as opposites, they are in fact complementary, because wicca is Christian insofar as it`s based on monogamy, while Satanism is Christian insofar as it`s based on the biblical Revelation in which the `hidden` woman with a penis is a future species from the planet Earth. What`s perceived as `Satanist` is actually nihilism. Failure to wear a condom promulgates the biblical `red dragon` of homosexual pederasty`s `blood, plague` of Mars, god of war, and the USA gave Saddam Hussein the 3rd largest army in the world to defend itself.



 The killing of the penis` development, represented at the beginning of the 21st century by the attack upon New York`s Saddam and Eve`s `Twin Towers` was the prototypical device of ancient Greek homosexual pederasty. In Greek history, the `Greek horse` was a betrayers` device used to conceal the alien parasitical virus, that is, men, and have the huge wooden `gift` taken into the city of Troy by the unsuspecting Trojans. Inside, the Greeks emerged to capture the city and enslave the `wombs` of the women for homosexual pederasty, so making them `Greek whores`.



The USA was `taken in` by the `Greek horse` of the terrorist `civil` aircraft, as hijacking visitors from Boston, Massachussets, transformed New York into the `city of the planes` of Revelation by crashing them into the Twin Towers of the World Trade Centre. God had already destroyed Sodom and Gomorrah, the `cities of the plains` (18,19), to punish homosexual pederasty and sado-masochism. The USA was `taken in` by the `virus` of Al Qaeda`s `Greek horse` into spreading homosexual pederasty`s devouring `red dragon` of `biological warfare` as a `weapon of mass destruction`. The meaning of `Al Qaeda` is `the base`, and `basic` was Saddam Hussein and Al Qaeda`s `lesson`:


`Beware of Greeks bearing gifts.`


 9/11 wasn`t Satanism but nihilist insofar as it represented the `plague aim` of  killing the penis` development, which is how the homosexuals `play games` with the penis, irrespective of their sexuality; in other words, homosexuality is a valence of evil and that`s why God hates it. At the `Last Supper` before his crucifixion Jesus offered `bread and wine` in fellowship, and in the legend of King Arthur and the knights of the round table, fellowship is the basic principle which is carried forward to the modern era as the `rotary club`. In Eden, Adam and Eve perceived themselves to be naked after encountering the serpent, which means that `Sir Valence` had begun. The serpent`s tempting of Eve with the `apple` of Eden prefigures homosexual pederasty`s enslavement of woman`s `womb`, in order to devour her as the `red dragon` war, and 9/11`s `Big Apple` was the `Advent` of the killer of the penis and all its works.



 Homosexual pederasty`s torture and murder of Jesus is a nihilist pattern for those who hate the penis. The liberation of the `hidden` woman at the close of Revelation with her own penis, and capacity to `sow` her own `seed`, is Redemption of the `seed` of Satan in the shape of the woman`s penis, whereas the evil serpent`s `seed`, that is, men who do not accept Redemption and the liberation of Woman and are condemned to perdition, are the penis killers of homosexual pederasty, and `Sir Valence` is looking at yours.



1 Friedrich August Kekulé, 1865.

The Hot Jugular Cassette

26/07/2012 12:03

The Hot Jugular Cassette


The word `jug` has a sexual connotation, which accords with the perceptions that the breasts of a woman are `jugs` that contain milk. Those of men don`t contain milk, which suggests milk is for their daughter, a supposition borne out in Judaism where, in effect, it is only possible to be born a Jew if you are a woman.1



 In Revelation, the `red dragon` is a symbol of war, as the devouring `blood plague` of homosexual pederasty, which waits to devour the `New Redeemer`, destined to protect the woman, `hidden` upon the Earth, before she leaves to `sow` her `seed` in heaven. In ancient Greece, society was based on the principle that war was a means to spread homosexual pederasty, and women were enslaved `wombs` from which they emerged to `plague, games` of assault.



 Against Troy, the Greeks employed the typical homosexual approach of the `Greek horse`, inside which they `hid`. The `Greek horse` is anything which looks inviting and harmless, but if you are taken in by it, you`ll experience disaster. The Greeks emerged from the huge wooden `Greek horse`, to capture Troy and enslave the women as `host` wombs, and spread their disease of homosexual pederasty and war, which is why God destroyed Sodom and Gomorrah (Gen: 18,19). HIV/AIDS is derived from anal sex and is a killer inside women`s wombs:


`Beware Greeks bearing gifts.`



 The `hidden` woman of the Earth prepares to fight a victorious war against the evil serpent`s `seed`, who receive perdition, while she receives a new heaven and Earth. Because she `sows` her own `seed`, she has her own penis, which futanarian women have (  Men don`t have breasts because they`re homosexual pederasty`s parasitical alien viral form, that is, men aren`t human, whereas women are a species, and that`s why the Bible is about Redemption.  T.S. Eliot, in The Wasteland, `twits` male consciousness for rape:


`Twit twit twit

Jug jug jug jug jug jug

 So rudely forc'd.




 In Greek mythology, Tereu was the king who raped Philomela and then cut out her tongue so that she couldn`t speak. She was transformed into a nightingale so her song could be heard. Giving birth is what makes women vulnerable, which is why homosexual Greek pederasts raped them, and `jug` is a word signifying `coitus` because of its sound. The boy sons (poisons, HIV/AIDS, etc.) aren`t human, but alien parasitical viral life forms stealing breast milk from the woman whose nipple they`re sucking on, which means that they`re boy sons (poisons; mastitis, etc.) at the breast as well as boy sons (poisons; HIV/AIDS, STDs, etc.) from her womb.



The mythology of the Amazons was that a woman had her breast removed so that she could use a bow and arrow more readily, which is a metaphor for what a woman is prepared to do to defend her daughters. A single breast mastectomy is a symbol both of the poisonous (boys & us) nature of homosexual pederasty`s parasitical alien viral life form, and the woman`s final aim of holding her daughter to her breast, rather than her boy sons (poisons; mastitis, and mastectomy). In other words, the Amazon woman is prepared to remove one breast, rather than have the poisonous (boys & us) serpent suckle upon her nipple:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)


 The concomitant of the `Greek horse` is the `Greek whores`, that is, the poisoners (boys & us), which the Bible condemns in the `eleventh commandment`:


 `Thou shalt not suffer a witch to live`, where witch is `poisoner` and she is the `Greek whores`, that is, `the boys & hearse`, which is the `Greek horse` as the wooden `coffin` of the `hidden` woman, the Earth`s true species, whom the alien parasitical viral poisons (boy sons; HIV/AIDS, STDs, mastitis, etc.) want to hide more thoroughly in her grave.



 In Egyptian mythology, the god Osiris is dismembered by his evil brother Set, and his parts are scattered to the four corners of the Earth by dogs, who bury them where they become bones. In the psychology of Carl Gustav Jung (1875-1961), there are four functions of consciousness necessary for the complete functioning of an individual human being. Jung`s four functions correspond to the four corners of the Earth, and Isis` restoring of Osiris is the articulation of the four functions, represented by her giving him a new penis, symbolizing the sum of knowledge gained from this sojourn upon the Earth by God incarnate in humankind. Since the descent of the Paraclete, or fourfold `spirit of God`, as `teacher, guide, comforter and helpmeet`, God`s awareness from that incarnation is functional differentiation insofar as Revelation denotes an awakening knowledge of women as a species and men as her virus.



 The `TV set` is the bones of woman`s `box`, where we watch her die in her latest struggle to be born. In 21st century terms, the `TV Set` is the `blood plague` of homosexual pederasty`s devouring `red dragon` of Revelation`s `plague games` of warfare and terrorism. As the Gulf`s `TV war` and `Greek horse` of 9/11`s Arab `visitors` from Boston`s East Coast showed. For the homosexual pederasts, woman is a `TV`, that is, a transvestite `clothes horse`, who can be made to dress up as `Action Man` and die. There are always lots more enslaved women`s `host` wombs, from which the `red dragon` of homosexual pederasty and war can emerge, that is, men as evil alien parasitical viral life forms, who emerge to kill her as `TV`.



 T.S. Eliot employs the myth of Philomela and Tereus as a metaphor for what ails society. The Wasteland poem is about the `Grail kingdom`, which is the land of Jesus, because the Grail was the bowl from which Jesus ate and drank at the `Last Supper`, before his crucifixion. In fellowship Jesus describes the `bread and the wine` as his `body and blood`, and Judas goes for his jugular because Jesus is, psycho-spiritually, female, which is what Jung foresaw as evolutionary psychology.  If a man wasn`t to be a `demon`, he`d need a female psychology, which is what Redemption means. In terms of Greek mythology, Jesus is an `Amazon`, who`s removed both breasts, and born male by parthenogenesis, without the evil serpent`s `seed`, that is, homosexual pederasty`s devouring father-son relationship based on `blood`, he`s observant.



 Judas betrays Jesus, according to biblical commentators, because Judas is a descendant of Cain, the first murderer, and Lilith, mother of `demons`, that is, even if not `sexually` homosexual, he`s psychologically `homosexual`, because the `blood plague` of homosexual pederasty and war is the `valence` of murder. In short, Judas is the `homosexual` as the vampiristic alien parasitical viral life form that`s `blood plague`, whereas Jesus` offering of his `body and blood` is his recognition that, if his body and blood is taken as a means to immortality, then the word `vampire` has another `valence`.



 In Christianity the only creature that sought to protect Jesus on the cross was the robin, which attempted to remove the largest of the thorns from the crown of holly placed upon the head of Christ, crucified, in mockery of his torment. According to the legend, the bird`s breast is stained blood red, because of the thorn that pierced it.



Traditionally, it`s `black and white` that a woman needs a man whereas, in biblical terms, because women have a penis, Halle Berry and Holly Valance are symbols of Hollywood`s new heaven on Earth. The evergreen blood of Halle Berry and Holly Valance isn`t `black and white`, but the new uncontaminated valence of woman as a species with her own penis and semen, which is prefigured in the New Testament by the self-fertilizing Virgin Mary, who is associated with the feminine Holy Spirit, and its procreative powers, symbolized by the colour green, as Jesus is associated with red, the colour of blood, and symbolized by the robins` stained breasts, because pierced in its struggle to remove the largest thorn from the crown of mockery placed upon Jesus` head at his crucifixion.



Jesus was born not of man`s semen, but the `spirit of God`, and his mocking at the crucifixion prefigures that of women as a species with their own penis, and semen. Racism is homosexual pederasty`s `plague, games` of `black and white` to maintain the enslavement of women for `plague, game` show TV; `hosts` for the parasites of homosexual pederasty`s war against the species` womb. Metaphorically restricted to `black and white TV`, women represent the economical provision of `colour` for homosexual pederasty`s `higher life form` of `blood, plague` that wants to watch God, as an incarnated transvestite, die in `TV war` and `TV violence`. Because, rather than let the woman leave, they`ll kill her: live as `TV` at 9.11.


 1 In fact, you are a Jew if you are born from a Jewess, which means that, without women, syllogistically there aren`t any Jews; so only women are Jews.

A Jug Of Wine, A Loaf Of Bread And Thou

25/07/2012 17:07

A Jug Of Wine, A Loaf Of Bread And Thou


At the `Last Supper` Jesus offered the bread and the wine to the disciples. The bowl from which he ate and drank came to be known as the `Holy Grail`, and Jesus` crucifixion and death was followed by his Resurrection and Ascension to heaven. In the transubstantiation symbolism of the Catholic Mass the bread and the wine are interpreted as the body and the blood of Christ, and the principle is that eating and drinking the bread and the wine will result in Resurrection and Ascension after death.


 In Jesus` time a single bowl was used to eat and drink from, and would have been used for both the bread and the wine at the `Last Supper`. According to Catholicism, because the Holy Spirit or Paraclete is the `teacher` after Jesus, eating and drinking the bread and the wine in the Catholic Communion Service, is acceptance of the teachings of the Holy Spirit or Paraclete, which is necessary for the individual to have Resurrection and Ascension. The Holy Grail is a symbol of the body and the blood, and the Chalice of the Catholic Communion Service, which is a figure of the Holy Grail containing the bread and the wine at the `Last Supper`, is Jesus` symbol, the vessel of the teachings of the Holy Spirit.


 The vampire drinks blood from the body, which is what Jesus` torturers and murderers did at the crucifixion, to experience the elation of the death of he of whom the Roman Centurion Longinus said:


`Surely this man was the Son of God.` (Mk: 27. 54)


  In terms of evil, the crucifiers of Jesus were a prefiguration of the modern vampire, which doesn`t drink blood to give life, and is what the Christian symbolism of the bread and wine transformed into the body and the blood of the Catholic Communion represents, but drinks blood and takes life. The evil murderers of history were all vampires, including the prototypical vampire Vlad, `the Impaler`, of Romania and, more recently, Saddam Hussein and Al Qaeda.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, who is born from the `woman clothed with the sun and with the moon at her feet`, and who is `hidden` before she leaves for the stars to sow her own `seed`. After she fights a war in heaven against the evil serpent`s `seed`, and wins, she receives a new heaven and Earth from God, and the evil receive eternal unendurable pain as punishment.



 The `red dragon` is associated with `blood plague`, and in the 20th century HIV/AIDS was the `plague aims` that continued into the 21st century. Effectively, HIV/AIDS was a concomitant of the homosexual pederasty of ancient Greek`s enslavement of women`s wombs to spread their `disease` by means of warfare. Before the walls of Troy, the Greeks used a `gift` of a huge wooden horse filled with soldiers, and then tricked the Trojans into taking it into the city, where they emerged to capture and enslave her women`s wombs for homosexual pederasty, which in Revelation is depicted by the devouring `red dragon` and the `blood plague`. The 21st century paradigm was homosexual pederasty`s `disease`, that is, is HIV/AIDS, and the metaphor was the `Greek horse` inside the walls of Troy, which emerged on 9/11 when the `civil` aircraft, hijacked by the Al Qaeda terrorists, `betrayed` the USA`s computer based defence systems, but as a `Greek` not a `Trojan` virus:


`Beware of Greeks bearing gifts.`


 The aircraft that crashed into the Twin Towers of the World Trade Centre on 9/11 precipitated the world into an epoch of global terrorism, which was a spreading of the `red dragon` of war, and the `blood plague` of homosexuality`s devouring pederasty, which is why the red dragon is depicted as waiting in vain to devour the `New Redeemer`. The spreading of homosexual pederasty by means of warfare is the devouring of sons by fathers, which is why the Americans were `taken in` by Al Qaeda`s `Greek horses`, that is, the ticket-buying terrorist `visitors` feigning friendship to breach US` defences on 9/11. Having created a potential `blood plague` of some size by giving Saddam Hussein the 3rd largest army in the world, the USA embraced Al Qaeda`s `plague game` of spreading the virus of war on 9/11. In other words, the USA had created a vampire.



 Biblically, 9/11 was `the city of the planes`, and Sodom and Gomorrah, in Genesis (18,19), were the `cities of the plain`, which meant God`s destroying of them for homosexual pederasty was plain. To prevent the `blood plague` of homosexual pederasty, that is, HIV/AIDS, the god of war`s attendant, in Revelation God`s `New Redeemer` protects the `hidden` woman, which means `plague games` will not be a part of her nature because she`ll have been educated by the teachings of Jesus and the Holy Spirit or Paraclete. In Greek society, the enslaved `host` wombs of women were the `Greek whores` if they supported their parasites:





 Because the `hidden` woman leaves Earth to `sow` her own `seed`, she`s a woman with a penis of her own, that is, futanarian ( ), which means that women are a species in their own right, and men are evil alien parasites practising homosexual pederasty`s father-son devourment, which in the 20th century became manifest as the `blood plague`, HIV/AIDS, a weapon of `biological warfare` against the wombs of women. Consequently, women who actively function as the `Greek horse` spreading war and plague by means of men as their viral parasite are `Greek whores` and the `MYSTERY` is explained. She`s the whores` men of the apocalypse.



 In New York State, the residents of Troy `work like Trojans`, which is the phrase used for high endeavour, whereas `PC` experts would have us believe in `Trojan virus`, but the name `Trojan` for condoms should tell the `politically correct` that the virus is a `Greek` and not a `Trojan horse`. Confusion over what a vampire is, sits at the centre of 9/11. Jesus` exhortation to his disciples to drink the bread and the wine, as symbols of his body and blood, prior to his torture, murder, death, Resurrection and Ascension, is a `diagram` of vampirism. Those who worship the `red dragon` of devouring homosexual pederasty`s `blood-drinking` are those who `plague, game` at father-son devourment as `leeches` upon the wombs of `Greek whores`, which is what `vampire` and `vampirism` means. But to drink blood from the body, that is, the wine and the bread, and make that body immortal, is what the word `vampire` actually means.


 A `Greek horse` is Judas Iscariot, who ate and drank with Jesus, before selling him to the torturers and murderers. 9/11`s hijacking visitors revealed that treachery is homosexuality`s `red dragon` of `blood plague`, and viral warfare, which is why Judas is described in the Bible as a descendant of Cain, the first murderer, of his brother Abel, and Lilith, the mother of `demons`, because `demons` are those men who are traitors. Jesus` perception is that the word `vampire` is betrayed because it means `life-giver`, and 9/11 is the perception that a `Trojan` from Troy in New York State, works, whereas political expedience that defines a virus as a `Trojan` rather than a `Greek`, even though `Greek` standardly denotates homosexual activity, is itself `viral` and demonstrates that `PC` geek `sounds Greek` to everyone:


`Whoever has ears, let them hear.` (Matt: 13. 9)

Britney Spears And The Legend Of Sleepy Holo

21/07/2012 21:15

Britney Spears And The Legend Of Sleepy Holo



Washington Irving`s story of Ichabod Crane, The Legend Of Sleepy Hollow, is the basis for Britney Spears` Oops I Did It Again, because of the myth symbol. The ibis bird, the crane, is the symbol of the Egyptian god of knowledge, Toth. Because `ib` is the heart, the ibis is the heart`s knowledge. Britney`s spaceman has the Ichabod Crane role of `teacher` and gives her a `gift`:


`But I thought the old lady dropped it into the ocean in the end?`



 Britney`s allusion`s to the Titanic movie, and Rose`s ex-lover`s framing of her new lover for stealing a blue diamond pendant, `the heart of the ocean`, by placing it in his pocket, and which Rose drops into the sea signifying her `disappointment`.



 In her red suit, hoisting her spaceman above herself in a white bikini dress, Britney`s the Egyptian goddess Ma`at, with her `balance` and `feather`, symbolized by herself in the white bikini dress. If heart and feather balance, the `hero` will go on with her. Britney removes the spaceman`s helmet, before he gives her the `gift` of the blue diamond heart pendant, so he`s a `headless horseman`, and now doesn`t have a heart. When she suspends him above herself in a white bikini dress, she`s the `white` feather if he isn`t brave enough to ask for her heart, and she `takes heart` with Rose from the Titanic. In other words, she`s accepted the Kore relationship between women, symbolized in Greek mythology by the mother and daughter goddess pairing of Demeter and Persephone, as being supportive.



 Women`s perceptions generally are formed by their supposed need for a family, but that need is purportedly resolved by the male penis. However, in Revelation, the `hidden` woman leaves Earth to `sow` her own `seed` in heaven, which means she has her own penis, and is a species. Britney`s preference for Kore is instinctual but spiritual insofar as she`s prepared for family, but also bisexuality, hermaphroditism, and divorce from men and the Earth.



 In the movies Ichabod Crane`s role is `starring`, and Britney descends onto the stage in Oops I Did It Again inside a `giant ring`. The `hidden` woman of Revelation has a ring of twelve stars around her head, symbolizing the Earth`s planetary zodiac, that is, the heavens, as they appear from Earth. There`s no sign of marriage, but she gives birth to the `New Redeemer`, and the `Second Coming` of Christ is the Revelation of those rewards and punishments that result from obedience and disobedience to Jesus` teachings.




 The teacher, in The Legend of Sleepy Hollow, is Ichabod Crane, which means the `hidden` woman is the Paraclete, or Holy Spirit, which emerges as the `Second Eve` from the side of the `Second Adam` after Jesus` crucifixion, death, Resurrection and Ascension. Effectively, she emerges when Longinus, the Roman centurion, pierces Jesus` side with his spear, which is thereafter known as the `Spear of Destiny`. Adopted by the USA, as a symbol of `Manifest Destiny` and the `American Dream`, the spear and Britney Spears are metaphors for the `hidden` woman by the side, that is, the `spirit of God`; the woman by the side of man (and woman), and the `hidden` woman of the Earth who`s to come:


`I`m Miss American Dream since I was seventeen.` - Britney Spears Piece Of Me



 Britney`s spaceman is wearing his helmet again, when he`s suspended above her. Britney`s restored the horseman`s head after removing it to receive his heart and, because winches were used in the Middle Ages to lift knights onto horses, Britney`s spaceman is Ichabod Crane, that is, Washington Irving`s employment of a name as an uplifting  symbol of the teachings of Jesus` `sacred heart`. Because, in Egyptian mythology, the knowledge of the heart is symbolized by the ibis bird, a `crane`, Britney`s observing that `name` is a relative issue.



 In Oops I Did It Again Britney appears in red, white, and black and white, that is, the `hidden` woman by the side, which is the `spirit of God`, and the woman by the side of man (and woman), while the presence of the `hidden` woman of the Earth who`s to come, as a species with her own penis, is tacitly accepted, but she`s anonymous. In others words, `name` and `position` aren`t an issue for the woman but, in The Legend Of Sleepy Hollow, `Bones` wants the `position` with the woman, because he`s death. In Revelation the red dragon`s a devourer, because it represents HIV/AIDS, the blood disease, which effectively arose in ancient Greece where homosexuality, pederasty, and the enslavement of women`s wombs to maintain the `devourer`, were spread by means of war.



 Britney`s uplifted spaceman is representative of the `New Redeemer`, as Ichabod Crane, and because the `crane` bird, or ibis, is a symbol of the heart`s (ib) knowledge in Egyptian mythology, Britney`s spaceman is symbolically in danger of being devoured by the red dragon of Revelation, which is Britney, in red and white, symbolizing the red and white cells of the body`s immune system. In HIV/AIDS the body can`t distinguish between HIV/AIDS cells and the body`s, which means that the red dragon of Revelation has `evil` blood. Consequently, although Britney, in red and white, is warning of the dangers of HIV/AIDS, her `system` is `healthy`. In Revelation the red dragon of HIV/AIDS waits in vain to devour, because it`s a `Greek horse`:


`Whoah there horsey!`



 Britney`s spaceman`s exclamation when, upon finding her brooch in the Martian sands, the `House of Horus` emerges from the desert, suggests the walls of her citadel are to be `broached` by the `Greek horse`; the device the ancient Greeks used, to hide inside and capture the city of Troy. The Greeks` traditional method was to betray friendship in order to further `plague aims` of homosexual pederasty and war. The Trojans believed the huge wooden horse left by the Greeks outside the city was a `gift` and took it inside the city`s walls where the Greeks emerged for further `plague games`:


`Beware Greeks bearing gifts.` Homer, Iliad



 As a parasitical alien virus, the Greeks represent the `hidden` man, that is, men as the virulent homosexual pest of war. The `hidden` woman is the `spirit of God` at the side of a man, but `invisible men` would be a disease, which is why Jesus, in the New Testament, speaks of the teachings of the `Holy Spirit` that`s to come. In the Old Testament, the `spirit of God`, who is female, is the Shekinah, who dwells where the law of God is kept in the Ark of the Covenant, and so is again God`s promise of what`s to come. Not simply the promised land of `milk and honey`, but the `hidden` woman implied by the law of Judaism that a `chosen ` can only be born from a woman, which effectively means that only women are the `chosen people`.



In The Legend Of Sleepy Hollow Ichabod Crane is a fictional character. His only reality is textual. Oops I Did It Again is about `identity`. Ichabod Crane, the teacher, wants a wife, but `Bones` marries his choice. Effectively Ichabod Crane is absorbed into the character of the `headless horseman`, who`s identified by literary critics as `Bones` himself, which means `possession`, and `position` respectively. `Bones` is a `hollow man`, for whom `position` is everything, and truncating the teacher`s personal growth, and development, is how he makes sure of his `choice`..



 Arabian despots place couples inside a sarcophagus to crush the juice out of them. Many `royal` houses have married couples, or pairs of what they call their `choose`, inside what are similar to the `iron maidens` of the Middle Ages. Their images appear in Jennah, the `Paradise` of Arabia, similarly to transmitted pictures in CCTV, but more substantially, like those on the `holo deck` of a Starship from Star Trek.



One of the reasons for the Gulf War (1990-2011) was Saddam Hussein`s first name, which means `crusher`. Aboard the Starship Enterprise in the television series Star Trek (1965-) `Bones` was the nickname of Dr McCoy, the `space doctor`, but after the subsequent movie franchise that began with Star Trek: The Motion Picture (1974), the 90s TV continuation, Star Trek: The Next Generation, featured Dr. Crusher, a woman, as `Bones` successor. This is relevant because, in Arabia, the `holo` deck is the result of `bone crushing`, and that`s why Saddam `Crusher` Hussein had his name. The one piece coverall of the women`s abiyah or burkah is merely the outward symbol of the `iron maiden` inside which the soul is `crushed`. Saddam would`ve `crushed` the `Jews` too, so they`d be slaves of the Middle East`s `holo` deck. The abiyah or burkah is the `shell` of the woman but, according to Islamic belief, her spiritual body, or the soul or spiritualized anima of her trapped self within a man, is the equivalent of the Holy Spirit, that is, the Paraclete of Christianity, and appears invisibly outside of herself in `Jennah`, which is the Arabic word for Paradise on Earth.



 In her abiyah or burkah, the Arabian woman is an `iron maiden`. If the Star Trek `holo deck` that first appeared as a part of the ship`s recreational facilities in the 90s was the result of bone crushing by `iron maidens`, Dr Beverley Crusher would be the `space doctor` and the crew would be her `shells`. In mythology Venus is the pearl born from the ocean insofar as she is depicted arising from the depths of what might be thought of, in terms of psychological development, the unconscious. Consequently, Venus represents the anima as the spiritualized soul of a man, which is female, or the female spirit of a woman. In simple terms, the body is the `shell` of the pearl, whether the body is male or female, and the Gulf wars were ostensibly about the freedom of woman symbolized by `Liberty` in New York harbour, who was attacked by Arabia`s terrorist group Al Qaeda on 9/11, 2001, when they crashed hijacked planes into the Twin Towers of New York`s World Trade Centre to insure the devouring `red dragon` of homosexual pederasty`s slave trade in the `boy sons` of warfare which has, as other of its valences, the `poisons` of HIV/AIDS` `biological warfare` against women`s `host` wombs and its continued `shelling` of women`s peace on Earth for the false Paradise of woman`s enslaving.



 In biblical terms, the `seed` of the woman, as depicted on Star Trek, is unable to escape from the male valence; although she has a penis of her own as `futanarian` woman and doesn`t need the male. In Revelation the woman`s `seed` receives a new Earth and heaven from God; after war in heaven between her `seed` and the evil serpent`s `seed`, which would correspond to the male valence that would devour her on the Earth rather than allow her to escape to the stars alone. Star Trek presages that war in heaven because the woman`s `seed` has to be independent of the male if the Bible is to be fulfilled.  In fact Revelation depicts the `red dragon` waiting in vain to devour the child of the `woman clothed with the sun and with the moon at her feet` because woman`s `seed` will be successful. The `New Redeemer` is depicted as the enlightened male valence that allows her to live and protects her before she leaves with `an `iron sceptre` that corresponds to the will of conviction and resolve, which would be necessary if faith consisted of the belief that your true valence was female and that you lived as a woman in heaven.



In Star Trek the movie still has the male virus. Because the enemy aliens are the `shells` of men. But Dr Crusher represents the female valence that would liberate the trapped female from within the body`s male `shell`, rather than that the bodies should be crushed by the shells of the evil serpent`s `seed`, which is the valence of the `red dragon` that was Saddam `Crusher` Hussein and its wars of the Gulf between evil and woman`s `seed`. The biblical concept of the `New Redeemer` is that men can be redeemed but the evil serpent`s `seed` received unendurable eternal pain from God as a punishment and, because men are the parasitical viral valence of what has formerly been presumed as the human species, God`s perdition is theirs.



 The Assumption of the Virgin Mary in Catholicism is the assumption that woman`s `seed` will be successful, but the male `seed`, which is denied at the birth of Jesus from the Virgin Mary, is irredeemable after the evil`s refusal to accept the female valence. In other words, the future of humanity is the self-producing female with her own penis as `futanarian` woman. The male `seed` is unredeemed by the `New Redeemer`, who is the redeeemer of woman, and she receives a new heaven and Earth as a species, but men are effectually doomed if they don`t accept that they are women. Equally, if women don`t have humanity, they don`t have God, because God is a human and humane God, and those women who don`t accept humanity are also doomed to perdition because they cannot be trusted with the nurturing and development of God`s future creation.



The misconception in Star Trek, and other extrapolatory scifi `pictures`, is that humans would have to be more evil to defeat evil, whereas men`s `picture` of themselves suggests that they`re the evil that they represent. In other words, the male valence is malevolence towards the human species, which is `futanarian` woman`s. She represents the thwarted self-reproductory and intellectual spirit of what is truly humanity, which isn`t the male alien that seeks to enslave her in monogamous homosexual pederasty and the devouring misogynistic wars of the `red dragon` against her.



 To defeat evil humanity would have to be better, that is, more good, rather than evil, whereas the male valence of malevolence at the end of the 20th century was to maintain women`s `host` wombs enslavement by means of the `child` of homosexual pederasty, that is, the HIV/AIDS virus and fear of it, which would maintain monogamous possession of humanity, that is, woman, and prevent her from escaping to the stars without men.



Star Trek is invariably about the alien but, if men are the evil alien parasitical virality preying on the `host` wombs of women as homosexual pederasty and its valence of warfare against her, the criteria for what is God, human, and humanity, is humane, which is how female nurturing and the developing of intelligence is definable. Consequently, there can be no alien intelligences but there is evil and the Bible effectively tells us that men are woman`s evil aliens. As a `futanarian` species, women are human intelligence and what is intelligent is humane. Although it`s tautological, if human is defined as God and woman, intelligence is defined, and the alien is the male in whatever guise he appears. Star Trek is a bevaviouralist depiction of how women survive by acting with men who`re dangerous, but without them they`d have to act together, which is the reason for the `picture`: tt`s a model for their species` survival.



 An encounter with another intelligence would be an encounter with what is human, because intelligence is the definition of `human`. Only an evil creature would spoil the picture if it was a `human` scene. The concept of another intelligence that isn`t of Earth origin is a misnomer, because intelligence is what humans perceive as human. Or, in other words, men are the aliens that have convinced the `futanarian` species of woman that they aren`t evil devourers of her, whereas `other` intelligences within the cosmos are conceivably human but appear otherwise.



 In short, humans are women and have been taught to confuse intelligence with form, that is, men are the `shells` that imprison but she perceives her `alien jailor` as human, whereas humanity is dependant not on form but intelligence. In simple terms, alien is evil and human isn`t men, whereas men are evil and aliens. So, in Revelation, God gives woman`s `seed`, that is, `futanarian` woman`s `seed`, with her own self-reproductory valence as a species with her own penis, a new heaven and Earth. Because men are evil aliens.



 Star Trek is concerned to present the possibility of an alien threat to humanity. Because the human valence of God isn`t dependent on form, that is, men are the evil aliens, and woman is trained to understand by them that there is no hope for her from a human valence that doesn`t have the form of men, whereas she`s a species and men are her alien devouring parasite. In simple terms, God has humanity. Women pray to God for escape from the evil aliens that are the men who have imprisoned her as the parasites that prey upon her.



 Extraterrestrial intelligence will be a valence of God`s. Because intelligence is definable as human, whereas men after Revelation no longer are. God is definable as humanity, that is, the female and her `futanarian` `seed`, which has humanity and isn`t evil, while men are. Extraterrestrial humanity doesn`t have to look like `Woman` to be perceived as `human`. Moreover, good, better, best is the solution to evil; rather than more evil.



 The Star Trek adventure is men`s conception of being a greater evil than their supposed evil, which isn`t in fact extraterrestrially visible. However, if humanity is the prisoner of evil, that is, women are the prisoners of men, God is the extraterrestrial intelligence to whom they pray for deliverance and doesn`t appear to be human. Although God is described as creating man in the image of God, the woman`s `seed` is defined as humanity in Revelation while the serpent`s `seed` is defined as men, who are irredeemable, which means men are no longer in the image of God and have been superceded by the reproductive and intellectual valence of `futanarian` woman.



 God could never appear as human to men. Because God appeared as human to Adam in the shape of Eve and the alien parasite eventually decided she was the apple it should have eaten. Consequently, God`s future valence towards humanity will be formal and not manlike. Or, in other words, God will appear to humanity, that is, woman, in another form, which men are preparing to kill; as they are killing her. Because men have chosen to be evil aliens towards woman as a species and God hasn`t. Star Trek constitutes men`s preparation as the evil aliens who are intent on killing God and they don`t care how `She` appears. As long as she doesn`t look like them.



Star Trek`s Dr Beverley Crusher represents the prescient notion of woman as a `chosen` species that Saddam `Crusher` Hussein wasn`t able to crush. In Judaism it isn`t possible to be born a Jew unless born from a woman, which effectively means that women are the human valence. Or, in other words, men aren`t humanity, which loves the humane. Paradoxically, WWII`s Nazi pogroms against the Jews (1939-45) defines men as evil but reinforces the perspective that women are the `chosen` people. If men are the imprisoning shells of women, Dr Crusher of Star Trek connotes the `space doctor` that has the remedy for the Arabic valence of Saddam `Crusher` Hussein, who`d crush the `chosen` people, that is, women.



A man and woman are a pair, according to Genesis, and choosing a new pair of Jews would be the joke of the evil serpent`s `seed` if woman as a species with her own penis were to replace men as God`s `chosen`. In Arabia women wear the black abiyah or burkah, which is a one piece coverall that appears as if it were the iron maiden of the torture chamber because that`s the Arabic valence of Saddam `Crusher` Hussein and the `holo` deck of Arabia.



 Arabian women aren`t visible in public, which effectively means they`re blind to their own beauty. Because men want to subdue their `futanarian` valence. If the body is a `shell` for the imprisonment of women, and the Arabic valence is the iron maiden of the abiyah or burkah, humanity is a `shell game`. The humans are blind to the beauties of the woman who is crushed. But she`ll appear to the `choosing` of the evil serpent`s `seed` of men as they mock the Holy Spirit, that is, the Paraclete. She effectively emerged Eve-like from the rib of the `Second Adam` as woman`s teacher in the evil`s `shell game`. When Jesus` side was pierced by the spear of the Roman centurion Longinus at the Messiah`s crucifxion and death before Christ`s Resurrection and Ascension to heaven.



 In simple terms, woman`s penis is being blinded so that men`s penis can have her. What is visible is only the `shell` of the `game` of men as the evil aliens that have enslaved `futanarian` woman with a penis of her own, which is the true valence of humanity. While she tries to guess what`s under the shell of her body, all around her are the women that she can`t see. Even though they`re visible to the evil serpent`s `seed`. Consequently, the holy book of Islam, the Koran, tells Moslem women that the voice of evil is powerless, so that she`ll only listen to the voice of God, who is `neither male nor female`, because `futanarian` is woman`s true valence.



 The `shell game` is usually played with three upturned cups beneath which is a token, In Arabian terms, the `contestant` would have to guess where the woman`s penis was, and if a man were under there in the case of marines in the Gulf wars and their concerns over infiltrators masquerading as females. Three cups because man, woman, and `futanarian` woman with her own penis are `triune` but, in Arabia men can have four wives, which means the `shell game` is fourfold. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; `Thinking`, `Sensation`, `Feeling` and `Intuition`. According to Jung the four functions receive differentiation or become functional valences of the individual as growth occurs. Consequently, the Arabian marriage valence constitutes a self-actualizing paradigm and, although a man is at the centre of what might be a vehicle for `futanarian` relationships, having a woman at the centre is feasible in terms of species` functionality, and survival without the enslaving male alien parasitical virality. In simple terms, Christianity represents the monogamous obstacle to a triune marital arrangement between man, woman, and `futanarian` woman with a penis, and the quintessential Arabic marriage represents a potential fourfold functionality in terms of woman`s species` differentiation. But it`s a `shell game` with four cups instead of three for those who aren`t interested in Jungian functionality but could be interested in whether or not the woman in the abiyah is a `suicide bomber`.



 If men are the evil serpent`s `seed`, they`re forever recognizable and so condemned as women`s enslavers. Despite their cleverness at blinding women`s penis to its own existence. Despoiling her Paradise secretly in the realm of what is invisible to her, men have forever `shelled` Arabian woman in the wars of the Gulf between her and them. Christianity`s promise is of a new heaven and Earth to her and her `seed`, which is what the Gulf wars were about. Because they wouldn`t have chosen to have a man, Saddam `Crusher` Hussein represented the `bones` of Arabia`s women. His remedy for woman`s wanting to escape from Earth would have been to `crush the foot of the shoes`, that is, prevent God`s new `chosen` pair of Jews, who are woman with her own penis as `futanarian`, from using its own `juice` exclusively.



 In The Legend Of Sleepy Hollow, Bones` denial of Ichabod Crane is, symbolically, rejection of the ibis bird, which is the heart of knowledge in Egyptian mythology (ib). Bones` defeat of Crane represents man`s heartless `final solutions`. The `hidden` woman protected by the `New Redemer` of Revelation is depicted as crushing the serpent`s head with her naked heel when she leaves. Because her `futanarian` foot finally has `freedom from the Jews`.



 Oops I Did It Again also references The Wizard Of Oz in which the `cowardly lion` receives encouragement in the form of a medal, in this case the blue `heart of the ocean` diamond pendant, rather than the `purple`. In The Wizard Of Oz the `cowardly lion` is brave, but doesn`t feel so until he receives the medal. Most heroes feel the same. It`s a surprise when their valor is recognized.1



 The scarecrow doesn`t have a brain, but scares the crows and Britney, in her white bikini dress beneath the spaceman, raised by herself in a red suit, moves her arms airily, as if she were protecting the corn from crows, a symbol of the Greek mother-daughter Kore of Demeter, the corn goddess, and Persephone, her `seed`, which in Revelation appears as the archetypal `hidden` fertile woman prepared to leave Earth.



 Britney`s spaceman`s Set, the devourer of Osiris, god of growth and development in Egyptian mythology, because he has a camera to transmit pictures to `Mission Control` on CCTV, for the `TV set`, who want holo women. In the myth, Isis resurrects Osiris, with the new name of `Horus, the sky god`, after Set`s dismembering of her `pair`. Britney`s set is Bones` TV, which is reset each time Oops I Did It Again is viewed so that the virus can never penetrate her defences.



 A huge fork hangs beside the spaceman, whose camera `on the side` is receiving transmitted pictures of Britney from CCTV Set, symbol of disremembering, that is, devourment after dismemberment, which is why Britney, in her white bikini dress, looks as if she`s on a tablecloth. Because she`s an `airhead` who is only trying.



 Oops I Did It Again is about the meaning of `character`, and the difference between `role` and `position`. In fiction there are characters, and in reality there are characters. In fiction all of the characters are the character of the author, so `position` is important only so far as the author identifies with the `role`. In reality, `position` is crucial.



 In The Legend Of Sleepy Hollow, `Bones` is `imposition`, because he`s a `headless horseman`, whereas Ichabod Crane has lifted himself into `position`. Britney`s use of a `crane` to hoist her spaceman alludes to Arthur C. Clarke`s 2001: A Space Odyssey where a monkey throws a bone into the sky and it`s transformed instantly into a futuristic space habitat by camera technology. Britney`s spaceman is her `monkey`. She doesn`t have a spacesuit, because it`s her scifi, and the `space monkey` from Earth is already ancient history, where Mars doesn`t have `boy sons`, and is `98% oxygen`. For Britney, women have a penis of their own, and men are poisonous (boys & us). She learns `plague games`, so she`s positionally `sound`:


`I played with your heart, got lost in the game.`



 If a woman has a penis, then she needs another, but if the first woman has a need for a baby, then she will need a woman with a penis, which means that, as a woman, a futanarian relationship is `triune`, which re-explains the Christian Trinity as `fatherer`, Paraclete, and futanar. The Paraclete is the female  `spirit` of God`:


`I`m every woman, it`s all in me.` - Chakha Khan



 In Hungarian, `futanar` means `the teacher that leaves Earth`. After she`s crushed the evil serpent`s head with her `foot`:


 `I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)



 She`s from heaven originally, and so will return there, where she`ll receive a new heaven and Earth from God after her `seed` defeats the `seed` of the red dragon of Revelation  there, which has grown strong enough to attack her.



 Love is an aspect of the virus, and a woman is able to care about men as the evil alien virulent parasite because it comes from her womb, but she doesn`t want it to return as HIV/AIDS, or in reincarnated form, with a karma to resolve, because she`s Woman, and she`s preparing to leave Earth, so she teaches the alien to `convert` to Christianity, by means of the teachings of Jesus and the Holy Spirit. Only then can Britney`s `space monkey` proceed to the `House of Horus`:


`Her name is translated as `House of Horus`, which may be a reference to her as the embodiment of the sky in her role of the Celestial Cow, being that which surrounds the decidedly sky-oriented Horus. If Horus was the god associated with the living king, Hathor was the goddess associated with the living queen.`2



 The `tin man` doesn`t have a `heart` in The Wizard Of Oz, but has an accurséd axe to prevent him from marrying the girl he loves, and it dismembers him until there`s nothing left of him but tin replacement parts, so he`s no longer able to love, which is why he needs a heart. The story is very similar to that of Osiris and Isis. She can`t find his penis, but it represents the impulse to collect. Without the testicles, which collect sperm, the desire for `collecting` is gone. This applies to the desire to keep women; what is bought; what is invented; and what of the individual man`s developed self he wants to keep. In Osiris` myth, the entirety of his incarnation upon the Earth as humankind is a stored memory but, if his penis is interfered with, that is, the desire for `collecting`, he won`t be able to recollect, and can`t remember. Isis` giving him a new penis represents her restoring developmental functionality, which requires the knowledge that he`s Woman also.



 The Tin Woodman of Oz looks for `Amee`, his lost love, but discovers she`s married Chopfyt, who is made of his own lost body parts. Britney introduces herself as `Amee` in If You Seek Amy:


`But all of the boys and all of the girls are begging to if you seek Amy.`



 The central lyric, and title of the song, are interpreted as F*U*C*K me, because the penis wants the woman. If women have a penis, then Britney would want herself. The `tin man` of Oops I Did It Again is Britney`s spaceman, who gives her Rose`s `disappointed` heart in the form of the blue diamond pendant from the Titanic. Unless he `converts`; because he isn`t a woman with a penis, and so can never belong. He`s as `disappointed` as Rose, who should be a woman with a penis of her own, but isn`t. Hollywood won`t allow women`s penis to be shown, which the mysterious sinking of the Titanic by iceberg is symbolic of.



 The `tin man` represents the penis` development from instinctuality, and imagination, to create and interact with what`s `collected`. In The Tin Woodman Of Oz even the heart of the `tin man` is Chopfyt`s, which means whatever is `collected` by Britney`s spaceman, as her `tin man` on the Mars` CD, or back on Earth, to where the `tin man` returns with her `holo` in his camera, is Chopfyt`s.



 On Mars there`s `98% oxygen`, which is Greek (oxys-gonos), and literally means `sharp producer`, or `begetter`, because it`s the blood pump that inflates the penis, which is the physical manifestation of the developmental function. The oxygen content of air on Earth is 21% and, while the penis will want to develop, the `tin man` will struggle because he`s starved, which is Chopfyt`s method. Even though the penis is starved, it develops, but Chopfyt is the starver who doesn`t develop beyond homosexual pederasty; promulgating the evil serpent`s `seed`, symbolized in Revelation as the red dragon`s `blood plague`, and living like a blood-sucking leech on the penis` struggles to develop:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`3



 The `tin man` doesn`t lose his heart, but his penis. Chopfyt can have everything the `tin man` develops, but it`s the tin man`s penis, which is why Britney gives the `tin man` oxygen. She`s Isis. In The Tin Woodman Of Oz Chopyft`s everything the `tin man` had, which means his works are `collected` but he`s truncated, that is, Chopfyt`s chopped off the tin man`s penis, which is what `TV Set` does in his dismemberment of Osiris. The Isis` myth`s equivalent of the incarnation of God upon the Earth is viewed by the the `TV Set` as a transvestite to be kept in ignorance of its divided state, and watched as it kills itself on TV, while men, as its virulent alien parasite, emerging from the enslaved `host` wombs of women who are a species of their own with their own penis, leeches off her dying corpse. Britney`s If You Seek Amy is, in fact, the tin man`s truncated appeal:


 `All of the boys...

 And all of the girls are...



If you seek Amy...`



 In the psychology of Carl Gustav Jung (1875-1961), instinct or sexual libido, is transformed into spiritual, or intellectual energy, which is developmental. The penis is the physical manifestation of the God archetype which, according to Jung, underlies all the inventiveness of humankind, and exists in the dreams of the unconscious, imagination and art, amongst a plethora of sexual, and more abstract images, surrounding the soul or female anima, to stimulate and give impetus to genius. In If You Seek Amy, Britney`s `tin man` has become like `Hal`, the ship`s computer from Arthur C. Clarke`s 2001: A Space Odyssey, which regresses when shut down:


`There is a flower within my heart,

Daisy, Daisy,

Planted one day by a glancing dart,

Planted by Daisy Bell.`



 In Jungian psychology the anima is what impels development, and the sight of a beautiful woman is enough to arouse desire, so the shutting down of `Hal` is a metaphor for what happens when Chopfyt`s finished with a man`s penis. In Britney`s lyric the `tin man` is reduced to Hal-like infancy, because Chopfyt`s penis doesn`t want development:




If you seek Amy...`



 The Legend Of Sleepy Hollow is Chopfyt, because the `censor` is functioning to prevent the truth from becoming manifest, which is why the USA`s is the constantly thwarted American Dream of Manifest Destiny. Developmental functionality is discoverable in Washington Irving`s tale, but implicit rather than explicit. Because the archetypes of woman`s collective unconscious are only discernible within conventionality, and conditioning, as `buried bones`. The `headless horseman`, `Bones`, and the `ibis` Crane, that is, the heart (ib), and knowledge of the `teacher`, which is the `spirit of God`, are Chopfyt, because `censored` to prevent the reader understanding that the `headless horseman` and `Bones` are witless screws who don`t want developmental teaching for women, because she`d escape once she knew she`s a species with her own penis. Ichabod Crane is a Christ figure, because he represents the teaching that convention, and conditioning, don`t allow of, which is that men are aliens screwing a species.




 9/11 in the USA was Al Qaeda`s Die Hard in which the Twin Towers were the man`s penis, and the woman`s penis, as a species with her own, while Al Qaed`s `Big Apple` of New York was Osama Ben Ladan`s  tempting of the USA to restart homosexual pederasty`s war. One of the basic principles of homosexual pederasty is that the penis is soft when a man isn`t sexually aroused, but the homosexual pederast wants to tell the man when to be hard. Moonlighting with Sybil Shepherd presented Bruce Willis as the romantic charmer, while Die Hard was the homosexual pederast telling Bruce Willis to play a homosexual, and lose. In other words, David Addison in Moonlighting was `soft` and successful, while Bruce Willis in Die Hard was hard and homosexual.



Censorship is the truncation of woman`s penis` story; of penis envy and repression, discernible from a psychoanalytical literary analysis of the collective unconscious in dreams, imagination and art: or any form of `text`.The penises of futanarian women are bigger, and women as a `developed` species are destined for the stars. The evil, who are the serpent`s `seed`, are defeated in a war in heaven by the `hidden` woman`s `seed`, after she leaves Earth, according to Revelation, which is why the red dragon of homosexual pederasty`s devourment of the products of her enslaved `host` womb in warfare, doesn`t want her to leave. The serpent`s `seed` receive perdition, while woman is given a new heaven and Earth by God.



 9/11 was the thwarting of the American Dream, and Manifest Destiny, by the devouring red dragon`s `blood plague`, that is, homosexual pederasty`s desire to enslave women as `host` wombs for their virulent wars, and prevent woman`s penis from emerging as a developed species`, while the evil aliens that are men remain as her `screw` and parasite.



 In If You Seek Amy, Britney`s perception is Chopfyt`s. The girls want her, but the boys have the penis. The explanation she`s a woman with a penis of her own either isn`t knowable, or it`s impossible to communicate, because of the censor, which is Nick Chopper, the name of the `tin man`, before his axe was enchanted to dismember himself. Chopper is reassembled as homosexual pederasty`s man, who is only a penis, that is, Chopfyt, because he represents envious repression of the man`s penis, but also of the woman`s penis, because she`ll never escape him.



 Britney`s Amy knows Chopfyt`s preventing the `tin man` from being her, which is why she somersaults, morphing in her red suit, to stand, changed into black skirt, boots, and white blouse, and symbolically receive the `gift` of the `heart of the ocean` of the collective archetypes of the unconscious, which is `personal growth`.



 Britney`s the `cowardly lion` who`s brave, but not homosexual, because homosexuals want you to be hard when they want you. Common assumptions are that lesbians and homosexuals are `gay`, whereas homosexual pederasty`s war, and women with a penis of their own are a species. If they support the `Greek cause`, and men`s `plague games`, they`re `Greek whores`, whereas lesbians are able to recognize women as `separate`:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)



 In Egyptian mythology, the goddess is sometimes depicted as hornéd Hathor, a `cow`, and Britney stands before her spaceman to receive the symbolic `gift` of the `heart of the ocean`, with the red disk of Hathor, but without horns, which means she may be a lion but she`s not a coward. She is Horus` House in Oops I Did It Again but, in If You Seek Amy, the walls of her Troy have been breached by the `Greek cause`. Giving it to Chopfyt, Britney`s `gay` and is promulgating homosexual pederasty`s biblical red dragon of devouring `blood plague` and warfare; because she doesn`t care for the space, man:


`All of the boys and all of the girls are begging to if you seek Amy.`



 In Egyptian mythological terms, the `tin man` is Horus` laptop, that is, but he has an internet connection, `uncensored` by the Pharaoh Chopfyt. He knows women have a penis, and so are the species of the planet Earth, which is what he should want. But the evil `TV Set` is in the `House of Horus`. In her black skirt, boots, and white blouse Britney is a monochrome `TV` set, because the evil Set, who corresponds to the Pharaoh Chopfyt, doesn`t want her man to know that he`s her, but wants a `separate` transvestite couple.



 In Christianity, the `hidden` woman gives birth before the devouring red dragon, and escapes to sow her own `seed` in heaven. The `TV set` { those who want the transvestite to kill itself `live` } want `plague games` of transvestism, and Pharaoh Chopfyt wants to watch it. That`s why Adam and Eve felt ashamed when they were naked in Eden. `TV Set` is the Pharaoh Chopfyt`s, and the evil serpent`s seed`s, that is, the devouring red dragon`s `blood plague` of Revelation, which doesn`t want the woman, but wants to keep her so she can be tortured; because that`s what the aliens do, and women call their parasitical virus `homosexual pederast`. 9/11 was the perception that `Set` was in the `House `, because the transvestite (TV) was killing itself, as Chopfyt`s penis had planned since Eden.



The 9/11 planes that attacked New York`s `Big Apple` of Eve`s wisdom grown since Eden, were `Greek horses` spreading the virus of homosexual pederasty and warfare, which means HIV/AIDS, because it pretends to be friendly, and then betrays the `host`. On CNN the red dragon of Revelation and its `blood plague`,  was seen to have translated the biology and psychology of HIV/AIDS into a terror weapon. From its role as `host`, woman`s `womb` was seen to have reproduced homosexual pederasty`s `Greek cause`, breaching the Towers of New York, as TV Set precipitated global terror in 9/11`s `city of the planes`.



 The `blood plague` of Revelation is sent by God, because the alien virus, that is, men`s homosexual pederasty of war, is their evil `plague game`, which is why God destroyed Sodom and Gomorrah (Gen: 18,19), the `cities of the plains`. HIV/AIDS actually makes women look for their own penis, but it`s a `game play` of God`s omniscience, that is, the red dragon`s `blood plague` is `foreknown` as the consequence of men`s homosexual pederasty, and so is revealed as God`s providentially refocusing of women upon their own penis and species` future.



 9/11 refocused women`s attention on Mars` masqueradings as the heroic masculine god of homosexual pederasty and war,which is why Britney`s Venus is careful to maintain her `House of Horus` on Mars in Oops I Did It Again - and send away the parasite.



 If women are human, and men are merely parasitical viral aliens, they shouldn`t appear in the dreams, imagination, and art of human civilization and culture at all. In other words, 9/11 wasn`t even from God, because the human psyche contains the archetypes of dreams, imagination and art, and women are the human species. The `TV war` of the Gulf was preceded by plague games `on Set`, and other `shoot `em up` TV Set `charnels`, which are the tip of the Titanic iceberg of `snuff` that Britney, in Oops I Did It Again, alludes to.



 In Japan, the TV Set`s Manga, and Hentai women, have `big eyes`. Beneath the sun, which is the species of the Earth`s `star`, men`s sarcophagis are crushing her. In terms of the invisible, to the uninitiated, realm of the `hidden`, she`s got `big, guys`, and the `blood plague` of the red dragon`s alien parasitical virus of homosexual pederasty`s `plague, aims` to `snuff` her secretly, which is how they `plague, games`.


1 Britney is alluding to Crane, Stephen The Red Badge Of Courage (1895) which is symbolic of both `ibis`, that is, the wisdom of avoiding unnecessary conflict. Insofar as Crane had no personal experience of the American Civil War (1861-5) of which he wrote, the brave `ib` of his `heart` is that he could write of the hero and understand that, although he wasn`t one, he would have wanted to have been one. The irony is that those who don`t fight aren`t cowards.




3 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.


Thou Shalt Not Suffer A Witch To Live

21/07/2012 12:50

Thou Shalt Not Suffer A Witch To Live


The exhortation ,`thou shalt not suffer a witch to live`, from the Old Testament of the Bible is often interpreted as `poisoner`, and traditionally  witches are female, which means that God`s injunction is against `poisons`. This `eleventh commandment` is illustrated by the `Last Supper` at which Jesus observes that Judas Iscariot will betray him after he has offered the `bread and the wine`, as a symbol of his `body and blood`, which will have Resurrection and Ascension after Jesus` crucifixion and death.



 In the legend of King Arthur, the Holy Grail is what the knights quest for, and is the vessel from which Jesus ate and drank at the `Last Supper`. Symbolized by the `Round Table` and, in the modern age by the rotary club, the notion is of eating and drinking without fear of poison. The concept of witchcraft relates to the role of the woman who gives milk from her breast to the infant. In Revelation the woman `clothed with the sun and with the moon at her feet` gives birth, while the red dragon waits in vain to devour her because she isn`t married.



 The Virgin Mary gave birth to Jesus and suckled him from her breast, but he was born without the evil serpent`s `seed`, that is, men`s semen, symbolized by the red dragon of Revelation and the events of September 11th 2000. Ancient Greek society was based on homosexual pederasty and warfare, which they spread by means of the `Greek horse` before the walls of Troy. The Trojans, believing it to be a `gift`, took the huge horse into the city, and were overcome by the Greeks who emerged and captured Troy. The `Greek horse`, the terrorists who hijacked the 9/11 `civil` planes, and the Grail from the `Last Supper`, symbolize `friendship betrayed`, which is poison. Because homosexual pederasty and warfare is the means by which men, as the enslavers of women`s host wombs, spread their disease, the `Greek horse`, Judas` Iscariot`s betrayal of Jesus, and the ticket buying  `visitors` that hijacked the 9/11 planes that crashed into the Twin Towers of New York`s World Trade Centre, are prototypical of the `game` that are the boys & us plague.



 The woman of Revelation is `hidden` until she leaves Earth to sow her `seed` in heaven, where she defeats the evil serpent`s `seed`, whose adherents receive eternal unendurable pain from God as their punishment. Because she sows her own `seed` she has a penis of her own, as futanarian women do ( ), which means that Woman has escaped from the boy sons, and that the red dragon of Revelation is a symbol of the farthering of poisons, that is, HIV/AIDS is a manifestation of homosexual pederasty`s plague aims, which is to play games as boy sons with warfare, and HIV/AIDS is a `biological weapon` that has a psychological dimension insofar as, for homosexual pederasty, which seeks the death of woman as a species upon the Earth, friendship is an opportunity for the boy sons, that is, the poisons, to attack her.



 The Nazis of the `fatherland` exterminated the Jews, who could only be Jews if they were born from a woman, which means that women are women and men are fartherers of boy sons. In short, the `eleventh commandment` that `thou shalt not suffer a witch to live` relates to the boy sons:


`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)


 The concomitant of the `Greek horse`, as the prototypical `plague carrier`, that is, the promulgation of homosexual pederasty, warfare and plague, by means of conventional boy sons, the `biological warfare` against women`s wombs by means of HIV/AIDS poisons (boy sons), and the spiritual poisons of witchcraft, which is the proliferation of alien viral parasitical life forms that are men (boy sons) by `Greek whores` who knowingly produce them to exterminate their own species upon the planet of the Earth.



 Although Jesus` spoke the language of Aramaic, which is Syrian and is ancestral to both Hebrew and Arabic, the language of the world in the modern era, is English, which means God`s omniscience prepared the globe to understand that `boy sons` were `poisons` if they were the children of `THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH`. Those women who taught their boy sons to be a plague, and a parasite, and to have `plague games` ambitions of `extermination camps` for women`s wombs, while the boy sons` plague aims at war, and the boys & us `play games` of `biological warfare` (HIV/AIDS) against Woman are the `Greek whores`.



 Woman is God`s producer and product, target of the spreaders of the contagion of homosexual pederasty, conventional warfare, and `biological warfare` in the form of HIV/AIDS, which is the perception there`s noone to be trusted, and treachery is always `in the air`. The `Greek horse` of 9/11`s `civil` planes sought to spread global terrorism from the `city of the planes`, New York.



 In Genesis Sodom and Gomorrah were destroyed by God, because they practiced homosexual pederasty in the `cities of the plains` (18,19), which means God was warning of 9/11 as long ago as the Old Testament, while 21st century sodomy is `plague games` in `shoot `em ups` on `politically correct`, `police constable`, `parental control` PC`s, while `politically correct`, `police constable`, `parental control`, `PC` 911 remains unable to see the difference between `working like a Trojan` in Troy, New York State, and a 9/11 `Greek horse but, after watching the `plague aims` at the Twin Towers on CNN, begins conducting `TV War` against the heterosexuals who, for the homosexual pederasts, are God`s transvestite (TV), wearing different clothes. The red dragon of Revelation is the homosexual pederasty of the `PC`, recognized by T.S. Eliot as early as 1920`s The Wasteland: He Do the Police in Different Voices. Homosexual pederasty promoting its plague games has made `police` the `bullies` of Revelation, where 999 = 666:


`Let he that has understanding, understand, the number of the beast is the number of a man, and the number of the beast is six hundred three score and six.`



 Because Jesus` language was Syrian, and President Assad of Syria`s original family name was `Wahash`, which means `the beast`, Saddam Hussein was the `beast` as the `crusher`, which is his first name, when translated from the Arabic. In Genesis Eve is told by God that there`ll be perpetual enmity between her `seed` and the serpent`s, but she shall `crush` his head with her `foot` when she leaves. The name for women with their own penis and their own `seed` is futanar or `fut`. In Hungarian `fut` means `run` and `tanar` means teacher, which means the future of Woman is to leave Earth, after crushing the head of the evil serpent, which is her teaching, in accordance with God`s:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 Men are women`s imprisoners, alien parasites preparing to destroy all life, art, civilization, and culture upon her species` Earth. God`s omniscient perception of English as the vehicle for the boy sons (poisons) gives credence to the notion that Hungary, as the centre of the European Union, world`s superpower rival to the USA and China, has something to say; like `futanar`.



 In the Catholic church the idea of wearing a condom was anathema before HIV/AIDS, and Catholicism was criticized for its position on sperm, which was that each spermatozoa constituted a life, and was valuable. If the evil serpent`s `seed` is HIV/AIDS, then the church`s position on the value of sperm is vindicated. If woman with a penis of her own is a species, who is to remain `hidden` upon the Earth before she leaves, then it`s important that her `seed` remain uncontaminated by the virus, which is the devouring red dragon of Revelation`s homosexual pederasty insofar as the evil serpent`s `seed` promulgates warfare and terrorism through `Greek horse` treacheries, and the creation of `biological weapons` from (and for) women`s wombs; in the form of HIV/AIDS or similar STDs, contaminating the future of women, as a species, with her own penis and `seed`.



 In the Catholic church, homosexual pederasty is rife, which means warfare and global terrorism is being preached and taught by the clergy in the Roman Catholic church, although the Catholic `position` was reversed that condoms shouldn`t be used in marriage because of the dangers of HIV/AIDS. That signaled the advent of the `New Redeemer`, and the warning should have been heeded. Those who didn`t heed the warning are the homosexual pederasts of Revelation that prefer contagion and the spreading of it, and accept the `mark of the beast`, which is the ID, in Freudian terms. The devouring red dragon of Revelation is a psychological symbol of homosexual pederasty`s `blood plague` aims; to produce `boy son` minds (poison minds) in, from, and for Woman`s womb (HIV/AIDS) and, as alien parasitical viruses, devour her, and her species` Earth, as `plague games` of war, destruction, and death.



 The `hidden` woman of Revelation is given a new heaven and Earth by God to dwell in forever because her `seed`, that is, the seed of woman with her own penis as a species, defeats the evil serpent`s `seed` after a war in heaven, which is the homosexual pederasty of the devouring red dragon of Revelation trying to farther its boy sons` of war, plague, and famine:


`People who get HIV also lose enormous amounts of weight. What they both have in common is that the immune system is often driven into overdrive. It’s pushed very hard.`2



 In effect the disease HIV tells the body it doesn`t want to eat or drink, which means that the growing of food, or the taking in of liquids, isn’t necessary to the starvation, which means that HIV improves the `famine` concept, from the traditional perspective of war, plague, famine, and death as the `four horsemen of the apocalypse`,  which is why water turning to blood is a `plague aim` in Revelation, because the `thin` disease of HIV makes water unwanted, and as water is the very stuff of life (70% of the body), HIV is homosexual pederasty`s `famine` upon the Earth.



 In the last stages of a consumer society based on the `number of the beast`, or numbered IDs, there`d be consumption, which is what the HIV `famine` prefigures, that is, a form of hyperactivity, in which the appetite for sustenance is sublimated into other forms of devourment; warfare, plague and death. The 20th century was the age of the recumbent homosexual pederast who spent its alienated days watching God in different clothes killing itself in WWI and WWII movies on `transvestite TV`, while the modern sex starved boy sons (poisons) were instructed that pornography, and therefore women, were evil, were prepared for `shoot `em up` Gulf `TV War` (1990-2011), and other death `plague games` on their Play Stations. In This Sack With The Gurkhas, and Baghdad`s Burkhas And Other Noncom Females perhaps. Woman does escape from the Earth, according to Revelation, as her own species, with her own penis, and God`s injunction in Exodus can then be read  as `woman thou shalt not suffer to live`, which is Revelation.







New York`s Saddam and Eve`s Big Apple

20/07/2012 02:08

New York`s  Saddam and Eve`s Big Apple



The USA defined Saddam Hussein as a `Greek`, that is, as a part of the Graeco-Roman tradition of Western civilization, by giving him the 3rd largest army in the world: ` The federal government is composed of the legislative; Congress, made up of the Senate and the House of Representatives; the executive, the President , and the Judicial; the Supreme Court etc.`1 The buildings that house the politics of the USA are primarily Greek in style, which is significant because `Greek` is what is identified as the opposite of `Trajan`, and `Trojan virus` is the `politically correct` term for `PC` virus. But `PC` labeled Saddam as `Greek`, that is, a defender of the USA, whereas he was a `Trojan virus`, according to `PC` terminology.



 On 9/11 the `Trojan horses` of the `civil` planes, hijacked by Al Qaeda`s terrorists, crashed into the Twin Towers of New York`s World Trade Centre to precipitate war. The `Trojan horse` is the device used by the ancient Greeks before the walls of ancient Troy. Idiomatically, the Trojans were `taken in` by the Greeks, whereas in fact the Greeks were taken in by the Trojans inside the huge wooden horse that they`d felt politically correct to accept from the Greeks as a `gift`. The Greeks, taken in by the Trojans, emerged from the horse to capture and enslave the city, which was the methodology of a society based on homosexual pederasty and warfare to maintain its enslavement of women`s `host` wombs to continue its blood-drinking existence as a parasitical viral life form. In other words, `Greek` is homosexual pederasty, blood-drinking warfare, and HIV/AIDS as their 21st century paradigm of `biological warfare` which, in spreading warfare, and the `plague aims`, on 9/11 meant that `politically correct` wasn`t `Greek`; or, in other words, `PC` had got it wrong.



 Outside of Manhattan Island, in New York State, is the city of Troy, and the idiomatic phrase, `work like a Trojan` is a eulogy, and relates to God`s biblical injunction to man in Genesis to `live by the sweat of your brow`. Word games aren`t allowable from the point of view of God, who destroyed Sodom and Gomorrah for homosexual pederasty, but the Marquis De Sade gave the title Sodom and Gomorrah to one of his novels about sadism because AIDS, that is, torture, murder, and death, is sadism arising from homosexual pederasty, that is, it`s the `plague aims` of a homosexual `play games` society in the `Greek` style. In the New Testament Jesus` Resurrection and Ascension after his crucifixion precedes the teachings of Redemption and repentance, which man refuses in Revelation:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)


 In terms of `political correctness`, the USA defined Saddam as `Greek`, and the city of Troy was in New York State, which meant the Trojans were defending the USA on 911, whereas the `Greek horses` were the `civil` aircraft, and New York was the `city of the planes`, in a homosexual pederast`s `plague aims` fantasy based on the Marquis De Sade`s novel 120 Days Of Sodom, the `cities of the plains`, which might be translatable, in dramatist`s terms, as the `play` game, Marki des AIDS, which would precede, in terms of the biblical Revelation, the `plague aim`, Markii De Sade`s, for the Earth`s `plague aims`, or `play games`, system of homosexual pederasty and warfare, and where I and II are the `marks` of the two `beasts` of Revelation in which `the number of the beast is the number of a man`.



 In Middle Eastern politics, Al Qaeda means `the base`, which is translatable as `evil`, and Osama means `lion`. Bashar Assad, the Syrian dictator, is `the messenger of the lion`, but originally his family name was Wahash, which means `beast`. In simple terms, the `first beast` is followed by the `second beast`, in accordance with Revelation, and signifies torture, murder, and death as `politically correct` or `PC` for those who accept the `beast`, and the `bully`s men` are the same as the `police men`, because that`s the `Word of God` game that the `base` plague aims with.


 911 is the number of the security and rescue services in the USA, while 999 is their number in most of the rest of the world, which is why `the number of the beast is six hundred three score and six`, and is 999 reversed or 666, and indicates that the `Word of God` is that homosexual pederasty is `Greek` and results in warfare, plague, and the enslavement of women as `host` wombs by men, who`re parasitical viral life forms, while God has prepared unendurable eternal pain for them as `aliens`.



 In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while the devouring red dragon waits in vain. Protected by the `New Redeemer` the `hidden` woman leaves Earth to sow her `seed` in heaven where she defeats the evil serpent`s `seed` and receives a new heaven and Earth to dwell in forever. Because she can sow her `seed`, she has a penis of her own, which means that men are her self-replicating disease, and her boy sons are her poisons, emerging in the 20th century as HIV/AIDS and, on 9/11, as homosexual pederasty`s `Greek horse` of `biological warfare` spreading its plague aims.



 In the pop video Oops I Did It Again Britney Spears` Mars is her laboratory. In her red suit, she hoists her `spaceman` visitor above herself in a white bikini dress, representing a white blood cell, and a red blood cell, in terms of the human immune system. She is under the microscope of her spaceman`s camera, which means that the alien is examining her, and isn`t a doctor. In fact Britney is examining the virus. The spaceman is operating the camera, but the camera is not an operating tool in the theatre, which means that, linguistically, the `operating theatre` isn`t a `theatre of operations`; although the spaceman represents the spectre of homosexual pederasty or `biological warfare` and terrorism as who plague aims through the media. He`s the viral alien life form that is the verisimilitude of HIV/AIDS. The `game` is Operation, because Britney has a heart donor:


`But I thought the old lady dropped it into the ocean in the end?`


 The `gift` is the `heart of the ocean` from the Titanic movie, which is a blue diamond dropped into the sea by Rose who`s `disappointed` in love. The truth is that a woman will always be disappointed because men are an alien parasitical viral life form, but it`s `Operation Plague Aims` after MB Games` Operation, that is, in Wizard Of Oz terms, the spaceman is the `tin man`, who has a `chopper`, but not a heart. In emotional terms, Britney `takes heart`, but the `tin man` still doesn`t have a heart, which means it`s a `game` of Operation in which she pretends he isn`t a virus and will accept she`s accepted his heart. However, the heart is the `blood pump`, which means that, if she accepts him, he doesn`t have a heart but a `chopper`. It`s Sheherezade. If she keeps her head, he has a heart, and she`s won; but, if he doesn`t have a heart, she can`t keep her head because it`ll be `Operation Plague Aims` in which the virus will spread its homosexual pederasty, symbolized by the devouring red dragon of Revelation, or the `chop`.



 A `chopper` isn`t a surgical tool but, in terms of security and rescue services` helicopters, which in the vernacular are `choppers`, it`s for wounds. However, heart transplantation may be a part of MB Games` Operation but head replacement isn`t. In order to deal with the spaceman, who`s an `incoming chopper` from whom Britney `takes heart`, in her red suit she winches him above herself in a white bikini dress to see if he`s interested in using his penis, which is `chopper` in the vernacular.



 In the Wizard Of Oz the scarecrow doesn`t have a brain, which is HIV/AIDS when the white cell can`t say `no` to the virus. The `cowardly lion` doesn`t have `courage`, which is why Britney `takes heart`, because the `heart of the ocean` is a blue diamond worn as a pendant, and the lion in Oz received a medal of encouragement.



 The simplest solution to the red dragon of Revelation is `no`, which is why it waits in vain to devour her child. She`s a `single mum`, as prefigured by the Virgin Mary, and prefiguring her own role as the `hidden` woman with a penis of her own who can self-fertilize. In accordance with the `Word of God` in Revelation, she can `teach`.



 One of the recurring motifs of the 20th century was the monkey, and according to scientists HIV/AIDS came from monkey brains. In Planet Of The Apes and its subsequent sequels, the `ape of God`, which is another name for the `Evil One`, enslave and murder humans, which is `behaviouralist` psychology. In King Kong, the big monkey climbs to the top of the Empire State building because Fay Wray doesn`t want to have sex with it. The Empire State building and King Kong are symbolic of the smallness of the woman`s penis, and the planes that shoot the monkey prefigure those that crashed into the Twin Towers of Eve`s `Big Apple` on 9/11. The perception is that King Kong isn`t human and those that shoot the monkey are humans, whereas 9/11 is the perception that the virus isn`t human.



 Arthur C. Clarke`s 2001: A Space Odyssey follows the pattern of the NASA space programme in which the monkey is prepared for space. In a scene echoing Sir Charles Darwin`s evolutionary theories from Origin Of Species, one monkey kills another, and then hurls the bone into the sky where it transforms into a spacelab, and the story`s evolution is of how a man spends eternity in what is recognizably a hospital prison being cared for by an intelligence that is his nurse.



 In Oops I Did It Again Britney on Mars, in her red suit, symbolizing a red blood cell and, in her white bikini dress, symbolizing a white blood cell, is analyzing the  disease. The spaceman represents Darwin`s theories of evolution. As a `deep sea diver`, he`s brought her the `heart of the ocean`, but Britney`s Mars has `98% oxygen`, which requires `decompression`.



Britney doesn`t wear a helmet and, when she removes his `bubble`, the spaceman `bends`, which is a euphemism for decompression sickness. The `heart of the ocean` motif indicates the problem is arterial gas embolism, which has the acronym `AGE`. Because of `bubbles`, the spaceman will die of an embolism.



 `Wacko Jacko` was introduced to `Bubbles`, a chimp, by a behavioural psychologist, and Michael Jackson died `of an AGE`, 26 years later, in 2009, at the hands of a general practitioner using a syringe, which is a known form of inducing arterial gas embolism (AGE) by injecting `bubbles` of air into an artery. Michael was a developed artist, but the introduction of `Bubbles` into his system meant he`d die of AGE. Put simply, Michael Jackson was a `chimp` to the behaviouralists, who don`t want development, because it`s a threat to their games` system of homosexual pederasty, and their plague aim of spreading HIV/AIDS in `biological warfare` and global terrorism by means of `Greek horses`:


`Beware of Greeks bearing gifts.` - Homer Iliad



 Britney Spears` perception in Oops I Did It Again is that HIV/AIDS is a victimizer`s disease, and the camera is a symptom of the illness. Beside her spaceman`s `bubble` helmet, as he dangles above her, are the tines of a giant fork, a `pop` symbol of devouring. CNN`s coverage of 9/11`s `Greek horse` making victims of the thousands working in the World Trade Centre is use of the camera to spread the devourer`s contagion by making it plague; aims of the evil.



Cameras are operated, but in Oops I Did It Again Britney shows there`s confusion between operating a camera, and operating in the theatre. `TV` is where Al Qaeda, the `base`, that is, the evil, employed the camera in a `theatre of operations` to spread their terrorist plague aims through TV`s `small screen`, a medium for Hollywood`s `Dream Factory, which to be fair had been churning out nightmares for a generation.



9/11 provided an opportunity to produce more. In movies like Saw, Scream, The Ring, and more conventional scripts such as Collateral Damage, Die Hard or Payback, the illusion of the `hero savior` is perpetrated while the women `die like flies`. For Arabians, MBC2, MBC Action, and other cable channels, `attack us in our own homes`. Hollywood`s programme for `snuff` is a world pogrom on family development, and developing and developed individuals. In those countries becoming more liberated, after the `Arabian Spring` of the first decade of the 21st century, when the Arabs have finished terrorizing God`s wife and daughter, that is, the Kore in Greek civilization and culture, from whose enslaved `host` womb the `War Games` of homosexual pederasty emerge, it`ll be the West`s turn to terrorize her, which is what 9/11`s `Greek horse` was for.




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