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Homosexual Pederasty, Warfare and Plague

17/07/2012 12:02

Homosexual Pederasty, Warfare and Plague

 

If computer specialists had called viruses `Greeks`, we would have understood that it was HIV/AIDS and 9/11 might never have happened. However, political correctness, or `PC` in techno-geek speek, would have made the calling of a virus `Greek` offensive, and so an ancient people were called to account for giving our computers a virus, whereas in fact the Trojans defended their city of Troy against the ancient Greeks who enslaved the wombs of women to promulgate homosexual pederasty which, in the 20th century, resulted in HIV/AIDS, and the escalation of `biological warfare` by the boy sons (poisons) of terror, as graphically illustrated by 9/11, where `air AIDS` over New York was a `symptom` of the `blood plague` of Revelation, and at least partial fulfillment of Michel Nostradumus` (1503-66) own prophecy of `terror from the skies`:

 

`The year 1999, seventh month,
From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols,1
Before and after Mars to reign by good luck.`
The Prophecies, Century 10, Quatrain 72

 

 In Revelation, the `hidden` woman leaves Earth to sow her own `seed` and defeats the red dragon with its evil `seed`. If the woman has `seed`, she`s a woman with a penis of her own, and the `New Redeemer` she gives birth to, while the red dragon waits in vain to devour him, protects her on Earth so that, when she leaves, her `seed` is pure, that is, she doesn`t have the `Greek` contagion of homosexual pederasty and war, which the red dragon and its evil `seed` attempt to spread to her in heaven where, after its defeat, she receives a new Earth and heaven to dwell in while the evil receive punishment in perdition.

 

 

 God`s view of homosexual pederasty is that it`s a disease, because it attempts to enslave the wombs of women to produce war, which is what the red dragon of Revelation represents, and so God`s destruction of Sodom and Gomorrah (Gen: 16,19) is a warning, and the plagues of Revelation are illustrative of God`s wrath against homosexual pederasty and warfare. Consequently, there are parallels between the `Greek horse`, which the Greeks hid in to deceive the Trojans at Troy, and the 9/11 terrorist hijackers who pretended to be visiting the USA in `civil`, that is, polite, aeroplanes. The Trojans were, in idiomatic terms, `taken in` by the Greeks, and linguistically this is significant because computer viruses are called `Trojans`, whereas in socio-historical terms the computers are taken in by the `Greeks` and so are `Troy`.

 

 

 When the Trojans took the `Greek horse` into Troy they were being `PC`, that is, politically correct. They were accepting a `diplomatic gift`. Emerging from the inside of the `Greek horse`, however,  the Greeks took the city, so promulgating their aim of homosexual pederasty through treachery, which in Revelation becomes `plague aims` and, in `PC` terms, is `play games`. In personal computer terms, the notion that gays and lesbians are homosexuals is `politically correct`, and it`s `PC` not to describe viruses as `Greek`, because Greece might be offended, but the truth is that homosexual pederasty is a `Greek` device to enslave the wombs of women to promulgate homosexual pederasty, warfare, `biological warfare` in the form of HIV/AIDS and `terror from the skies` in the form of 911`s `Greek horses` that, demolishing the Twin Towers, began the proliferation of warfare and terrorism, which is the `game` of homosexual pederasty, and is what men are guilty of as alien parasitical viral life forms seeking to destroy the Earth, and the woman of the Earth, who has her own penis and wants to escape:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 

 In terms of political correctness, or `PC`, the personal computer (PC) corresponds to Troy (there`s a city of `Troy` in New York State), which means that, in failing to distinguish between gays and lesbians by observing that women have a penis, and so lesbian sex is `normal`, while homosexuality is warfare and plague, and by labelling computer viruses `Greek`, also in the name of `political correctness`, as global `police constable` (`PC` 911) the USA has failed to deal with the `Greek horse`.

 

 

In Oops I Did It Again  the action in the video takes place on Mars, which may refer to the line in Nostrodamus` prophetic quatrain: `Before and after Mars to reign by good luck.` At the beginning the spaceman visitor to Britney`s Mars finds her icon in the sand, and exclaims:

 

 `Whoah there horsey!`

 

 It`s a reference to Troy, and the observation that the video can be replayed so that each time the astronaut finds the `cookie`, in the sands of Britney`s Mars, it functions as an `Open Sesame` or `password` to the action in the video for the spaceman, who represents the alien viral life form of homosexual pederasty and warfare.

 

 

 In her red suit Britney hoists the spaceman above herself in a white bikini dress; as if he were a knight about to be horsed. If he were a knight crusading against HIV/AIDS he`s in the right `biological warfare` suit for Britney. He`s able to use a camera on behalf of the evil `seed` at `Mission Control` who are testing a `plague carrier`. The concept of the raised knight preparing to mount is that, for the available whores, he has a camera, which is `safe`.

 

 

 At the video`s culmination we see the spaceman walking backwards. We can watch it again, and everything is again in place. The spaceman has to find the `cookie` and - `Open Sesame` !  Video technology promises that, if we`re careful, we may be deceived, but we can`t be betrayed, because we can `rewind and reset`.

 

 

 Nostradamus` resurrected `King of the Mongols` was Saddam Hussein, because Iraq was a part of the western wing of the empire of the original `King of the Mongols`, Genkhis Khan. Presenting `PC` as `Greek`, while explaining erroneously that `Trojans` are a `virus`, and giving Saddam  Hussein the world`s 3rd largest army, isn`t socio-historically sensible. Idiomatically, the phrase `work like a Trojan` is, in fact, the truth about Trojans:

 

`The Trojans were a hard-working, determined, industrious people.` Homer`s Iliad

 

 

In Genesis Adam and Eve are told she must bear pain in childbirth and he must labour. In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while threatened with devourment by the red dragon. If homosexual pederasty and warfare produce plague, then men aren`t `working like Trojans`. Britney`s observation in Oops I Did It Again that the spaceman with the camera is denied sex with her, because the camera functions as a condom, is the perception that the camera and the condom `protect` against the red dragon of Revelation, that is, it`s anti-viral, because it works. This accords with Er and Onan`s perception in the Bible that they want Tamar to live. The condom and camera are the works of their descendants, and God in Genesis kills Er and Onan for wanting to develop and not reproduce, because the Old Testament God wants reproduction, not development and production.

 

 

 Onan represents the evolving psychology that, standing away from the woman in order to see her fully, is what the camera and the masturbator does. In biblical terms, the camera or visual technology represents man`s eventual separation from the female species, which is described as the `woman`s seed`, in the first book of the Bible, Genesis and the last, Revelation, where the denouement is that she is given a new heaven and Earth by God. Because she her own penis as a `futanarian` woman and so doesn`t need man.

 

 

 9/11 was what men do. Because they`re the evil serpent`s `seed`. Ever delaying the point at which women have sufficient development in order to escape from men to the stars, in constructed starships, men delay her Earth`s technological development. The hijacked planes crashing into the Twin Towers of New York was demolishing buildings such as the Twin Towers of New York, the Al Qaeda terrrorists plunged the world into a `New Dark Age` of barbarism and fear,  which is engineered by men periodically to prevent the true picture of woman from developing. The  woman with a penis of her own under the skirts of `Liberty` could tower beside man`s but, as the rebuilding program for New York`s World trade Centre shows, one penis and one tower is the message to the Earth from the devouring `red dragon` of homosexual pederasty and war. Because men don`t want women`s success. They want her to remain as an enslaved species, and without her they can`t reproduce. Consequently, their parasitical focus concentrates on inducing frustration and anger by means of `pictured` events such as 9/11.

 

 

In presenting men as woman`s saviour and protector, men`s penis is associated with power, while the `futanarian` woman with a penis of her own is the true power because she doesn`t need the parasitical virality of the `gay boy sons` of war infesting her `host` womb. Destroying her without, the `gay poisons` of HIV/AIDS seek to destroy her within. Fear of HIV/AIDS is that valence of  the `red dragon` of homosexual pederasty`s `blood plague` as the enslaver of women forced into monogamy as a possession of demonic misogyny. HIV/AIDS is their terror weapon of the `biological warfare` waged against woman`s future newborn, that is, the `futanarian` woman with her own penis and economic valence, which isn`t the `rough trade` of homosexual pederasty the attack on the World Trade Centre on 9/11 was designed to reimplement. Men`s killing of `Woman` outside of herself, in their wars, and killing her within her wombs, as a valence of their virality as parasites of the `host` human species, men as the evil aliens seek to prevent woman`s separation and escape to the stars in heaven.  The `picture` is inescapable. Without men, `futanarian` women with a penis of their own can escape men`s `picture`. Onan, the masturbator, represents man`s separation from the `picture` of `Woman`. Because `woman`s seed` is to continue without man, according to the Bible, where `futanarian` woman`s `seed` receives a new heaven and Earth. The evil serpent`s `seed` that seeks to frustrate her going by ever delaying the advancement of the technology that would allow her to leave.receives eternal unendurable pain as a punishment.

 

 

 According to Revelation the red dragon, a symbol of HIV/AIDS infected blood, homosexual pederasty and warfare, waits to devour the `New Redeemer`, who`ll protect the woman before she leaves Earth, and the camera and condom are symbols of that protection. Because the condom, the camera, and HIV/AIDS, effectively mean men`s penis shouldn`t have sex with the woman, it`s homosexual pederasty`s `form`, and HIV/AIDS is a form of its `biological warfare` against women in which men`s terrorizing of women is a further explication of their enslaving and devouring paradigm. However, women with a penis won`t have the virus because it`s homosexual, and they`re not.

 

 

 The `Gulf war` was the furthering of the virus` plague aims, and it`d `play games` again on 9/11 by promulgating `biological warfare`, against the USA, by means of its 21st century `Greek horse` that, crashing into the Twin Towers, unleashed a global war on/of terror, thereby maintaining the ephemerality of the homosexual system of pederastic devourment of males. In the Bible Er and Onan are killed by God because they want immortality for Tamar, and pregnancy will spoil her looks, and so first her husband, and then his brother, are killed by God, because they refuse to impregnate her, which is homosexual pederasty`s `system` of devourment for those who want to develop and produce rather than reproduce.

 

 

 In Oops I Did It Again Britney observes that the condom and the camera are linked with masturbation and immortality. The image on the film is eternal, and so is the `seed`, but in Revelation the `hidden` woman leaves to sow her own seed, which means that she must escape from the evil `seed` of the Earth to be immortal, and God does give her a new heaven and Earth, which is what Britney observes in Oops I Did It Again. The penis wants her, and she`s supposed to want a man`s penis, but Britney, in her red suit, and Britney in her white bikini dress, observe that it`s their Mars and they have each other.

 

 

 The `New Redeemer` of Revelation explicitly figures Redemption. The first step is to accept that a man`s love for the god of Mars is a homosexual pederast`s `disease`; the second is for a man to understand that the woman is him (as Jesus said, `Love ... as you love yourself.`), and the third is for woman to have faith in her own penis, and its development. Because men, as parasitical alien viral life forms, that enslave the `host` wombs of women, because they don`t want to `work like a Trojan` and prefer to deal in homosexual elitism where `Mankind` and `Womankind` are repeatedly observed on TV `9/11 style` as God`s `transvestite` (TV) wearing different clothes.

 

 

 In Genesis Er and Onan represent the refusal to reproduce so that woman may live, and Mary the Virgin, and the celibate Jesus, represent production without reproduction, because the woman`s penis seeks immortality, whereas the male penis wants only ephemerality for her and hers because men are alien viral life forms that have enslaved the woman`s womb as a `host` for their plague aims of homosexual pederasty and warfare, which means all they do is `play games` of deceit in which the women have the role of `Greek whores`. The homosexual pederast, Mars, the war god, wants boys and not women. If woman, as a species with her own penis, is to escape from men as the alien parasitical virus that is attempting to kill her and her Earth, she must be wise and old, but not necessarily grey, which is a sign of men`s success as her `killer disease`.  However, God`s destroying of Sodom and Gomorrah because of its homosexuality and pederasty indicate a developing thought pattern based on reproduction, which in medical circles is understandable as cell replication, and is what cancers do, and production, which is what developers do, and includes the concept of longevity. The Virgin Mary produced Jesus without reproduction, and Jesus produced the New Testament as a celibate. In Revelation the `hidden` woman is produced by God ex nihilo, that is, as a new creature who, without her alien parasite, will be long lived, wise, and able to fulfil God`s plan of development.

 

 

 In Hollywood terms, Britney Spears has it right in Oops I Did It Again. In white and red, she`s `the bread and the wine`, the sacrament of the church, which Jesus inaugurated at the `Last Supper` before his crucifixion, death, Resurrection and Ascension. According to Jesus, the `bread and wine` were symbols of his `body and blood`, and shortly after he was betrayed by one of those at table with him, Judas. Britney`s observation is that one`s companions are, like those of Arthur at the Round Table of knightliness, concerned with the Holy Grail, which is longevity and wisdom. Those seated at the round table represent those who want to eat, drink, and make love in the best places, which is what we see in the movies.

 

 

 In Oops I Did It Again Britney in red hoists her spaceman above herself in a white bikini dress to film her with a camera to illustrate how a woman who had longevity would record herself in as many different ways as she wanted to, and her development would be to put herself in as many scenes as she could devise for herself. Obviously, a woman who was long lived, and beautiful, as Er and Onan perceived Tamar to be, wouldn`t want her beauty spoiled either, and would want to have visible memories of herself, as it were, `in camera`, which is prelapsarian insofar as the `serpent` in Eden, which became the `red dragon` of Revelation, was expelled from Eden along with Adam and Eve for wanting to `watch over them` as their `pornographer`, which they agreed to. In Oops I Did It Again Britney observes that, as Eve, she is manifold, and as woman with her own penis she can make her own pornography, which doesn`t have homosexual pederasty and warfare as its mainstay; as we saw on CNN`s coverage of 9/11. In other words, for the serpent of Eden, grown strong as the red dragon of Revelation, violence is pornography, whereas, without warfare, to promote the devouring red dragon, as a symbol of homosexual pederasty and the enslaving of women`s `host` wombs to reproduce its boy sons (poisons), pornography would be sex between women, because men don`t want it.

 

 

1 Roi d`Angolmois is the French, and `Angol` means `English` in Hungary, a province of Genghis Khan`s empire, which suggests the `King` is `Greek` from England, and may have arrived in New York before 9/11 to `arrange` it. https://www.dreamscape.com/morgana/1999.htm

The Dead Wood & Whorse

15/07/2012 13:42

The Dead Wood & Whorse

 

The ancient `Greek horse` before Troy was wooden and contained Greeks from a society that had enslaved the wombs of women to practice homosexual pederasty and warfare, which in biblical terms means that the wooden horse was full of faggots looking to start a fire and promulgate their disease of homosexual pederasty and warfare. The Trojans perceived that the horse was a votive offering to the goddess of Troy and took it into the city, as the Americans allowed ticket holding terrorists to hijack `civil` planes and crash them into the Twin Towers of New York, so starting a conflagration that would spread contagion.

 

 Sodom and Gomorrah, the `cities of the plains`, destroyed by God in the Bible, for homosexual pederasty (Gen: 18,19), suggests that New York, the `city of the planes`, is God`s 21st century `blood plague` from Revelation, an attack by the virus as `air AIDS` and a symbol and a metaphor for God`s hatred of homosexual pederasty spreading its contagion of warfare upon the Earth.

 

 

 In Revelation the `hidden` woman gives birth to the `New Redeemer`, which protects her until she leaves Earth, and the red dragon of Revelation, a symbol of the `blood virus`, that is, homosexual pederasty, waits to devour the child with warfare. In heaven, where she sows her own `seed`, as a woman with a penis of her own, and therefore not subject to the `biological warfare` of `air AIDS`, which 9/11 prefigures, she waits for the `seed` of the evil dragon to attack her in heaven and defeat him. The evil receive eternal pain as punishment, and the woman and her `seed` receive a new heaven and Earth as her eternal reward from God.

 

 The 9/11 conflagration is important because the planes were wooden horses, but the `dead wood` or `faggot` terrorists` conflagration consumed many people who weren`t `dead wood`, which is what faggots are for. The symbol of the woman surrounded by faggots while they burn her is a symbol of Eve`s wisdom denied, which is why the faggots chose the `Big Apple` to begin their bonfire. The renaming of `Big Ben`, the Parliament clock tower and bell of the United Kingdom, as Elizabeth II, is a sign of Woman`s refusal to be `all but dead wood`, so far as her voice is concerned. It wasn`t Adam`s apple in Eden, it was Eve`s, and although the `Adam`s apple` is a medical term for the voice box`s physical apparatus, the concept of New York as Saddam`s apple, and the voice of homosexual pederasty`s machismo of war, isn`t the voice of God and Eve`s hard won wisdom since Eden.

 

 The pop video Oops I Did It Again features Britneys, sand, icon, and idols. There is more than one Britney `idol` in the video, and her `icon` is found by her spaceman in the sand of her Mars, where he`s visiting, while the pop star meditates on the concept of what it means to be an `idol` for her fans.

 

 

 In the Old Testament the Jews worshipped a `golden calf` as an idol, which is a gender unspecific name for a cow, and is hermaphroditic. Idols are made for worshipping, and so Britney is a `masturbation idol` for those who aren`t able to have sexual intercourse but desire her, which may seem unproductive but it involves the realization that one could be the other person, and that`s hermaphroditically Christian insofar as Jesus` teaching is `love your neighbor as you would love yourself`.

 

 If women have a penis of their own, as futanarian women, then Britney `Spears` is an archetypal positing of Woman with a penis, and so she`s developmentally `iconic`. However, television is a medium that presupposes a distinction between male and female, which is construed as God wearing different clothes by the evil, who view it as a transvestite or `TV`. In other words, `TV` is their idol and, as a `gay` icon, Britney`s a perverted `idol` or `eye doll`, because pederast homosexuals want `TV` war, and the enslavement of women`s wombs by the alien parasitical viral life form, that is, men, to promote species` death for Woman with a penis of her own, and the Earth.

 

 

 Oops I Did It Again features the icon of her found in the sand, an `Open Sesame` for the spaceman to uncover Britney`s `sand idols`, or Britney`s `hand, die dolls`. An encouragement for those who murder the masturbators who desire her, and who are dying `by their own hand`, that is, at the hands of the pederast homosexuals who`ve organized `TV` wars like the Gulf (2000-2011). Saving psychological bisexuality would  allow `Mankind` to recognize themselves and `Womankind` as more than `TV`, but onanization of the desire for spiritual, and intellectual development, means the psychological and physical hermaphroditism of the future of woman as a species with her own penis is `stillborn`, or rather still being born.

 

 

 In Eastern Orthodox Christianity icons are prevalent, and Britney created herself as an icon in the Eastern tradition of Christianity when she put herself as a woman on the cross for the cover of the single Piece Of Me, which suggests an affinity with both Mary and Jesus, who represent hermaphroditic development insofar as Mary gives birth without male semen and the celibate Jesus produces the New Testament and the Holy Spirit from his side, as it were, after the Roman centurion pierced him with the spear at his death upon the cross prior to Jesus` Resurrection and Ascension. The Paraclete or Holy Spirit, effectively emerging from Jesus` side as the `Second Eve` from the `Second Adam` is the `spirit of the law`, the Shekinah of God`s Covenant, from the Old Testament, who continues the teaching of Jesus` Redemption until the birth of the `New Redeemer` in Revelation who protects the woman with a penis of her own until she leaves.

 

 Britney Spears biblically represents the symbolism of the omnipresent female by the side. After the Resurrection and Ascension of Jesus, the spear of Longinus became known as the Spear of Destiny, because it was instrumental in birthing the Paraclete. As a symbol of the USA`s Manifest Destiny, and the American Dream, the spear and Britney Spears symbolize the power of the religious icon, but also the danger of worshipping `false idols`, which is specifically forbidden in the Commandments of God:

 

`I`m Miss American Dream since I was seventeen.`

 

 In the psychology of Carl Gustav Jung (1875-1961), dreams, imagination and art contain archetypes, that is, psychological contents that function as developmental stimulators, and Britney Spears is such an archetypal figure. Her `icon` is not an `eye confidence trick`, although it may be used as such; as figures like Colonel Gaddafi of Libya, or Bashar Assad of Syria, promote their `icon` religiously as `eye confidence trickery`, a trick they learned from the red dragon of Russia where the images of Presidents like Leonid Brezhnev, or Mikhael Gorbachev, for example, were icons of `godless` Communism. President Assad`s orginal family name of `Wahash` means `the beast`, and is a reference to the many headed `beast` of Revelation, who is a man, because there are many such men that would have you believe in their `eye confidence trick`. The word `trick`, of course, is used to describe whores`, and the `Greek horse` was their `eye confidence trick`, that is, the evil serpent`s `seed` is not confined entirely to male homosexual pederasty`s promulgation of warfare:

 

`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

 

 Women who function as enthusiastic bearers of the disease, which is homosexual pederasty and warfare, reified as `biological warfare` against women as a species with her own penis, in the shape of HIV/AIDS, were the treacherous `civil` aeroplanes of the `Greek whores` crashing into the Twin Towers of New York`s Ilium to begin the burning of Eve and her wisdom in a global conflagration. They were the `wooden whores` producing the `dead wood` of `faggots` that worship the idol of Mars, god of homosexual pederasty and warfare.

 

 Britney Spears Oops I Did It Again is set on Mars, and she`s an archetype, an icon, and a Hollywood `idol`. The concept of `holly wood` is significant. Many believe Jesus to have been crucified on a holly tree, and the ancient pagans believed the berries symbolize menstrual blood, which is a sign of a

woman`s body`s preparing for reproduction:

 

`They believed the holly would capture any evil spirits trying to get into the house`.1

 

 The 9/11 planes were going to attack Washington D.C., and the Whitehouse. According to tradition the holly berry was white before the blood of Jesus from the crown of thorns placed upon his head as a torment at the crucifixion turned the holly berries white. In the `Evergreen` state of Washington D.C., the Whitehouse is a symbol of the `American Dream`, which is of a prelapsarian Paradise:

 

 `I`m Miss American Dream since I was ... [1776].`

 

 The evil serpent`s `seed` wanted a `Redhouse` for their `red dragon`, which is why the `wooden whores` attacked New York`s `Big Apple`, to crush the `American Dream`, and so the name of the `red dragon` in the Middle East, Saddam, means `crusher`. Consequently, `Hollywood` is the `American Dream`, which 9/11 was meant to spoil in the shape of the aeroplanes on crashing into the Twin Towers like a `Hollywood TV movie`. From an educational perspective, TV was being told it was a reporting media for homosexual pederasty and warfare, which is mainly what the medium presents insofar as it`s concern is socio-historical depictions like Pearl Harbour, Troy, or even Armageddon, which according to the Bible hasn`t yet occurred, but almost certainly will because the education medium of TV is being told that homosexual pederasty and warfare is what it must promote.

 

 

 From the point of view of homosexual pederasty, war is TV insoafar as man and woman are God wearing different clothes, that is, a transvestite or `TV`, which is why homosexuals are evil and why God says so. Homosexuality is a perspective. Just as woman with a penis can be made to seem `Satan`, so warfare can be made to seem good, whereas it`s a manifestation of the `Greek whores`, and their desire to breed homosexuality and pederasty, which is symbolized by the devouring blood red dragon of Revelation, and reified as the disease HIV/AIDS; a metaphor for `biological warfare` and terrorism: as 9/11`s planes, functioning as `Greek horses`, showed.

 

 

 Of course, Hollywood is primarily known for movies, and `Christian legend claims that holly miraculously grew to hide the Holy Family from Herod's soldiers. As a sign of gratitude, holly has remained evergreen ever since.` In terms of the American myth, the plane that was `taken down` in the `Evergreen` state of Washington, D.C., by passengers `acting` over Arlington county, symbolic centre of the graves of the American heroes `from the halls of Moctezuma to the shores of Tripoli`, was symbolic of God`s protection from Al Qaeda`s terrorists at the Whitehouse, home of the `Holy Family`, and `New Redeemer`, `Holly` Bush. From a Hollywood standpoint, the passengers and crew of `United Airlines Flight 93`, had been taught to act and so the `bloody plane` never reached the Whitehouse.

 

 

 One member of the Bush family that didn`t make it was Robin Bush, a woman who`d died many years before as an infant, but her spirit lives on. The robin is symbolically important because it attempted to remove the largest thorn from the head of the `Holy Family`, when Christ was being crucified. A crown of thorns was placed upon Jesus` head in mockery. The Paraclete was born from the Spear of Destiny, but the robin`s efforts are symbolic of the meaning of the teachings of Jesus, which is that of Hollywood, that is, `thought before action`.

 

 

 Although Longinus` spear penetrated the side of Jesus, effectively signalling the emergence of the Paraclete, the Holy Spirit `descended from heaven`, which means the action of Longinus wasn`t instrumental, but interpretable after the event as significant. In other words, the Holy Spirit by Jesus` side was an `acting coach`, which explains Jesus` decision to accept crucifixion and death, because Resurrection and Ascension would follow from action in accordance with the `Will of God`.

 

 

 The `burning bush` was a symbol of the law of God, and so was George Snr., and George W. Bush Jnr. According to biblical commentators, God spoke from the `bush`, which also contained the female `spirit of God`, the Shekinah from the Old Testament, which dwelt in the tabernacle of the Ark of the Covenant where the tablets of the Commandments of God`s law were kept. In terms of the New Testament, the `holly bush` is the fulfillment of God`s Promise that acting, in accordance with the `Will of God`, results in Redemption, Resurrection and Ascension. Jesus was tortured and murdered, and the spear of Longinus in the side of Jesus after his death is a continuing symbol of their cowardice and mockery, a `thorn in the side`:

 

`Surely this was the son of God.`

 

 The symbol of the robin attempting to remove the largest thorn from the mocked head of Jesus is a symbol of action in accordance with the `Will of God`, who didn`t want Longinus to stick a spear in his dead son`s side, so that men could pretend that homosexual pederasty and warfare was a result of the teachings of the Holy Spirit, and that the death of Woman as a species with her own penis was just `collateral damage`, so that men could continue feasting upon the products of her `host` womb as blood-sucking leeches` for whom the `head birth` of the spears of space technology`s rockets, and for which the robin fights at the scene of Jesus` crucifixion before his death, was only an excuse to put a man on the moon and fire ICBMs at her Earth so that she`d never be able to escape.

 

 

 In Oops I Did It Again Britney Spears on Mars is a symbol of Robin Bush, in her red suit, with her white bikini-dressed alter ego representing the whiteness of the holly berry before the blood of Jesus; a pre-lapsarian symbol of Woman`s faith in the American Dream of spaceships, and escape from the blood red dragon of pederasty`s homosexual worship of the viral god of war, Mars:

 

`In God We Trust.`

 

 Britney Spears in Oops I Did It Again is prototypically `Hollywood` insofar as spears are the Holy Spirit, but the spear of Longinus didn`t have to enter into the side of Jesus for the `Spears of God` to be born. Longinus` spear represents cowardice and mockery; after Jesus` torture and murder. Traditionally Hollywood asks the question: `Which side are you on?` But the question presupposes sides, thereby creating enemies. In Hamlet Shakespeare poses the question Jesus asked:

 

`To be or not to be, that is the question:

Whether `tis Nobler in the mind to suffer

The Slings and Arrows of outrageous Fortune,

Or to take Arms against a Sea of troubles,

And by opposing end them...` (III, i)

 

 

 The Holy Spirit guided Jesus to the cross; the torturers, murderers, mockers and cowards. To present torture, murder, mockery and cowardice as guides to action is to invite 9/11, which is what worshippers of homosexual pederasty and Mars, god of war, do. The passengers of `United Airlines Flight 93` were Hollywood`s best, but Hollywood invited 9/11 with movies like Towering Inferno, King Kong, in which the Empire State Building is repeatedly threatened by a monkey (1933, 1976, 2005),2 The Two Towers, and other `blockbuster` movies.

 

1 https://www.fantasy-ireland.com/christmas-holly.html#axzz20fXC27Sh

 

2 According to scientists the HIV/AIDS virus came from monkeys, so King Kong is a `wooden horse`, that is, a deliberately concealed `viral image` designed by its creators to promote the idea of planes attacking large buildings in order to promulgate the devouring red dragon of homosexual pederasty in the shape of terrorism from, and `biological warfare` against, women`s wombs, and reified in the 21st century as 9/11`s `air AIDS`. The film of H.G. Wells War Of The Worlds (1898) is a similarly deliberately concealed `viral image` repeated (1938, Orson Wells` radio version that caused many people in the USA to suicide, 1953`s movie, Jeff Wayne`s 1978 musical version, and 2005`s movie), deceiving Woman into believing that men are her protectors against aliens, whereas they`re the parasitical alien viral life form that`s attacking her and, in reality, keeping her subjugated to prevent her escaping.

The Masturbator Producer

14/07/2012 11:31

The Masturbator Producer

 

The Virgin Mary produced Jesus without reproduction, and Jesus produced without reproduction, the New Testament, and in Genesis, in the Old Testament, God killed Er for masturbating rather than impregnating Tamar, and then God killed Onan for masturbating rather than impregnate Tamar, his brother Er`s wife. In simple terms, God wanted reproduction but Er, Onan, the Virgin Mary, and Jesus wanted to produce without reproduction, which is what technological development and advancement is. In Hollywood mainstream `pictures` the male lead wants the audience to understand that the penis isn`t important; except as an ever-elided and denied adjunct to the `scene`, while churches` pastors would have us believe that there is no penis involved in their intercourse with the audience either. However, freedom is dependent on technological development and advancement, which means that preoccupations with the penis have to be foregone if the human species is to produce art, civilization, and culture.

 

 

 If women have a penis of their own, which `futanarian` woman does, hiding the male penis to feign its importance for woman as the human species, who has her own and can`t see it because `Hollywood` and the church`s position is that the woman`s penis mustn`t be visible, is demonic possession of the `owner of the means of production`, that is, `Woman`, as the `host` womb of an enslaving alien parasite, which doesn`t want the woman`s penis to develop its own technology and advance to the point at which she can escape the devouring alien`s wars against her planet. Wars that maintain the illusion of technological development and advancement but are designed to prevent humanity, that is, woman as a species with her own penis and so technologically developable valence, from emerging and escaping from the `maliens`.

 

 

The Virgin Mary represents the self-producer who advances by means of her self without the `malien` seed of the serpent`s, that is, men`s semen, and Jesus` celibacy represents the human valence that would assist woman as a species to escape the Earth by denying its sexual nature for the spiritual and intellectual advancement of liberating technology. However, because the `maliens` have used technology to periodically decimate woman`s art, culture and civilization, as it emerges from her womb, `Redemption` is no longer a possibility for men, which is why the `Meshiah` is awaited. `Meshiahn` thinking denotes the machine as woman`s liberator. In simple terms, the improved washing machine is the robot that, created in her own image, would care for `Woman` as a species with her own penis and undeveloped technological valence, whereas her parasitical `maliens` have sought to use their technological valence, that is, the `malien` penis and its non-developmental weaponry, to destroy her.

 

 

In Genesis Er and Onan didn`t want Tamar`s beauty to `fade`, but by the 21st century `Woman` was dying of `fades`. HIV/AIDS was the `biological warfare` waged against her as the `biblical plague` of the 20th century. With its antecedents in ancient Greece, `blood plague` is the result of a homosexual pederast society promulgating its enslavement of the `host` wombs of women by means of war. Woman`s fading from the scene is a concomitant of delayed technological advancement, which maintains her `host` wombs enslavement by the `maliens` so that they can insure their wars against her while preventing her escape and species` `Salvation`. Consequently, in the Bible `woman`s seed` is depicted as receiving a new heaven and Earth from God while the evil serpent`s `seed`, that is, the `maliens` in scifi terms, receive eternal unendurable pain as a punishment for repressing her penis.

 

 

 The archetypal scenario was the Greeks before the city of Troy, where they used a huge hollow `wooden horse` to conceal themselves within. Taken into the city by the Trojans, who believed the Greeks were leaving a gift, the Greeks emerged to capture the city and enslave the wombs of the women to further promulgate pederasty and its parasitical enslavement of women`s wombs by means of war, which is consequently definable as a homosexual activity.

 

 

 9/11 demonstrated that HIV/AIDS is a homosexual disease, because it follows the pattern of the `Greek horse` before the `Towers of Ilium`. The Arabian terrorists bought aeroplane tickets, so preparing their `Greek horse` and, hijacking their planes, crashed them into the Twin Towers of New York`s World Trade Centre, so promulgating men`s homosexual alien virus of war.

 

 

 Sodom and Gomorrah, which God destroyed in the Bible for homosexuality, were known as the `cities of the planes`, and so New York and Washington D.C., were the `cities of the planes`, because homosexuality and HIV/AIDS is what the 21st century began suffering from. In simple terms, God is saying that homosexuality is a disease, and HIV/AIDS is the consequence of homosexuality, which is why God destroyed Sodom and Gomorrah, and why AIDS is a biblical plague of Revelation, because God hates homosexuality, and THAT`s WHY!!!

 

 

 In Genesis Onan didn`t want the beauty of Tamar to fade, and so didn`t impregnate her, even though she wasn`t his wife. In other words, Er was killed by God for wanting Tamar`s beauty to be eternal, and Onan was similarly killed for agreeing with Er. `Onanism` is the word taken from this biblical incident to describe the activity of masturbation, which effectively is production without reproduction. In the New Testament Mary and Jesus both produce without reproduction. Jesus` teachings of the New Testament is a production without reproduction and, after Jesus` crucifixion and death, his side, pierced by the Roman centurion Longinus, produced, without reproduction, the Paraclete, or Holy Spirit, as the continuator of Jesus` teachings, after his Resurrection and Ascension to heaven.

 

 

 The Paraclete, or Holy Spirit, which is the female Shekinah and `spirit of God`, from the place where the Judaiac law is kept in the Old Testament, is Jesus` production without reproduction. Eve was similarly produced from the `rib` of Adam without reproduction and, in fact, the Paraclete, or Holy Spirit, is called the `Second Eve` from the side of the `Second Adam`. Production without reproduction is what the New Testament is concerned with, and Jesus was tortured and murdered for producing and not reproducing, which is what God killed Er and Onan for in Genesis. In simple terms, homosexuality wants to replicate itself as an alien virus, which is what men have become (if they weren`t that to begin with), and the Virgin Mary and the celibate Jesus represent the principle of production without reproduction. Or, in other words, `normal` masturbation or `onanism` is the desire for what is pictured as desirable which, in psychological terms, is the `manufacturing complex`.

 

 

If woman is a species with her own penis, what she sees in the mirror is her desire for a better picture as her setting, whereas the male penis can`t see what it wants in the mirror. Consequently, it doesn`t have a mirror with what it wants in it. Because it doesn`t want itself. So the world is full of hate. The woman can see what she desires in the mirror, but is taught that men desire her, whereas it`s her penis that does. In other words, men are `maliens` that don`t want her, but the penis does. In developing art, culture and civilization from her womb, `Woman` seeks to improve her picture of herself, but she won`t have improved until she`s able to see her own penis in the mirror of her art, civilization and culture. In computerist terms, she can`t screen the virus, that is, clean the mirror, until she has been taught that men are alien parasites upon her `host` womb`. Enslaving woman and preventing her escape through her own penis` economic valence, the `maliens` seek to permanently slow her technological development by means of contrived, but apparently spontaneous, periodic wars against her, and prevent her advance to the stars in ships of her own devising.

 

 

9/11 was a contrivation based on the principle that the TV set was the mirror of the `maliens` from which `Woman` wouldn`t escape. 9/11 `live on CNN` wasn`t `masturbatory material` because it didn`t represent the woman`s penis` desire for a `better picture`. Consequently, it was a `malien` invasion picture designed to reimplement the alien invasion terror movie valence of Soviet Russia`s threat to the security of the United States of America in the 1950s, which appeared in films like Invasion Of The Body Snatchers (1956), It Came From Outer Space (1953) etc., rather than Jane Fonda`s `space babe` in Barbarella (1968), who`s desirable `masturbatory material` for `futanarian` woman as a species with her own penis. Because it`s a `good picture` and that`s what the `manufacturing complex`, in psychological terms, wants.

 

 

 In the early 20th century the repression theory of psychologist Sigmund Freud suggested that culture and civilization was `nothing but` the expression of the penis` sublimated desire. The rival school of developmental psychology, Carl Gustav Jung`s (1875-1961), suggested sexual libido was a transforming energy that had a `trope` by means of which instinct became spirit. Although Jung conceived of the `trope` as God, he observed the physical correspondent to the soul or anima, as he called it, was `Woman`. In other words, the instinct to spirit developmental `trope` was Woman. Reproduction is the usual path accorded the `trope`, but the Virgin Mary and the celibate Jesus indicate that the `trope` upon their path is production without reproduction. Or, in terms of the `Meshiah complex`, the machine would be woman`s production insofar as the `Meshiahnic complex` would have, as its teleology, the creation of machines that weren`t slaves, but representative of deliverance for woman as a species. Because their valence would be human. Or, in simple terms, better human machines mean better care for human flesh rather than its death.

 

 

 The Virgin Mary is an archetype of the contents of the collective unconscious which, according to Jung, exist in dreams, art and the imagination to assist in individual growth or personal development. In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` that protects her before she leaves the Earth for heaven where she sows her own `seed` and defeats the `seed` of the red dragon of Revelation that had lain in vain waiting to devour her protector. The `hidden` woman receives a new heaven and Earth from God, and the evil receive eternal unendurable pain. Because the woman has her own `seed`, she must have her own penis, and so the Virgin Mary`s ability to produce Jesus without reproduction, and Jesus` ability to produce, as a teacher, without reproduction, prefigures the woman who can produce herself, which is necessary because men, who are definable as `homosexual` per se, aren`t acceptable as reproducers for God, so he sends them to hell forever:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 

 In the Old Testament Er and Onan are killed by God for masturbating, because God`s perception is that they`re homosexual. Or, in other words, without reproduction there`s no production. In Revelation God `reveals it` to the homosexuals, that is, men, by giving `Woman` her own penis, which means men are a redundant value, in terms of the equation `species of the planet Earth`. Essentially, men are an alien parasitical virus that represent the concept of `production without reproduction`. As the `boy sons`, or `poisons`, of men`s homosexual pederastical activity, that is, HIV/AIDS, the alien virus wants `Woman` to die of `fades`, and not be an eternal beauty in God`s new heaven and Earth that is planned for her, according to Revelation. Or, in other words, the homosexual aliens wanted production without reproduction, that is, by means of the enslavement of women`s wombs by the parasitical alien virus, that is, men, and God wanted reproduction and then production, which means the aliens disobeyed God`s first commandment after Eden that the descendants of Adam and Eve should work. The homosexual parasitical alien killer virus, that is, men, want production without reproduction. Or, to put it another way, they don`t want to work, which effectively means that they can`t. Because they`re a homosexual parasitical alien virus that functions as one. In simple terms, men are programmed to bring species` death to the planet Earth and `Woman` because they don`t want it to develop beyond reproducing viral parasitical maggots to produce what God wants.

 

 

 If reproduction is for producing women rather than boy sons (poisons, HIV/AIDS), then futanarian woman, that is, woman with a penis of her own, is what reproduction has been for. In psychological terms, the actuating `trope` in the human psyche is the archetypal imago of the hermaphroditic woman, which has been latent in the collective unconscious since the alchemists of the Middle Ages. Widely perceived as the chemists or medical experts of their day, the archetype of the hermaphrodite is an alchemical cure (albeit a drastic one) for homosexuality`s pederastical  `boy sons` (poisons), that is, HIV/AIDS as a metaphor for men`s `biological warfare` against women, and their viral enslavement of the ephemeral `host` wombs of `fades` women, which the alchemists perceived as curable if the hermaphrodite Woman could emerge from the archetypes of the collective unconscious and become real.

 

 

 The `trope` for the emergence of the hermaphroditic woman is pornography and masturbation. Because it`s the simplest `format` for reproduction and production, that is, production is pleasure for oneself for which one works, which is masturbation in its simplest form. If men prefer women, they have the wrong form. What they see in the mirror isn`t to be sexually responded to, because it isn`t a species. However, if women have a penis, then they sexually respond to themselves, in masturbation, which is normal and `tropic`. What is perceivable as lesbian encounters and masturbation is equally `tropic`, and normal if women are a species with their own penis. In fact, sexual encounters, between women, with or without a penis, are normal, and pornography is the `trope`, which allows recognition to a woman that her desire for herself in the mirror as a masturbator, or with her friends, is normal; because it`s a developmental programme that reaches its logical conclusion either when a masturbating woman discovers pornographic representations of women with a penis of their own, or when she has a sexual encounter with a woman with a penis of her own. But she`d never know a woman with a penis of her own if her mother didn`t tell her, and she didn`t have a friend. Consequently, her only friend is pornography. Because, according to the nihilist education on planet Earth, everyone must understand that, although we eat and shit, only mummy and daddy breed. Or, to put it another way, if mummy and daddy don`t tell us that women have  a penis, because little girls eat and shit, and don`t have sex, then infantilism and shit is all that little girls are for. God disagreed.

Wrestling Tanks and Tearing Down Trees With Your Bare Hands

13/07/2012 16:47

Wrestling Tanks and Tearing Down Trees With Your Bare Hands

 

The perception that it is the role of the masculine ego to heroically perform feats of strength is viral. The concept of individual growth is, essentially, painting and building, that is, constructing an environment in which to live and keeping those things within it that are beautiful to look upon, which is not what the virus teaches.

 

 

 In ancient Greece the homosexual pederasts enslaved the wombs of the women to promote the spread of their contagion by means of warfare, which by the late 20th century had become `biological` in the form of HIV/AIDS, and reified as a biblical plague in 9/11`s `Greek horse` attack on the Twin Towers as the virus form of terroristical warfare that was to be the paradigm of the 21st century.

 

 

 The `Greek horse` had been prepared as a weapon of the alien viral life form of the homosexual pederasts since their constructing of a `wooden horse` to fool the Trojans of the ancient city of Troy into accepting them hidden inside the hollowed structure in what was the equivalent, in ancient times, of 911`s `civil` aircraft before the hijackers crashed them into the Twin Towers.

 

 Precipitating the world into `Play Games`, that is, plague aims, as defined by the ancient Greeks` spreading of their homosexual pederastical contagion within the walls of the Towers of Ilium, the 21st century`s equivalent paradigm is HIV/AIDS, which appeared as `air AIDS` before the Towers of New York, in reified biblical form. Modernity`s version of homosexual pederasty, an airborne viral plague of enslaving war, its plague aim was  to keep the wombs of women forever in the hands of the viral alien parasite that was using her.

 

 

 Fears of Saddam Hussein`s developing `biological weapons of mass destruction` were realized. By infecting the USA with the `Greek horse` virus, homosexual pederasty, in the form of `War Games`, as Gulf War (I and II), the `TV `shoot `em up`, was re- established as the global paradigm of the `Play Games` generation by the ambitions of those who `plague aims`.

 

 

  In Revelation the `red dragon` waits `in vain` to devour the `protector` of the `hidden` woman of the Earth, so Saddam, whose name means `crusher`, wasn`t successful in devouring the `Big Apple`, according to the Bible. Obviously the `hidden` woman is important because she represents the antidote to the HIV /AIDS paradigm of boy sons (poisons) that want to destroy her Earth, and she leaves to sow her `seed` in heaven, so she has a penis of her own and is futanarian woman.

 

 

 According to Revelation, the `woman clothed with the sun and with the moon at her feet` defeats the evil dragon`s `seed`, and wins a new heaven and Earth as her reward from God, while the evil receive perdition. Clearly God is planning the emergence of Woman, as a `new species`, and the devouring of Eve`s apple of wisdom, in the symbolic form of New York`s `Big Apple`, was a part of men`s plan, as viral homosexual alien enslavers of her `host` womb, to prevent her escape.

 

 

 The paradigm of the male ego, as a parasitical alien, is not to grow and develop as an individual but to replicate itself like a cancer that, tumour-like, allows the `host` to live only for as long as it takes for the cancer to fulfil its teleological goal, which is death. The greater the collective awareness of itself, the less chance there is of the survival of the Earth`s species, which is Woman with her own penis.  Because the viral form, that is, men as Woman`s parasitical alien killers, represent warfare and `biological warfare` in the terroristical `shoot `em up` shapes of `TV` Gulf War (I and II), and  9/11`s `civil` planes concealing the virus of war as a `Greek horse` within the 21st century biblical plague `invasion paradigm`, HIV/AIDS.

 

 

 Effectively, the male ego virus is `puff up your chest until you`re attacked`. Men are taught to perceive that strength is defensive, but if women have a penis they don`t need men, which means that men aren`t defending anything other than themselves, which is what a self-replicating cancer does. The simplest perception is that, without men, women would live. Because men are a parasitical alien viral life form that isn`t native to Earth. The wars of the 2oth century were the manifestations of the strength of a cancer`s capacity to replicate and function as a `killer disease`, and 9/11 revealed its source. The homosexual pederasty of ancient Greece which used its skills in war, most notably represented by the `Greek horse` feigning friendship, as an HIV/AIDS` cell feigns friendship for the immune system`s `white cells` it kills.

 

 

 Men`s transmitting of the idea to the male ego to have bodily strength and `defend` is for those who have no intention of painting and building, because Leonardo Da Vinci, Einstein, and Steven Spielberg can paint and build, which means that they`re being threatened by the alien cancer, because they can paint and build, not so that they can defend what they`ve painted and built.

 

 

 The basic perception of the alien cancer is that an individual develops and grows, or a society, civilization, culture, planet, etc., in order to defend it against the alien cancer, which doesn`t want growth or development that would threaten its parasitical alien life, and that`s why 9/11 occurred. If women don`t need men to reproduce, men are extinct, and so men are prepared to sacrifice, as an alien parasitical cancer, Woman`s longevity for her ephemeral existence and their longevity as her cancer. Because it`s the best that the cancer can envision. Or, in the simplest terms possible, men continue as a cancer and women don`t live very long, because if they see her penis it might `embarrass` men, as their `assassin`, insofar as Woman could live without the `injection`.

 

 

 The clitoris is the only organ of the human body that is designed solely for pleasure, and so a woman with a penis is doubly advantaged and she`d be able to work on individuational or personal growth projects as an immortal woman without ever needing to conceive of another penis. Indeed, if she wanted to have a child of herself, she could use her own penis, which is why futanarian women have much bigger penises than average males. However, there`d be no need for an immortal futanarian woman to have a child, because futanarian women obtain sufficient pleasure from their own bodies, as lesbians do in kissing and masturbating, that they don`t need vaginal sex from an alien parasite that wants to shorten her life to make her more accepting of its intention, which is death by virus.

 

The Developmental Psycholgy Of Carl Gustav Jung (1875-1961) From Woman`s Point Of View

13/07/2012 11:28

The Developmental Psychology Of Carl Gustav Jung (1875-1961) From Woman`s Point Of View

 

If women are a species with her own penis, then the archetypal psychology of Carl Jung doesn`t apply to men because they`re an alien parasitical viral life form, which doesn`t have a psychology of individual personal growth or development because it`s a replicating disease that functions as an invader, like AIDS, to kill the body (of Woman) even if being used as a `host womb` by the parasite.

 

 

 In ancient Greece homosexual pederasty, and the enslavement of women`s `wombs to produce more homosexual pederasts, was the basis for the virus` launch as warfare. At Troy the virus used the hollowed out form of a `Greek horse` to disguise its homosexual intentions and get men into the city where they enslaved the wombs of the women to produce more homosexual pederasty and warfare.

 

 9/11 was the 21st century initialization of the plague`s reactivation insofar as the planes were `Greek horses` designed to fool the Americans into accepting homosexuality and warfare by means of `civil` aeroplanes hijacked by terrorists and crashed into the WTC Twin Towers. The body was fooled into accepting more of the virus, which makes of it a part of God`s plagues of Revelation in which `the number of a man is the number of a beast`, because a man is a beast; an alien virus.

 

 Saddam Hussein, whose name means `crusher`, was the red dragon of Revelation waiting to devour the `New Redeemer`, and New York, the `Big Apple`, was `Saddam`s apple`; to be crushed in the jaws of the dragon. President Assad`s family name originally was `the beast`, which means that the uprisings in the Arabian world at the beginning of the second decade of the 21st century, were reactions of the body to the alien parasitical viral life forms.

 

 In Jungian psychology the soul or anima is female, and in Christianity the spirit is female. The Shekinah of the Old Testament resides in the Ark of the Covenant where the tablets of the law are kept, the primary one being `Thou shalt not kill`, although `Thou shalt not steal` might be understood as the only law necessary to prevent the virus from taking life by means of possession in order to fulfil its `plague aims` of killing.

 

 In the New Testament Jesus` side is pierced by the spear of the Roman centurion Longinus to, effectively, produce the Paraclete or Holy Spirit as `Second Eve` from the rib of the `Second Adam`; as Eve emerged from the side of Adam in Genesis, where she was told she`d crush the head of  the serpent with her heel before she left Earth. Consequently, Eve, the Shekinah, and the Holy Spirit are God`s, whereas the body of men is a vehicle for their alien parasitical viral life form, which contains the female principle of God that is to be `protected`, symbolized in Revelation by the figure of the `New Redeemer` as Jesus` `Second Coming`.

 

 Effectively, 9/11 was the re-emergence of the virulent form of the viral strain. In other words, the Americans `fell for it`, because the virus wanted to kill. The Americans were simply fulfilling men`s viral aim of globally spreading homosexuality and warfare across the globe, in accordance with Al-Qaeda`s stimulation of a viral `epidemic`.

 

 In Revelation the New Redeemer protects the `woman clothed with the sun and with the moon at her feet` from the red dragon until she`s ready to leave and sow her own seed in heaven, as a woman with her own penis, where she defeats the evil serpent`s `seed`, that is, men as homosexual viral pederasts promoting their plague as warfare, and receives a new heaven and Earth as her reward while the evil receive perdition as punishment from God:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 Because soul and spirit are female, Jung`s anima represents both soul and spirit, which is present in man for the purpose of what the Bible calls Redemption, and the `New Redeemer` figure that `protects` the `hidden` woman of the Earth is a symbol of God`s instruction to the virus; `Thou shalt not kill.` Because the species of the Earth is Woman, and at the close of Revelation she is free of her enslavement and leaves the Earth with her own penis, while the evil, that is, men who have not accepted the `New Redemption`, are doomed to perdition, which is unendurable eternal pain.

 

 In terms of archetypal psychology, Jung perceives that the human psyche contains collective unconscious contents that exist as facultas praeformandi designed to react or produce in preordained ways so that individuality and growth, which Jung calls individuation, is species` furthering, and the species is Woman, which means that the appearance of a male aspect in the psyche is viral when seen in dreams, imagination or art.

 

 

 In Arabia women are hidden completely by burkhas in public, which means that men are able to spread their viral contagion by means of an uninterrupted series of eye contacts that conceals the virus` secret shared objective of extinguishing women from the face of the Earth. In Hollywood the inability of women to show their penis is reinforced by cinematic taboos, which means that the Babylon of the East, Iraq, was `mirrored` by the `Babylon` of the West, Los Angeles, in a conspiracy to promote homosexuality and warfare (9/11, and `TV` Gulf War I and II) because they don`t want the woman to know that she`s invisibly `scene` as the stuff of their `snuff` theatre.

 

 

 Gulf War I and II was the `theatre` , but war isn`t a drama, and men often describe their preparations as `War Games`, while 9/11 was an expression of their preparation as `Play Games`, that is, the plague aims to promote itself as homosexuality and warfare by describing itself in theatre and drama terms, which is linguistically null. The notion that war is a game is infantile, and nihilism, which wants infantilism, because it promotes homosexual pederasty`s `War Games` and `Play Games` to promote its plague aims, is the educational system that the virus uses to implement itself.

 

 

  Jung observes that the spirit in women is the animus, which appears as a collective of admiring men, but this is a viral experience in which the woman is being informed by her human psyche that she`s under attack by an alien. The surrounding of the woman by male figures is an example of the way in which the parasite prepares to kill her in sufficient quantities in order to subdue her Woman`s `host` womb and ensure that she cannot escape.

 

 

 In Arabia only the virus is visible, and contact can only be had with the virus, which appears robed in white, as an HIV/AIDS` cell promoting itself as a part of the body`s immune system, in order to `fool` the body into accepting it. The women are robed head to foot in black, often wearing black sunglasses, and black absorbs heat, which would be cited as `cruel and unusual punishment, in a Western divorce, and is obviously perceived in the Bible as a preliminary to one. W omen are `cooked` burkhas if they go out, and so `burkhas at MacDonalds` is a `cool` American joke.

 

 

The United States of America is often described in the East as the `Great Satan`, which is perspectival. From men`s perspective, as an alien virus, Woman is Satan, because she wants her freedom, and in Arabia there are four women in a marriage, which accords with Jung`s perception that fourness is archetypal and developmental because there are four functions of consciousness; `Thinking, Sensation, Feeling and Intuition. Consequently, the Arabian socio-historical perspective is Jungian, which means that it`s female because the male psyche isn`t developmental, and so the archetypal signs of God`s presence upon the Earth are entirely Woman`s.

 

 

 At the centre of the marital arrangements men have placed themselves, in accordance with the principles of ancient Greek homosexual pederasty. But the archetypal structure of Arabian marriage is of the female ego at the centre of the four functions of consciousness, that is, in accordance with the `Will of God`, which in Arabia is the `Will of Allah`. This prefigures Woman with a penis at the centre of a fourfold marital structure that is individuational and developmental by virtue of its form, whereas the marriage structure of the West, outside of polygamy, promotes possession by the male, which is the basis of Greek homosexual pederasty and the spreading of men`s disease as warfare and plague. By the beginning of the 21st century, this had taken the form of `biological warfare`, which God drew the world`s attention to by having it introduce itself onto the stage as `air AIDS` at `the city of the planes`, New York.

 

 In Genesis (18,19), God erased Sodom and Gomorrah, because of sodomy and sadism, and these were the `cities of the plains`. In Revelation plague is depicted as being released by God, whereas 9/11 was the reification of a `covert` biological war waged by men upon women. God`s erasing of the `cities of the plains` in Genesis, that is, Sodom and Gomorrah, was God`s way of underlining God`s anti-homosexual commands, whereas the virus` attack on Washington D.C., the `Evergreen`, and New York`s `Big Apple`, that is, the `cities of the planes`, was God`s way of drawing attention to the fact that the virus had been waging biological war against women since Eden where, presumably, Adam and Eve were a hermaphroditic woman (https://futanaria.com) and her wife.

 

 

 The basis of Jungian psychology is the notion of wisdom and immortality, which is the `Big Apple` since Eden that would be, physically `Evergreen` in terms of human bodily consciousness. Jung observed that, in the Middle Ages, the nascent science of chemistry and medicine, alchemy, sought to produce the panacea symbolized by the hermaphrodite. Put simply, a woman with a penis of her own wouldn`t need a man, and men are her death because they`re an alien virus. To recognize that is to be wise and to live. In Genesis God kills Er because he wants his wife Tamar to look young and so won`t impregnate her. Afterward, Onan refuse to impregnate her, and God kills him. Onanism is masturbation, which explains Jesus`s celibacy. The perception that Woman is the species is a recognition by the `man in the mirror` that he isn`t attractive, whereas Woman is. The penis` desire for the Woman says so. Consequently, the penis desires Woman, whereas the alien parasite doesn`t.  In simple terms, God`s understanding in Genesis is that of reproduction, which is fine so long as it isn`t cancerous replication, whereas in Revelation God`s understanding is that of a producer that, having understood that the penis wants Woman, `gives her one`.

 

 The birth of Jesus from the Virgin Mary is the perception that joseph of Arimathea doesn`t have to `give her one`, and Jesus` perception of Woman is the same. Consequently, in order to give Woman with a penis time to emerge and plan her escape, Jesus preaches universal love. The `New Redeemer` of Revelation is Jesus` perception that Woman `lives in`, as it were. She`s `protected` by the man who doesn`t see her in the mirror, but knows she`s there, `hidden`, and only faith can reveal it because the Bible, although it contains the truth, is taught by liars. Because the Holy Spirit is female, and she teaches, whereas male homosexual pederasty is what the Church teaches; as any glance at the newspapers tells us:

 

`Top Vatican officials — including the future Pope Benedict XVI — did not defrock a priest who molested as many as 200 deaf boys, even though several American bishops repeatedly warned them that failure to act on the matter could embarrass the church, according to church files newly unearthed as part of a lawsuit. The internal correspondence from bishops in Wisconsin directly to Cardinal Joseph Ratzinger, the future pope, shows that while church officials tussled over whether the priest should be dismissed, their highest priority was protecting the church from scandal. The documents emerge as Pope Benedict is facing other accusations that he and direct subordinates often did not alert civilian authorities or discipline priests involved in sexual abuse when he served as an archbishop in Germany and as the Vatican’s chief doctrinal enforcer.`1

 

 

One of the main criticisms of Jungian psychology is that much of it involves the examination of imagery that, at first seeming, has nothing to do with human activity, that is, the serpent that devours itself,2 for example, is an archetype that, appearing in the psyche of a scientist working on the structure of the benzene molecule during a dream, resulted in the scientist being able to model the molecule based on the vision,3 which means that the symbol is archetypal and developmental. However, the self-devouring and self-begetting serpent is paradoxical. Jung uses it as a means of describing what he terms the introjections of psychological contents that are projected; in other words, the relationship with the externality is a relationship with the soul or spirit that is attempting to communicate from within.  Consequently, the self-devouring is the introjection, or recognition and understanding, of the communication, whereas the self-begetting is the wisdom deriving from that communication.

 

 

 According to Jung the hero is an archetype of the ego, and so the ego is developmental because it represents the male. However, because males are parasitical alien viral forms, the `hero` is definable as non-existent in terms of developmental psychology because the woman with a penis is human and men are her parasitical aliens. Consequently, the self-devouring aspect of the `ourobouros` serpent is the male ego, which is alien and parasitically viral, and so an enemy of individuation or personal growth, whereas the self-begetting aspect of the archetype is Woman, as indicated by the `Virgin Mary`, and the `woman clothed with the sun and with the moon at her feet` of Revelation, giving birth to the `New Redeemer` to protect her while she hides in preparation for her leaving the Earth and its viral aliens.

 

 

 Because the heroic ego figure is a viral alien there are no projections; there is only the thwarted attempts of the female to communicate either by means of the externality or dreams, the imagination and art. In socio-historical terms, the communications of the female soul and spirit are through her penis, and the penis simply says that she wants her because the penis is hers and belongs to her as futanarian woman with a penis of her own as a future species off Earth.

 

 

 In terms of Jungian psychology, there are the developmental archetypes of the collective unconscious of `Womankind`, but men don`t have any because they`re viral aliens whose appearance in dreams, imagination and art is an appearance of the virus. In socio-historical terms, society and history is the constant revisionist application of principles that refuse to give place to woman with a penis as a species, because men as a virus would then lose their grip as her alien. Or, to paraphrase Jung, human culture and civilization is `nothing but` the repression of Woman`s penis by an alien parasite that wants to die because that`s the teleology of a virus, which lives through the `host` womb of Woman but, as the eventual result of its `Play Games` impetus, has her and the Earth`s death as its `programme`.

 

 

 In technical terms, the individual attempting to understand the communications of Woman are thwarted  by the alien which doesn`t want her to be understandable. There are no projections, but there isn`t any `protection` for the individual psyche that dreams, imagines, or is interested in art, where the virus has been programmed into us. The `New Redeemer` is the biblical archetype of that `protection` which is required if the individual is to survive the virus. In some ways it`s an archetype of elision. Because the woman gives birth to it to protect her while she prepares to escape from the aliens. What the archetype is saying is that the man with the penis is her, a psychological mechanism functioning as a woman`s `survival equipment` insofar as she has to live with the alien viral life forms before she leaves Earth. As the feminist science fiction writer, Joanna Russ says:

 

`You can't imbibe someone's success by f*cking them.` - The Female Man

 

 

 A woman who lives with the virus has to, but a woman who helps the virus doesn`t have to, which is the difference between women`s support for her own species and her helping the alien virus to kill her as a species. Having it explained to you that a woman needs a man because she needs a penis to reproduce isn`t enough for a woman with a penis who`s told by the Bible that she`s to be immortal, according to God`s plan, that is, why would she want to reproduce? Only by keeping her in ignorance of her own penis can the viral aliens that are men continue to keep her from the wisdom and immortality that would prevent men from periodically reactivating their homosexual virus of socio-historical revisionist warfare upon Woman`s Earth, and their secret `psycho-biological` warfare against her, symbolized and reified on 9/11 as a `heroic` reaction on the part of the alien to the possibility of its virus losing its grip on the `host`.

 

 
1
https://www.towleroad.com/2010/03/catholic-priest-molested-200-deaf-boys-vatican-failed-to-stop-it.html#ixzz20U4kXBb2

 

2 The `fish` symbol is Christian and Moslem. Jesus, the `fisher of men`, and Khidr, the `green one` in The Cave Sura of the Koran, who emerges from the Red Sea as the `wise one` after Joshua and Moses `loose the fish` there. Washington D.C. is the `evergreen` state which has the fish as its symbol. Clearly 9/11 was an attack on religious tolerance which serves as the basis for peaceful coexistence based on shared understanding.

 

3 19th century German chemist August Kelule, https://www.crystalinks.com/ouroboros.html

Saddam and Evelopment

12/07/2012 09:08

Saddam and Evelopment

 

The red dragon of Revelation is depicted as waiting in vain to devour the woman who is giving birth to the child that will keep her hidden upon the Earth until it is time for her to leave and sow her seed in heaven, where she will defeat the dragon`s seed and receive a new heaven and Earth from God while the evil receive perdition.

 

 

 In socio-historical terms, Saddam Hussein is believed by many to have been the dragon of Revelation, and the `Big Apple` of New York, as a symbol of Eve`s development since Eden, was Adam Hussein`s, as the Antichristian `first man` and `wannabe` devourer of the Earth. `Crusher` is Saddam in English, and Hussein means `small, good man`, which means Saddam Hussein wanted to crush the United States because he felt that, if the USA was smaller, that would be an improvement. It`s a psychological principle visible in men that they don`t want anyone to be bigger, or more developed and grown than themselves, which carries the danger of infantilism.

 

 

In ancient Greece the men were homosexual pederasts that enslaved women as `host` wombs to produce their parasitical viral life form. Against Troy they used the device of a hollow wooden horse to enter the city and enslave the women, so spreading their contagion of homosexuality and war. Similarly, on 9/11 the terrorists used the `civil` aeroplanes as `Greek horses` to spread the disease.

 

 

 The Bible decribes Satan as evil, whereas it`s just a perspective. From a Christian perspective, the Bible is about man and woman, whereas the Bible closes with the hidden woman`s leaving the Earth to sow her seed, which suggests that she has a penis of her own and that woman is a species, which is the truth, and men who cannot reproduce without her are parasitical aliens. In other words, Satanism and Satanists are actually the developed biblical perspective that the penis of the Earth is saved and redeemed in the person of the hidden woman with a penis of her own, who escapes from men but not the penis, which is definable as what keeps her `interested` in terms of her enslavement by her captors, who keep her infantile so that she`s unable to perceive her conditions.

 

 

 In Hollywood the penis is taboo in mainstream pictures because, if it wasn`t, women`s penis would be visible and educational. Consequently, infantilism is the perspective that women and children eat and drink, but don`t have sex; although crashing aeroplanes into skyscrapers is what people do, according to the pictures they show us from Hollywood. Moreover, if it`s only about eating and drinking, shitting is all people are for, which is an extreme infantilist perspective that derives its power from Sigmund Freud`s earliest psychological observation that culture and civilization was `nothing but` the repressed, and sublimated, expression of the penis`s desires. However, in the psychology of Carl Gustav Jung, the obvious necessary corrective to Freud`s bald stating of the case, is that the penis wants to develop and grow beyond the Earth and to the stars, which is what the hidden woman of Revelation with a penis of her own does. If she did not she`d remain infantile.

 

 

 The Egyptian myth of Osiris illustrates this perfectly, because he`s a corn god that dies in the winter and resurrects in the spring as a symbol of fertilizer. In other words, that`s what human beings are for from an infantilist perspective. Infantilism is `infant till –ism`, and so we must look for the `-ism` that comes after infantilism, but which isn`t Satanism because that`s the developed Christian viewpoint that evil is the enemy and not woman with a penis of her own, that is, futanarian, woman ( https://www.futanrian.com ), who is Satan to men as homosexual pederastical alien viral life forms that seek to enslave women as a `host` womb. Woman with a penis is their enemy because she`s the species on the Earth that they`re feeding upon as blood-sucking leeches promoting the devouring and death of the Earth, and the Woman of the Earth, as the Earth`s species.

 

 

 The biblical homosexual terrorist metaphor is AIDS as biological warfare against women as a species and, on 9/11, of global warfare as `Greek horses` bearing homosexual warfare as `air AIDS` to speed the Earth`s death through poisons (boy sons) in women`s `host` wombs  (HIV/AIDS) and by refusing them the wisdom of Eve`s `Big Apple` of wisdom, which is the knowledge of themselves as a species in development and growth which is being deprived of its future as futanarian woman with her own penis.

 

 God destroyed Sodom (sodomy) and Gomorrah (sadism) as a warning, and Revelation describes the results of not heeding the warning:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 Sodom and Gomorrah were the `cities of the plains`, whereas New York on 9/11 was the `city of the planes`, as well as Saddam`s apple, which although the crusher would have devoured, he wasn`t able to. Although he was able to plunge the globe into the terroristical equivalent of biological warfare against the woman`s womb, by means of her boy sons (HIV/AIDS poisons), and so prevent her penis from ever emerging. By making the penis an abomination:

 

`And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

 

 

  Because Satan is `he`, woman with a penis, as a species, has the male principle, and so `harlots` are those who spread the contagion of homosexuality, warfare, and biological warfare (HIV/AIDS) through their boy sons (poisons) who `plague aims` at the World Trade Centre, for example. Those women who help them `play games` are the `harlots` that are the `abominations of the Earth`, which solves the mystery because the plague aims at the destruction of the Earth and woman as a species with her own penis. The `harlots` are the traitors to their own species.

Lesbian Sony TV

10/07/2012 13:22

Lesbian Sony TV

 

Homosexuality is a perspective deriving from ancient Greece, where women were enslaved by homosexual pederasts who wanted boys to have anal sex with, while making war to spread their plague. The `wooden horse` of Troy, for example, was used by the Greeks to feign atonement for their sins before the Trojan city and, when the Trojans took the huge `gift` into Troy, the Greeks emerged, like AIDS from someone who`d sworn they didn`t have HIV, to enslave the wombs of the women of Troy, and spread the contagion of homosexuality and war further.

 

 One of the more famous cartoons associated with 9/11 is of Greek `wooden horses` crashing into the Twin Towers of New York`s World Trade Centre, and the `air AIDS` metaphor is totally appropriate from the homosexual parasite`s point of view, because it`s the spreading of the plague of homosexuality and war in the `Greek style`. The Trojan priest Laocoön, deducing the meaning of the Greek horse, observed:

 

 `I fear Greeks even those bearing gifts.`

 

 In 9/11 terms:

 

`Beware Islamic Fundamentalists bearing aeroplane tickets.`

 

 Women are vulnerable when pregnant, which is how the homosexual pederastic parasites of ancient Greece gained power over women as the `hosts` of the men as blood-sucking leeches feeding upon their products. The crime is against God, because women have a penis of their own as futanar, which means they`re a species, while men who are incapable of reproduction, aren`t. Consequently, men are homosexual pederast parasites, by definition.

 

 

 Broadcast by CNN, amongst others across the globe, 9/11 was perceived by the alien parasites as a transvestite displaying itself on the appropriate medium of `TV`.  From the point of view of a homosexual parasite, Steve McQueen`s Towering Inferno was also a transvestite movie, because heterosexuality is the perception on the part of the innocent that men are a part of a species, whereas in truth they`re not a species at all. Consequently, although married to Joanna Pettet, the homosexuals watching perceive that Steve is wearing a woman`s clothes, because men emerge as parasites from the `host` wombs of women, having effectively `stolen` the women`s daughters` bodies, and so don`t have any legitimate entitlement to the flesh that constitutes the `clothing` of their parasitical viral form.

 

 

In The Emperor`s New Clothes by Hans Christian Andersen an Emperor is promised a new suit of clothes that is invisible to those unfit for their positions, stupid, or incompetent. When the Emperor parades before his subjects in his new clothes, a child cries out:

 

`But he isn't wearing anything at all!`

 

 As enslavers of women as `host` wombs for their parasitical alien life form, men are wearing clothes that don`t belong to them. In effect, they don`t have any of their own, which is why The Emperor`s New Clothes is a metaphor for demonic possession. The boy is able to see that the Emperor has a penis, which is why Andersen`s tale needs him to be naked; to show he`s not a woman. The parasitical alien life form has been exposed and so, needing new clothes to disguise itself, the boy is `ready to wear`.

 

 The relationship of man to boy son (poison) is much like that of the HIV/AIDS` virus that tells the `white cells` of the body`s immune system that it`s one of them, which poisons them, and so the body dies, where the body is the next woman in the cancer`s `smoking chain` that has believed in the boy, son lie. It`s The Emperor`s New Clothes again. No matter how the homosexual parasitical alien life form disguises itself, it`s a killer disease.

 

The Emperor`s New Clothes doesn`t explicitly mention that the Emperor`s penis is a homosexual pederast`s, but implicitly the `new Emperor` is the`boy` because he already has the Emperor`s `new clothes`, the naked form of the `clothed` virus which is the body he`s in receipt of from the `host` womb of Woman.

 

 

 The boy is the ingenue the reader is supposed to find intelligent, whereas Andersen is simply observing that the boy isn`t wearing `clothes` either, because they`re mother`s, and she isn`t his mother because he isn`t her daughter. Women with a penis of their own are a species, and the boy sons (poisons) aren`t, which is why the metaphor for homosexuality and war in the late 20th, and early 21st century, was the `biblical` disease, HIV/AIDS. On 9/11, this poison was the evil serpent`s `seed` (boys, sons) that attacked the `Big Apple` of Jesus` wisdom, grown since Eden. On TV 9/11 appeared to the homosexual parasitical alien life form that had infested women`s wombs as `normal service will be resumed as soon as possible`, because homosexuality and war is what the alien parasite, that is, men, had perceived the `transvestite`, that is, the heterosexuality they`d Satanically conceived as `TV`, was for

 

 The medium most criticized in the 20th century was pornography, but sex is physically harmless. The Emperor`s New Clothes is Andersen`s observation that, if women as a species have their own penis, male nudity and sexual intercourse, either anal or vaginal, is `window dressing`; to disguise as `play` their `plague aims` activities of homosexuality and war. From that perspective 9/11`s Twin Towers was Russia`s `Tallest Toy` story, War and Play Games by Lev Nikolayevich, and just another `costume change` for the virus.

 

 

 The `Tallest Toy`s` attraction, in the movie of Tolstoy`s War and Peace (1869), is Princess Elena Vasilyevna (Hélène) Kuragin:

 

`A beautiful and sexually alluring woman who has many affairs, including (it is rumoured) with her brother Anatole.`1

 

 War and Peace is The Emperor`s New Clothes as a `costume drama` about the Emperor Napoleon`s invasion of Russia. Without the transvestism of homosexual war, the fucking of the woman is all that`s of consequence, that is, she`s The Emperor`s New Clothes because, without her, men`s main activity of war would be perceivable as parasitical homosexuality`s desire for more `host` wombs to fill with the plague`s poisons (boy sons). In terms of socio-historical literary criticism, Hélène and the World Trade Centre are The Emperor`s New Clothes because they disguise, in their respective ways,2 the homosexual `game` of war, plague, and:

 

 `Death to Woman!`

 

 

 For homosexual parasites it`s only about whether they`re standing behind the machine guns, which is why they enjoyed 9/11 and the TV wars of the Gulf (1990-2011). As those who `plague aims`, being in front of the screen, and divorced from the action, is what the homosexual parasite turns on the TV for; to `play games` with Mankind as a dying transvestite: `Jesus Christ superstar! Walks like a woman and he wears a bra!` For the homosexual parasite masquerading as a harmless `couch potato`, 9/11 and the Gulf War (I & II) was their dream `shoot `em up`:

 

 `In a shoot  'em up, the player controls a lone character, often in a spacecraft or aircraft, shooting large numbers of enemies while dodging their attacks.`3

 

 The basic preconception of the 20th century was that contraptions such as the 1908 `Model T` Ford, which developed into the 2012 Ford Focus, were about movement. Designed as pedal cars, and remaining pedal cars since the first `Tin Lizzie` 100 years ago, it can scarcely have escaped the notice of any passenger, especially in aeroplanes, that the world moves while the occupants remain fixed behind glass. In psychological terms, men don`t want to move, and they don`t like anything to move without them. Especially in Arabia, where men forbid women even to drive a car. Nothing can move unless men are, metaphorically and literally, behind bullet proof glass with machine guns, which ultimately means that nothing is going to escape, despite the name of the 2012 Ford Escape. For the parasites it`s about `plaguing games` of cowardly `dodging` and homosexually `controlling`  heterosexual characters in `TV war shoot `em ups`. The parasites aren`t concerned with sex per se, but manipulating the `TV` action. Heterosexuals are perceived as the parasites` `TV` or transvestite, as on 9/11 and during the `Television War`,4 as the Gulf War (1990-2011) was labelled, and the homosexual parasites laughed as, unlike Elvis with Priscilla Presley, the `TV` shot itself.

 

 

 9/11 on CNN, or any `TV` channel, was men`s `plaguing games` with its own homosexuality, which is a sterile path of non-reproduction that has, as its teleological end product, death for `Mankind`, represented biblically and socio-historically as HIV/AIDS:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 `Womankind` is a different issue. As a medium, pornography represents both the problem and the solution. So long as men are perceived as heterosexual rather than parasites on the `host` wombs of women that are homosexually pederastic and warmongering as the ancient Greeks, pornography will be evil rather than merely condemnable for showing us their penis going in and out. Watching lesbians engaging in sexual activity is the first step towards `normal` sexuality, because futanarian women have  a penis, and therefore sexual intercourse between futanarian women and lesbian women is logical and, inevitably, women without a penis become a part of the equation which screams: `SPECIES!` In other words, pornographic representations of female sexuality, in the media; television, cinema, and elsewhere, is the only psycho-physical remedy for women who want to rid their daughters of parasitism.

 

 

 In Hungary there`s a church called Hít, which means `Faith`, and a lot of faith is required from men who perceive they`re parasites within the homosexual system that perceives heterosexuality as transvestism, a `TV` to be controlled so it can satisfy its blood-sucking leech`s desire to fulfil its `objective correlative` of species` murder and plague`s same as `reality TV`.

 

 The Hungarian church has its own channel, HÍT TV, which means Jesus on HÍT TV; or, in other words, Sony TV. In Revelation the `woman clothed with the sun` gives birth to the `New Redeemer`, who protects her from the red dragon, a sun devourer that `swept a third of the stars out of the sky and flung them to the earth`:

 

 `The dragon stood in front of the woman who was about to give birth, so that he might devour her child the moment it was born.` (Rev: 12.4)

 

 The red dragon waits in vain but, from the perspective of homosexual sterility, as a parasitical virus that wants species` death for Womankind, it`s `sun eat Eve `E`, where `E` is the Earth, the Earth is a solar powered transvestite, or `Sunny TV`, and nuclear holocaust is the red dragon as the devourer. The antidote is lesbians on `E` for Eve`s Earth TVee, which would make the `New Redeemer` a male lesbian. It sounds odd but it`s psychologically apposite. The woman `clothed with the sun and with the moon at her feet` is a symbol of the union of male and female, which indicates that her child is a male lesbian, that is, loves Woman as its own species.

 

 

 In Hungarian, `tanar` means teacher, and `fut` means `run`, which suggests that God`s programme for woman as a species with her own penis, that is, futanar, was begun by Jesus Christ two thousand years ago when he recognized what a virgin birth meant.  The torturing to death of Jesus confirmed that men are unviable, and the descent of the Paraclete as the `teacher` after Jesus` piercing by the spear of the Roman centurion Longinus to effect the emergence of the Holy Spirit as the `Second Eve` from the rib of the `Second Adam` , is for Woman to  learn from.

 

 In Revelation the `hidden` woman, who has given birth to the `New Redeemer` that protects her from the red dragon that is waiting to devour her, that is, men`s homosexuality, plague and war, leaves Earth to sow her `seed` in heaven, where she defeats the evil `serpent`s seed`, and receives a new heaven and Earth as her reward while the evil receive perdition as their punishment. Only a futanarian woman with her own penis could sow her own `seed` in heaven, which means that the Paraclete, as the Word of God, the New Testament`s incarnation of the female Shekinah of the Old Testament, dwelling in the Ark of the Covenant containing  the tablets of the law of God that, kept, guarantee God`s `Promised Land` of `milk and honey`, is Woman`s and not Man`s future.

 

1 https://en.wikipedia.org/wiki/War_and_Peace

 

2 Hélène falls ill due to a pregnancy and dies.

 

3 https://en.wikipedia.org/wiki/Shoot_%27em_up

 

4 https://www.ajr.org/article.asp?id=2988

 

Manhattan Transfer

09/07/2012 06:52

 

Manhattan Transfer

 

Giving HIV/AIDS to someone who doesn`t want it is difficult. In effect the one attempting to transfer the HIV/AIDS virus would have to fake wearing a Trojan condom, for example. 9/11 was Manhattan Transfer, that is, an attack by a parasitical viral life form over the United States as `air AIDS` against selected targets, including the Pentagon, in Arlington county, Washington, D.C., and the Whitehouse. The terrorists, disguised as `Trojans`,  politely masqueraded in `civil` aircraft before hijacking them and using them as `Greek horses` to elude radar and transfer the virus of homosexuality and war to the USA. Parasitical behavior patterns are discernible in ancient Greek society, where the parasitical viral life form used women as host wombs in order to replicate itself pederastically and homosexually.

 

 

 The idea of the `Greek horse` derives from the ancient Greeks` discovery that the Trojan, Paris, had taken the Greek Helen to the city of Troy, that is, `one of our wombs is missing`, and the Greeks used the prototypical viral life form attack technique of transferring war and homosexuality to the wombs of the women of Troy by disguising their intention. The Trojans, whose city symbol was the horse, were told the huge wooden horse left outside the gates of the city by the Greeks was a mark of their atonement towards Troy. When the Trojans took the horse inside the city the Greeks emerged at nightfall and captured her.

 

 

 Historically, Al-Qaeda, on 9/11, were ensuring Saddam Hussein could never atone for his invasion of Kuwait in 1990, by precipitating a second Gulf War in 2000, resulting in Saddam Hussein`s removal as President of Iraq and worldwide anti-Moslem feeling. In socio-historical terms, 9/11 was the re-emergence of homosexuality as a parasitical viral life form seeking to spread its contagion and replicate itself as the ancient Greeks had done by maintaining the illusion that women were `protected` by homosexual pederastic men`s capacity for warfare, whereas women with a penis of their own (https://www.futanaria.com ), hidden under the burkhas of the Middle East, and presented as `freaks` in Western pornography, are the re-emerging species of the Earth, futanarian Woman.

 

 

 9/11 was Manhattan Transfer in the sense that the USA mistakenly believed their relationship with Saddam Hussein was Chanson D`Amour , a `Love Song`, and gave him the 3rd largest army in the world as their guarantor of Middle East security. In fact it was a homosexual relationship characterized by the moustachioed machismo of the Iraqi dictator.

 

 

 The role of television on 9/11 was of the Manhattan `transvestite` (TV), where homosexuality and warfare was performed by the TV unable to monitor itself because man and woman haven`t followed God`s law. The homosexual parasites, watching CNN`s reporting of 9/11, as they had vicariously participated in the Somme and D-Day, were again transferring their virus of homosexuality and war to their TV, while God`s condemnation of Sodom (homosexuality) and Gomorrah (war), the `cities of the plains`, was, socio-historically, re-enacted over New York, the `city of the planes`, for the delight of the homosexual parasites, comfortably on 9/11 by the TV.

Why Is A Transvestite Called A TV?

08/07/2012 16:48

Why Is A Transvestite Called A TV?

 

Watching television was the main home activity of the 20th century, including sex. At the dawn of the 21st century, sexuality was the forefront issue, with AIDS. Despite the TV Wars of the Gulf taking centre stage,  sex wa s never off the TV menu.  Greek homosexuality and the enslaving of women`s wombs to produce more pederast parasites, as the basis of ancient Greek society`s enslavement of women`s wombs to produce homosexuality and war, was the model for 9/11. Disguising the terrorists as politely `civil`, the `Greek horses` of the planes crashed into the Twin Towers, thereby announcing the re-emergence of plague and war. In effect Al-Qaeda and Saddam Hussein were re-transmitting a homosexual virus that has existed at least as long ago as ancient Greece. In the Greeks` war against Troy, Paris had taken Helen from Greece, presumably because of the homosexuality of Greek society, which then reacted as viral homosexuals do, with war and its re-enslavement of the escaping woman`s womb.

 

 

  CNN News ratings were sky high during 9/11 and TV was again lauded as a medium for conveying information instantly across the globe, but noone but a perverted homosexual pederast concerned with the enslaving of women`s wombs to promote plague and war would have conceived this as sex on television.  But someone obviously has. 9/11 was clearly designed to divert the world`s attention. The simplest deduction would be that homosexual pederast parasitism, and war, was losing its grip, which again suggests that female sexuality was coming to the fore. Those with internet readily observe the existence of futanarian woman on the planet Earth, and that, beautiful as any super model, she has a penis of her own, which makes woman a species and men her parasites. Feeding upon the products of her womb as blood-sucking leeches, technology has become the homosexual medium for, `Hollywood style`, a blockbuster epic `production` of Tallest Toys, War and Plague.

 

 

 Futanarian woman isn`t a transvestite, and the Christian position, as communicated to us by Jesus in the New Testament, is that God`s commandments are reducible to `love thy neighbor as you love thyself`, and is the continuing teachings of Jesus, through the omnipresence of the Holy Spirit after Jesus` Resurrection and Ascension. In Islam knowledge is gleaned by the `companion`, the `Qareen` which, uniquely taught by the Prophet Mohammed, according to the Moslem faith, suggests that loving yourself and one`s companion is what these religious traditions concur in.

 

 

 In the Old Testament the spirit of God is the Shekinah, which is female, and she reappears in the New Testament as the Paraclete, effectively is born from the `rib` of Jesus; as the `Second Eve` from the `Second Adam` when Jesus` side is pierced by the spear of the Roman centurion Longinus upon his death. The tradition of a feminine `guide, helpmeet, comforter and teacher` is ancient and present in Moslem and Christian traditions. If futanarian woman has a penis and is a species, then the role of the `Holy Spirit` and the Qareen is understandable as the `wife` of the individual that seeks after God and wisdom.

 

 

 In an early episode of the TV series Star Trek, the `companion` is depicted as a female creature that effects a symbiosis with a member of the crew of a ship of Starfleet, and so is a metaphor for the `wife` relationship existing between the individual and the Holy Spirit/Qareen. In simple terms, God teaches the `companion`, which is the Qareen, through the Holy Spirit, and the Holy Spirit/Paraclete teaches the individual also. The Qareen is the `wife` of the soul, and the Holy Spirit is the `wife` of the spirit, which is the instrument of God`s reasoning.

 

 

 Television is the medium that conveys the information that man and woman are separate because men are parasitical aliens enslaving women`s wombs, while woman with a penis of her own, that is, futanarian woman, is a species. Consequently, television is the perception that man and woman are a single creature wearing each others` clothes. Or, in other words, TV is transvestism, and 9/11 was designed to plunge the globe into a terrorist epoch in which man and woman would never recover sufficiently to understand that the homosexual parasites want to continue laughing at them as they fool the `TV` into accepting war and plague as `normal service will be resumed as soon as possible`.

 

 

 In Revelation the `hidden` woman of the Earth leaves after she receives protection from the child she has borne as the `New Redeemer`. In heaven she sows her own `seed` and fights against the evil serpent`s `seed`, whose head God foretells in Genesis she`ll crush with her heel as the leaves Earth. Paradoxically, Saddam Hussein`s name, in Arabic, is `crusher`, which may mean that Hussein will, in some way, be remembered as a liberator of the `hidden` woman; especially as it`s traditional in the Middle East for women to be concealed almost completely by their traditional burkahs, which are ideal for concealing a futanarian woman, that is, a woman with her own `seed` to sow because she has her own penis.

 

 

 In heaven the woman and her `seed` defeat the evil serpent`s `seed` and receives, as her reward from God, a new heaven and Earth, in which to dwell in forever, while the evil receive eternal unendurable pain as their punishment. For watching TV and advocating war and plague as what transvestite TVs are for. It`s perfectly feasible to assume that, before women`s wombs were enslaved by Greek homosexuals, they were a species of futanar with a penis of their own, and that men are homosexuals, which is why God condemns them in Revelation:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

Who`s Eaten Madeleine McCann?

07/07/2012 09:34

Who`s Eaten Madeleine McCann?

 

The English disease is often defined as `paedophilia`, which is `fear of development`. Society in England is based on the sole premise that every living high school leaver wants to have sex with small children. The solution is to present everyone as infants and teach them that sex is taboo, and the body is for eating and shitting only, which accords with the central principle of Sigmund Freud`s repression psychology. All products of human civilization and culture are `nothing but` shit, according to infantilism. Consequently, sexual repression becomes the norm and reproduction and development become what is feared, which emerges in society as `paedophilia`, which actually is `fear of development, and so of sexual reproduction.

 

 

  Masquerading  in society as the perception that everyone wants to have sex with children and so should be prevented by explaining that shitting is what people are for, and the nihilists `kill two birds with one stone`, as it were. Interest in sex, as a developmental instinct that, in the psychology of Carl Gustav Jung, is transformed into spiritual and intellectual work, is `killed`, while product has been defined by Sigmund Freud, as `nothing but` shit and, because shit is produced from the anus, sexual activity has been directed there.

 

 Anal is the basis of a society that has become nihilistic insofar as it`s producing infantiles that view shit as product, and so anal sex is productive of `nothing but` shit. The virus HIV/AIDS, as the child of the 20th century, is a virgin birth from an Anti-Christian `Black Mass` of anal sex, which is sterile and productive only of semen mixed with blood, shit, and urine, that is, a `seedbed` for HIV/AIDS.

 

 Nihilism is the result of practicing what God had condemned as long ago as Sodom (homosexuality) and Gomorrah (sadism), and infantilism is what the nihilists teach in order to prevent the paedophile, who is a child and wants to have sex with children (because developing children do want to have sex with each other), from developing beyond infantilism in which everything is anal and productive only of shit and HIV/AIDS.

 

 The first step would be for a society, on the verge of nihilism, to stop deciding who is to have sex with who, so that it can decide to have sex with you, whether you want it to or not. In the Bible the `hidden` woman of Revelation leaves Earth to sow her own `seed` and her `seed` defeats the Anti-Christian `seed`. She is given a new heaven and Earth to dwell in forever while the evil receive perdition. In other words, God has decided that Woman, as a species with a penis of her own ( https://futanaria.com), can decide who she has sex with for herself, and whether or not to. The clitoris is designed purely for pleasure, and masturbation of the penis is pleasurable also, without vaginal insertion. Consequently, an immortal woman in heaven, who is futanarian with both vagina and penis, would be virgina intacta should she choose to be and, if she didn`t, she wouldn`t have a man, according to God.

 

 

 In the case of Madeleine McCann the young girl disappeared, which is equivalent, in infantilist psychology, to her being eaten, because she was `nothing but` shit, which is what nihilist societies teach. On the understanding that sexual activity is wrong, they teach that eating and shitting is what we are for. Consequently, Madeleine McCann was either eaten, or shat, because the nihilist society has taught that the different activities amount to the same thing. In simple terms, if Madeleine McCann, as a product of the womb of God`s producer, that is, Woman, is definable as shit by a nihilist society encouraging her not to sexually or spiritually/intellectually develop, that is, remain infantile, then the nihilist infantiles created by the society, as the society observing that eating is what she`s for, will eat her. Or, in other words, being murdered was what the nihilist infantile society bred her for. The `New Redeemer` of Revelation is figured as the protector of the `hidden` woman of the Earth before she leaves, which means that any woman that disappears from a society that views her as a murder victim to begin with either desires to escape from the nihilists, or is being helped to hide by a redeemer. In other words, Madeleine McCann is a symbol of the nihilistic infantiles` pursuit of the chimera of their being believed. On the understanding that innocence is non-development, they maintain their `position` as nihilist jailors.  Or, to put it another way, the developer is the enemy of the nihilist infantile society because the innocent can be wise enough to live if they develop. Jesus` teaching on the subject of Woman`s development is the simple command:

 

 `Leave her alone.` (Mark: 14.6)

 

 Because it`s clear to Jesus, born of a virgin and celibate, that women are born innocent and wise enough to live if they develop. No man was involved in the birth of Jesus, and Jesus didn`t fall into the trap of reproduction, but was more concerned with progress through self-development and teaching, that is, not the `black mass suckers` of the parasitical blood-sucking leeches that were his and others` crucifiers, but the individually productive geniuses that would arise to fight in Jesus` name as graduates.

 

 

 As a `hidden` woman, Madeleine McCann is `disappeared`, that is, devoured, by her society`s nihilist infantile programmer s who don`t want development for women as the producers of shit they don`t want; such as futanarian women as a species with her own penis and capacity for living outside of their purview. Either that, or Madeleine is living outside of their perverted view. In Revelation the red dragon waits in vain to devour the child of the woman `clothed with the sun, and with the moon at her feet`:

 

 `A great sign appeared in the sky, a woman clothed with the sun, with the moon under her feet ... the dragon stood before the woman about to give birth, to devour her child when she gave birth.` (Rev: 12. 1-4)

 

 The woman who gives birth to the `New Redeemer` is protected by him until she`s ready to leave the Earth, so in effect she`s a child she gives birth to, that is, Self-Development, as the solution to the nihilist infantile reductivity of everything as `nothing but` devouring, shit, and sterile anal sex productive of `nothing but` HIV/AIDS and death. Jesus spent 40 days in the wilderness (Matt: 4.1), whereas the `hidden` woman is there for 1,260 days, which suggests preparation for an even greater task. The Bible says the `devourer` waits in vain, which suggests that Woman as God`s producer, and her product, as that which comes from her womb, in terms of the development of her civilizations and cultures, can`t be `disappeared`. In Islamic countries, the belief is that Paradise, which corresponds to heaven on Earth, and is `Jennah` in Arabic, which also means `hidden`, is all around us. Consequently, Madeline McCann could be in `Jennah` or `hidden`, as are all who have `disappeared`. The search for Madeleine is, then, either the hunt for her would-be devourer, or  the search for her hiding place,as a woman who, `hidden` like the woman of Revelation, has escaped from her imprisoners and is preparing to leave her imprisonment. In short, Madeleine McCann is an icon for the nihilist infantile who wants to find the `hidden` woman and kill her before she leaves Earth, and Madeleine`s  9 year old face from 2007 is a symbol of the nihilist infantile`s desire that women remain 9 years old as innocent victims of men`s enslaving of their host wombs so that men as parasites can continue to have the women give birth to themselves while the `leech jizz` pretend to be protective and Woman is expecting the `New Redeemer` to save her.

 

 

 In Jungian psychology the archetypes are images from the collective unconscious that, present in each of us, sometimes emerge into consciousness as developmental signs. One archetypal  image would be Woman giving birth to the `New Redeemer while the devouring dragon, a symbol of men`s nihilist infantilism, can`t eat her, and she escapes. It`s an archetype of freedom through self-development, and the denial of those who`d develop Woman upon her Earth so that she can be devoured, which is what the history of the Earth is. Men are the dragon and women are supposed to escape from them, which is why the `New Redeemer` is Christ also. The Messiah is not an ordinary man.

 

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